In a rather ill-favoured and ill-savoured neighbourhood, though one of its rising grounds bears the name of Mount Pleasant, the Elfin Smallweed, christened Bartholomew and known on the domestic hearth as Bart, passes that limited portion of his time on which the office and its contingencies have no claim. He dwells in a little narrow street, always solitary, shady, and sad, closely bricked in on all sides like a tomb, but where there yet lingers the stump of an old forest tree whose flavour is about as fresh and natural as the Smallweed smack of youth.

There has been only one child in the Smallweed family for several generations. Little old men and women there have been, but no child, until Mr. Smallweed’s grandmother, now living, became weak in her intellect and fell (for the first time) into a childish state. With such infantine graces as a total want of observation, memory, understanding, and interest, and an eternal disposition to fall asleep over the fire and into it, Mr. Smallweed’s grandmother has undoubtedly brightened the family.

Mr. Smallweed’s grandfather is likewise of the party. He is in a helpless condition as to his lower, and nearly so as to his upper, limbs, but his mind is unimpaired. It holds, as well as it ever held, the first four rules of arithmetic and a certain small collection of the hardest facts. In respect of ideality, reverence, wonder, and other such phrenological attributes, it is no worse off than it used to be. Everything that Mr. Smallweed’s grandfather ever put away in his mind was a grub at first, and is a grub at last. In all his life he has never bred a single butterfly.

The father of this pleasant grandfather, of the neighbourhood of Mount Pleasant, was a horny-skinned, two-legged, money-getting species of spider who spun webs to catch unwary flies and retired into holes until they were entrapped. The name of this old pagan’s god was Compound Interest. He lived for it, married it, died of it. Meeting with a heavy loss in an honest little enterprise in which all the loss was intended to have been on the other side, he broke something—something necessary to his existence, therefore it couldn’t have been his heart—and made an end of his career. As his character was not good, and he had been bred at a charity school in a complete course, according to question and answer, of those ancient people the Amorites and Hittites, he was frequently quoted as an example of the failure of education.

His spirit shone through his son, to whom he had always preached of “going out” early in life and whom he made a clerk in a sharp scrivener’s office at twelve years old. There the young gentleman improved his mind, which was of a lean and anxious character, and developing the family gifts, gradually elevated himself into the discounting profession. Going out early in life and marrying late, as his father had done before him, he too begat a lean and anxious-minded son, who in his turn, going out early in life and marrying late, became the father of Bartholomew and Judith Smallweed, twins. During the whole time consumed in the slow growth of this family tree, the house of Smallweed, always early to go out and late to marry, has strengthened itself in its practical character, has discarded all amusements, discountenanced all story-books, fairy-tales, fictions, and fables, and banished all levities whatsoever. Hence the gratifying fact that it has had no child born to it and that the complete little men and women whom it has produced have been observed to bear a likeness to old monkeys with something depressing on their minds.

At the present time, in the dark little parlour certain feet below the level of the street—a grim, hard, uncouth parlour, only ornamented with the coarsest of baize table-covers, and the hardest of sheet-iron tea-trays, and offering in its decorative character no bad allegorical representation of Grandfather Smallweed’s mind—seated in two black horsehair porter’s chairs, one on each side of the fire-place, the superannuated Mr. and Mrs. Smallweed while away the rosy hours. On the stove are a couple of trivets for the pots and kettles which it is Grandfather Smallweed’s usual occupation to watch, and projecting from the chimney-piece between them is a sort of brass gallows for roasting, which he also superintends when it is in action. Under the venerable Mr. Smallweed’s seat and guarded by his spindle legs is a drawer in his chair, reported to contain property to a fabulous amount. Beside him is a spare cushion with which he is always provided in order that he may have something to throw at the venerable partner of his respected age whenever she makes an allusion to money—a subject on which he is particularly sensitive.

“And where’s Bart?” Grandfather Smallweed inquires of Judy, Bart’s twin sister.

“He an’t come in yet,” says Judy.

“It’s his tea-time, isn’t it?”

“No.”

“How much do you mean to say it wants then?”

“Ten minutes.”

“Hey?”

“Ten minutes.” (Loud on the part of Judy.)

“Ho!” says Grandfather Smallweed. “Ten minutes.”

Grandmother Smallweed, who has been mumbling and shaking her head at the trivets, hearing figures mentioned, connects them with money and screeches like a horrible old parrot without any plumage, “Ten ten-pound notes!”

Grandfather Smallweed immediately throws the cushion at her.

“Drat you, be quiet!” says the good old man.

The effect of this act of jaculation is twofold. It not only doubles up Mrs. Smallweed’s head against the side of her porter’s chair and causes her to present, when extricated by her granddaughter, a highly unbecoming state of cap, but the necessary exertion recoils on Mr. Smallweed himself, whom it throws back into HIS porter’s chair like a broken puppet. The excellent old gentleman being at these times a mere clothes-bag with a black skull-cap on the top of it, does not present a very animated appearance until he has undergone the two operations at the hands of his granddaughter of being shaken up like a great bottle and poked and punched like a great bolster. Some indication of a neck being developed in him by these means, he and the sharer of his life’s evening again fronting one another in their two porter’s chairs, like a couple of sentinels long forgotten on their post by the Black Serjeant, Death.

Judy the twin is worthy company for these associates. She is so indubitably sister to Mr. Smallweed the younger that the two kneaded into one would hardly make a young person of average proportions, while she so happily exemplifies the before-mentioned family likeness to the monkey tribe that attired in a spangled robe and cap she might walk about the table-land on the top of a barrel-organ without exciting much remark as an unusual specimen. Under existing circumstances, however, she is dressed in a plain, spare gown of brown stuff.

Judy never owned a doll, never heard of Cinderella, never played at any game. She once or twice fell into children’s company when she was about ten years old, but the children couldn’t get on with Judy, and Judy couldn’t get on with them. She seemed like an animal of another species, and there was instinctive repugnance on both sides. It is very doubtful whether Judy knows how to laugh. She has so rarely seen the thing done that the probabilities are strong the other way. Of anything like a youthful laugh, she certainly can have no conception. If she were to try one, she would find her teeth in her way, modelling that action of her face, as she has unconsciously modelled all its other expressions, on her pattern of sordid age. Such is Judy.

And her twin brother couldn’t wind up a top for his life. He knows no more of Jack the Giant Killer or of Sinbad the Sailor than he knows of the people in the stars. He could as soon play at leap-frog or at cricket as change into a cricket or a frog himself. But he is so much the better off than his sister that on his narrow world of fact an opening has dawned into such broader regions as lie within the ken of Mr. Guppy. Hence his admiration and his emulation of that shining enchanter.

Judy, with a gong-like clash and clatter, sets one of the sheet-iron tea-trays on the table and arranges cups and saucers. The bread she puts on in an iron basket, and the butter (and not much of it) in a small pewter plate. Grandfather Smallweed looks hard after the tea as it is served out and asks Judy where the girl is.

“Charley, do you mean?” says Judy.

“Hey?” from Grandfather Smallweed.

“Charley, do you mean?”

This touches a spring in Grandmother Smallweed, who, chuckling as usual at the trivets, cries, “Over the water! Charley over the water, Charley over the water, over the water to Charley, Charley over the water, over the water to Charley!” and becomes quite energetic about it. Grandfather looks at the cushion but has not sufficiently recovered his late exertion.

“Ha!” he says when there is silence. “If that’s her name. She eats a deal. It would be better to allow her for her keep.”

Judy, with her brother’s wink, shakes her head and purses up her mouth into no without saying it.

“No?” returns the old man. “Why not?”

“She’d want sixpence a day, and we can do it for less,” says Judy.

“Sure?”

Judy answers with a nod of deepest meaning and calls, as she scrapes the butter on the loaf with every precaution against waste and cuts it into slices, “You, Charley, where are you?” Timidly obedient to the summons, a little girl in a rough apron and a large bonnet, with her hands covered with soap and water and a scrubbing brush in one of them, appears, and curtsys.

“What work are you about now?” says Judy, making an ancient snap at her like a very sharp old beldame.

“I’m a-cleaning the upstairs back room, miss,” replies Charley.

“Mind you do it thoroughly, and don’t loiter. Shirking won’t do for me. Make haste! Go along!” cries Judy with a stamp upon the ground. “You girls are more trouble than you’re worth, by half.”

On this severe matron, as she returns to her task of scraping the butter and cutting the bread, falls the shadow of her brother, looking in at the window. For whom, knife and loaf in hand, she opens the street-door.

“Aye, aye, Bart!” says Grandfather Smallweed. “Here you are, hey?”

“Here I am,” says Bart.

“Been along with your friend again, Bart?”

Small nods.

“Dining at his expense, Bart?”

Small nods again.

“That’s right. Live at his expense as much as you can, and take warning by his foolish example. That’s the use of such a friend. The only use you can put him to,” says the venerable sage.

His grandson, without receiving this good counsel as dutifully as he might, honours it with all such acceptance as may lie in a slight wink and a nod and takes a chair at the tea-table. The four old faces then hover over teacups like a company of ghastly cherubim, Mrs. Smallweed perpetually twitching her head and chattering at the trivets and Mr. Smallweed requiring to be repeatedly shaken up like a large black draught.

“Yes, yes,” says the good old gentleman, reverting to his lesson of wisdom. “That’s such advice as your father would have given you, Bart. You never saw your father. More’s the pity. He was my true son.” Whether it is intended to be conveyed that he was particularly pleasant to look at, on that account, does not appear.

“He was my true son,” repeats the old gentleman, folding his bread and butter on his knee, “a good accountant, and died fifteen years ago.”

Mrs. Smallweed, following her usual instinct, breaks out with “Fifteen hundred pound. Fifteen hundred pound in a black box, fifteen hundred pound locked up, fifteen hundred pound put away and hid!” Her worthy husband, setting aside his bread and butter, immediately discharges the cushion at her, crushes her against the side of her chair, and falls back in his own, overpowered. His appearance, after visiting Mrs. Smallweed with one of these admonitions, is particularly impressive and not wholly prepossessing, firstly because the exertion generally twists his black skull-cap over one eye and gives him an air of goblin rakishness, secondly because he mutters violent imprecations against Mrs. Smallweed, and thirdly because the contrast between those powerful expressions and his powerless figure is suggestive of a baleful old malignant who would be very wicked if he could. All this, however, is so common in the Smallweed family circle that it produces no impression. The old gentleman is merely shaken and has his internal feathers beaten up, the cushion is restored to its usual place beside him, and the old lady, perhaps with her cap adjusted and perhaps not, is planted in her chair again, ready to be bowled down like a ninepin.

Some time elapses in the present instance before the old gentleman is sufficiently cool to resume his discourse, and even then he mixes it up with several edifying expletives addressed to the unconscious partner of his bosom, who holds communication with nothing on earth but the trivets. As thus: “If your father, Bart, had lived longer, he might have been worth a deal of money—you brimstone chatterer!—but just as he was beginning to build up the house that he had been making the foundations for, through many a year—you jade of a magpie, jackdaw, and poll-parrot, what do you mean!—he took ill and died of a low fever, always being a sparing and a spare man, full of business care—I should like to throw a cat at you instead of a cushion, and I will too if you make such a confounded fool of yourself!—and your mother, who was a prudent woman as dry as a chip, just dwindled away like touchwood after you and Judy were born—you are an old pig. You are a brimstone pig. You’re a head of swine!”

Judy, not interested in what she has often heard, begins to collect in a basin various tributary streams of tea, from the bottoms of cups and saucers and from the bottom of the tea-pot for the little charwoman’s evening meal. In like manner she gets together, in the iron bread-basket, as many outside fragments and worn-down heels of loaves as the rigid economy of the house has left in existence.

“But your father and me were partners, Bart,” says the old gentleman, “and when I am gone, you and Judy will have all there is. It’s rare for you both that you went out early in life—Judy to the flower business, and you to the law. You won’t want to spend it. You’ll get your living without it, and put more to it. When I am gone, Judy will go back to the flower business and you’ll still stick to the law.”

One might infer from Judy’s appearance that her business rather lay with the thorns than the flowers, but she has in her time been apprenticed to the art and mystery of artificial flower-making. A close observer might perhaps detect both in her eye and her brother’s, when their venerable grandsire anticipates his being gone, some little impatience to know when he may be going, and some resentful opinion that it is time he went.

“Now, if everybody has done,” says Judy, completing her preparations, “I’ll have that girl in to her tea. She would never leave off if she took it by herself in the kitchen.”

Charley is accordingly introduced, and under a heavy fire of eyes, sits down to her basin and a Druidical ruin of bread and butter. In the active superintendence of this young person, Judy Smallweed appears to attain a perfectly geological age and to date from the remotest periods. Her systematic manner of flying at her and pouncing on her, with or without pretence, whether or no, is wonderful, evincing an accomplishment in the art of girl-driving seldom reached by the oldest practitioners.

“Now, don’t stare about you all the afternoon,” cries Judy, shaking her head and stamping her foot as she happens to catch the glance which has been previously sounding the basin of tea, “but take your victuals and get back to your work.”

“Yes, miss,” says Charley.

“Don’t say yes,” returns Miss Smallweed, “for I know what you girls are. Do it without saying it, and then I may begin to believe you.”

Charley swallows a great gulp of tea in token of submission and so disperses the Druidical ruins that Miss Smallweed charges her not to gormandize, which “in you girls,” she observes, is disgusting. Charley might find some more difficulty in meeting her views on the general subject of girls but for a knock at the door.

“See who it is, and don’t chew when you open it!” cries Judy.

The object of her attentions withdrawing for the purpose, Miss Smallweed takes that opportunity of jumbling the remainder of the bread and butter together and launching two or three dirty tea-cups into the ebb-tide of the basin of tea as a hint that she considers the eating and drinking terminated.

“Now! Who is it, and what’s wanted?” says the snappish Judy.

It is one Mr. George, it appears. Without other announcement or ceremony, Mr. George walks in.

“Whew!” says Mr. George. “You are hot here. Always a fire, eh? Well! Perhaps you do right to get used to one.” Mr. George makes the latter remark to himself as he nods to Grandfather Smallweed.

“Ho! It’s you!” cries the old gentleman. “How de do? How de do?”

“Middling,” replies Mr. George, taking a chair. “Your granddaughter I have had the honour of seeing before; my service to you, miss.”

“This is my grandson,” says Grandfather Smallweed. “You ha’n’t seen him before. He is in the law and not much at home.”

“My service to him, too! He is like his sister. He is very like his sister. He is devilish like his sister,” says Mr. George, laying a great and not altogether complimentary stress on his last adjective.

“And how does the world use you, Mr. George?” Grandfather Smallweed inquires, slowly rubbing his legs.

“Pretty much as usual. Like a football.”

He is a swarthy brown man of fifty, well made, and good looking, with crisp dark hair, bright eyes, and a broad chest. His sinewy and powerful hands, as sunburnt as his face, have evidently been used to a pretty rough life. What is curious about him is that he sits forward on his chair as if he were, from long habit, allowing space for some dress or accoutrements that he has altogether laid aside. His step too is measured and heavy and would go well with a weighty clash and jingle of spurs. He is close-shaved now, but his mouth is set as if his upper lip had been for years familiar with a great moustache; and his manner of occasionally laying the open palm of his broad brown hand upon it is to the same effect. Altogether one might guess Mr. George to have been a trooper once upon a time.

A special contrast Mr. George makes to the Smallweed family. Trooper was never yet billeted upon a household more unlike him. It is a broadsword to an oyster-knife. His developed figure and their stunted forms, his large manner filling any amount of room and their little narrow pinched ways, his sounding voice and their sharp spare tones, are in the strongest and the strangest opposition. As he sits in the middle of the grim parlour, leaning a little forward, with his hands upon his thighs and his elbows squared, he looks as though, if he remained there long, he would absorb into himself the whole family and the whole four-roomed house, extra little back-kitchen and all.

“Do you rub your legs to rub life into ’em?” he asks of Grandfather Smallweed after looking round the room.

“Why, it’s partly a habit, Mr. George, and—yes—it partly helps the circulation,” he replies.

“The cir-cu-la-tion!” repeats Mr. George, folding his arms upon his chest and seeming to become two sizes larger. “Not much of that, I should think.”

“Truly I’m old, Mr. George,” says Grandfather Smallweed. “But I can carry my years. I’m older than HER,” nodding at his wife, “and see what she is? You’re a brimstone chatterer!” with a sudden revival of his late hostility.

“Unlucky old soul!” says Mr. George, turning his head in that direction. “Don’t scold the old lady. Look at her here, with her poor cap half off her head and her poor hair all in a muddle. Hold up, ma’am. That’s better. There we are! Think of your mother, Mr. Smallweed,” says Mr. George, coming back to his seat from assisting her, “if your wife an’t enough.”

“I suppose you were an excellent son, Mr. George?” the old man hints with a leer.

The colour of Mr. George’s face rather deepens as he replies, “Why no. I wasn’t.”

“I am astonished at it.”

“So am I. I ought to have been a good son, and I think I meant to have been one. But I wasn’t. I was a thundering bad son, that’s the long and the short of it, and never was a credit to anybody.”

“Surprising!” cries the old man.

“However,” Mr. George resumes, “the less said about it, the better now. Come! You know the agreement. Always a pipe out of the two months’ interest! (Bosh! It’s all correct. You needn’t be afraid to order the pipe. Here’s the new bill, and here’s the two months’ interest-money, and a devil-and-all of a scrape it is to get it together in my business.)”

Mr. George sits, with his arms folded, consuming the family and the parlour while Grandfather Smallweed is assisted by Judy to two black leathern cases out of a locked bureau, in one of which he secures the document he has just received, and from the other takes another similar document which he hands to Mr. George, who twists it up for a pipelight. As the old man inspects, through his glasses, every up-stroke and down-stroke of both documents before he releases them from their leathern prison, and as he counts the money three times over and requires Judy to say every word she utters at least twice, and is as tremulously slow of speech and action as it is possible to be, this business is a long time in progress. When it is quite concluded, and not before, he disengages his ravenous eyes and fingers from it and answers Mr. George’s last remark by saying, “Afraid to order the pipe? We are not so mercenary as that, sir. Judy, see directly to the pipe and the glass of cold brandy-and-water for Mr. George.”

The sportive twins, who have been looking straight before them all this time except when they have been engrossed by the black leathern cases, retire together, generally disdainful of the visitor, but leaving him to the old man as two young cubs might leave a traveller to the parental bear.

“And there you sit, I suppose, all the day long, eh?” says Mr. George with folded arms.

“Just so, just so,” the old man nods.

“And don’t you occupy yourself at all?”

“I watch the fire—and the boiling and the roasting—”

“When there is any,” says Mr. George with great expression.

“Just so. When there is any.”

“Don’t you read or get read to?”

The old man shakes his head with sharp sly triumph. “No, no. We have never been readers in our family. It don’t pay. Stuff. Idleness. Folly. No, no!”

“There’s not much to choose between your two states,” says the visitor in a key too low for the old man’s dull hearing as he looks from him to the old woman and back again. “I say!” in a louder voice.

“I hear you.”

“You’ll sell me up at last, I suppose, when I am a day in arrear.”

“My dear friend!” cries Grandfather Smallweed, stretching out both hands to embrace him. “Never! Never, my dear friend! But my friend in the city that I got to lend you the money—HE might!”

“Oh! You can’t answer for him?” says Mr. George, finishing the inquiry in his lower key with the words “You lying old rascal!”

“My dear friend, he is not to be depended on. I wouldn’t trust him. He will have his bond, my dear friend.”

“Devil doubt him,” says Mr. George. Charley appearing with a tray, on which are the pipe, a small paper of tobacco, and the brandy-and-water, he asks her, “How do you come here! You haven’t got the family face.”

“I goes out to work, sir,” returns Charley.

The trooper (if trooper he be or have been) takes her bonnet off, with a light touch for so strong a hand, and pats her on the head. “You give the house almost a wholesome look. It wants a bit of youth as much as it wants fresh air.” Then he dismisses her, lights his pipe, and drinks to Mr. Smallweed’s friend in the city—the one solitary flight of that esteemed old gentleman’s imagination.

“So you think he might be hard upon me, eh?”

“I think he might—I am afraid he would. I have known him do it,” says Grandfather Smallweed incautiously, “twenty times.”

Incautiously, because his stricken better-half, who has been dozing over the fire for some time, is instantly aroused and jabbers “Twenty thousand pounds, twenty twenty-pound notes in a money-box, twenty guineas, twenty million twenty per cent, twenty—” and is then cut short by the flying cushion, which the visitor, to whom this singular experiment appears to be a novelty, snatches from her face as it crushes her in the usual manner.

“You’re a brimstone idiot. You’re a scorpion—a brimstone scorpion! You’re a sweltering toad. You’re a chattering clattering broomstick witch that ought to be burnt!” gasps the old man, prostrate in his chair. “My dear friend, will you shake me up a little?”

Mr. George, who has been looking first at one of them and then at the other, as if he were demented, takes his venerable acquaintance by the throat on receiving this request, and dragging him upright in his chair as easily as if he were a doll, appears in two minds whether or no to shake all future power of cushioning out of him and shake him into his grave. Resisting the temptation, but agitating him violently enough to make his head roll like a harlequin’s, he puts him smartly down in his chair again and adjusts his skull-cap with such a rub that the old man winks with both eyes for a minute afterwards.

“O Lord!” gasps Mr. Smallweed. “That’ll do. Thank you, my dear friend, that’ll do. Oh, dear me, I’m out of breath. O Lord!” And Mr. Smallweed says it not without evident apprehensions of his dear friend, who still stands over him looming larger than ever.

The alarming presence, however, gradually subsides into its chair and falls to smoking in long puffs, consoling itself with the philosophical reflection, “The name of your friend in the city begins with a D, comrade, and you’re about right respecting the bond.”

“Did you speak, Mr. George?” inquires the old man.

The trooper shakes his head, and leaning forward with his right elbow on his right knee and his pipe supported in that hand, while his other hand, resting on his left leg, squares his left elbow in a martial manner, continues to smoke. Meanwhile he looks at Mr. Smallweed with grave attention and now and then fans the cloud of smoke away in order that he may see him the more clearly.

“I take it,” he says, making just as much and as little change in his position as will enable him to reach the glass to his lips with a round, full action, “that I am the only man alive (or dead either) that gets the value of a pipe out of YOU?”

“Well,” returns the old man, “it’s true that I don’t see company, Mr. George, and that I don’t treat. I can’t afford to it. But as you, in your pleasant way, made your pipe a condition—”

“Why, it’s not for the value of it; that’s no great thing. It was a fancy to get it out of you. To have something in for my money.”

“Ha! You’re prudent, prudent, sir!” cries Grandfather Smallweed, rubbing his legs.

“Very. I always was.” Puff. “It’s a sure sign of my prudence that I ever found the way here.” Puff. “Also, that I am what I am.” Puff. “I am well known to be prudent,” says Mr. George, composedly smoking. “I rose in life that way.”

“Don’t be down-hearted, sir. You may rise yet.”

Mr. George laughs and drinks.

“Ha’n’t you no relations, now,” asks Grandfather Smallweed with a twinkle in his eyes, “who would pay off this little principal or who would lend you a good name or two that I could persuade my friend in the city to make you a further advance upon? Two good names would be sufficient for my friend in the city. Ha’n’t you no such relations, Mr. George?”

Mr. George, still composedly smoking, replies, “If I had, I shouldn’t trouble them. I have been trouble enough to my belongings in my day. It MAY be a very good sort of penitence in a vagabond, who has wasted the best time of his life, to go back then to decent people that he never was a credit to and live upon them, but it’s not my sort. The best kind of amends then for having gone away is to keep away, in my opinion.”

“But natural affection, Mr. George,” hints Grandfather Smallweed.

“For two good names, hey?” says Mr. George, shaking his head and still composedly smoking. “No. That’s not my sort either.”

Grandfather Smallweed has been gradually sliding down in his chair since his last adjustment and is now a bundle of clothes with a voice in it calling for Judy. That houri, appearing, shakes him up in the usual manner and is charged by the old gentleman to remain near him. For he seems chary of putting his visitor to the trouble of repeating his late attentions.

“Ha!” he observes when he is in trim again. “If you could have traced out the captain, Mr. George, it would have been the making of you. If when you first came here, in consequence of our advertisement in the newspapers—when I say ‘our,’ I’m alluding to the advertisements of my friend in the city, and one or two others who embark their capital in the same way, and are so friendly towards me as sometimes to give me a lift with my little pittance—if at that time you could have helped us, Mr. George, it would have been the making of you.”

“I was willing enough to be ‘made,’ as you call it,” says Mr. George, smoking not quite so placidly as before, for since the entrance of Judy he has been in some measure disturbed by a fascination, not of the admiring kind, which obliges him to look at her as she stands by her grandfather’s chair, “but on the whole, I am glad I wasn’t now.”

“Why, Mr. George? In the name of—of brimstone, why?” says Grandfather Smallweed with a plain appearance of exasperation. (Brimstone apparently suggested by his eye lighting on Mrs. Smallweed in her slumber.)

“For two reasons, comrade.”

“And what two reasons, Mr. George? In the name of the—”

“Of our friend in the city?” suggests Mr. George, composedly drinking.

“Aye, if you like. What two reasons?”

“In the first place,” returns Mr. George, but still looking at Judy as if she being so old and so like her grandfather it is indifferent which of the two he addresses, “you gentlemen took me in. You advertised that Mr. Hawdon (Captain Hawdon, if you hold to the saying ‘Once a captain, always a captain’) was to hear of something to his advantage.”

“Well?” returns the old man shrilly and sharply.

“Well!” says Mr. George, smoking on. “It wouldn’t have been much to his advantage to have been clapped into prison by the whole bill and judgment trade of London.”

“How do you know that? Some of his rich relations might have paid his debts or compounded for ’em. Besides, he had taken US in. He owed us immense sums all round. I would sooner have strangled him than had no return. If I sit here thinking of him,” snarls the old man, holding up his impotent ten fingers, “I want to strangle him now.” And in a sudden access of fury, he throws the cushion at the unoffending Mrs. Smallweed, but it passes harmlessly on one side of her chair.

“I don’t need to be told,” returns the trooper, taking his pipe from his lips for a moment and carrying his eyes back from following the progress of the cushion to the pipe-bowl which is burning low, “that he carried on heavily and went to ruin. I have been at his right hand many a day when he was charging upon ruin full-gallop. I was with him when he was sick and well, rich and poor. I laid this hand upon him after he had run through everything and broken down everything beneath him—when he held a pistol to his head.”

“I wish he had let it off,” says the benevolent old man, “and blown his head into as many pieces as he owed pounds!”

“That would have been a smash indeed,” returns the trooper coolly; “any way, he had been young, hopeful, and handsome in the days gone by, and I am glad I never found him, when he was neither, to lead to a result so much to his advantage. That’s reason number one.”

“I hope number two’s as good?” snarls the old man.

“Why, no. It’s more of a selfish reason. If I had found him, I must have gone to the other world to look. He was there.”

“How do you know he was there?”

“He wasn’t here.”

“How do you know he wasn’t here?”

“Don’t lose your temper as well as your money,” says Mr. George, calmly knocking the ashes out of his pipe. “He was drowned long before. I am convinced of it. He went over a ship’s side. Whether intentionally or accidentally, I don’t know. Perhaps your friend in the city does. Do you know what that tune is, Mr. Smallweed?” he adds after breaking off to whistle one, accompanied on the table with the empty pipe.

“Tune!” replied the old man. “No. We never have tunes here.”

“That’s the Dead March in Saul. They bury soldiers to it, so it’s the natural end of the subject. Now, if your pretty granddaughter—excuse me, miss—will condescend to take care of this pipe for two months, we shall save the cost of one next time. Good evening, Mr. Smallweed!”

“My dear friend!” the old man gives him both his hands.

“So you think your friend in the city will be hard upon me if I fall in a payment?” says the trooper, looking down upon him like a giant.

“My dear friend, I am afraid he will,” returns the old man, looking up at him like a pygmy.

Mr. George laughs, and with a glance at Mr. Smallweed and a parting salutation to the scornful Judy, strides out of the parlour, clashing imaginary sabres and other metallic appurtenances as he goes.

“You’re a damned rogue,” says the old gentleman, making a hideous grimace at the door as he shuts it. “But I’ll lime you, you dog, I’ll lime you!”

After this amiable remark, his spirit soars into those enchanting regions of reflection which its education and pursuits have opened to it, and again he and Mrs. Smallweed while away the rosy hours, two unrelieved sentinels forgotten as aforesaid by the Black Serjeant.

While the twain are faithful to their post, Mr. George strides through the streets with a massive kind of swagger and a grave-enough face. It is eight o’clock now, and the day is fast drawing in. He stops hard by Waterloo Bridge and reads a playbill, decides to go to Astley’s Theatre. Being there, is much delighted with the horses and the feats of strength; looks at the weapons with a critical eye; disapproves of the combats as giving evidences of unskilful swordsmanship; but is touched home by the sentiments. In the last scene, when the Emperor of Tartary gets up into a cart and condescends to bless the united lovers by hovering over them with the Union Jack, his eyelashes are moistened with emotion.

The theatre over, Mr. George comes across the water again and makes his way to that curious region lying about the Haymarket and Leicester Square which is a centre of attraction to indifferent foreign hotels and indifferent foreigners, racket-courts, fighting-men, swordsmen, footguards, old china, gaming-houses, exhibitions, and a large medley of shabbiness and shrinking out of sight. Penetrating to the heart of this region, he arrives by a court and a long whitewashed passage at a great brick building composed of bare walls, floors, roof-rafters, and skylights, on the front of which, if it can be said to have any front, is painted GEORGE’S SHOOTING GALLERY, &c.

Into George’s Shooting Gallery, &c., he goes; and in it there are gaslights (partly turned off now), and two whitened targets for rifle-shooting, and archery accommodation, and fencing appliances, and all necessaries for the British art of boxing. None of these sports or exercises being pursued in George’s Shooting Gallery to-night, which is so devoid of company that a little grotesque man with a large head has it all to himself and lies asleep upon the floor.

The little man is dressed something like a gunsmith, in a green-baize apron and cap; and his face and hands are dirty with gunpowder and begrimed with the loading of guns. As he lies in the light before a glaring white target, the black upon him shines again. Not far off is the strong, rough, primitive table with a vice upon it at which he has been working. He is a little man with a face all crushed together, who appears, from a certain blue and speckled appearance that one of his cheeks presents, to have been blown up, in the way of business, at some odd time or times.

“Phil!” says the trooper in a quiet voice.

“All right!” cries Phil, scrambling to his feet.

“Anything been doing?”

“Flat as ever so much swipes,” says Phil. “Five dozen rifle and a dozen pistol. As to aim!” Phil gives a howl at the recollection.

“Shut up shop, Phil!”

As Phil moves about to execute this order, it appears that he is lame, though able to move very quickly. On the speckled side of his face he has no eyebrow, and on the other side he has a bushy black one, which want of uniformity gives him a very singular and rather sinister appearance. Everything seems to have happened to his hands that could possibly take place consistently with the retention of all the fingers, for they are notched, and seamed, and crumpled all over. He appears to be very strong and lifts heavy benches about as if he had no idea what weight was. He has a curious way of limping round the gallery with his shoulder against the wall and tacking off at objects he wants to lay hold of instead of going straight to them, which has left a smear all round the four walls, conventionally called “Phil’s mark.”

This custodian of George’s Gallery in George’s absence concludes his proceedings, when he has locked the great doors and turned out all the lights but one, which he leaves to glimmer, by dragging out from a wooden cabin in a corner two mattresses and bedding. These being drawn to opposite ends of the gallery, the trooper makes his own bed and Phil makes his.

“Phil!” says the master, walking towards him without his coat and waistcoat, and looking more soldierly than ever in his braces. “You were found in a doorway, weren’t you?”

“Gutter,” says Phil. “Watchman tumbled over me.”

“Then vagabondizing came natural to YOU from the beginning.”

“As nat’ral as possible,” says Phil.

“Good night!”

“Good night, guv’ner.”

Phil cannot even go straight to bed, but finds it necessary to shoulder round two sides of the gallery and then tack off at his mattress. The trooper, after taking a turn or two in the rifle-distance and looking up at the moon now shining through the skylights, strides to his own mattress by a shorter route and goes to bed too.

Librivox Recording: Chapter 21

(Image: “The Smallweed Family”)

The long vacation saunters on towards term-time like an idle river very leisurely strolling down a flat country to the sea. Mr. Guppy saunters along with it congenially. He has blunted the blade of his penknife and broken the point off by sticking that instrument into his desk in every direction. Not that he bears the desk any ill will, but he must do something, and it must be something of an unexciting nature, which will lay neither his physical nor his intellectual energies under too heavy contribution. He finds that nothing agrees with him so well as to make little gyrations on one leg of his stool, and stab his desk, and gape.

Kenge and Carboy are out of town, and the articled clerk has taken out a shooting license and gone down to his father’s, and Mr. Guppy’s two fellow-stipendiaries are away on leave. Mr. Guppy and Mr. Richard Carstone divide the dignity of the office. But Mr. Carstone is for the time being established in Kenge’s room, whereat Mr. Guppy chafes. So exceedingly that he with biting sarcasm informs his mother, in the confidential moments when he sups with her off a lobster and lettuce in the Old Street Road, that he is afraid the office is hardly good enough for swells, and that if he had known there was a swell coming, he would have got it painted.

Mr. Guppy suspects everybody who enters on the occupation of a stool in Kenge and Carboy’s office of entertaining, as a matter of course, sinister designs upon him. He is clear that every such person wants to depose him. If he be ever asked how, why, when, or wherefore, he shuts up one eye and shakes his head. On the strength of these profound views, he in the most ingenious manner takes infinite pains to counterplot when there is no plot, and plays the deepest games of chess without any adversary.

It is a source of much gratification to Mr. Guppy, therefore, to find the new-comer constantly poring over the papers in Jarndyce and Jarndyce, for he well knows that nothing but confusion and failure can come of that. His satisfaction communicates itself to a third saunterer through the long vacation in Kenge and Carboy’s office, to wit, Young Smallweed.

Whether Young Smallweed (metaphorically called Small and eke Chick Weed, as it were jocularly to express a fledgling) was ever a boy is much doubted in Lincoln’s Inn. He is now something under fifteen and an old limb of the law. He is facetiously understood to entertain a passion for a lady at a cigar-shop in the neighbourhood of Chancery Lane and for her sake to have broken off a contract with another lady, to whom he had been engaged some years. He is a town-made article, of small stature and weazen features, but may be perceived from a considerable distance by means of his very tall hat. To become a Guppy is the object of his ambition. He dresses at that gentleman (by whom he is patronized), talks at him, walks at him, founds himself entirely on him. He is honoured with Mr. Guppy’s particular confidence and occasionally advises him, from the deep wells of his experience, on difficult points in private life.

Mr. Guppy has been lolling out of window all the morning after trying all the stools in succession and finding none of them easy, and after several times putting his head into the iron safe with a notion of cooling it. Mr. Smallweed has been twice dispatched for effervescent drinks, and has twice mixed them in the two official tumblers and stirred them up with the ruler. Mr. Guppy propounds for Mr. Smallweed’s consideration the paradox that the more you drink the thirstier you are and reclines his head upon the window-sill in a state of hopeless languor.

While thus looking out into the shade of Old Square, Lincoln’s Inn, surveying the intolerable bricks and mortar, Mr. Guppy becomes conscious of a manly whisker emerging from the cloistered walk below and turning itself up in the direction of his face. At the same time, a low whistle is wafted through the Inn and a suppressed voice cries, “Hip! Gup-py!”

“Why, you don’t mean it!” says Mr. Guppy, aroused. “Small! Here’s Jobling!” Small’s head looks out of window too and nods to Jobling.

“Where have you sprung up from?” inquires Mr. Guppy.

“From the market-gardens down by Deptford. I can’t stand it any longer. I must enlist. I say! I wish you’d lend me half a crown. Upon my soul, I’m hungry.”

Jobling looks hungry and also has the appearance of having run to seed in the market-gardens down by Deptford.

“I say! Just throw out half a crown if you have got one to spare. I want to get some dinner.”

“Will you come and dine with me?” says Mr. Guppy, throwing out the coin, which Mr. Jobling catches neatly.

“How long should I have to hold out?” says Jobling.

“Not half an hour. I am only waiting here till the enemy goes, returns Mr. Guppy, butting inward with his head.

“What enemy?”

“A new one. Going to be articled. Will you wait?”

“Can you give a fellow anything to read in the meantime?” says Mr. Jobling.

Smallweed suggests the law list. But Mr. Jobling declares with much earnestness that he “can’t stand it.”

“You shall have the paper,” says Mr. Guppy. “He shall bring it down. But you had better not be seen about here. Sit on our staircase and read. It’s a quiet place.”

Jobling nods intelligence and acquiescence. The sagacious Smallweed supplies him with the newspaper and occasionally drops his eye upon him from the landing as a precaution against his becoming disgusted with waiting and making an untimely departure. At last the enemy retreats, and then Smallweed fetches Mr. Jobling up.

“Well, and how are you?” says Mr. Guppy, shaking hands with him.

“So, so. How are you?”

Mr. Guppy replying that he is not much to boast of, Mr. Jobling ventures on the question, “How is SHE?” This Mr. Guppy resents as a liberty, retorting, “Jobling, there ARE chords in the human mind—” Jobling begs pardon.

“Any subject but that!” says Mr. Guppy with a gloomy enjoyment of his injury. “For there ARE chords,Jobling—”

Mr. Jobling begs pardon again.

During this short colloquy, the active Smallweed, who is of the dinner party, has written in legal characters on a slip of paper, “Return immediately.” This notification to all whom it may concern, he inserts in the letter-box, and then putting on the tall hat at the angle of inclination at which Mr. Guppy wears his, informs his patron that they may now make themselves scarce.

Accordingly they betake themselves to a neighbouring dining-house, of the class known among its frequenters by the denomination slap-bang, where the waitress, a bouncing young female of forty, is supposed to have made some impression on the susceptible Smallweed, of whom it may be remarked that he is a weird changeling to whom years are nothing. He stands precociously possessed of centuries of owlish wisdom. If he ever lay in a cradle, it seems as if he must have lain there in a tail-coat. He has an old, old eye, has Smallweed; and he drinks and smokes in a monkeyish way; and his neck is stiff in his collar; and he is never to be taken in; and he knows all about it, whatever it is. In short, in his bringing up he has been so nursed by Law and Equity that he has become a kind of fossil imp, to account for whose terrestrial existence it is reported at the public offices that his father was John Doe and his mother the only female member of the Roe family, also that his first long-clothes were made from a blue bag.

Into the dining-house, unaffected by the seductive show in the window of artificially whitened cauliflowers and poultry, verdant baskets of peas, coolly blooming cucumbers, and joints ready for the spit, Mr. Smallweed leads the way. They know him there and defer to him. He has his favourite box, he bespeaks all the papers, he is down upon bald patriarchs, who keep them more than ten minutes afterwards. It is of no use trying him with anything less than a full-sized “bread” or proposing to him any joint in cut unless it is in the very best cut. In the matter of gravy he is adamant.

Conscious of his elfin power and submitting to his dread experience, Mr. Guppy consults him in the choice of that day’s banquet, turning an appealing look towards him as the waitress repeats the catalogue of viands and saying “What do YOU take, Chick?” Chick, out of the profundity of his artfulness, preferring “veal and ham and French beans—and don’t you forget the stuffing, Polly” (with an unearthly cock of his venerable eye), Mr. Guppy and Mr. Jobling give the like order. Three pint pots of half-and-half are superadded. Quickly the waitress returns bearing what is apparently a model of the Tower of Babel but what is really a pile of plates and flat tin dish-covers. Mr. Smallweed, approving of what is set before him, conveys intelligent benignity into his ancient eye and winks upon her. Then, amid a constant coming in, and going out, and running about, and a clatter of crockery, and a rumbling up and down of the machine which brings the nice cuts from the kitchen, and a shrill crying for more nice cuts down the speaking-pipe, and a shrill reckoning of the cost of nice cuts that have been disposed of, and a general flush and steam of hot joints, cut and uncut, and a considerably heated atmosphere in which the soiled knives and tablecloths seem to break out spontaneously into eruptions of grease and blotches of beer, the legal triumvirate appease their appetites.

Mr. Jobling is buttoned up closer than mere adornment might require. His hat presents at the rims a peculiar appearance of a glistening nature, as if it had been a favourite snail-promenade. The same phenomenon is visible on some parts of his coat, and particularly at the seams. He has the faded appearance of a gentleman in embarrassed circumstances; even his light whiskers droop with something of a shabby air.

His appetite is so vigorous that it suggests spare living for some little time back. He makes such a speedy end of his plate of veal and ham, bringing it to a close while his companions are yet midway in theirs, that Mr. Guppy proposes another. “Thank you, Guppy,” says Mr. Jobling, “I really don’t know but what I WILL take another.”

Another being brought, he falls to with great goodwill.

Mr. Guppy takes silent notice of him at intervals until he is half way through this second plate and stops to take an enjoying pull at his pint pot of half-and-half (also renewed) and stretches out his legs and rubs his hands. Beholding him in which glow of contentment, Mr. Guppy says, “You are a man again, Tony!”

“Well, not quite yet,” says Mr. Jobling. “Say, just born.”

“Will you take any other vegetables? Grass? Peas? Summer cabbage?”

“Thank you, Guppy,” says Mr. Jobling. “I really don’t know but what I WILL take summer cabbage.”

Order given; with the sarcastic addition (from Mr. Smallweed) of “Without slugs, Polly!” And cabbage produced.

“I am growing up, Guppy,” says Mr. Jobling, plying his knife and fork with a relishing steadiness.

“Glad to hear it.”

“In fact, I have just turned into my teens,” says Mr. Jobling.

He says no more until he has performed his task, which he achieves as Messrs. Guppy and Smallweed finish theirs, thus getting over the ground in excellent style and beating those two gentlemen easily by a veal and ham and a cabbage.

“Now, Small,” says Mr. Guppy, “what would you recommend about pastry?”

“Marrow puddings,” says Mr. Smallweed instantly.

“Aye, aye!” cries Mr. Jobling with an arch look. “You’re there, are you? Thank you, Mr. Guppy, I don’t know but what I WILL take a marrow pudding.”

Three marrow puddings being produced, Mr. Jobling adds in a pleasant humour that he is coming of age fast. To these succeed, by command of Mr. Smallweed, “three Cheshires,” and to those “three small rums.” This apex of the entertainment happily reached, Mr. Jobling puts up his legs on the carpeted seat (having his own side of the box to himself), leans against the wall, and says, “I am grown up now, Guppy. I have arrived at maturity.”

“What do you think, now,” says Mr. Guppy, “about—you don’t mind Smallweed?”

“Not the least in the world. I have the pleasure of drinking his good health.”

“Sir, to you!” says Mr. Smallweed.

“I was saying, what do you think NOW,” pursues Mr. Guppy, “of enlisting?”

“Why, what I may think after dinner,” returns Mr. Jobling, “is one thing, my dear Guppy, and what I may think before dinner is another thing. Still, even after dinner, I ask myself the question, What am I to do? How am I to live? Ill fo manger, you know,” says Mr. Jobling, pronouncing that word as if he meant a necessary fixture in an English stable. “Ill fo manger. That’s the French saying, and mangering is as necessary to me as it is to a Frenchman. Or more so.”

Mr. Smallweed is decidedly of opinion “much more so.”

“If any man had told me,” pursues Jobling, “even so lately as when you and I had the frisk down in Lincolnshire, Guppy, and drove over to see that house at Castle Wold—”

Mr. Smallweed corrects him—Chesney Wold.

“Chesney Wold. (I thank my honourable friend for that cheer.) If any man had told me then that I should be as hard up at the present time as I literally find myself, I should have—well, I should have pitched into him,” says Mr. Jobling, taking a little rum-and-water with an air of desperate resignation; “I should have let fly at his head.”

“Still, Tony, you were on the wrong side of the post then,” remonstrates Mr. Guppy. “You were talking about nothing else in the gig.”

“Guppy,” says Mr. Jobling, “I will not deny it. I was on the wrong side of the post. But I trusted to things coming round.”

That very popular trust in flat things coming round! Not in their being beaten round, or worked round, but in their “coming” round! As though a lunatic should trust in the world’s “coming” triangular!

“I had confident expectations that things would come round and be all square,” says Mr. Jobling with some vagueness of expression and perhaps of meaning too. “But I was disappointed. They never did. And when it came to creditors making rows at the office and to people that the office dealt with making complaints about dirty trifles of borrowed money, why there was an end of that connexion. And of any new professional connexion too, for if I was to give a reference to-morrow, it would be mentioned and would sew me up. Then what’s a fellow to do? I have been keeping out of the way and living cheap down about the market-gardens, but what’s the use of living cheap when you have got no money? You might as well live dear.”

“Better,” Mr. Smallweed thinks.

“Certainly. It’s the fashionable way; and fashion and whiskers have been my weaknesses, and I don’t care who knows it,” says Mr. Jobling. “They are great weaknesses—Damme, sir, they are great. Well,” proceeds Mr. Jobling after a defiant visit to his rum-and-water, “what can a fellow do, I ask you, BUT enlist?”

Mr. Guppy comes more fully into the conversation to state what, in his opinion, a fellow can do. His manner is the gravely impressive manner of a man who has not committed himself in life otherwise than as he has become the victim of a tender sorrow of the heart.

“Jobling,” says Mr. Guppy, “myself and our mutual friend Smallweed—”

Mr. Smallweed modestly observes, “Gentlemen both!” and drinks.

“—Have had a little conversation on this matter more than once since you—”

“Say, got the sack!” cries Mr. Jobling bitterly. “Say it, Guppy. You mean it.”

“No-o-o! Left the Inn,” Mr. Smallweed delicately suggests.

“Since you left the Inn, Jobling,” says Mr. Guppy; “and I have mentioned to our mutual friend Smallweed a plan I have lately thought of proposing. You know Snagsby the stationer?”

“I know there is such a stationer,” returns Mr. Jobling. “He was not ours, and I am not acquainted with him.”

“He IS ours, Jobling, and I AM acquainted with him,” Mr. Guppy retorts. “Well, sir! I have lately become better acquainted with him through some accidental circumstances that have made me a visitor of his in private life. Those circumstances it is not necessary to offer in argument. They may—or they may not—have some reference to a subject which may—or may not—have cast its shadow on my existence.”

As it is Mr. Guppy’s perplexing way with boastful misery to tempt his particular friends into this subject, and the moment they touch it, to turn on them with that trenchant severity about the chords in the human mind, both Mr. Jobling and Mr. Smallweed decline the pitfall by remaining silent.

“Such things may be,” repeats Mr. Guppy, “or they may not be. They are no part of the case. It is enough to mention that both Mr. and Mrs. Snagsby are very willing to oblige me and that Snagsby has, in busy times, a good deal of copying work to give out. He has all Tulkinghorn’s, and an excellent business besides. I believe if our mutual friend Smallweed were put into the box, he could prove this?”

Mr. Smallweed nods and appears greedy to be sworn.

“Now, gentlemen of the jury,” says Mr. Guppy, “—I mean, now, Jobling—you may say this is a poor prospect of a living. Granted. But it’s better than nothing, and better than enlistment. You want time. There must be time for these late affairs to blow over. You might live through it on much worse terms than by writing for Snagsby.”

Mr. Jobling is about to interrupt when the sagacious Smallweed checks him with a dry cough and the words, “Hem! Shakspeare!”

“There are two branches to this subject, Jobling,” says Mr. Guppy. “That is the first. I come to the second. You know Krook, the Chancellor, across the lane. Come, Jobling,” says Mr. Guppy in his encouraging cross-examination-tone, “I think you know Krook, the Chancellor, across the lane?”

“I know him by sight,” says Mr. Jobling.

“You know him by sight. Very well. And you know little Flite?”

“Everybody knows her,” says Mr. Jobling.

“Everybody knows her. VERY well. Now it has been one of my duties of late to pay Flite a certain weekly allowance, deducting from it the amount of her weekly rent, which I have paid (in consequence of instructions I have received) to Krook himself, regularly in her presence. This has brought me into communication with Krook and into a knowledge of his house and his habits. I know he has a room to let. You may live there at a very low charge under any name you like, as quietly as if you were a hundred miles off. He’ll ask no questions and would accept you as a tenant at a word from me—before the clock strikes, if you chose. And I tell you another thing, Jobling,” says Mr. Guppy, who has suddenly lowered his voice and become familiar again, “he’s an extraordinary old chap—always rummaging among a litter of papers and grubbing away at teaching himself to read and write, without getting on a bit, as it seems to me. He is a most extraordinary old chap, sir. I don’t know but what it might be worth a fellow’s while to look him up a bit.”

“You don’t mean—” Mr. Jobling begins.

“I mean,” returns Mr. Guppy, shrugging his shoulders with becoming modesty, “that I can’t make him out. I appeal to our mutual friend Smallweed whether he has or has not heard me remark that I can’t make him out.”

Mr. Smallweed bears the concise testimony, “A few!”

“I have seen something of the profession and something of life, Tony,” says Mr. Guppy, “and it’s seldom I can’t make a man out, more or less. But such an old card as this, so deep, so sly, and secret (though I don’t believe he is ever sober), I never came across. Now, he must be precious old, you know, and he has not a soul about him, and he is reported to be immensely rich; and whether he is a smuggler, or a receiver, or an unlicensed pawnbroker, or a money-lender—all of which I have thought likely at different times—it might pay you to knock up a sort of knowledge of him. I don’t see why you shouldn’t go in for it, when everything else suits.”

Mr. Jobling, Mr. Guppy, and Mr. Smallweed all lean their elbows on the table and their chins upon their hands, and look at the ceiling. After a time, they all drink, slowly lean back, put their hands in their pockets, and look at one another.

“If I had the energy I once possessed, Tony!” says Mr. Guppy with a sigh. “But there are chords in the human mind—”

Expressing the remainder of the desolate sentiment in rum-and-water, Mr. Guppy concludes by resigning the adventure to Tony Jobling and informing him that during the vacation and while things are slack, his purse, “as far as three or four or even five pound goes,” will be at his disposal. “For never shall it be said,” Mr. Guppy adds with emphasis, “that William Guppy turned his back upon his friend!”

The latter part of the proposal is so directly to the purpose that Mr. Jobling says with emotion, “Guppy, my trump, your fist!” Mr. Guppy presents it, saying, “Jobling, my boy, there it is!” Mr. Jobling returns, “Guppy, we have been pals now for some years!” Mr. Guppy replies, “Jobling, we have.”

They then shake hands, and Mr. Jobling adds in a feeling manner, “Thank you, Guppy, I don’t know but what I WILL take another glass for old acquaintance sake.”

“Krook’s last lodger died there,” observes Mr. Guppy in an incidental way.

“Did he though!” says Mr. Jobling.

“There was a verdict. Accidental death. You don’t mind that?”

“No,” says Mr. Jobling, “I don’t mind it; but he might as well have died somewhere else. It’s devilish odd that he need go and die at MY place!” Mr. Jobling quite resents this liberty, several times returning to it with such remarks as, “There are places enough to die in, I should think!” or, “He wouldn’t have liked my dying at HIS place, I dare say!”

However, the compact being virtually made, Mr. Guppy proposes to dispatch the trusty Smallweed to ascertain if Mr. Krook is at home, as in that case they may complete the negotiation without delay. Mr. Jobling approving, Smallweed puts himself under the tall hat and conveys it out of the dining-rooms in the Guppy manner. He soon returns with the intelligence that Mr. Krook is at home and that he has seen him through the shop-door, sitting in the back premises, sleeping “like one o’clock.”

“Then I’ll pay,” says Mr. Guppy, “and we’ll go and see him. Small, what will it be?”

Mr. Smallweed, compelling the attendance of the waitress with one hitch of his eyelash, instantly replies as follows: “Four veals and hams is three, and four potatoes is three and four, and one summer cabbage is three and six, and three marrows is four and six, and six breads is five, and three Cheshires is five and three, and four half-pints of half-and-half is six and three, and four small rums is eight and three, and three Pollys is eight and six. Eight and six in half a sovereign, Polly, and eighteenpence out!”

Not at all excited by these stupendous calculations, Smallweed dismisses his friends with a cool nod and remains behind to take a little admiring notice of Polly, as opportunity may serve, and to read the daily papers, which are so very large in proportion to himself, shorn of his hat, that when he holds up the Times to run his eye over the columns, he seems to have retired for the night and to have disappeared under the bedclothes.

Mr. Guppy and Mr. Jobling repair to the rag and bottle shop, where they find Krook still sleeping like one o’clock, that is to say, breathing stertorously with his chin upon his breast and quite insensible to any external sounds or even to gentle shaking. On the table beside him, among the usual lumber, stand an empty gin-bottle and a glass. The unwholesome air is so stained with this liquor that even the green eyes of the cat upon her shelf, as they open and shut and glimmer on the visitors, look drunk.

“Hold up here!” says Mr. Guppy, giving the relaxed figure of the old man another shake. “Mr. Krook! Halloa, sir!”

But it would seem as easy to wake a bundle of old clothes with a spirituous heat smouldering in it. “Did you ever see such a stupor as he falls into, between drink and sleep?” says Mr. Guppy.

“If this is his regular sleep,” returns Jobling, rather alarmed, “it’ll last a long time one of these days, I am thinking.”

“It’s always more like a fit than a nap,” says Mr. Guppy, shaking him again. “Halloa, your lordship! Why, he might be robbed fifty times over! Open your eyes!”

After much ado, he opens them, but without appearing to see his visitors or any other objects. Though he crosses one leg on another, and folds his hands, and several times closes and opens his parched lips, he seems to all intents and purposes as insensible as before.

“He is alive, at any rate,” says Mr. Guppy. “How are you, my Lord Chancellor. I have brought a friend of mine, sir, on a little matter of business.”

The old man still sits, often smacking his dry lips without the least consciousness. After some minutes he makes an attempt to rise. They help him up, and he staggers against the wall and stares at them.

“How do you do, Mr. Krook?” says Mr. Guppy in some discomfiture. “How do you do, sir? You are looking charming, Mr. Krook. I hope you are pretty well?”

The old man, in aiming a purposeless blow at Mr. Guppy, or at nothing, feebly swings himself round and comes with his face against the wall. So he remains for a minute or two, heaped up against it, and then staggers down the shop to the front door. The air, the movement in the court, the lapse of time, or the combination of these things recovers him. He comes back pretty steadily, adjusting his fur cap on his head and looking keenly at them.

“Your servant, gentlemen; I’ve been dozing. Hi! I am hard to wake, odd times.”

“Rather so, indeed, sir,” responds Mr. Guppy.

“What? You’ve been a-trying to do it, have you?” says the suspicious Krook.

“Only a little,” Mr. Guppy explains.

The old man’s eye resting on the empty bottle, he takes it up, examines it, and slowly tilts it upside down.

“I say!” he cries like the hobgoblin in the story. “Somebody’s been making free here!”

“I assure you we found it so,” says Mr. Guppy. “Would you allow me to get it filled for you?”

“Yes, certainly I would!” cries Krook in high glee. “Certainly I would! Don’t mention it! Get it filled next door—Sol’s Arms—the Lord Chancellor’s fourteenpenny. Bless you, they know ME!”

He so presses the empty bottle upon Mr. Guppy that that gentleman, with a nod to his friend, accepts the trust and hurries out and hurries in again with the bottle filled. The old man receives it in his arms like a beloved grandchild and pats it tenderly.

“But, I say,” he whispers, with his eyes screwed up, after tasting it, “this ain’t the Lord Chancellor’s fourteenpenny. This is eighteenpenny!”

“I thought you might like that better,” says Mr. Guppy.

“You’re a nobleman, sir,” returns Krook with another taste, and his hot breath seems to come towards them like a flame. “You’re a baron of the land.”

Taking advantage of this auspicious moment, Mr. Guppy presents his friend under the impromptu name of Mr. Weevle and states the object of their visit. Krook, with his bottle under his arm (he never gets beyond a certain point of either drunkenness or sobriety), takes time to survey his proposed lodger and seems to approve of him. “You’d like to see the room, young man?” he says. “Ah! It’s a good room! Been whitewashed. Been cleaned down with soft soap and soda. Hi! It’s worth twice the rent, letting alone my company when you want it and such a cat to keep the mice away.”

Commending the room after this manner, the old man takes them upstairs, where indeed they do find it cleaner than it used to be and also containing some old articles of furniture which he has dug up from his inexhaustible stores. The terms are easily concluded—for the Lord Chancellor cannot be hard on Mr. Guppy, associated as he is with Kenge and Carboy, Jarndyce and Jarndyce, and other famous claims on his professional consideration—and it is agreed that Mr. Weevle shall take possession on the morrow. Mr. Weevle and Mr. Guppy then repair to Cook’s Court, Cursitor Street, where the personal introduction of the former to Mr. Snagsby is effected and (more important) the vote and interest of Mrs. Snagsby are secured. They then report progress to the eminent Smallweed, waiting at the office in his tall hat for that purpose, and separate, Mr. Guppy explaining that he would terminate his little entertainment by standing treat at the play but that there are chords in the human mind which would render it a hollow mockery.

On the morrow, in the dusk of evening, Mr. Weevle modestly appears at Krook’s, by no means incommoded with luggage, and establishes himself in his new lodging, where the two eyes in the shutters stare at him in his sleep, as if they were full of wonder. On the following day Mr. Weevle, who is a handy good-for-nothing kind of young fellow, borrows a needle and thread of Miss Flite and a hammer of his landlord and goes to work devising apologies for window-curtains, and knocking up apologies for shelves, and hanging up his two teacups, milkpot, and crockery sundries on a pennyworth of little hooks, like a shipwrecked sailor making the best of it.

But what Mr. Weevle prizes most of all his few possessions (next after his light whiskers, for which he has an attachment that only whiskers can awaken in the breast of man) is a choice collection of copper-plate impressions from that truly national work The Divinities of Albion, or Galaxy Gallery of British Beauty, representing ladies of title and fashion in every variety of smirk that art, combined with capital, is capable of producing. With these magnificent portraits, unworthily confined in a band-box during his seclusion among the market-gardens, he decorates his apartment; and as the Galaxy Gallery of British Beauty wears every variety of fancy dress, plays every variety of musical instrument, fondles every variety of dog, ogles every variety of prospect, and is backed up by every variety of flower-pot and balustrade, the result is very imposing.

But fashion is Mr. Weevle’s, as it was Tony Jobling’s, weakness. To borrow yesterday’s paper from the Sol’s Arms of an evening and read about the brilliant and distinguished meteors that are shooting across the fashionable sky in every direction is unspeakable consolation to him. To know what member of what brilliant and distinguished circle accomplished the brilliant and distinguished feat of joining it yesterday or contemplates the no less brilliant and distinguished feat of leaving it to-morrow gives him a thrill of joy. To be informed what the Galaxy Gallery of British Beauty is about, and means to be about, and what Galaxy marriages are on the tapis, and what Galaxy rumours are in circulation, is to become acquainted with the most glorious destinies of mankind. Mr. Weevle reverts from this intelligence to the Galaxy portraits implicated, and seems to know the originals, and to be known of them.

For the rest he is a quiet lodger, full of handy shifts and devices as before mentioned, able to cook and clean for himself as well as to carpenter, and developing social inclinations after the shades of evening have fallen on the court. At those times, when he is not visited by Mr. Guppy or by a small light in his likeness quenched in a dark hat, he comes out of his dull room—where he has inherited the deal wilderness of desk bespattered with a rain of ink—and talks to Krook or is “very free,” as they call it in the court, commendingly, with any one disposed for conversation. Wherefore, Mrs. Piper, who leads the court, is impelled to offer two remarks to Mrs. Perkins: firstly, that if her Johnny was to have whiskers, she could wish ’em to be identically like that young man’s; and secondly, “Mark my words, Mrs. Perkins, ma’am, and don’t you be surprised, Lord bless you, if that young man comes in at last for old Krook’s money!”

Librivox Recording: Chapter 20

(Image: “Mr Guppy’s Entertainment”)

It is the long vacation in the regions of Chancery Lane. The good ships Law and Equity, those teak-built, copper-bottomed, iron-fastened, brazen-faced, and not by any means fast-sailing clippers are laid up in ordinary. The Flying Dutchman, with a crew of ghostly clients imploring all whom they may encounter to peruse their papers, has drifted, for the time being, heaven knows where. The courts are all shut up; the public offices lie in a hot sleep. Westminster Hall itself is a shady solitude where nightingales might sing, and a tenderer class of suitors than is usually found there, walk.

The Temple, Chancery Lane, Serjeants’ Inn, and Lincoln’s Inn even unto the Fields are like tidal harbours at low water, where stranded proceedings, offices at anchor, idle clerks lounging on lop-sided stools that will not recover their perpendicular until the current of Term sets in, lie high and dry upon the ooze of the long vacation. Outer doors of chambers are shut up by the score, messages and parcels are to be left at the Porter’s Lodge by the bushel. A crop of grass would grow in the chinks of the stone pavement outside Lincoln’s Inn Hall, but that the ticket-porters, who have nothing to do beyond sitting in the shade there, with their white aprons over their heads to keep the flies off, grub it up and eat it thoughtfully.

There is only one judge in town. Even he only comes twice a week to sit in chambers. If the country folks of those assize towns on his circuit could see him now! No full-bottomed wig, no red petticoats, no fur, no javelin-men, no white wands. Merely a close-shaved gentleman in white trousers and a white hat, with sea-bronze on the judicial countenance, and a strip of bark peeled by the solar rays from the judicial nose, who calls in at the shell-fish shop as he comes along and drinks iced ginger-beer!

The bar of England is scattered over the face of the earth. How England can get on through four long summer months without its bar—which is its acknowledged refuge in adversity and its only legitimate triumph in prosperity—is beside the question; assuredly that shield and buckler of Britannia are not in present wear. The learned gentleman who is always so tremendously indignant at the unprecedented outrage committed on the feelings of his client by the opposite party that he never seems likely to recover it is doing infinitely better than might be expected in Switzerland. The learned gentleman who does the withering business and who blights all opponents with his gloomy sarcasm is as merry as a grig at a French watering-place. The learned gentleman who weeps by the pint on the smallest provocation has not shed a tear these six weeks. The very learned gentleman who has cooled the natural heat of his gingery complexion in pools and fountains of law until he has become great in knotty arguments for term-time, when he poses the drowsy bench with legal “chaff,” inexplicable to the uninitiated and to most of the initiated too, is roaming, with a characteristic delight in aridity and dust, about Constantinople. Other dispersed fragments of the same great palladium are to be found on the canals of Venice, at the second cataract of the Nile, in the baths of Germany, and sprinkled on the sea-sand all over the English coast. Scarcely one is to be encountered in the deserted region of Chancery Lane. If such a lonely member of the bar do flit across the waste and come upon a prowling suitor who is unable to leave off haunting the scenes of his anxiety, they frighten one another and retreat into opposite shades.

It is the hottest long vacation known for many years. All the young clerks are madly in love, and according to their various degrees, pine for bliss with the beloved object, at Margate, Ramsgate, or Gravesend. All the middle-aged clerks think their families too large. All the unowned dogs who stray into the Inns of Court and pant about staircases and other dry places seeking water give short howls of aggravation. All the blind men’s dogs in the streets draw their masters against pumps or trip them over buckets. A shop with a sun-blind, and a watered pavement, and a bowl of gold and silver fish in the window, is a sanctuary. Temple Bar gets so hot that it is, to the adjacent Strand and Fleet Street, what a heater is in an urn, and keeps them simmering all night.

There are offices about the Inns of Court in which a man might be cool, if any coolness were worth purchasing at such a price in dullness; but the little thoroughfares immediately outside those retirements seem to blaze. In Mr. Krook’s court, it is so hot that the people turn their houses inside out and sit in chairs upon the pavement—Mr. Krook included, who there pursues his studies, with his cat (who never is too hot) by his side. The Sol’s Arms has discontinued the Harmonic Meetings for the season, and Little Swills is engaged at the Pastoral Gardens down the river, where he comes out in quite an innocent manner and sings comic ditties of a juvenile complexion calculated (as the bill says) not to wound the feelings of the most fastidious mind.

Over all the legal neighbourhood there hangs, like some great veil of rust or gigantic cobweb, the idleness and pensiveness of the long vacation. Mr. Snagsby, law-stationer of Cook’s Court, Cursitor Street, is sensible of the influence not only in his mind as a sympathetic and contemplative man, but also in his business as a law-stationer aforesaid. He has more leisure for musing in Staple Inn and in the Rolls Yard during the long vacation than at other seasons, and he says to the two ‘prentices, what a thing it is in such hot weather to think that you live in an island with the sea a-rolling and a-bowling right round you.

Guster is busy in the little drawing-room on this present afternoon in the long vacation, when Mr. and Mrs. Snagsby have it in contemplation to receive company. The expected guests are rather select than numerous, being Mr. and Mrs. Chadband and no more. From Mr. Chadband’s being much given to describe himself, both verbally and in writing, as a vessel, he is occasionally mistaken by strangers for a gentleman connected with navigation, but he is, as he expresses it, “in the ministry.” Mr. Chadband is attached to no particular denomination and is considered by his persecutors to have nothing so very remarkable to say on the greatest of subjects as to render his volunteering, on his own account, at all incumbent on his conscience; but he has his followers, and Mrs. Snagsby is of the number. Mrs. Snagsby has but recently taken a passage upward by the vessel, Chadband; and her attention was attracted to that Bark A 1, when she was something flushed by the hot weather.

“My little woman,” says Mr. Snagsby to the sparrows in Staple Inn, “likes to have her religion rather sharp, you see!”

So Guster, much impressed by regarding herself for the time as the handmaid of Chadband, whom she knows to be endowed with the gift of holding forth for four hours at a stretch, prepares the little drawing-room for tea. All the furniture is shaken and dusted, the portraits of Mr. and Mrs. Snagsby are touched up with a wet cloth, the best tea-service is set forth, and there is excellent provision made of dainty new bread, crusty twists, cool fresh butter, thin slices of ham, tongue, and German sausage, and delicate little rows of anchovies nestling in parsley, not to mention new-laid eggs, to be brought up warm in a napkin, and hot buttered toast. For Chadband is rather a consuming vessel—the persecutors say a gorging vessel—and can wield such weapons of the flesh as a knife and fork remarkably well.

Mr. Snagsby in his best coat, looking at all the preparations when they are completed and coughing his cough of deference behind his hand, says to Mrs. Snagsby, “At what time did you expect Mr. and Mrs. Chadband, my love?”

“At six,” says Mrs. Snagsby.

Mr. Snagsby observes in a mild and casual way that “it’s gone that.”

“Perhaps you’d like to begin without them,” is Mrs. Snagsby’s reproachful remark.

Mr. Snagsby does look as if he would like it very much, but he says, with his cough of mildness, “No, my dear, no. I merely named the time.”

“What’s time,” says Mrs. Snagsby, “to eternity?”

“Very true, my dear,” says Mr. Snagsby. “Only when a person lays in victuals for tea, a person does it with a view—perhaps—more to time. And when a time is named for having tea, it’s better to come up to it.”

“To come up to it!” Mrs. Snagsby repeats with severity. “Up to it! As if Mr. Chadband was a fighter!”

“Not at all, my dear,” says Mr. Snagsby.

Here, Guster, who had been looking out of the bedroom window, comes rustling and scratching down the little staircase like a popular ghost, and falling flushed into the drawing-room, announces that Mr. and Mrs. Chadband have appeared in the court. The bell at the inner door in the passage immediately thereafter tinkling, she is admonished by Mrs. Snagsby, on pain of instant reconsignment to her patron saint, not to omit the ceremony of announcement. Much discomposed in her nerves (which were previously in the best order) by this threat, she so fearfully mutilates that point of state as to announce “Mr. and Mrs. Cheeseming, least which, Imeantersay, whatsername!” and retires conscience-stricken from the presence.

Mr. Chadband is a large yellow man with a fat smile and a general appearance of having a good deal of train oil in his system. Mrs. Chadband is a stern, severe-looking, silent woman. Mr. Chadband moves softly and cumbrously, not unlike a bear who has been taught to walk upright. He is very much embarrassed about the arms, as if they were inconvenient to him and he wanted to grovel, is very much in a perspiration about the head, and never speaks without first putting up his great hand, as delivering a token to his hearers that he is going to edify them.

“My friends,” says Mr. Chadband, “peace be on this house! On the master thereof, on the mistress thereof, on the young maidens, and on the young men! My friends, why do I wish for peace? What is peace? Is it war? No. Is it strife? No. Is it lovely, and gentle, and beautiful, and pleasant, and serene, and joyful? Oh, yes! Therefore, my friends, I wish for peace, upon you and upon yours.”

In consequence of Mrs. Snagsby looking deeply edified, Mr. Snagsby thinks it expedient on the whole to say amen, which is well received.

“Now, my friends,” proceeds Mr. Chadband, “since I am upon this theme—”

Guster presents herself. Mrs. Snagsby, in a spectral bass voice and without removing her eyes from Chadband, says with dreadful distinctness, “Go away!”

“Now, my friends,” says Chadband, “since I am upon this theme, and in my lowly path improving it—”

Guster is heard unaccountably to murmur “one thousing seven hundred and eighty-two.” The spectral voice repeats more solemnly, “Go away!”

“Now, my friends,” says Mr. Chadband, “we will inquire in a spirit of love—”

Still Guster reiterates “one thousing seven hundred and eighty-two.”

Mr. Chadband, pausing with the resignation of a man accustomed to be persecuted and languidly folding up his chin into his fat smile, says, “Let us hear the maiden! Speak, maiden!”

“One thousing seven hundred and eighty-two, if you please, sir. Which he wish to know what the shilling ware for,” says Guster, breathless.

“For?” returns Mrs. Chadband. “For his fare!”

Guster replied that “he insistes on one and eightpence or on summonsizzing the party.” Mrs. Snagsby and Mrs. Chadband are proceeding to grow shrill in indignation when Mr. Chadband quiets the tumult by lifting up his hand.

“My friends,” says he, “I remember a duty unfulfilled yesterday. It is right that I should be chastened in some penalty. I ought not to murmur. Rachael, pay the eightpence!”

While Mrs. Snagsby, drawing her breath, looks hard at Mr. Snagsby, as who should say, “You hear this apostle!” and while Mr. Chadband glows with humility and train oil, Mrs. Chadband pays the money. It is Mr. Chadband’s habit—it is the head and front of his pretensions indeed—to keep this sort of debtor and creditor account in the smallest items and to post it publicly on the most trivial occasions.

“My friends,” says Chadband, “eightpence is not much; it might justly have been one and fourpence; it might justly have been half a crown. O let us be joyful, joyful! O let us be joyful!”

With which remark, which appears from its sound to be an extract in verse, Mr. Chadband stalks to the table, and before taking a chair, lifts up his admonitory hand.

“My friends,” says he, “what is this which we now behold as being spread before us? Refreshment. Do we need refreshment then, my friends? We do. And why do we need refreshment, my friends? Because we are but mortal, because we are but sinful, because we are but of the earth, because we are not of the air. Can we fly, my friends? We cannot. Why can we not fly, my friends?”

Mr. Snagsby, presuming on the success of his last point, ventures to observe in a cheerful and rather knowing tone, “No wings.” But is immediately frowned down by Mrs. Snagsby.

“I say, my friends,” pursues Mr. Chadband, utterly rejecting and obliterating Mr. Snagsby’s suggestion, “why can we not fly? Is it because we are calculated to walk? It is. Could we walk, my friends, without strength? We could not. What should we do without strength, my friends? Our legs would refuse to bear us, our knees would double up, our ankles would turn over, and we should come to the ground. Then from whence, my friends, in a human point of view, do we derive the strength that is necessary to our limbs? Is it,” says Chadband, glancing over the table, “from bread in various forms, from butter which is churned from the milk which is yielded unto us by the cow, from the eggs which are laid by the fowl, from ham, from tongue, from sausage, and from such like? It is. Then let us partake of the good things which are set before us!”

The persecutors denied that there was any particular gift in Mr. Chadband’s piling verbose flights of stairs, one upon another, after this fashion. But this can only be received as a proof of their determination to persecute, since it must be within everybody’s experience that the Chadband style of oratory is widely received and much admired.

Mr. Chadband, however, having concluded for the present, sits down at Mr. Snagsby’s table and lays about him prodigiously. The conversion of nutriment of any sort into oil of the quality already mentioned appears to be a process so inseparable from the constitution of this exemplary vessel that in beginning to eat and drink, he may be described as always becoming a kind of considerable oil mills or other large factory for the production of that article on a wholesale scale. On the present evening of the long vacation, in Cook’s Court, Cursitor Street, he does such a powerful stroke of business that the warehouse appears to be quite full when the works cease.

At this period of the entertainment, Guster, who has never recovered her first failure, but has neglected no possible or impossible means of bringing the establishment and herself into contempt—among which may be briefly enumerated her unexpectedly performing clashing military music on Mr. Chadband’s head with plates, and afterwards crowning that gentleman with muffins—at which period of the entertainment, Guster whispers Mr. Snagsby that he is wanted.

“And being wanted in the—not to put too fine a point upon it—in the shop,” says Mr. Snagsby, rising, “perhaps this good company will excuse me for half a minute.”

Mr. Snagsby descends and finds the two ‘prentices intently contemplating a police constable, who holds a ragged boy by the arm.

“Why, bless my heart,” says Mr. Snagsby, “what’s the matter!”

“This boy,” says the constable, “although he’s repeatedly told to, won’t move on—”

“I’m always a-moving on, sar,” cries the boy, wiping away his grimy tears with his arm. “I’ve always been a-moving and a-moving on, ever since I was born. Where can I possibly move to, sir, more nor I do move!”

“He won’t move on,” says the constable calmly, with a slight professional hitch of his neck involving its better settlement in his stiff stock, “although he has been repeatedly cautioned, and therefore I am obliged to take him into custody. He’s as obstinate a young gonoph as I know. He WON’T move on.”

“Oh, my eye! Where can I move to!” cries the boy, clutching quite desperately at his hair and beating his bare feet upon the floor of Mr. Snagsby’s passage.

“Don’t you come none of that or I shall make blessed short work of you!” says the constable, giving him a passionless shake. “My instructions are that you are to move on. I have told you so five hundred times.”

“But where?” cries the boy.

“Well! Really, constable, you know,” says Mr. Snagsby wistfully, and coughing behind his hand his cough of great perplexity and doubt, “really, that does seem a question. Where, you know?”

“My instructions don’t go to that,” replies the constable. “My instructions are that this boy is to move on.”

Do you hear, Jo? It is nothing to you or to any one else that the great lights of the parliamentary sky have failed for some few years in this business to set you the example of moving on. The one grand recipe remains for you—the profound philosophical prescription—the be-all and the end-all of your strange existence upon earth. Move on! You are by no means to move off, Jo, for the great lights can’t at all agree about that. Move on!

Mr. Snagsby says nothing to this effect, says nothing at all indeed, but coughs his forlornest cough, expressive of no thoroughfare in any direction. By this time Mr. and Mrs. Chadband and Mrs. Snagsby, hearing the altercation, have appeared upon the stairs. Guster having never left the end of the passage, the whole household are assembled.

“The simple question is, sir,” says the constable, “whether you know this boy. He says you do.”

Mrs. Snagsby, from her elevation, instantly cries out, “No he don’t!”

“My lit-tle woman!” says Mr. Snagsby, looking up the staircase. “My love, permit me! Pray have a moment’s patience, my dear. I do know something of this lad, and in what I know of him, I can’t say that there’s any harm; perhaps on the contrary, constable.” To whom the law-stationer relates his Joful and woeful experience, suppressing the half-crown fact.

“Well!” says the constable, “so far, it seems, he had grounds for what he said. When I took him into custody up in Holborn, he said you knew him. Upon that, a young man who was in the crowd said he was acquainted with you, and you were a respectable housekeeper, and if I’d call and make the inquiry, he’d appear. The young man don’t seem inclined to keep his word, but—Oh! Here IS the young man!”

Enter Mr. Guppy, who nods to Mr. Snagsby and touches his hat with the chivalry of clerkship to the ladies on the stairs.

“I was strolling away from the office just now when I found this row going on,” says Mr. Guppy to the law-stationer, “and as your name was mentioned, I thought it was right the thing should be looked into.”

“It was very good-natured of you, sir,” says Mr. Snagsby, “and I am obliged to you.” And Mr. Snagsby again relates his experience, again suppressing the half-crown fact.

“Now, I know where you live,” says the constable, then, to Jo. “You live down in Tom-all-Alone’s. That’s a nice innocent place to live in, ain’t it?”

“I can’t go and live in no nicer place, sir,” replies Jo. “They wouldn’t have nothink to say to me if I wos to go to a nice innocent place fur to live. Who ud go and let a nice innocent lodging to such a reg’lar one as me!”

“You are very poor, ain’t you?” says the constable.

“Yes, I am indeed, sir, wery poor in gin’ral,” replies Jo. “I leave you to judge now! I shook these two half-crowns out of him,” says the constable, producing them to the company, “in only putting my hand upon him!”

“They’re wot’s left, Mr. Snagsby,” says Jo, “out of a sov-ring as wos give me by a lady in a wale as sed she wos a servant and as come to my crossin one night and asked to be showd this ‘ere ouse and the ouse wot him as you giv the writin to died at, and the berrin-ground wot he’s berrid in. She ses to me she ses ‘are you the boy at the inkwhich?’ she ses. I ses ‘yes’ I ses. She ses to me she ses ‘can you show me all them places?’ I ses ‘yes I can’ I ses. And she ses to me ‘do it’ and I dun it and she giv me a sov’ring and hooked it. And I an’t had much of the sov’ring neither,” says Jo, with dirty tears, “fur I had to pay five bob, down in Tom-all-Alone’s, afore they’d square it fur to give me change, and then a young man he thieved another five while I was asleep and another boy he thieved ninepence and the landlord he stood drains round with a lot more on it.”

“You don’t expect anybody to believe this, about the lady and the sovereign, do you?” says the constable, eyeing him aside with ineffable disdain.

“I don’t know as I do, sir,” replies Jo. “I don’t expect nothink at all, sir, much, but that’s the true hist’ry on it.”

“You see what he is!” the constable observes to the audience. “Well, Mr. Snagsby, if I don’t lock him up this time, will you engage for his moving on?”

“No!” cries Mrs. Snagsby from the stairs.

“My little woman!” pleads her husband. “Constable, I have no doubt he’ll move on. You know you really must do it,” says Mr. Snagsby.

“I’m everyways agreeable, sir,” says the hapless Jo.

“Do it, then,” observes the constable. “You know what you have got to do. Do it! And recollect you won’t get off so easy next time. Catch hold of your money. Now, the sooner you’re five mile off, the better for all parties.”

With this farewell hint and pointing generally to the setting sun as a likely place to move on to, the constable bids his auditors good afternoon and makes the echoes of Cook’s Court perform slow music for him as he walks away on the shady side, carrying his iron-bound hat in his hand for a little ventilation.

Now, Jo’s improbable story concerning the lady and the sovereign has awakened more or less the curiosity of all the company. Mr. Guppy, who has an inquiring mind in matters of evidence and who has been suffering severely from the lassitude of the long vacation, takes that interest in the case that he enters on a regular cross-examination of the witness, which is found so interesting by the ladies that Mrs. Snagsby politely invites him to step upstairs and drink a cup of tea, if he will excuse the disarranged state of the tea-table, consequent on their previous exertions. Mr. Guppy yielding his assent to this proposal, Jo is requested to follow into the drawing-room doorway, where Mr. Guppy takes him in hand as a witness, patting him into this shape, that shape, and the other shape like a butterman dealing with so much butter, and worrying him according to the best models. Nor is the examination unlike many such model displays, both in respect of its eliciting nothing and of its being lengthy, for Mr. Guppy is sensible of his talent, and Mrs. Snagsby feels not only that it gratifies her inquisitive disposition, but that it lifts her husband’s establishment higher up in the law. During the progress of this keen encounter, the vessel Chadband, being merely engaged in the oil trade, gets aground and waits to be floated off.

“Well!” says Mr. Guppy. “Either this boy sticks to it like cobbler’s-wax or there is something out of the common here that beats anything that ever came into my way at Kenge and Carboy’s.”

Mrs. Chadband whispers Mrs. Snagsby, who exclaims, “You don’t say so!”

“For years!” replied Mrs. Chadband.

“Has known Kenge and Carboy’s office for years,” Mrs. Snagsby triumphantly explains to Mr. Guppy. “Mrs. Chadband—this gentleman’s wife—Reverend Mr. Chadband.”

“Oh, indeed!” says Mr. Guppy.

“Before I married my present husband,” says Mrs. Chadband.

“Was you a party in anything, ma’am?” says Mr. Guppy, transferring his cross-examination.

“No.”

“NOT a party in anything, ma’am?” says Mr. Guppy.

Mrs. Chadband shakes her head.

“Perhaps you were acquainted with somebody who was a party in something, ma’am?” says Mr. Guppy, who likes nothing better than to model his conversation on forensic principles.

“Not exactly that, either,” replies Mrs. Chadband, humouring the joke with a hard-favoured smile.

“Not exactly that, either!” repeats Mr. Guppy. “Very good. Pray, ma’am, was it a lady of your acquaintance who had some transactions (we will not at present say what transactions) with Kenge and Carboy’s office, or was it a gentleman of your acquaintance? Take time, ma’am. We shall come to it presently. Man or woman, ma’am?”

“Neither,” says Mrs. Chadband as before.

“Oh! A child!” says Mr. Guppy, throwing on the admiring Mrs. Snagsby the regular acute professional eye which is thrown on British jurymen. “Now, ma’am, perhaps you’ll have the kindness to tell us WHAT child.”

“You have got it at last, sir,” says Mrs. Chadband with another hard-favoured smile. “Well, sir, it was before your time, most likely, judging from your appearance. I was left in charge of a child named Esther Summerson, who was put out in life by Messrs. Kenge and Carboy.”

“Miss Summerson, ma’am!” cries Mr. Guppy, excited.

“I call her Esther Summerson,” says Mrs. Chadband with austerity. “There was no Miss-ing of the girl in my time. It was Esther. ‘Esther, do this! Esther, do that!’ and she was made to do it.”

“My dear ma’am,” returns Mr. Guppy, moving across the small apartment, “the humble individual who now addresses you received that young lady in London when she first came here from the establishment to which you have alluded. Allow me to have the pleasure of taking you by the hand.”

Mr. Chadband, at last seeing his opportunity, makes his accustomed signal and rises with a smoking head, which he dabs with his pocket-handkerchief. Mrs. Snagsby whispers “Hush!”

“My friends,” says Chadband, “we have partaken in moderation” (which was certainly not the case so far as he was concerned) “of the comforts which have been provided for us. May this house live upon the fatness of the land; may corn and wine be plentiful therein; may it grow, may it thrive, may it prosper, may it advance, may it proceed, may it press forward! But, my friends, have we partaken of anything else? We have. My friends, of what else have we partaken? Of spiritual profit? Yes. From whence have we derived that spiritual profit? My young friend, stand forth!”

Jo, thus apostrophized, gives a slouch backward, and another slouch forward, and another slouch to each side, and confronts the eloquent Chadband with evident doubts of his intentions.

“My young friend,” says Chadband, “you are to us a pearl, you are to us a diamond, you are to us a gem, you are to us a jewel. And why, my young friend?”

“I don’t know,” replies Jo. “I don’t know nothink.”

“My young friend,” says Chadband, “it is because you know nothing that you are to us a gem and jewel. For what are you, my young friend? Are you a beast of the field? No. A bird of the air? No. A fish of the sea or river? No. You are a human boy, my young friend. A human boy. O glorious to be a human boy! And why glorious, my young friend? Because you are capable of receiving the lessons of wisdom, because you are capable of profiting by this discourse which I now deliver for your good, because you are not a stick, or a staff, or a stock, or a stone, or a post, or a pillar.

And do you cool yourself in that stream now, my young friend? No. Why do you not cool yourself in that stream now? Because you are in a state of darkness, because you are in a state of obscurity, because you are in a state of sinfulness, because you are in a state of bondage. My young friend, what is bondage? Let us, in a spirit of love, inquire.”

At this threatening stage of the discourse, Jo, who seems to have been gradually going out of his mind, smears his right arm over his face and gives a terrible yawn. Mrs. Snagsby indignantly expresses her belief that he is a limb of the arch-fiend.

“My friends,” says Mr. Chadband with his persecuted chin folding itself into its fat smile again as he looks round, “it is right that I should be humbled, it is right that I should be tried, it is right that I should be mortified, it is right that I should be corrected. I stumbled, on Sabbath last, when I thought with pride of my three hours’ improving. The account is now favourably balanced: my creditor has accepted a composition. O let us be joyful, joyful! O let us be joyful!”

Great sensation on the part of Mrs. Snagsby.

“My friends,” says Chadband, looking round him in conclusion, “I will not proceed with my young friend now. Will you come to-morrow, my young friend, and inquire of this good lady where I am to be found to deliver a discourse unto you, and will you come like the thirsty swallow upon the next day, and upon the day after that, and upon the day after that, and upon many pleasant days, to hear discourses?” (This with a cow-like lightness.)

Jo, whose immediate object seems to be to get away on any terms, gives a shuffling nod. Mr. Guppy then throws him a penny, and Mrs. Snagsby calls to Guster to see him safely out of the house. But before he goes downstairs, Mr. Snagsby loads him with some broken meats from the table, which he carries away, hugging in his arms.

So, Mr. Chadband—of whom the persecutors say that it is no wonder he should go on for any length of time uttering such abominable nonsense, but that the wonder rather is that he should ever leave off, having once the audacity to begin—retires into private life until he invests a little capital of supper in the oil-trade. Jo moves on, through the long vacation, down to Blackfriars Bridge, where he finds a baking stony corner wherein to settle to his repast.

And there he sits, munching and gnawing, and looking up at the great cross on the summit of St. Paul’s Cathedral, glittering above a red-and-violet-tinted cloud of smoke. From the boy’s face one might suppose that sacred emblem to be, in his eyes, the crowning confusion of the great, confused city—so golden, so high up, so far out of his reach. There he sits, the sun going down, the river running fast, the crowd flowing by him in two streams—everything moving on to some purpose and to one end—until he is stirred up and told to “move on” too.

Librivox Recording: Chapter 19

It was not so easy as it had appeared at first to arrange for Richard’s making a trial of Mr. Kenge’s office. Richard himself was the chief impediment. As soon as he had it in his power to leave Mr. Badger at any moment, he began to doubt whether he wanted to leave him at all. He didn’t know, he said, really. It wasn’t a bad profession; he couldn’t assert that he disliked it; perhaps he liked it as well as he liked any other—suppose he gave it one more chance! Upon that, he shut himself up for a few weeks with some books and some bones and seemed to acquire a considerable fund of information with great rapidity. His fervour, after lasting about a month, began to cool, and when it was quite cooled, began to grow warm again. His vacillations between law and medicine lasted so long that midsummer arrived before he finally separated from Mr. Badger and entered on an experimental course of Messrs. Kenge and Carboy. For all his waywardness, he took great credit to himself as being determined to be in earnest “this time.” And he was so good-natured throughout, and in such high spirits, and so fond of Ada, that it was very difficult indeed to be otherwise than pleased with him.

“As to Mr. Jarndyce,” who, I may mention, found the wind much given, during this period, to stick in the east; “As to Mr. Jarndyce,” Richard would say to me, “he is the finest fellow in the world, Esther! I must be particularly careful, if it were only for his satisfaction, to take myself well to task and have a regular wind-up of this business now.”

The idea of his taking himself well to task, with that laughing face and heedless manner and with a fancy that everything could catch and nothing could hold, was ludicrously anomalous. However, he told us between-whiles that he was doing it to such an extent that he wondered his hair didn’t turn grey. His regular wind-up of the business was (as I have said) that he went to Mr. Kenge’s about midsummer to try how he liked it.

All this time he was, in money affairs, what I have described him in a former illustration—generous, profuse, wildly careless, but fully persuaded that he was rather calculating and prudent. I happened to say to Ada, in his presence, half jestingly, half seriously, about the time of his going to Mr. Kenge’s, that he needed to have Fortunatus’ purse, he made so light of money, which he answered in this way, “My jewel of a dear cousin, you hear this old woman! Why does she say that? Because I gave eight pounds odd (or whatever it was) for a certain neat waistcoat and buttons a few days ago. Now, if I had stayed at Badger’s I should have been obliged to spend twelve pounds at a blow for some heart-breaking lecture-fees. So I make four pounds—in a lump—by the transaction!”

It was a question much discussed between him and my guardian what arrangements should be made for his living in London while he experimented on the law, for we had long since gone back to Bleak House, and it was too far off to admit of his coming there oftener than once a week. My guardian told me that if Richard were to settle down at Mr. Kenge’s he would take some apartments or chambers where we too could occasionally stay for a few days at a time; “but, little woman,” he added, rubbing his head very significantly, “he hasn’t settled down there yet!” The discussions ended in our hiring for him, by the month, a neat little furnished lodging in a quiet old house near Queen Square. He immediately began to spend all the money he had in buying the oddest little ornaments and luxuries for this lodging; and so often as Ada and I dissuaded him from making any purchase that he had in contemplation which was particularly unnecessary and expensive, he took credit for what it would have cost and made out that to spend anything less on something else was to save the difference.

While these affairs were in abeyance, our visit to Mr. Boythorn’s was postponed. At length, Richard having taken possession of his lodging, there was nothing to prevent our departure. He could have gone with us at that time of the year very well, but he was in the full novelty of his new position and was making most energetic attempts to unravel the mysteries of the fatal suit. Consequently we went without him, and my darling was delighted to praise him for being so busy.

We made a pleasant journey down into Lincolnshire by the coach and had an entertaining companion in Mr. Skimpole. His furniture had been all cleared off, it appeared, by the person who took possession of it on his blue-eyed daughter’s birthday, but he seemed quite relieved to think that it was gone. Chairs and table, he said, were wearisome objects; they were monotonous ideas, they had no variety of expression, they looked you out of countenance, and you looked them out of countenance. How pleasant, then, to be bound to no particular chairs and tables, but to sport like a butterfly among all the furniture on hire, and to flit from rosewood to mahogany, and from mahogany to walnut, and from this shape to that, as the humour took one!

“The oddity of the thing is,” said Mr. Skimpole with a quickened sense of the ludicrous, “that my chairs and tables were not paid for, and yet my landlord walks off with them as composedly as possible. Now, that seems droll! There is something grotesque in it. The chair and table merchant never engaged to pay my landlord my rent. Why should my landlord quarrel with HIM? If I have a pimple on my nose which is disagreeable to my landlord’s peculiar ideas of beauty, my landlord has no business to scratch my chair and table merchant’s nose, which has no pimple on it. His reasoning seems defective!”

“Well,” said my guardian good-humouredly, “it’s pretty clear that whoever became security for those chairs and tables will have to pay for them.”

“Exactly!” returned Mr. Skimpole. “That’s the crowning point of unreason in the business! I said to my landlord, ‘My good man, you are not aware that my excellent friend Jarndyce will have to pay for those things that you are sweeping off in that indelicate manner. Have you no consideration for HIS property?’ He hadn’t the least.”

“And refused all proposals,” said my guardian.

“Refused all proposals,” returned Mr. Skimpole. “I made him business proposals. I had him into my room. I said, ‘You are a man of business, I believe?’ He replied, ‘I am,’ ‘Very well,’ said I, ‘now let us be business-like. Here is an inkstand, here are pens and paper, here are wafers. What do you want? I have occupied your house for a considerable period, I believe to our mutual satisfaction until this unpleasant misunderstanding arose; let us be at once friendly and business-like. What do you want?’ In reply to this, he made use of the figurative expression—which has something Eastern about it—that he had never seen the colour of my money. ‘My amiable friend,’ said I, ‘I never have any money. I never know anything about money.’ ‘Well, sir,’ said he, ‘what do you offer if I give you time?’ ‘My good fellow,’ said I, ‘I have no idea of time; but you say you are a man of business, and whatever you can suggest to be done in a business-like way with pen, and ink, and paper—and wafers—I am ready to do. Don’t pay yourself at another man’s expense (which is foolish), but be business-like!’ However, he wouldn’t be, and there was an end of it.”

If these were some of the inconveniences of Mr. Skimpole’s childhood, it assuredly possessed its advantages too. On the journey he had a very good appetite for such refreshment as came in our way (including a basket of choice hothouse peaches), but never thought of paying for anything. So when the coachman came round for his fee, he pleasantly asked him what he considered a very good fee indeed, now—a liberal one—and on his replying half a crown for a single passenger, said it was little enough too, all things considered, and left Mr. Jarndyce to give it him.

It was delightful weather. The green corn waved so beautifully, the larks sang so joyfully, the hedges were so full of wild flowers, the trees were so thickly out in leaf, the bean-fields, with a light wind blowing over them, filled the air with such a delicious fragrance! Late in the afternoon we came to the market-town where we were to alight from the coach—a dull little town with a church-spire, and a marketplace, and a market-cross, and one intensely sunny street, and a pond with an old horse cooling his legs in it, and a very few men sleepily lying and standing about in narrow little bits of shade. After the rustling of the leaves and the waving of the corn all along the road, it looked as still, as hot, as motionless a little town as England could produce.

At the inn we found Mr. Boythorn on horseback, waiting with an open carriage to take us to his house, which was a few miles off. He was overjoyed to see us and dismounted with great alacrity.

“By heaven!” said he after giving us a courteous greeting. “This a most infamous coach. It is the most flagrant example of an abominable public vehicle that ever encumbered the face of the earth. It is twenty-five minutes after its time this afternoon. The coachman ought to be put to death!”

“IS he after his time?” said Mr. Skimpole, to whom he happened to address himself. “You know my infirmity.”

“Twenty-five minutes! Twenty-six minutes!” replied Mr. Boythorn, referring to his watch. “With two ladies in the coach, this scoundrel has deliberately delayed his arrival six and twenty minutes. Deliberately! It is impossible that it can be accidental! But his father—and his uncle—were the most profligate coachmen that ever sat upon a box.”

While he said this in tones of the greatest indignation, he handed us into the little phaeton with the utmost gentleness and was all smiles and pleasure.

“I am sorry, ladies,” he said, standing bare-headed at the carriage-door when all was ready, “that I am obliged to conduct you nearly two miles out of the way. But our direct road lies through Sir Leicester Dedlock’s park, and in that fellow’s property I have sworn never to set foot of mine, or horse’s foot of mine, pending the present relations between us, while I breathe the breath of life!” And here, catching my guardian’s eye, he broke into one of his tremendous laughs, which seemed to shake even the motionless little market-town.

“Are the Dedlocks down here, Lawrence?” said my guardian as we drove along and Mr. Boythorn trotted on the green turf by the roadside.

“Sir Arrogant Numskull is here,” replied Mr. Boythorn. “Ha ha ha! Sir Arrogant is here, and I am glad to say, has been laid by the heels here. My Lady,” in naming whom he always made a courtly gesture as if particularly to exclude her from any part in the quarrel, “is expected, I believe, daily. I am not in the least surprised that she postpones her appearance as long as possible. Whatever can have induced that transcendent woman to marry that effigy and figure-head of a baronet is one of the most impenetrable mysteries that ever baffled human inquiry. Ha ha ha ha!”

“I suppose,” said my guardian, laughing, “WE may set foot in the park while we are here? The prohibition does not extend to us, does it?”

“I can lay no prohibition on my guests,” he said, bending his head to Ada and me with the smiling politeness which sat so gracefully upon him, “except in the matter of their departure. I am only sorry that I cannot have the happiness of being their escort about Chesney Wold, which is a very fine place! But by the light of this summer day, Jarndyce, if you call upon the owner while you stay with me, you are likely to have but a cool reception. He carries himself like an eight-day clock at all times, like one of a race of eight-day clocks in gorgeous cases that never go and never went—Ha ha ha!—but he will have some extra stiffness, I can promise you, for the friends of his friend and neighbour Boythorn!”

“I shall not put him to the proof,” said my guardian. “He is as indifferent to the honour of knowing me, I dare say, as I am to the honour of knowing him. The air of the grounds and perhaps such a view of the house as any other sightseer might get are quite enough for me.”

“Well!” said Mr. Boythorn. “I am glad of it on the whole. It’s in better keeping. I am looked upon about here as a second Ajax defying the lightning. Ha ha ha ha! When I go into our little church on a Sunday, a considerable part of the inconsiderable congregation expect to see me drop, scorched and withered, on the pavement under the Dedlock displeasure. Ha ha ha ha! I have no doubt he is surprised that I don’t. For he is, by heaven, the most self-satisfied, and the shallowest, and the most coxcombical and utterly brainless ass!”

Our coming to the ridge of a hill we had been ascending enabled our friend to point out Chesney Wold itself to us and diverted his attention from its master.

It was a picturesque old house in a fine park richly wooded. Among the trees and not far from the residence he pointed out the spire of the little church of which he had spoken. Oh, the solemn woods over which the light and shadow travelled swiftly, as if heavenly wings were sweeping on benignant errands through the summer air; the smooth green slopes, the glittering water, the garden where the flowers were so symmetrically arranged in clusters of the richest colours, how beautiful they looked! The house, with gable and chimney, and tower, and turret, and dark doorway, and broad terrace-walk, twining among the balustrades of which, and lying heaped upon the vases, there was one great flush of roses, seemed scarcely real in its light solidity and in the serene and peaceful hush that rested on all around it. To Ada and to me, that above all appeared the pervading influence. On everything, house, garden, terrace, green slopes, water, old oaks, fern, moss, woods again, and far away across the openings in the prospect to the distance lying wide before us with a purple bloom upon it, there seemed to be such undisturbed repose.

When we came into the little village and passed a small inn with the sign of the Dedlock Arms swinging over the road in front, Mr. Boythorn interchanged greetings with a young gentleman sitting on a bench outside the inn-door who had some fishing-tackle lying beside him.

“That’s the housekeeper’s grandson, Mr. Rouncewell by name,” said, he, “and he is in love with a pretty girl up at the house. Lady Dedlock has taken a fancy to the pretty girl and is going to keep her about her own fair person—an honour which my young friend himself does not at all appreciate. However, he can’t marry just yet, even if his Rosebud were willing; so he is fain to make the best of it. In the meanwhile, he comes here pretty often for a day or two at a time to—fish. Ha ha ha ha!”

“Are he and the pretty girl engaged, Mr. Boythorn?” asked Ada.

“Why, my dear Miss Clare,” he returned, “I think they may perhaps understand each other; but you will see them soon, I dare say, and I must learn from you on such a point—not you from me.”

Ada blushed, and Mr. Boythorn, trotting forward on his comely grey horse, dismounted at his own door and stood ready with extended arm and uncovered head to welcome us when we arrived.

He lived in a pretty house, formerly the parsonage house, with a lawn in front, a bright flower-garden at the side, and a well-stocked orchard and kitchen-garden in the rear, enclosed with a venerable wall that had of itself a ripened ruddy look. But, indeed, everything about the place wore an aspect of maturity and abundance. The old lime-tree walk was like green cloisters, the very shadows of the cherry-trees and apple-trees were heavy with fruit, the gooseberry-bushes were so laden that their branches arched and rested on the earth, the strawberries and raspberries grew in like profusion, and the peaches basked by the hundred on the wall. Tumbled about among the spread nets and the glass frames sparkling and winking in the sun there were such heaps of drooping pods, and marrows, and cucumbers, that every foot of ground appeared a vegetable treasury, while the smell of sweet herbs and all kinds of wholesome growth (to say nothing of the neighbouring meadows where the hay was carrying) made the whole air a great nosegay. Such stillness and composure reigned within the orderly precincts of the old red wall that even the feathers hung in garlands to scare the birds hardly stirred; and the wall had such a ripening influence that where, here and there high up, a disused nail and scrap of list still clung to it, it was easy to fancy that they had mellowed with the changing seasons and that they had rusted and decayed according to the common fate.

The house, though a little disorderly in comparison with the garden, was a real old house with settles in the chimney of the brick-floored kitchen and great beams across the ceilings. On one side of it was the terrible piece of ground in dispute, where Mr. Boythorn maintained a sentry in a smock-frock day and night, whose duty was supposed to be, in cases of aggression, immediately to ring a large bell hung up there for the purpose, to unchain a great bull-dog established in a kennel as his ally, and generally to deal destruction on the enemy. Not content with these precautions, Mr. Boythorn had himself composed and posted there, on painted boards to which his name was attached in large letters, the following solemn warnings: “Beware of the bull-dog. He is most ferocious. Lawrence Boythorn.” “The blunderbus is loaded with slugs. Lawrence Boythorn.” “Man-traps and spring-guns are set here at all times of the day and night. Lawrence Boythorn.” “Take notice. That any person or persons audaciously presuming to trespass on this property will be punished with the utmost severity of private chastisement and prosecuted with the utmost rigour of the law. Lawrence Boythorn.” These he showed us from the drawing-room window, while his bird was hopping about his head, and he laughed, “Ha ha ha ha! Ha ha ha ha!” to that extent as he pointed them out that I really thought he would have hurt himself.

“But this is taking a good deal of trouble,” said Mr. Skimpole in his light way, “when you are not in earnest after all.”

“Not in earnest!” returned Mr. Boythorn with unspeakable warmth. “Not in earnest! If I could have hoped to train him, I would have bought a lion instead of that dog and would have turned him loose upon the first intolerable robber who should dare to make an encroachment on my rights. Let Sir Leicester Dedlock consent to come out and decide this question by single combat, and I will meet him with any weapon known to mankind in any age or country. I am that much in earnest. Not more!”

We arrived at his house on a Saturday. On the Sunday morning we all set forth to walk to the little church in the park. Entering the park, almost immediately by the disputed ground, we pursued a pleasant footpath winding among the verdant turf and the beautiful trees until it brought us to the church-porch.

The congregation was extremely small and quite a rustic one with the exception of a large muster of servants from the house, some of whom were already in their seats, while others were yet dropping in. There were some stately footmen, and there was a perfect picture of an old coachman, who looked as if he were the official representative of all the pomps and vanities that had ever been put into his coach. There was a very pretty show of young women, and above them, the handsome old face and fine responsible portly figure of the housekeeper towered pre-eminent. The pretty girl of whom Mr. Boythorn had told us was close by her. She was so very pretty that I might have known her by her beauty even if I had not seen how blushingly conscious she was of the eyes of the young fisherman, whom I discovered not far off. One face, and not an agreeable one, though it was handsome, seemed maliciously watchful of this pretty girl, and indeed of every one and everything there. It was a Frenchwoman’s.

As the bell was yet ringing and the great people were not yet come, I had leisure to glance over the church, which smelt as earthy as a grave, and to think what a shady, ancient, solemn little church it was. The windows, heavily shaded by trees, admitted a subdued light that made the faces around me pale, and darkened the old brasses in the pavement and the time and damp-worn monuments, and rendered the sunshine in the little porch, where a monotonous ringer was working at the bell, inestimably bright. But a stir in that direction, a gathering of reverential awe in the rustic faces, and a blandly ferocious assumption on the part of Mr. Boythorn of being resolutely unconscious of somebody’s existence forewarned me that the great people were come and that the service was going to begin.

“‘Enter not into judgment with thy servant, O Lord, for in thy sight—'”

Shall I ever forget the rapid beating at my heart, occasioned by the look I met as I stood up! Shall I ever forget the manner in which those handsome proud eyes seemed to spring out of their languor and to hold mine! It was only a moment before I cast mine down—released again, if I may say so—on my book; but I knew the beautiful face quite well in that short space of time.

And, very strangely, there was something quickened within me, associated with the lonely days at my godmother’s; yes, away even to the days when I had stood on tiptoe to dress myself at my little glass after dressing my doll. And this, although I had never seen this lady’s face before in all my life—I was quite sure of it—absolutely certain.

It was easy to know that the ceremonious, gouty, grey-haired gentleman, the only other occupant of the great pew, was Sir Leicester Dedlock, and that the lady was Lady Dedlock. But why her face should be, in a confused way, like a broken glass to me, in which I saw scraps of old remembrances, and why I should be so fluttered and troubled (for I was still) by having casually met her eyes, I could not think.

I felt it to be an unmeaning weakness in me and tried to overcome it by attending to the words I heard. Then, very strangely, I seemed to hear them, not in the reader’s voice, but in the well-remembered voice of my godmother. This made me think, did Lady Dedlock’s face accidentally resemble my godmother’s? It might be that it did, a little; but the expression was so different, and the stern decision which had worn into my godmother’s face, like weather into rocks, was so completely wanting in the face before me that it could not be that resemblance which had struck me. Neither did I know the loftiness and haughtiness of Lady Dedlock’s face, at all, in any one. And yet I—I, little Esther Summerson, the child who lived a life apart and on whose birthday there was no rejoicing—seemed to arise before my own eyes, evoked out of the past by some power in this fashionable lady, whom I not only entertained no fancy that I had ever seen, but whom I perfectly well knew I had never seen until that hour.

It made me tremble so to be thrown into this unaccountable agitation that I was conscious of being distressed even by the observation of the French maid, though I knew she had been looking watchfully here, and there, and everywhere, from the moment of her coming into the church. By degrees, though very slowly, I at last overcame my strange emotion. After a long time, I looked towards Lady Dedlock again. It was while they were preparing to sing, before the sermon. She took no heed of me, and the beating at my heart was gone. Neither did it revive for more than a few moments when she once or twice afterwards glanced at Ada or at me through her glass.

The service being concluded, Sir Leicester gave his arm with much taste and gallantry to Lady Dedlock—though he was obliged to walk by the help of a thick stick—and escorted her out of church to the pony carriage in which they had come. The servants then dispersed, and so did the congregation, whom Sir Leicester had contemplated all along (Mr. Skimpole said to Mr. Boythorn’s infinite delight) as if he were a considerable landed proprietor in heaven.

“He believes he is!” said Mr. Boythorn. “He firmly believes it. So did his father, and his grandfather, and his great-grandfather!”

“Do you know,” pursued Mr. Skimpole very unexpectedly to Mr. Boythorn, “it’s agreeable to me to see a man of that sort.”

“IS it!” said Mr. Boythorn.

“Say that he wants to patronize me,” pursued Mr. Skimpole. “Very well! I don’t object.”

“I do,” said Mr. Boythorn with great vigour.

“Do you really?” returned Mr. Skimpole in his easy light vein. “But that’s taking trouble, surely. And why should you take trouble? Here am I, content to receive things childishly as they fall out, and I never take trouble! I come down here, for instance, and I find a mighty potentate exacting homage. Very well! I say ‘Mighty potentate, here IS my homage! It’s easier to give it than to withhold it. Here it is. If you have anything of an agreeable nature to show me, I shall be happy to see it; if you have anything of an agreeable nature to give me, I shall be happy to accept it.’ Mighty potentate replies in effect, ‘This is a sensible fellow. I find him accord with my digestion and my bilious system. He doesn’t impose upon me the necessity of rolling myself up like a hedgehog with my points outward. I expand, I open, I turn my silver lining outward like Milton’s cloud, and it’s more agreeable to both of us.’ That’s my view of such things, speaking as a child!”

“But suppose you went down somewhere else to-morrow,” said Mr. Boythorn, “where there was the opposite of that fellow—or of this fellow. How then?”

“How then?” said Mr. Skimpole with an appearance of the utmost simplicity and candour. “Just the same then! I should say, ‘My esteemed Boythorn’—to make you the personification of our imaginary friend—’my esteemed Boythorn, you object to the mighty potentate? Very good. So do I. I take it that my business in the social system is to be agreeable; I take it that everybody’s business in the social system is to be agreeable. It’s a system of harmony, in short. Therefore if you object, I object. Now, excellent Boythorn, let us go to dinner!'”

“But excellent Boythorn might say,” returned our host, swelling and growing very red, “I’ll be—”

“I understand,” said Mr. Skimpole. “Very likely he would.”

“—if I WILL go to dinner!” cried Mr. Boythorn in a violent burst and stopping to strike his stick upon the ground. “And he would probably add, ‘Is there such a thing as principle, Mr. Harold Skimpole?'”

“To which Harold Skimpole would reply, you know,” he returned in his gayest manner and with his most ingenuous smile, “‘Upon my life I have not the least idea! I don’t know what it is you call by that name, or where it is, or who possesses it. If you possess it and find it comfortable, I am quite delighted and congratulate you heartily. But I know nothing about it, I assure you; for I am a mere child, and I lay no claim to it, and I don’t want it!’ So, you see, excellent Boythorn and I would go to dinner after all!”

This was one of many little dialogues between them which I always expected to end, and which I dare say would have ended under other circumstances, in some violent explosion on the part of our host. But he had so high a sense of his hospitable and responsible position as our entertainer, and my guardian laughed so sincerely at and with Mr. Skimpole, as a child who blew bubbles and broke them all day long, that matters never went beyond this point. Mr. Skimpole, who always seemed quite unconscious of having been on delicate ground, then betook himself to beginning some sketch in the park which he never finished, or to playing fragments of airs on the piano, or to singing scraps of songs, or to lying down on his back under a tree and looking at the sky—which he couldn’t help thinking, he said, was what he was meant for; it suited him so exactly.

“Enterprise and effort,” he would say to us (on his back), “are delightful to me. I believe I am truly cosmopolitan. I have the deepest sympathy with them. I lie in a shady place like this and think of adventurous spirits going to the North Pole or penetrating to the heart of the Torrid Zone with admiration. Mercenary creatures ask, ‘What is the use of a man’s going to the North Pole? What good does it do?’ I can’t say; but, for anything I CAN say, he may go for the purpose—though he don’t know it—of employing my thoughts as I lie here. Take an extreme case. Take the case of the slaves on American plantations. I dare say they are worked hard, I dare say they don’t altogether like it. I dare say theirs is an unpleasant experience on the whole; but they people the landscape for me, they give it a poetry for me, and perhaps that is one of the pleasanter objects of their existence. I am very sensible of it, if it be, and I shouldn’t wonder if it were!”

I always wondered on these occasions whether he ever thought of Mrs. Skimpole and the children, and in what point of view they presented themselves to his cosmopolitan mind. So far as I could understand, they rarely presented themselves at all.

The week had gone round to the Saturday following that beating of my heart in the church; and every day had been so bright and blue that to ramble in the woods, and to see the light striking down among the transparent leaves and sparkling in the beautiful interlacings of the shadows of the trees, while the birds poured out their songs and the air was drowsy with the hum of insects, had been most delightful. We had one favourite spot, deep in moss and last year’s leaves, where there were some felled trees from which the bark was all stripped off. Seated among these, we looked through a green vista supported by thousands of natural columns, the whitened stems of trees, upon a distant prospect made so radiant by its contrast with the shade in which we sat and made so precious by the arched perspective through which we saw it that it was like a glimpse of the better land. Upon the Saturday we sat here, Mr. Jarndyce, Ada, and I, until we heard thunder muttering in the distance and felt the large raindrops rattle through the leaves.

The weather had been all the week extremely sultry, but the storm broke so suddenly—upon us, at least, in that sheltered spot—that before we reached the outskirts of the wood the thunder and lightning were frequent and the rain came plunging through the leaves as if every drop were a great leaden bead. As it was not a time for standing among trees, we ran out of the wood, and up and down the moss-grown steps which crossed the plantation-fence like two broad-staved ladders placed back to back, and made for a keeper’s lodge which was close at hand. We had often noticed the dark beauty of this lodge standing in a deep twilight of trees, and how the ivy clustered over it, and how there was a steep hollow near, where we had once seen the keeper’s dog dive down into the fern as if it were water.

The lodge was so dark within, now the sky was overcast, that we only clearly saw the man who came to the door when we took shelter there and put two chairs for Ada and me. The lattice-windows were all thrown open, and we sat just within the doorway watching the storm. It was grand to see how the wind awoke, and bent the trees, and drove the rain before it like a cloud of smoke; and to hear the solemn thunder and to see the lightning; and while thinking with awe of the tremendous powers by which our little lives are encompassed, to consider how beneficent they are and how upon the smallest flower and leaf there was already a freshness poured from all this seeming rage which seemed to make creation new again.

“Is it not dangerous to sit in so exposed a place?”

“Oh, no, Esther dear!” said Ada quietly.

Ada said it to me, but I had not spoken.

The beating of my heart came back again. I had never heard the voice, as I had never seen the face, but it affected me in the same strange way. Again, in a moment, there arose before my mind innumerable pictures of myself.

Lady Dedlock had taken shelter in the lodge before our arrival there and had come out of the gloom within. She stood behind my chair with her hand upon it. I saw her with her hand close to my shoulder when I turned my head.

“I have frightened you?” she said.

No. It was not fright. Why should I be frightened!

“I believe,” said Lady Dedlock to my guardian, “I have the pleasure of speaking to Mr. Jarndyce.”

“Your remembrance does me more honour than I had supposed it would, Lady Dedlock,” he returned.

“I recognized you in church on Sunday. I am sorry that any local disputes of Sir Leicester’s—they are not of his seeking, however, I believe—should render it a matter of some absurd difficulty to show you any attention here.”

“I am aware of the circumstances,” returned my guardian with a smile, “and am sufficiently obliged.”

She had given him her hand in an indifferent way that seemed habitual to her and spoke in a correspondingly indifferent manner, though in a very pleasant voice. She was as graceful as she was beautiful, perfectly self-possessed, and had the air, I thought, of being able to attract and interest any one if she had thought it worth her while. The keeper had brought her a chair on which she sat in the middle of the porch between us.

“Is the young gentleman disposed of whom you wrote to Sir Leicester about and whose wishes Sir Leicester was sorry not to have it in his power to advance in any way?” she said over her shoulder to my guardian.

“I hope so,” said he.

She seemed to respect him and even to wish to conciliate him. There was something very winning in her haughty manner, and it became more familiar—I was going to say more easy, but that could hardly be—as she spoke to him over her shoulder.

“I presume this is your other ward, Miss Clare?”

He presented Ada, in form.

“You will lose the disinterested part of your Don Quixote character,” said Lady Dedlock to Mr. Jarndyce over her shoulder again, “if you only redress the wrongs of beauty like this. But present me,” and she turned full upon me, “to this young lady too!”

“Miss Summerson really is my ward,” said Mr. Jarndyce. “I am responsible to no Lord Chancellor in her case.”

“Has Miss Summerson lost both her parents?” said my Lady.

“Yes.”

“She is very fortunate in her guardian.”

Lady Dedlock looked at me, and I looked at her and said I was indeed. All at once she turned from me with a hasty air, almost expressive of displeasure or dislike, and spoke to him over her shoulder again.

“Ages have passed since we were in the habit of meeting, Mr. Jarndyce.”

“A long time. At least I thought it was a long time, until I saw you last Sunday,” he returned.

“What! Even you are a courtier, or think it necessary to become one to me!” she said with some disdain. “I have achieved that reputation, I suppose.”

“You have achieved so much, Lady Dedlock,” said my guardian, “that you pay some little penalty, I dare say. But none to me.”

“So much!” she repeated, slightly laughing. “Yes!”

With her air of superiority, and power, and fascination, and I know not what, she seemed to regard Ada and me as little more than children. So, as she slightly laughed and afterwards sat looking at the rain, she was as self-possessed and as free to occupy herself with her own thoughts as if she had been alone.

“I think you knew my sister when we were abroad together better than you know me?” she said, looking at him again.

“Yes, we happened to meet oftener,” he returned.

“We went our several ways,” said Lady Dedlock, “and had little in common even before we agreed to differ. It is to be regretted, I suppose, but it could not be helped.”

Lady Dedlock again sat looking at the rain. The storm soon began to pass upon its way. The shower greatly abated, the lightning ceased, the thunder rolled among the distant hills, and the sun began to glisten on the wet leaves and the falling rain. As we sat there, silently, we saw a little pony phaeton coming towards us at a merry pace.

“The messenger is coming back, my Lady,” said the keeper, “with the carriage.”

As it drove up, we saw that there were two people inside. There alighted from it, with some cloaks and wrappers, first the Frenchwoman whom I had seen in church, and secondly the pretty girl, the Frenchwoman with a defiant confidence, the pretty girl confused and hesitating.

“What now?” said Lady Dedlock. “Two!”

“I am your maid, my Lady, at the present,” said the Frenchwoman. “The message was for the attendant.”

“I was afraid you might mean me, my Lady,” said the pretty girl.

“I did mean you, child,” replied her mistress calmly. “Put that shawl on me.”

She slightly stooped her shoulders to receive it, and the pretty girl lightly dropped it in its place. The Frenchwoman stood unnoticed, looking on with her lips very tightly set.

“I am sorry,” said Lady Dedlock to Mr. Jarndyce, “that we are not likely to renew our former acquaintance. You will allow me to send the carriage back for your two wards. It shall be here directly.”

But as he would on no account accept this offer, she took a graceful leave of Ada—none of me—and put her hand upon his proffered arm, and got into the carriage, which was a little, low, park carriage with a hood.

“Come in, child,” she said to the pretty girl; “I shall want you. Go on!”

The carriage rolled away, and the Frenchwoman, with the wrappers she had brought hanging over her arm, remained standing where she had alighted.

I suppose there is nothing pride can so little bear with as pride itself, and that she was punished for her imperious manner. Her retaliation was the most singular I could have imagined. She remained perfectly still until the carriage had turned into the drive, and then, without the least discomposure of countenance, slipped off her shoes, left them on the ground, and walked deliberately in the same direction through the wettest of the wet grass.

“Is that young woman mad?” said my guardian.

“Oh, no, sir!” said the keeper, who, with his wife, was looking after her. “Hortense is not one of that sort. She has as good a head-piece as the best. But she’s mortal high and passionate—powerful high and passionate; and what with having notice to leave, and having others put above her, she don’t take kindly to it.”

“But why should she walk shoeless through all that water?” said my guardian.

“Why, indeed, sir, unless it is to cool her down!” said the man.

“Or unless she fancies it’s blood,” said the woman. “She’d as soon walk through that as anything else, I think, when her own’s up!”

We passed not far from the house a few minutes afterwards. Peaceful as it had looked when we first saw it, it looked even more so now, with a diamond spray glittering all about it, a light wind blowing, the birds no longer hushed but singing strongly, everything refreshed by the late rain, and the little carriage shining at the doorway like a fairy carriage made of silver. Still, very steadfastly and quietly walking towards it, a peaceful figure too in the landscape, went Mademoiselle Hortense, shoeless, through the wet grass.

Librivox Recording: Chapter 18

(Image: “The Little Church in the Park”)

Richard very often came to see us while we remained in London (though he soon failed in his letter-writing), and with his quick abilities, his good spirits, his good temper, his gaiety and freshness, was always delightful. But though I liked him more and more the better I knew him, I still felt more and more how much it was to be regretted that he had been educated in no habits of application and concentration. The system which had addressed him in exactly the same manner as it had addressed hundreds of other boys, all varying in character and capacity, had enabled him to dash through his tasks, always with fair credit and often with distinction, but in a fitful, dazzling way that had confirmed his reliance on those very qualities in himself which it had been most desirable to direct and train. They were good qualities, without which no high place can be meritoriously won, but like fire and water, though excellent servants, they were very bad masters. If they had been under Richard’s direction, they would have been his friends; but Richard being under their direction, they became his enemies.

I write down these opinions not because I believe that this or any other thing was so because I thought so, but only because I did think so and I want to be quite candid about all I thought and did. These were my thoughts about Richard. I thought I often observed besides how right my guardian was in what he had said, and that the uncertainties and delays of the Chancery suit had imparted to his nature something of the careless spirit of a gamester who felt that he was part of a great gaming system.

Mr. and Mrs. Bayham Badger coming one afternoon when my guardian was not at home, in the course of conversation I naturally inquired after Richard.

“Why, Mr. Carstone,” said Mrs. Badger, “is very well and is, I assure you, a great acquisition to our society. Captain Swosser used to say of me that I was always better than land a-head and a breeze a-starn to the midshipmen’s mess when the purser’s junk had become as tough as the fore-topsel weather earings. It was his naval way of mentioning generally that I was an acquisition to any society. I may render the same tribute, I am sure, to Mr. Carstone. But I—you won’t think me premature if I mention it?”

I said no, as Mrs. Badger’s insinuating tone seemed to require such an answer.

“Nor Miss Clare?” said Mrs. Bayham Badger sweetly.

Ada said no, too, and looked uneasy.

“Why, you see, my dears,” said Mrs. Badger, “—you’ll excuse me calling you my dears?”

We entreated Mrs. Badger not to mention it.

“Because you really are, if I may take the liberty of saying so,” pursued Mrs. Badger, “so perfectly charming. You see, my dears, that although I am still young—or Mr. Bayham Badger pays me the compliment of saying so—”

“No,” Mr. Badger called out like some one contradicting at a public meeting. “Not at all!”

“Very well,” smiled Mrs. Badger, “we will say still young.”

“Undoubtedly,” said Mr. Badger.

“My dears, though still young, I have had many opportunities of observing young men. There were many such on board the dear old Crippler, I assure you. After that, when I was with Captain Swosser in the Mediterranean, I embraced every opportunity of knowing and befriending the midshipmen under Captain Swosser’s command. YOU never heard them called the young gentlemen, my dears, and probably would not understand allusions to their pipe-claying their weekly accounts, but it is otherwise with me, for blue water has been a second home to me, and I have been quite a sailor. Again, with Professor Dingo.”

“A man of European reputation,” murmured Mr. Badger.

“When I lost my dear first and became the wife of my dear second,” said Mrs. Badger, speaking of her former husbands as if they were parts of a charade, “I still enjoyed opportunities of observing youth. The class attendant on Professor Dingo’s lectures was a large one, and it became my pride, as the wife of an eminent scientific man seeking herself in science the utmost consolation it could impart, to throw our house open to the students as a kind of Scientific Exchange. Every Tuesday evening there was lemonade and a mixed biscuit for all who chose to partake of those refreshments. And there was science to an unlimited extent.”

“Remarkable assemblies those, Miss Summerson,” said Mr. Badger reverentially. “There must have been great intellectual friction going on there under the auspices of such a man!”

“And now,” pursued Mrs. Badger, “now that I am the wife of my dear third, Mr. Badger, I still pursue those habits of observation which were formed during the lifetime of Captain Swosser and adapted to new and unexpected purposes during the lifetime of Professor Dingo. I therefore have not come to the consideration of Mr. Carstone as a neophyte. And yet I am very much of the opinion, my dears, that he has not chosen his profession advisedly.”

Ada looked so very anxious now that I asked Mrs. Badger on what she founded her supposition.

“My dear Miss Summerson,” she replied, “on Mr. Carstone’s character and conduct. He is of such a very easy disposition that probably he would never think it worth-while to mention how he really feels, but he feels languid about the profession. He has not that positive interest in it which makes it his vocation. If he has any decided impression in reference to it, I should say it was that it is a tiresome pursuit. Now, this is not promising. Young men like Mr. Allan Woodcourt who take it from a strong interest in all that it can do will find some reward in it through a great deal of work for a very little money and through years of considerable endurance and disappointment. But I am quite convinced that this would never be the case with Mr. Carstone.”

“Does Mr. Badger think so too?” asked Ada timidly.

“Why,” said Mr. Badger, “to tell the truth, Miss Clare, this view of the matter had not occurred to me until Mrs. Badger mentioned it. But when Mrs. Badger put it in that light, I naturally gave great consideration to it, knowing that Mrs. Badger’s mind, in addition to its natural advantages, has had the rare advantage of being formed by two such very distinguished (I will even say illustrious) public men as Captain Swosser of the Royal Navy and Professor Dingo. The conclusion at which I have arrived is—in short, is Mrs. Badger’s conclusion.”

“It was a maxim of Captain Swosser’s,” said Mrs. Badger, “speaking in his figurative naval manner, that when you make pitch hot, you cannot make it too hot; and that if you only have to swab a plank, you should swab it as if Davy Jones were after you. It appears to me that this maxim is applicable to the medical as well as to the nautical profession.

“To all professions,” observed Mr. Badger. “It was admirably said by Captain Swosser. Beautifully said.”

“People objected to Professor Dingo when we were staying in the north of Devon after our marriage,” said Mrs. Badger, “that he disfigured some of the houses and other buildings by chipping off fragments of those edifices with his little geological hammer. But the professor replied that he knew of no building save the Temple of Science. The principle is the same, I think?”

“Precisely the same,” said Mr. Badger. “Finely expressed! The professor made the same remark, Miss Summerson, in his last illness, when (his mind wandering) he insisted on keeping his little hammer under the pillow and chipping at the countenances of the attendants. The ruling passion!”

Although we could have dispensed with the length at which Mr. and Mrs. Badger pursued the conversation, we both felt that it was disinterested in them to express the opinion they had communicated to us and that there was a great probability of its being sound. We agreed to say nothing to Mr. Jarndyce until we had spoken to Richard; and as he was coming next evening, we resolved to have a very serious talk with him.

So after he had been a little while with Ada, I went in and found my darling (as I knew she would be) prepared to consider him thoroughly right in whatever he said.

“And how do you get on, Richard?” said I. I always sat down on the other side of him. He made quite a sister of me.

“Oh! Well enough!” said Richard.

“He can’t say better than that, Esther, can he?” cried my pet triumphantly.

I tried to look at my pet in the wisest manner, but of course I couldn’t.

“Well enough?” I repeated.

“Yes,” said Richard, “well enough. It’s rather jog-trotty and humdrum. But it’ll do as well as anything else!”

“Oh! My dear Richard!” I remonstrated.

“What’s the matter?” said Richard.

“Do as well as anything else!”

“I don’t think there’s any harm in that, Dame Durden,” said Ada, looking so confidingly at me across him; “because if it will do as well as anything else, it will do very well, I hope.”

“Oh, yes, I hope so,” returned Richard, carelessly tossing his hair from his forehead. “After all, it may be only a kind of probation till our suit is—I forgot though. I am not to mention the suit. Forbidden ground! Oh, yes, it’s all right enough. Let us talk about something else.”

Ada would have done so willingly, and with a full persuasion that we had brought the question to a most satisfactory state. But I thought it would be useless to stop there, so I began again.

“No, but Richard,” said I, “and my dear Ada! Consider how important it is to you both, and what a point of honour it is towards your cousin, that you, Richard, should be quite in earnest without any reservation. I think we had better talk about this, really, Ada. It will be too late very soon.”

“Oh, yes! We must talk about it!” said Ada. “But I think Richard is right.”

What was the use of my trying to look wise when she was so pretty, and so engaging, and so fond of him!

“Mr. and Mrs. Badger were here yesterday, Richard,” said I, “and they seemed disposed to think that you had no great liking for the profession.”

“Did they though?” said Richard. “Oh! Well, that rather alters the case, because I had no idea that they thought so, and I should not have liked to disappoint or inconvenience them. The fact is, I don’t care much about it. But, oh, it don’t matter! It’ll do as well as anything else!”

“You hear him, Ada!” said I.

“The fact is,” Richard proceeded, half thoughtfully and half jocosely, “it is not quite in my way. I don’t take to it. And I get too much of Mrs. Bayham Badger’s first and second.”

“I am sure THAT’S very natural!” cried Ada, quite delighted. “The very thing we both said yesterday, Esther!”

“Then,” pursued Richard, “it’s monotonous, and to-day is too like yesterday, and to-morrow is too like to-day.”

“But I am afraid,” said I, “this is an objection to all kinds of application—to life itself, except under some very uncommon circumstances.”

“Do you think so?” returned Richard, still considering. “Perhaps! Ha! Why, then, you know,” he added, suddenly becoming gay again, “we travel outside a circle to what I said just now. It’ll do as well as anything else. Oh, it’s all right enough! Let us talk about something else.”

But even Ada, with her loving face—and if it had seemed innocent and trusting when I first saw it in that memorable November fog, how much more did it seem now when I knew her innocent and trusting heart—even Ada shook her head at this and looked serious. So I thought it a good opportunity to hint to Richard that if he were sometimes a little careless of himself, I was very sure he never meant to be careless of Ada, and that it was a part of his affectionate consideration for her not to slight the importance of a step that might influence both their lives. This made him almost grave.

“My dear Mother Hubbard,” he said, “that’s the very thing! I have thought of that several times and have been quite angry with myself for meaning to be so much in earnest and—somehow—not exactly being so. I don’t know how it is; I seem to want something or other to stand by. Even you have no idea how fond I am of Ada (my darling cousin, I love you, so much!), but I don’t settle down to constancy in other things. It’s such uphill work, and it takes such a time!” said Richard with an air of vexation.

“That may be,” I suggested, “because you don’t like what you have chosen.”

“Poor fellow!” said Ada. “I am sure I don’t wonder at it!”

No. It was not of the least use my trying to look wise. I tried again, but how could I do it, or how could it have any effect if I could, while Ada rested her clasped hands upon his shoulder and while he looked at her tender blue eyes, and while they looked at him!

“You see, my precious girl,” said Richard, passing her golden curls through and through his hand, “I was a little hasty perhaps; or I misunderstood my own inclinations perhaps. They don’t seem to lie in that direction. I couldn’t tell till I tried. Now the question is whether it’s worth-while to undo all that has been done. It seems like making a great disturbance about nothing particular.”

“My dear Richard,” said I, “how CAN you say about nothing particular?”

“I don’t mean absolutely that,” he returned. “I mean that it MAY be nothing particular because I may never want it.”

Both Ada and I urged, in reply, not only that it was decidedly worth-while to undo what had been done, but that it must be undone. I then asked Richard whether he had thought of any more congenial pursuit.

“There, my dear Mrs. Shipton,” said Richard, “you touch me home. Yes, I have. I have been thinking that the law is the boy for me.”

“The law!” repeated Ada as if she were afraid of the name.

“If I went into Kenge’s office,” said Richard, “and if I were placed under articles to Kenge, I should have my eye on the—hum!—the forbidden ground—and should be able to study it, and master it, and to satisfy myself that it was not neglected and was being properly conducted. I should be able to look after Ada’s interests and my own interests (the same thing!); and I should peg away at Blackstone and all those fellows with the most tremendous ardour.”

I was not by any means so sure of that, and I saw how his hankering after the vague things yet to come of those long-deferred hopes cast a shade on Ada’s face. But I thought it best to encourage him in any project of continuous exertion, and only advised him to be quite sure that his mind was made up now.

“My dear Minerva,” said Richard, “I am as steady as you are. I made a mistake; we are all liable to mistakes; I won’t do so any more, and I’ll become such a lawyer as is not often seen. That is, you know,” said Richard, relapsing into doubt, “if it really is worth-while, after all, to make such a disturbance about nothing particular!”

This led to our saying again, with a great deal of gravity, all that we had said already and to our coming to much the same conclusion afterwards. But we so strongly advised Richard to be frank and open with Mr. Jarndyce, without a moment’s delay, and his disposition was naturally so opposed to concealment that he sought him out at once (taking us with him) and made a full avowal. “Rick,” said my guardian, after hearing him attentively, “we can retreat with honour, and we will. But we must be careful—for our cousin’s sake, Rick, for our cousin’s sake—that we make no more such mistakes. Therefore, in the matter of the law, we will have a good trial before we decide. We will look before we leap, and take plenty of time about it.”

Richard’s energy was of such an impatient and fitful kind that he would have liked nothing better than to have gone to Mr. Kenge’s office in that hour and to have entered into articles with him on the spot. Submitting, however, with a good grace to the caution that we had shown to be so necessary, he contented himself with sitting down among us in his lightest spirits and talking as if his one unvarying purpose in life from childhood had been that one which now held possession of him. My guardian was very kind and cordial with him, but rather grave, enough so to cause Ada, when he had departed and we were going upstairs to bed, to say, “Cousin John, I hope you don’t think the worse of Richard?”

“No, my love,” said he.

“Because it was very natural that Richard should be mistaken in such a difficult case. It is not uncommon.”

“No, no, my love,” said he. “Don’t look unhappy.”

“Oh, I am not unhappy, cousin John!” said Ada, smiling cheerfully, with her hand upon his shoulder, where she had put it in bidding him good night. “But I should be a little so if you thought at all the worse of Richard.”

“My dear,” said Mr. Jarndyce, “I should think the worse of him only if you were ever in the least unhappy through his means. I should be more disposed to quarrel with myself even then, than with poor Rick, for I brought you together. But, tut, all this is nothing! He has time before him, and the race to run. I think the worse of him? Not I, my loving cousin! And not you, I swear!”

“No, indeed, cousin John,” said Ada, “I am sure I could not—I am sure I would not—think any ill of Richard if the whole world did. I could, and I would, think better of him then than at any other time!”

So quietly and honestly she said it, with her hands upon his shoulders—both hands now—and looking up into his face, like the picture of truth!

“I think,” said my guardian, thoughtfully regarding her, “I think it must be somewhere written that the virtues of the mothers shall occasionally be visited on the children, as well as the sins of the father. Good night, my rosebud. Good night, little woman. Pleasant slumbers! Happy dreams!”

This was the first time I ever saw him follow Ada with his eyes with something of a shadow on their benevolent expression. I well remembered the look with which he had contemplated her and Richard when she was singing in the firelight; it was but a very little while since he had watched them passing down the room in which the sun was shining, and away into the shade; but his glance was changed, and even the silent look of confidence in me which now followed it once more was not quite so hopeful and untroubled as it had originally been.

Ada praised Richard more to me that night than ever she had praised him yet. She went to sleep with a little bracelet he had given her clasped upon her arm. I fancied she was dreaming of him when I kissed her cheek after she had slept an hour and saw how tranquil and happy she looked.

For I was so little inclined to sleep myself that night that I sat up working. It would not be worth mentioning for its own sake, but I was wakeful and rather low-spirited. I don’t know why. At least I don’t think I know why. At least, perhaps I do, but I don’t think it matters.

At any rate, I made up my mind to be so dreadfully industrious that I would leave myself not a moment’s leisure to be low-spirited. For I naturally said, “Esther! You to be low-spirited. YOU!” And it really was time to say so, for I—yes, I really did see myself in the glass, almost crying. “As if you had anything to make you unhappy, instead of everything to make you happy, you ungrateful heart!” said I.

If I could have made myself go to sleep, I would have done it directly, but not being able to do that, I took out of my basket some ornamental work for our house (I mean Bleak House) that I was busy with at that time and sat down to it with great determination. It was necessary to count all the stitches in that work, and I resolved to go on with it until I couldn’t keep my eyes open, and then to go to bed.

I soon found myself very busy. But I had left some silk downstairs in a work-table drawer in the temporary growlery, and coming to a stop for want of it, I took my candle and went softly down to get it. To my great surprise, on going in I found my guardian still there, and sitting looking at the ashes. He was lost in thought, his book lay unheeded by his side, his silvered iron-grey hair was scattered confusedly upon his forehead as though his hand had been wandering among it while his thoughts were elsewhere, and his face looked worn. Almost frightened by coming upon him so unexpectedly, I stood still for a moment and should have retired without speaking had he not, in again passing his hand abstractedly through his hair, seen me and started.

“Esther!”

I told him what I had come for.

“At work so late, my dear?”

“I am working late to-night,” said I, “because I couldn’t sleep and wished to tire myself. But, dear guardian, you are late too, and look weary. You have no trouble, I hope, to keep you waking?”

“None, little woman, that YOU would readily understand,” said he.

He spoke in a regretful tone so new to me that I inwardly repeated, as if that would help me to his meaning, “That I could readily understand!”

“Remain a moment, Esther,” said he, “You were in my thoughts.”

“I hope I was not the trouble, guardian?”

He slightly waved his hand and fell into his usual manner. The change was so remarkable, and he appeared to make it by dint of so much self-command, that I found myself again inwardly repeating, “None that I could understand!”

“Little woman,” said my guardian, “I was thinking—that is, I have been thinking since I have been sitting here—that you ought to know of your own history all I know. It is very little. Next to nothing.”

“Dear guardian,” I replied, “when you spoke to me before on that subject—”

“But since then,” he gravely interposed, anticipating what I meant to say, “I have reflected that your having anything to ask me, and my having anything to tell you, are different considerations, Esther. It is perhaps my duty to impart to you the little I know.”

“If you think so, guardian, it is right.”

“I think so,” he returned very gently, and kindly, and very distinctly. “My dear, I think so now. If any real disadvantage can attach to your position in the mind of any man or woman worth a thought, it is right that you at least of all the world should not magnify it to yourself by having vague impressions of its nature.”

I sat down and said after a little effort to be as calm as I ought to be, “One of my earliest remembrances, guardian, is of these words: ‘Your mother, Esther, is your disgrace, and you were hers. The time will come, and soon enough, when you will understand this better, and will feel it too, as no one save a woman can.'” I had covered my face with my hands in repeating the words, but I took them away now with a better kind of shame, I hope, and told him that to him I owed the blessing that I had from my childhood to that hour never, never, never felt it. He put up his hand as if to stop me. I well knew that he was never to be thanked, and said no more.

“Nine years, my dear,” he said after thinking for a little while, “have passed since I received a letter from a lady living in seclusion, written with a stern passion and power that rendered it unlike all other letters I have ever read. It was written to me (as it told me in so many words), perhaps because it was the writer’s idiosyncrasy to put that trust in me, perhaps because it was mine to justify it. It told me of a child, an orphan girl then twelve years old, in some such cruel words as those which live in your remembrance. It told me that the writer had bred her in secrecy from her birth, had blotted out all trace of her existence, and that if the writer were to die before the child became a woman, she would be left entirely friendless, nameless, and unknown. It asked me to consider if I would, in that case, finish what the writer had begun.”

I listened in silence and looked attentively at him.

“Your early recollection, my dear, will supply the gloomy medium through which all this was seen and expressed by the writer, and the distorted religion which clouded her mind with impressions of the need there was for the child to expiate an offence of which she was quite innocent. I felt concerned for the little creature, in her darkened life, and replied to the letter.”

I took his hand and kissed it.

“It laid the injunction on me that I should never propose to see the writer, who had long been estranged from all intercourse with the world, but who would see a confidential agent if I would appoint one. I accredited Mr. Kenge. The lady said, of her own accord and not of his seeking, that her name was an assumed one. That she was, if there were any ties of blood in such a case, the child’s aunt. That more than this she would never (and he was well persuaded of the steadfastness of her resolution) for any human consideration disclose. My dear, I have told you all.”

I held his hand for a little while in mine.

“I saw my ward oftener than she saw me,” he added, cheerily making light of it, “and I always knew she was beloved, useful, and happy. She repays me twenty-thousandfold, and twenty more to that, every hour in every day!”

“And oftener still,” said I, “she blesses the guardian who is a father to her!”

At the word father, I saw his former trouble come into his face. He subdued it as before, and it was gone in an instant; but it had been there and it had come so swiftly upon my words that I felt as if they had given him a shock. I again inwardly repeated, wondering, “That I could readily understand. None that I could readily understand!” No, it was true. I did not understand it. Not for many and many a day.

“Take a fatherly good night, my dear,” said he, kissing me on the forehead, “and so to rest. These are late hours for working and thinking. You do that for all of us, all day long, little housekeeper!”

I neither worked nor thought any more that night. I opened my grateful heart to heaven in thankfulness for its providence to me and its care of me, and fell asleep.

We had a visitor next day. Mr. Allan Woodcourt came. He came to take leave of us; he had settled to do so beforehand. He was going to China and to India as a surgeon on board ship. He was to be away a long, long time.

I believe—at least I know—that he was not rich. All his widowed mother could spare had been spent in qualifying him for his profession. It was not lucrative to a young practitioner, with very little influence in London; and although he was, night and day, at the service of numbers of poor people and did wonders of gentleness and skill for them, he gained very little by it in money. He was seven years older than I. Not that I need mention it, for it hardly seems to belong to anything.

I think—I mean, he told us—that he had been in practice three or four years and that if he could have hoped to contend through three or four more, he would not have made the voyage on which he was bound. But he had no fortune or private means, and so he was going away. He had been to see us several times altogether. We thought it a pity he should go away. Because he was distinguished in his art among those who knew it best, and some of the greatest men belonging to it had a high opinion of him.

When he came to bid us good-bye, he brought his mother with him for the first time. She was a pretty old lady, with bright black eyes, but she seemed proud. She came from Wales and had had, a long time ago, an eminent person for an ancestor, of the name of Morgan ap-Kerrig—of some place that sounded like Gimlet—who was the most illustrious person that ever was known and all of whose relations were a sort of royal family. He appeared to have passed his life in always getting up into mountains and fighting somebody; and a bard whose name sounded like Crumlinwallinwer had sung his praises in a piece which was called, as nearly as I could catch it, Mewlinnwillinwodd.

Mrs. Woodcourt, after expatiating to us on the fame of her great kinsman, said that no doubt wherever her son Allan went he would remember his pedigree and would on no account form an alliance below it. She told him that there were many handsome English ladies in India who went out on speculation, and that there were some to be picked up with property, but that neither charms nor wealth would suffice for the descendant from such a line without birth, which must ever be the first consideration. She talked so much about birth that for a moment I half fancied, and with pain—But what an idle fancy to suppose that she could think or care what MINE was!

Mr. Woodcourt seemed a little distressed by her prolixity, but he was too considerate to let her see it and contrived delicately to bring the conversation round to making his acknowledgments to my guardian for his hospitality and for the very happy hours—he called them the very happy hours—he had passed with us. The recollection of them, he said, would go with him wherever he went and would be always treasured. And so we gave him our hands, one after another—at least, they did—and I did; and so he put his lips to Ada’s hand—and to mine; and so he went away upon his long, long voyage!

I was very busy indeed all day and wrote directions home to the servants, and wrote notes for my guardian, and dusted his books and papers, and jingled my housekeeping keys a good deal, one way and another. I was still busy between the lights, singing and working by the window, when who should come in but Caddy, whom I had no expectation of seeing!

“Why, Caddy, my dear,” said I, “what beautiful flowers!”

She had such an exquisite little nosegay in her hand.

“Indeed, I think so, Esther,” replied Caddy. “They are the loveliest I ever saw.”

“Prince, my dear?” said I in a whisper.

“No,” answered Caddy, shaking her head and holding them to me to smell. “Not Prince.”

“Well, to be sure, Caddy!” said I. “You must have two lovers!”

“What? Do they look like that sort of thing?” said Caddy.

“Do they look like that sort of thing?” I repeated, pinching her cheek.

Caddy only laughed in return, and telling me that she had come for half an hour, at the expiration of which time Prince would be waiting for her at the corner, sat chatting with me and Ada in the window, every now and then handing me the flowers again or trying how they looked against my hair. At last, when she was going, she took me into my room and put them in my dress.

“For me?” said I, surprised.

“For you,” said Caddy with a kiss. “They were left behind by somebody.”

“Left behind?”

“At poor Miss Flite’s,” said Caddy. “Somebody who has been very good to her was hurrying away an hour ago to join a ship and left these flowers behind. No, no! Don’t take them out. Let the pretty little things lie here,” said Caddy, adjusting them with a careful hand, “because I was present myself, and I shouldn’t wonder if somebody left them on purpose!”

“Do they look like that sort of thing?” said Ada, coming laughingly behind me and clasping me merrily round the waist. “Oh, yes, indeed they do, Dame Durden! They look very, very like that sort of thing. Oh, very like it indeed, my dear!”

Librivox Recording: Chapter 17

(Image: “Caddy’s Flowers”)

My Lady Dedlock is restless, very restless. The astonished fashionable intelligence hardly knows where to have her. To-day she is at Chesney Wold; yesterday she was at her house in town; to-morrow she may be abroad, for anything the fashionable intelligence can with confidence predict. Even Sir Leicester’s gallantry has some trouble to keep pace with her. It would have more but that his other faithful ally, for better and for worse—the gout—darts into the old oak bed-chamber at Chesney Wold and grips him by both legs.

Sir Leicester receives the gout as a troublesome demon, but still a demon of the patrician order. All the Dedlocks, in the direct male line, through a course of time during and beyond which the memory of man goeth not to the contrary, have had the gout. It can be proved, sir. Other men’s fathers may have died of the rheumatism or may have taken base contagion from the tainted blood of the sick vulgar, but the Dedlock family have communicated something exclusive even to the levelling process of dying by dying of their own family gout. It has come down through the illustrious line like the plate, or the pictures, or the place in Lincolnshire. It is among their dignities. Sir Leicester is perhaps not wholly without an impression, though he has never resolved it into words, that the angel of death in the discharge of his necessary duties may observe to the shades of the aristocracy, “My lords and gentlemen, I have the honour to present to you another Dedlock certified to have arrived per the family gout.”

Hence Sir Leicester yields up his family legs to the family disorder as if he held his name and fortune on that feudal tenure. He feels that for a Dedlock to be laid upon his back and spasmodically twitched and stabbed in his extremities is a liberty taken somewhere, but he thinks, “We have all yielded to this; it belongs to us; it has for some hundreds of years been understood that we are not to make the vaults in the park interesting on more ignoble terms; and I submit myself to the compromise.”

And a goodly show he makes, lying in a flush of crimson and gold in the midst of the great drawing-room before his favourite picture of my Lady, with broad strips of sunlight shining in, down the long perspective, through the long line of windows, and alternating with soft reliefs of shadow. Outside, the stately oaks, rooted for ages in the green ground which has never known ploughshare, but was still a chase when kings rode to battle with sword and shield and rode a-hunting with bow and arrow, bear witness to his greatness. Inside, his forefathers, looking on him from the walls, say, “Each of us was a passing reality here and left this coloured shadow of himself and melted into remembrance as dreamy as the distant voices of the rooks now lulling you to rest,” and hear their testimony to his greatness too. And he is very great this day. And woe to Boythorn or other daring wight who shall presumptuously contest an inch with him!

My Lady is at present represented, near Sir Leicester, by her portrait. She has flitted away to town, with no intention of remaining there, and will soon flit hither again, to the confusion of the fashionable intelligence. The house in town is not prepared for her reception. It is muffled and dreary. Only one Mercury in powder gapes disconsolate at the hall-window; and he mentioned last night to another Mercury of his acquaintance, also accustomed to good society, that if that sort of thing was to last—which it couldn’t, for a man of his spirits couldn’t bear it, and a man of his figure couldn’t be expected to bear it—there would be no resource for him, upon his honour, but to cut his throat!

What connexion can there be between the place in Lincolnshire, the house in town, the Mercury in powder, and the whereabout of Jo the outlaw with the broom, who had that distant ray of light upon him when he swept the churchyard-step? What connexion can there have been between many people in the innumerable histories of this world who from opposite sides of great gulfs have, nevertheless, been very curiously brought together!

Jo sweeps his crossing all day long, unconscious of the link, if any link there be. He sums up his mental condition when asked a question by replying that he “don’t know nothink.” He knows that it’s hard to keep the mud off the crossing in dirty weather, and harder still to live by doing it. Nobody taught him even that much; he found it out.

Jo lives—that is to say, Jo has not yet died—in a ruinous place known to the like of him by the name of Tom-all-Alone’s. It is a black, dilapidated street, avoided by all decent people, where the crazy houses were seized upon, when their decay was far advanced, by some bold vagrants who after establishing their own possession took to letting them out in lodgings. Now, these tumbling tenements contain, by night, a swarm of misery. As on the ruined human wretch vermin parasites appear, so these ruined shelters have bred a crowd of foul existence that crawls in and out of gaps in walls and boards; and coils itself to sleep, in maggot numbers, where the rain drips in; and comes and goes, fetching and carrying fever and sowing more evil in its every footprint than Lord Coodle, and Sir Thomas Doodle, and the Duke of Foodle, and all the fine gentlemen in office, down to Zoodle, shall set right in five hundred years—though born expressly to do it.

Twice lately there has been a crash and a cloud of dust, like the springing of a mine, in Tom-all-Alone’s; and each time a house has fallen. These accidents have made a paragraph in the newspapers and have filled a bed or two in the nearest hospital. The gaps remain, and there are not unpopular lodgings among the rubbish. As several more houses are nearly ready to go, the next crash in Tom-all-Alone’s may be expected to be a good one.

This desirable property is in Chancery, of course. It would be an insult to the discernment of any man with half an eye to tell him so. Whether “Tom” is the popular representative of the original plaintiff or defendant in Jarndyce and Jarndyce, or whether Tom lived here when the suit had laid the street waste, all alone, until other settlers came to join him, or whether the traditional title is a comprehensive name for a retreat cut off from honest company and put out of the pale of hope, perhaps nobody knows. Certainly Jo don’t know.

“For I don’t,” says Jo, “I don’t know nothink.”

It must be a strange state to be like Jo! To shuffle through the streets, unfamiliar with the shapes, and in utter darkness as to the meaning, of those mysterious symbols, so abundant over the shops, and at the corners of streets, and on the doors, and in the windows! To see people read, and to see people write, and to see the postmen deliver letters, and not to have the least idea of all that language—to be, to every scrap of it, stone blind and dumb! It must be very puzzling to see the good company going to the churches on Sundays, with their books in their hands, and to think (for perhaps Jo DOES think at odd times) what does it all mean, and if it means anything to anybody, how comes it that it means nothing to me? To be hustled, and jostled, and moved on; and really to feel that it would appear to be perfectly true that I have no business here, or there, or anywhere; and yet to be perplexed by the consideration that I AM here somehow, too, and everybody overlooked me until I became the creature that I am! It must be a strange state, not merely to be told that I am scarcely human (as in the case of my offering myself for a witness), but to feel it of my own knowledge all my life! To see the horses, dogs, and cattle go by me and to know that in ignorance I belong to them and not to the superior beings in my shape, whose delicacy I offend! Jo’s ideas of a criminal trial, or a judge, or a bishop, or a government, or that inestimable jewel to him (if he only knew it) the Constitution, should be strange! His whole material and immaterial life is wonderfully strange; his death, the strangest thing of all.

Jo comes out of Tom-all-Alone’s, meeting the tardy morning which is always late in getting down there, and munches his dirty bit of bread as he comes along. His way lying through many streets, and the houses not yet being open, he sits down to breakfast on the door-step of the Society for the Propagation of the Gospel in Foreign Parts and gives it a brush when he has finished as an acknowledgment of the accommodation. He admires the size of the edifice and wonders what it’s all about. He has no idea, poor wretch, of the spiritual destitution of a coral reef in the Pacific or what it costs to look up the precious souls among the coco-nuts and bread-fruit.

He goes to his crossing and begins to lay it out for the day. The town awakes; the great tee-totum is set up for its daily spin and whirl; all that unaccountable reading and writing, which has been suspended for a few hours, recommences. Jo and the other lower animals get on in the unintelligible mess as they can. It is market-day. The blinded oxen, over-goaded, over-driven, never guided, run into wrong places and are beaten out, and plunge red-eyed and foaming at stone walls, and often sorely hurt the innocent, and often sorely hurt themselves. Very like Jo and his order; very, very like!

A band of music comes and plays. Jo listens to it. So does a dog—a drover’s dog, waiting for his master outside a butcher’s shop, and evidently thinking about those sheep he has had upon his mind for some hours and is happily rid of. He seems perplexed respecting three or four, can’t remember where he left them, looks up and down the street as half expecting to see them astray, suddenly pricks up his ears and remembers all about it. A thoroughly vagabond dog, accustomed to low company and public-houses; a terrific dog to sheep, ready at a whistle to scamper over their backs and tear out mouthfuls of their wool; but an educated, improved, developed dog who has been taught his duties and knows how to discharge them. He and Jo listen to the music, probably with much the same amount of animal satisfaction; likewise as to awakened association, aspiration, or regret, melancholy or joyful reference to things beyond the senses, they are probably upon a par. But, otherwise, how far above the human listener is the brute!

Turn that dog’s descendants wild, like Jo, and in a very few years they will so degenerate that they will lose even their bark—but not their bite.

The day changes as it wears itself away and becomes dark and drizzly. Jo fights it out at his crossing among the mud and wheels, the horses, whips, and umbrellas, and gets but a scanty sum to pay for the unsavoury shelter of Tom-all-Alone’s. Twilight comes on; gas begins to start up in the shops; the lamplighter, with his ladder, runs along the margin of the pavement. A wretched evening is beginning to close in.

In his chambers Mr. Tulkinghorn sits meditating an application to the nearest magistrate to-morrow morning for a warrant. Gridley, a disappointed suitor, has been here to-day and has been alarming. We are not to be put in bodily fear, and that ill-conditioned fellow shall be held to bail again. From the ceiling, foreshortened Allegory, in the person of one impossible Roman upside down, points with the arm of Samson (out of joint, and an odd one) obtrusively toward the window. Why should Mr. Tulkinghorn, for such no reason, look out of window? Is the hand not always pointing there? So he does not look out of window.

And if he did, what would it be to see a woman going by? There are women enough in the world, Mr. Tulkinghorn thinks—too many; they are at the bottom of all that goes wrong in it, though, for the matter of that, they create business for lawyers. What would it be to see a woman going by, even though she were going secretly? They are all secret. Mr. Tulkinghorn knows that very well.

But they are not all like the woman who now leaves him and his house behind, between whose plain dress and her refined manner there is something exceedingly inconsistent. She should be an upper servant by her attire, yet in her air and step, though both are hurried and assumed—as far as she can assume in the muddy streets, which she treads with an unaccustomed foot—she is a lady. Her face is veiled, and still she sufficiently betrays herself to make more than one of those who pass her look round sharply.

She never turns her head. Lady or servant, she has a purpose in her and can follow it. She never turns her head until she comes to the crossing where Jo plies with his broom. He crosses with her and begs. Still, she does not turn her head until she has landed on the other side. Then she slightly beckons to him and says, “Come here!”

Jo follows her a pace or two into a quiet court.

“Are you the boy I’ve read of in the papers?” she asked behind her veil.

“I don’t know,” says Jo, staring moodily at the veil, “nothink about no papers. I don’t know nothink about nothink at all.”

“Were you examined at an inquest?”

“I don’t know nothink about no—where I was took by the beadle, do you mean?” says Jo. “Was the boy’s name at the inkwhich Jo?”

“Yes.”

“That’s me!” says Jo.

“Come farther up.”

“You mean about the man?” says Jo, following. “Him as wos dead?”

“Hush! Speak in a whisper! Yes. Did he look, when he was living, so very ill and poor?”

“Oh, jist!” says Jo.

“Did he look like—not like YOU?” says the woman with abhorrence.

“Oh, not so bad as me,” says Jo. “I’m a reg’lar one I am! You didn’t know him, did you?”

“How dare you ask me if I knew him?”

“No offence, my lady,” says Jo with much humility, for even he has got at the suspicion of her being a lady.

“I am not a lady. I am a servant.”

“You are a jolly servant!” says Jo without the least idea of saying anything offensive, merely as a tribute of admiration.

“Listen and be silent. Don’t talk to me, and stand farther from me! Can you show me all those places that were spoken of in the account I read? The place he wrote for, the place he died at, the place where you were taken to, and the place where he was buried? Do you know the place where he was buried?”

Jo answers with a nod, having also nodded as each other place was mentioned.

“Go before me and show me all those dreadful places. Stop opposite to each, and don’t speak to me unless I speak to you. Don’t look back. Do what I want, and I will pay you well.”

Jo attends closely while the words are being spoken; tells them off on his broom-handle, finding them rather hard; pauses to consider their meaning; considers it satisfactory; and nods his ragged head.

“I’m fly,” says Jo. “But fen larks, you know. Stow hooking it!”

“What does the horrible creature mean?” exclaims the servant, recoiling from him.

“Stow cutting away, you know!” says Jo.

“I don’t understand you. Go on before! I will give you more money than you ever had in your life.”

Jo screws up his mouth into a whistle, gives his ragged head a rub, takes his broom under his arm, and leads the way, passing deftly with his bare feet over the hard stones and through the mud and mire.

Cook’s Court. Jo stops. A pause.

“Who lives here?”

“Him wot give him his writing and give me half a bull,” says Jo in a whisper without looking over his shoulder.

“Go on to the next.”

Krook’s house. Jo stops again. A longer pause.

“Who lives here?”

“HE lived here,” Jo answers as before.

After a silence he is asked, “In which room?”

“In the back room up there. You can see the winder from this corner. Up there! That’s where I see him stritched out. This is the public-ouse where I was took to.”

“Go on to the next!”

It is a longer walk to the next, but Jo, relieved of his first suspicions, sticks to the forms imposed upon him and does not look round. By many devious ways, reeking with offence of many kinds, they come to the little tunnel of a court, and to the gas-lamp (lighted now), and to the iron gate.

“He was put there,” says Jo, holding to the bars and looking in.

“Where? Oh, what a scene of horror!”

“There!” says Jo, pointing. “Over yinder. Among them piles of bones, and close to that there kitchin winder! They put him wery nigh the top. They was obliged to stamp upon it to git it in. I could unkiver it for you with my broom if the gate was open. That’s why they locks it, I s’pose,” giving it a shake. “It’s always locked. Look at the rat!” cries Jo, excited. “Hi! Look! There he goes! Ho! Into the ground!”

The servant shrinks into a corner, into a corner of that hideous archway, with its deadly stains contaminating her dress; and putting out her two hands and passionately telling him to keep away from her, for he is loathsome to her, so remains for some moments. Jo stands staring and is still staring when she recovers herself.

“Is this place of abomination consecrated ground?”

“I don’t know nothink of consequential ground,” says Jo, still staring.

“Is it blessed?”

“Which?” says Jo, in the last degree amazed.

“Is it blessed?”

“I’m blest if I know,” says Jo, staring more than ever; “but I shouldn’t think it warn’t. Blest?” repeats Jo, something troubled in his mind. “It an’t done it much good if it is. Blest? I should think it was t’othered myself. But I don’t know nothink!”

The servant takes as little heed of what he says as she seems to take of what she has said herself. She draws off her glove to get some money from her purse. Jo silently notices how white and small her hand is and what a jolly servant she must be to wear such sparkling rings.

She drops a piece of money in his hand without touching it, and shuddering as their hands approach. “Now,” she adds, “show me the spot again!”

Jo thrusts the handle of his broom between the bars of the gate, and with his utmost power of elaboration, points it out. At length, looking aside to see if he has made himself intelligible, he finds that he is alone.

His first proceeding is to hold the piece of money to the gas-light and to be overpowered at finding that it is yellow—gold. His next is to give it a one-sided bite at the edge as a test of its quality. His next, to put it in his mouth for safety and to sweep the step and passage with great care. His job done, he sets off for Tom-all-Alone’s, stopping in the light of innumerable gas-lamps to produce the piece of gold and give it another one-sided bite as a reassurance of its being genuine.

The Mercury in powder is in no want of society to-night, for my Lady goes to a grand dinner and three or four balls. Sir Leicester is fidgety down at Chesney Wold, with no better company than the gout; he complains to Mrs. Rouncewell that the rain makes such a monotonous pattering on the terrace that he can’t read the paper even by the fireside in his own snug dressing-room.

“Sir Leicester would have done better to try the other side of the house, my dear,” says Mrs. Rouncewell to Rosa. “His dressing-room is on my Lady’s side. And in all these years I never heard the step upon the Ghost’s Walk more distinct than it is to-night!”

Librivox Recording: Chapter 16

(Image: “Consecrated Ground”)

While we were in London Mr. Jarndyce was constantly beset by the crowd of excitable ladies and gentlemen whose proceedings had so much astonished us. Mr. Quale, who presented himself soon after our arrival, was in all such excitements. He seemed to project those two shining knobs of temples of his into everything that went on and to brush his hair farther and farther back, until the very roots were almost ready to fly out of his head in inappeasable philanthropy. All objects were alike to him, but he was always particularly ready for anything in the way of a testimonial to any one. His great power seemed to be his power of indiscriminate admiration. He would sit for any length of time, with the utmost enjoyment, bathing his temples in the light of any order of luminary. Having first seen him perfectly swallowed up in admiration of Mrs. Jellyby, I had supposed her to be the absorbing object of his devotion. I soon discovered my mistake and found him to be train-bearer and organ-blower to a whole procession of people.

Mrs. Pardiggle came one day for a subscription to something, and with her, Mr. Quale. Whatever Mrs. Pardiggle said, Mr. Quale repeated to us; and just as he had drawn Mrs. Jellyby out, he drew Mrs. Pardiggle out. Mrs. Pardiggle wrote a letter of introduction to my guardian in behalf of her eloquent friend Mr. Gusher. With Mr. Gusher appeared Mr. Quale again. Mr. Gusher, being a flabby gentleman with a moist surface and eyes so much too small for his moon of a face that they seemed to have been originally made for somebody else, was not at first sight prepossessing; yet he was scarcely seated before Mr. Quale asked Ada and me, not inaudibly, whether he was not a great creature—which he certainly was, flabbily speaking, though Mr. Quale meant in intellectual beauty—and whether we were not struck by his massive configuration of brow. In short, we heard of a great many missions of various sorts among this set of people, but nothing respecting them was half so clear to us as that it was Mr. Quale’s mission to be in ecstasies with everybody else’s mission and that it was the most popular mission of all.

Mr. Jarndyce had fallen into this company in the tenderness of his heart and his earnest desire to do all the good in his power; but that he felt it to be too often an unsatisfactory company, where benevolence took spasmodic forms, where charity was assumed as a regular uniform by loud professors and speculators in cheap notoriety, vehement in profession, restless and vain in action, servile in the last degree of meanness to the great, adulatory of one another, and intolerable to those who were anxious quietly to help the weak from failing rather than with a great deal of bluster and self-laudation to raise them up a little way when they were down, he plainly told us. When a testimonial was originated to Mr. Quale by Mr. Gusher (who had already got one, originated by Mr. Quale), and when Mr. Gusher spoke for an hour and a half on the subject to a meeting, including two charity schools of small boys and girls, who were specially reminded of the widow’s mite, and requested to come forward with halfpence and be acceptable sacrifices, I think the wind was in the east for three whole weeks.

I mention this because I am coming to Mr. Skimpole again. It seemed to me that his off-hand professions of childishness and carelessness were a great relief to my guardian, by contrast with such things, and were the more readily believed in since to find one perfectly undesigning and candid man among many opposites could not fail to give him pleasure. I should be sorry to imply that Mr. Skimpole divined this and was politic; I really never understood him well enough to know. What he was to my guardian, he certainly was to the rest of the world.

He had not been very well; and thus, though he lived in London, we had seen nothing of him until now. He appeared one morning in his usual agreeable way and as full of pleasant spirits as ever.

Well, he said, here he was! He had been bilious, but rich men were often bilious, and therefore he had been persuading himself that he was a man of property. So he was, in a certain point of view—in his expansive intentions. He had been enriching his medical attendant in the most lavish manner. He had always doubled, and sometimes quadrupled, his fees. He had said to the doctor, “Now, my dear doctor, it is quite a delusion on your part to suppose that you attend me for nothing. I am overwhelming you with money—in my expansive intentions—if you only knew it!” And really (he said) he meant it to that degree that he thought it much the same as doing it. If he had had those bits of metal or thin paper to which mankind attached so much importance to put in the doctor’s hand, he would have put them in the doctor’s hand. Not having them, he substituted the will for the deed. Very well! If he really meant it—if his will were genuine and real, which it was—it appeared to him that it was the same as coin, and cancelled the obligation.

“It may be, partly, because I know nothing of the value of money,” said Mr. Skimpole, “but I often feel this. It seems so reasonable! My butcher says to me he wants that little bill. It’s a part of the pleasant unconscious poetry of the man’s nature that he always calls it a ‘little’ bill—to make the payment appear easy to both of us. I reply to the butcher, ‘My good friend, if you knew it, you are paid. You haven’t had the trouble of coming to ask for the little bill. You are paid. I mean it.'”

“But, suppose,” said my guardian, laughing, “he had meant the meat in the bill, instead of providing it?”

“My dear Jarndyce,” he returned, “you surprise me. You take the butcher’s position. A butcher I once dealt with occupied that very ground. Says he, ‘Sir, why did you eat spring lamb at eighteen pence a pound?’ ‘Why did I eat spring lamb at eighteen pence a pound, my honest friend?’ said I, naturally amazed by the question. ‘I like spring lamb!’ This was so far convincing. ‘Well, sir,’ says he, ‘I wish I had meant the lamb as you mean the money!’ ‘My good fellow,’ said I, ‘pray let us reason like intellectual beings. How could that be? It was impossible. You HAD got the lamb, and I have NOT got the money. You couldn’t really mean the lamb without sending it in, whereas I can, and do, really mean the money without paying it!’ He had not a word. There was an end of the subject.”

“Did he take no legal proceedings?” inquired my guardian.

“Yes, he took legal proceedings,” said Mr. Skimpole. “But in that he was influenced by passion, not by reason. Passion reminds me of Boythorn. He writes me that you and the ladies have promised him a short visit at his bachelor-house in Lincolnshire.”

“He is a great favourite with my girls,” said Mr. Jarndyce, “and I have promised for them.”

“Nature forgot to shade him off, I think,” observed Mr. Skimpole to Ada and me. “A little too boisterous—like the sea. A little too vehement—like a bull who has made up his mind to consider every colour scarlet. But I grant a sledge-hammering sort of merit in him!”

I should have been surprised if those two could have thought very highly of one another, Mr. Boythorn attaching so much importance to many things and Mr. Skimpole caring so little for anything. Besides which, I had noticed Mr. Boythorn more than once on the point of breaking out into some strong opinion when Mr. Skimpole was referred to. Of course I merely joined Ada in saying that we had been greatly pleased with him.

“He has invited me,” said Mr. Skimpole; “and if a child may trust himself in such hands—which the present child is encouraged to do, with the united tenderness of two angels to guard him—I shall go. He proposes to frank me down and back again. I suppose it will cost money? Shillings perhaps? Or pounds? Or something of that sort? By the by, Coavinses. You remember our friend Coavinses, Miss Summerson?”

He asked me as the subject arose in his mind, in his graceful, light-hearted manner and without the least embarrassment.

“Oh, yes!” said I.

“Coavinses has been arrested by the Great Bailiff,” said Mr. Skimpole. “He will never do violence to the sunshine any more.”

It quite shocked me to hear it, for I had already recalled with anything but a serious association the image of the man sitting on the sofa that night wiping his head.

“His successor informed me of it yesterday,” said Mr. Skimpole. “His successor is in my house now—in possession, I think he calls it. He came yesterday, on my blue-eyed daughter’s birthday. I put it to him, ‘This is unreasonable and inconvenient. If you had a blue-eyed daughter you wouldn’t like ME to come, uninvited, on HER birthday?’ But he stayed.”

Mr. Skimpole laughed at the pleasant absurdity and lightly touched the piano by which he was seated.

“And he told me,” he said, playing little chords where I shall put full stops, “The Coavinses had left. Three children. No mother. And that Coavinses’ profession. Being unpopular. The rising Coavinses. Were at a considerable disadvantage.”

Mr. Jarndyce got up, rubbing his head, and began to walk about. Mr. Skimpole played the melody of one of Ada’s favourite songs. Ada and I both looked at Mr. Jarndyce, thinking that we knew what was passing in his mind.

After walking and stopping, and several times leaving off rubbing his head, and beginning again, my guardian put his hand upon the keys and stopped Mr. Skimpole’s playing. “I don’t like this, Skimpole,” he said thoughtfully.

Mr. Skimpole, who had quite forgotten the subject, looked up surprised.

“The man was necessary,” pursued my guardian, walking backward and forward in the very short space between the piano and the end of the room and rubbing his hair up from the back of his head as if a high east wind had blown it into that form. “If we make such men necessary by our faults and follies, or by our want of worldly knowledge, or by our misfortunes, we must not revenge ourselves upon them. There was no harm in his trade. He maintained his children. One would like to know more about this.”

“Oh! Coavinses?” cried Mr. Skimpole, at length perceiving what he meant. “Nothing easier. A walk to Coavinses’ headquarters, and you can know what you will.”

Mr. Jarndyce nodded to us, who were only waiting for the signal. “Come! We will walk that way, my dears. Why not that way as soon as another!” We were quickly ready and went out. Mr. Skimpole went with us and quite enjoyed the expedition. It was so new and so refreshing, he said, for him to want Coavinses instead of Coavinses wanting him!

He took us, first, to Cursitor Street, Chancery Lane, where there was a house with barred windows, which he called Coavinses’ Castle. On our going into the entry and ringing a bell, a very hideous boy came out of a sort of office and looked at us over a spiked wicket.

“Who did you want?” said the boy, fitting two of the spikes into his chin.

“There was a follower, or an officer, or something, here,” said Mr. Jarndyce, “who is dead.”

“Yes?” said the boy. “Well?”

“I want to know his name, if you please?”

“Name of Neckett,” said the boy.

“And his address?”

“Bell Yard,” said the boy. “Chandler’s shop, left hand side, name of Blinder.”

“Was he—I don’t know how to shape the question—” murmured my guardian, “industrious?”

“Was Neckett?” said the boy. “Yes, wery much so. He was never tired of watching. He’d set upon a post at a street corner eight or ten hours at a stretch if he undertook to do it.”

“He might have done worse,” I heard my guardian soliloquize. “He might have undertaken to do it and not done it. Thank you. That’s all I want.”

We left the boy, with his head on one side and his arms on the gate, fondling and sucking the spikes, and went back to Lincoln’s Inn, where Mr. Skimpole, who had not cared to remain nearer Coavinses, awaited us. Then we all went to Bell Yard, a narrow alley at a very short distance. We soon found the chandler’s shop. In it was a good-natured-looking old woman with a dropsy, or an asthma, or perhaps both.

“Neckett’s children?” said she in reply to my inquiry. “Yes, Surely, miss. Three pair, if you please. Door right opposite the stairs.” And she handed me the key across the counter.

I glanced at the key and glanced at her, but she took it for granted that I knew what to do with it. As it could only be intended for the children’s door, I came out without asking any more questions and led the way up the dark stairs. We went as quietly as we could, but four of us made some noise on the aged boards, and when we came to the second story we found we had disturbed a man who was standing there looking out of his room.

“Is it Gridley that’s wanted?” he said, fixing his eyes on me with an angry stare.

“No, sir,” said I; “I am going higher up.”

He looked at Ada, and at Mr. Jarndyce, and at Mr. Skimpole, fixing the same angry stare on each in succession as they passed and followed me. Mr. Jarndyce gave him good day. “Good day!” he said abruptly and fiercely. He was a tall, sallow man with a careworn head on which but little hair remained, a deeply lined face, and prominent eyes. He had a combative look and a chafing, irritable manner which, associated with his figure—still large and powerful, though evidently in its decline—rather alarmed me. He had a pen in his hand, and in the glimpse I caught of his room in passing, I saw that it was covered with a litter of papers.

Leaving him standing there, we went up to the top room. I tapped at the door, and a little shrill voice inside said, “We are locked in. Mrs. Blinder’s got the key!”

I applied the key on hearing this and opened the door. In a poor room with a sloping ceiling and containing very little furniture was a mite of a boy, some five or six years old, nursing and hushing a heavy child of eighteen months. There was no fire, though the weather was cold; both children were wrapped in some poor shawls and tippets as a substitute. Their clothing was not so warm, however, but that their noses looked red and pinched and their small figures shrunken as the boy walked up and down nursing and hushing the child with its head on his shoulder.

“Who has locked you up here alone?” we naturally asked.

“Charley,” said the boy, standing still to gaze at us.

“Is Charley your brother?”

“No. She’s my sister, Charlotte. Father called her Charley.”

“Are there any more of you besides Charley?”

“Me,” said the boy, “and Emma,” patting the limp bonnet of the child he was nursing. “And Charley.”

“Where is Charley now?”

“Out a-washing,” said the boy, beginning to walk up and down again and taking the nankeen bonnet much too near the bedstead by trying to gaze at us at the same time.

We were looking at one another and at these two children when there came into the room a very little girl, childish in figure but shrewd and older-looking in the face—pretty-faced too—wearing a womanly sort of bonnet much too large for her and drying her bare arms on a womanly sort of apron. Her fingers were white and wrinkled with washing, and the soap-suds were yet smoking which she wiped off her arms. But for this, she might have been a child playing at washing and imitating a poor working-woman with a quick observation of the truth.

She had come running from some place in the neighbourhood and had made all the haste she could. Consequently, though she was very light, she was out of breath and could not speak at first, as she stood panting, and wiping her arms, and looking quietly at us.

“Oh, here’s Charley!” said the boy.

The child he was nursing stretched forth its arms and cried out to be taken by Charley. The little girl took it, in a womanly sort of manner belonging to the apron and the bonnet, and stood looking at us over the burden that clung to her most affectionately.

“Is it possible,” whispered my guardian as we put a chair for the little creature and got her to sit down with her load, the boy keeping close to her, holding to her apron, “that this child works for the rest? Look at this! For God’s sake, look at this!”

It was a thing to look at. The three children close together, and two of them relying solely on the third, and the third so young and yet with an air of age and steadiness that sat so strangely on the childish figure.

“Charley, Charley!” said my guardian. “How old are you?”

“Over thirteen, sir,” replied the child.

“Oh! What a great age,” said my guardian. “What a great age, Charley!”

I cannot describe the tenderness with which he spoke to her, half playfully yet all the more compassionately and mournfully.

“And do you live alone here with these babies, Charley?” said my guardian.

“Yes, sir,” returned the child, looking up into his face with perfect confidence, “since father died.”

“And how do you live, Charley? Oh! Charley,” said my guardian, turning his face away for a moment, “how do you live?”

“Since father died, sir, I’ve gone out to work. I’m out washing to-day.”

“God help you, Charley!” said my guardian. “You’re not tall enough to reach the tub!”

“In pattens I am, sir,” she said quickly. “I’ve got a high pair as belonged to mother.”

“And when did mother die? Poor mother!”

“Mother died just after Emma was born,” said the child, glancing at the face upon her bosom. “Then father said I was to be as good a mother to her as I could. And so I tried. And so I worked at home and did cleaning and nursing and washing for a long time before I began to go out. And that’s how I know how; don’t you see, sir?”

“And do you often go out?”

“As often as I can,” said Charley, opening her eyes and smiling, “because of earning sixpences and shillings!”

“And do you always lock the babies up when you go out?”

“To keep ’em safe, sir, don’t you see?” said Charley. “Mrs. Blinder comes up now and then, and Mr. Gridley comes up sometimes, and perhaps I can run in sometimes, and they can play you know, and Tom an’t afraid of being locked up, are you, Tom?”

“No-o!” said Tom stoutly.

“When it comes on dark, the lamps are lighted down in the court, and they show up here quite bright—almost quite bright. Don’t they, Tom?”

“Yes, Charley,” said Tom, “almost quite bright.”

“Then he’s as good as gold,” said the little creature—Oh, in such a motherly, womanly way! “And when Emma’s tired, he puts her to bed. And when he’s tired he goes to bed himself. And when I come home and light the candle and has a bit of supper, he sits up again and has it with me. Don’t you, Tom?”

“Oh, yes, Charley!” said Tom. “That I do!” And either in this glimpse of the great pleasure of his life or in gratitude and love for Charley, who was all in all to him, he laid his face among the scanty folds of her frock and passed from laughing into crying.

It was the first time since our entry that a tear had been shed among these children. The little orphan girl had spoken of their father and their mother as if all that sorrow were subdued by the necessity of taking courage, and by her childish importance in being able to work, and by her bustling busy way. But now, when Tom cried, although she sat quite tranquil, looking quietly at us, and did not by any movement disturb a hair of the head of either of her little charges, I saw two silent tears fall down her face.

I stood at the window with Ada, pretending to look at the housetops, and the blackened stack of chimneys, and the poor plants, and the birds in little cages belonging to the neighbours, when I found that Mrs. Blinder, from the shop below, had come in (perhaps it had taken her all this time to get upstairs) and was talking to my guardian.

“It’s not much to forgive ’em the rent, sir,” she said; “who could take it from them!”

“Well, well!” said my guardian to us two. “It is enough that the time will come when this good woman will find that it WAS much, and that forasmuch as she did it unto the least of these—This child,” he added after a few moments, “could she possibly continue this?”

“Really, sir, I think she might,” said Mrs. Blinder, getting her heavy breath by painful degrees. “She’s as handy as it’s possible to be. Bless you, sir, the way she tended them two children after the mother died was the talk of the yard! And it was a wonder to see her with him after he was took ill, it really was! ‘Mrs. Blinder,’ he said to me the very last he spoke—he was lying there—’Mrs. Blinder, whatever my calling may have been, I see a angel sitting in this room last night along with my child, and I trust her to Our Father!'”

“He had no other calling?” said my guardian.

“No, sir,” returned Mrs. Blinder, “he was nothing but a follerers. When he first came to lodge here, I didn’t know what he was, and I confess that when I found out I gave him notice. It wasn’t liked in the yard. It wasn’t approved by the other lodgers. It is NOT a genteel calling,” said Mrs. Blinder, “and most people do object to it. Mr. Gridley objected to it very strong, and he is a good lodger, though his temper has been hard tried.”

“So you gave him notice?” said my guardian.

“So I gave him notice,” said Mrs. Blinder. “But really when the time came, and I knew no other ill of him, I was in doubts. He was punctual and diligent; he did what he had to do, sir,” said Mrs. Blinder, unconsciously fixing Mr. Skimpole with her eye, “and it’s something in this world even to do that.”

“So you kept him after all?”

“Why, I said that if he could arrange with Mr. Gridley, I could arrange it with the other lodgers and should not so much mind its being liked or disliked in the yard. Mr. Gridley gave his consent gruff—but gave it. He was always gruff with him, but he has been kind to the children since. A person is never known till a person is proved.”

“Have many people been kind to the children?” asked Mr. Jarndyce.

“Upon the whole, not so bad, sir,” said Mrs. Blinder; “but certainly not so many as would have been if their father’s calling had been different. Mr. Coavins gave a guinea, and the follerers made up a little purse. Some neighbours in the yard that had always joked and tapped their shoulders when he went by came forward with a little subscription, and—in general—not so bad. Similarly with Charlotte. Some people won’t employ her because she was a follerer’s child; some people that do employ her cast it at her; some make a merit of having her to work for them, with that and all her draw-backs upon her, and perhaps pay her less and put upon her more. But she’s patienter than others would be, and is clever too, and always willing, up to the full mark of her strength and over. So I should say, in general, not so bad, sir, but might be better.”

Mrs. Blinder sat down to give herself a more favourable opportunity of recovering her breath, exhausted anew by so much talking before it was fully restored. Mr. Jarndyce was turning to speak to us when his attention was attracted by the abrupt entrance into the room of the Mr. Gridley who had been mentioned and whom we had seen on our way up.

“I don’t know what you may be doing here, ladies and gentlemen,” he said, as if he resented our presence, “but you’ll excuse my coming in. I don’t come in to stare about me. Well, Charley! Well, Tom! Well, little one! How is it with us all to-day?”

He bent over the group in a caressing way and clearly was regarded as a friend by the children, though his face retained its stern character and his manner to us was as rude as it could be. My guardian noticed it and respected it.

“No one, surely, would come here to stare about him,” he said mildly.

“May be so, sir, may be so,” returned the other, taking Tom upon his knee and waving him off impatiently. “I don’t want to argue with ladies and gentlemen. I have had enough of arguing to last one man his life.”

“You have sufficient reason, I dare say,” said Mr. Jarndyce, “for being chafed and irritated—”

“There again!” exclaimed the man, becoming violently angry. “I am of a quarrelsome temper. I am irascible. I am not polite!”

“Not very, I think.”

“Sir,” said Gridley, putting down the child and going up to him as if he meant to strike him, “do you know anything of Courts of Equity?”

“Perhaps I do, to my sorrow.”

“To your sorrow?” said the man, pausing in his wrath, “if so, I beg your pardon. I am not polite, I know. I beg your pardon! Sir,” with renewed violence, “I have been dragged for five and twenty years over burning iron, and I have lost the habit of treading upon velvet. Go into the Court of Chancery yonder and ask what is one of the standing jokes that brighten up their business sometimes, and they will tell you that the best joke they have is the man from Shropshire. I,” he said, beating one hand on the other passionately, “am the man from Shropshire.”

“I believe I and my family have also had the honour of furnishing some entertainment in the same grave place,” said my guardian composedly. “You may have heard my name—Jarndyce.”

“Mr. Jarndyce,” said Gridley with a rough sort of salutation, “you bear your wrongs more quietly than I can bear mine. More than that, I tell you—and I tell this gentleman, and these young ladies, if they are friends of yours—that if I took my wrongs in any other way, I should be driven mad! It is only by resenting them, and by revenging them in my mind, and by angrily demanding the justice I never get, that I am able to keep my wits together. It is only that!” he said, speaking in a homely, rustic way and with great vehemence. “You may tell me that I over-excite myself. I answer that it’s in my nature to do it, under wrong, and I must do it. There’s nothing between doing it, and sinking into the smiling state of the poor little mad woman that haunts the court. If I was once to sit down under it, I should become imbecile.”

The passion and heat in which he was, and the manner in which his face worked, and the violent gestures with which he accompanied what he said, were most painful to see.

“Mr. Jarndyce,” he said, “consider my case. As true as there is a heaven above us, this is my case. I am one of two brothers. My father (a farmer) made a will and left his farm and stock and so forth to my mother for her life. After my mother’s death, all was to come to me except a legacy of three hundred pounds that I was then to pay my brother. My mother died. My brother some time afterwards claimed his legacy. I and some of my relations said that he had had a part of it already in board and lodging and some other things. Now mind! That was the question, and nothing else. No one disputed the will; no one disputed anything but whether part of that three hundred pounds had been already paid or not. To settle that question, my brother filing a bill, I was obliged to go into this accursed Chancery; I was forced there because the law forced me and would let me go nowhere else. Seventeen people were made defendants to that simple suit! It first came on after two years. It was then stopped for another two years while the master (may his head rot off!) inquired whether I was my father’s son, about which there was no dispute at all with any mortal creature. He then found out that there were not defendants enough—remember, there were only seventeen as yet!—but that we must have another who had been left out and must begin all over again. The costs at that time—before the thing was begun!—were three times the legacy. My brother would have given up the legacy, and joyful, to escape more costs. My whole estate, left to me in that will of my father’s, has gone in costs. The suit, still undecided, has fallen into rack, and ruin, and despair, with everything else—and here I stand, this day! Now, Mr. Jarndyce, in your suit there are thousands and thousands involved, where in mine there are hundreds. Is mine less hard to bear or is it harder to bear, when my whole living was in it and has been thus shamefully sucked away?”

Mr. Jarndyce said that he condoled with him with all his heart and that he set up no monopoly himself in being unjustly treated by this monstrous system.

“There again!” said Mr. Gridley with no diminution of his rage. “The system! I am told on all hands, it’s the system. I mustn’t look to individuals. It’s the system. I mustn’t go into court and say, ‘My Lord, I beg to know this from you—is this right or wrong? Have you the face to tell me I have received justice and therefore am dismissed?’ My Lord knows nothing of it. He sits there to administer the system. I mustn’t go to Mr. Tulkinghorn, the solicitor in Lincoln’s Inn Fields, and say to him when he makes me furious by being so cool and satisfied—as they all do, for I know they gain by it while I lose, don’t I?—I mustn’t say to him, ‘I will have something out of some one for my ruin, by fair means or foul!’ HE is not responsible. It’s the system. But, if I do no violence to any of them, here—I may! I don’t know what may happen if I am carried beyond myself at last! I will accuse the individual workers of that system against me, face to face, before the great eternal bar!”

His passion was fearful. I could not have believed in such rage without seeing it.

“I have done!” he said, sitting down and wiping his face. “Mr. Jarndyce, I have done! I am violent, I know. I ought to know it. I have been in prison for contempt of court. I have been in prison for threatening the solicitor. I have been in this trouble, and that trouble, and shall be again. I am the man from Shropshire, and I sometimes go beyond amusing them, though they have found it amusing, too, to see me committed into custody and brought up in custody and all that. It would be better for me, they tell me, if I restrained myself. I tell them that if I did restrain myself I should become imbecile. I was a good-enough-tempered man once, I believe. People in my part of the country say they remember me so, but now I must have this vent under my sense of injury or nothing could hold my wits together. It would be far better for you, Mr. Gridley,’ the Lord Chancellor told me last week, ‘not to waste your time here, and to stay, usefully employed, down in Shropshire.’ ‘My Lord, my Lord, I know it would,’ said I to him, ‘and it would have been far better for me never to have heard the name of your high office, but unhappily for me, I can’t undo the past, and the past drives me here!’ Besides,” he added, breaking fiercely out, “I’ll shame them. To the last, I’ll show myself in that court to its shame. If I knew when I was going to die, and could be carried there, and had a voice to speak with, I would die there, saying, ‘You have brought me here and sent me from here many and many a time. Now send me out feet foremost!'”

His countenance had, perhaps for years, become so set in its contentious expression that it did not soften, even now when he was quiet.

“I came to take these babies down to my room for an hour,” he said, going to them again, “and let them play about. I didn’t mean to say all this, but it don’t much signify. You’re not afraid of me, Tom, are you?”

“No!” said Tom. “You ain’t angry with ME.”

“You are right, my child. You’re going back, Charley? Aye? Come then, little one!” He took the youngest child on his arm, where she was willing enough to be carried. “I shouldn’t wonder if we found a ginger-bread soldier downstairs. Let’s go and look for him!”

He made his former rough salutation, which was not deficient in a certain respect, to Mr. Jarndyce, and bowing slightly to us, went downstairs to his room.

Upon that, Mr. Skimpole began to talk, for the first time since our arrival, in his usual gay strain. He said, Well, it was really very pleasant to see how things lazily adapted themselves to purposes. Here was this Mr. Gridley, a man of a robust will and surprising energy—intellectually speaking, a sort of inharmonious blacksmith—and he could easily imagine that there Gridley was, years ago, wandering about in life for something to expend his superfluous combativeness upon—a sort of Young Love among the thorns—when the Court of Chancery came in his way and accommodated him with the exact thing he wanted. There they were, matched, ever afterwards! Otherwise he might have been a great general, blowing up all sorts of towns, or he might have been a great politician, dealing in all sorts of parliamentary rhetoric; but as it was, he and the Court of Chancery had fallen upon each other in the pleasantest way, and nobody was much the worse, and Gridley was, so to speak, from that hour provided for. Then look at Coavinses! How delightfully poor Coavinses (father of these charming children) illustrated the same principle! He, Mr. Skimpole, himself, had sometimes repined at the existence of Coavinses. He had found Coavinses in his way. He could had dispensed with Coavinses. There had been times when, if he had been a sultan, and his grand vizier had said one morning, “What does the Commander of the Faithful require at the hands of his slave?” he might have even gone so far as to reply, “The head of Coavinses!” But what turned out to be the case? That, all that time, he had been giving employment to a most deserving man, that he had been a benefactor to Coavinses, that he had actually been enabling Coavinses to bring up these charming children in this agreeable way, developing these social virtues! Insomuch that his heart had just now swelled and the tears had come into his eyes when he had looked round the room and thought, “I was the great patron of Coavinses, and his little comforts were MY work!”

There was something so captivating in his light way of touching these fantastic strings, and he was such a mirthful child by the side of the graver childhood we had seen, that he made my guardian smile even as he turned towards us from a little private talk with Mrs. Blinder. We kissed Charley, and took her downstairs with us, and stopped outside the house to see her run away to her work. I don’t know where she was going, but we saw her run, such a little, little creature in her womanly bonnet and apron, through a covered way at the bottom of the court and melt into the city’s strife and sound like a dewdrop in an ocean.

Librivox Recording: Chapter 15

Richard left us on the very next evening to begin his new career, and committed Ada to my charge with great love for her and great trust in me. It touched me then to reflect, and it touches me now, more nearly, to remember (having what I have to tell) how they both thought of me, even at that engrossing time. I was a part of all their plans, for the present and the future. I was to write Richard once a week, making my faithful report of Ada, who was to write to him every alternate day. I was to be informed, under his own hand, of all his labours and successes; I was to observe how resolute and persevering he would be; I was to be Ada’s bridesmaid when they were married; I was to live with them afterwards; I was to keep all the keys of their house; I was to be made happy for ever and a day.

“And if the suit SHOULD make us rich, Esther—which it may, you know!” said Richard to crown all.

A shade crossed Ada’s face.

“My dearest Ada,” asked Richard, “why not?”

“It had better declare us poor at once,” said Ada.

“Oh! I don’t know about that,” returned Richard, “but at all events, it won’t declare anything at once. It hasn’t declared anything in heaven knows how many years.”

“Too true,” said Ada.

“Yes, but,” urged Richard, answering what her look suggested rather than her words, “the longer it goes on, dear cousin, the nearer it must be to a settlement one way or other. Now, is not that reasonable?”

“You know best, Richard. But I am afraid if we trust to it, it will make us unhappy.”

“But, my Ada, we are not going to trust to it!” cried Richard gaily. “We know it better than to trust to it. We only say that if it SHOULD make us rich, we have no constitutional objection to being rich. The court is, by solemn settlement of law, our grim old guardian, and we are to suppose that what it gives us (when it gives us anything) is our right. It is not necessary to quarrel with our right.”

“No,” said Ada, “but it may be better to forget all about it.”

“Well, well,” cried Richard, “then we will forget all about it! We consign the whole thing to oblivion. Dame Durden puts on her approving face, and it’s done!”

“Dame Durden’s approving face,” said I, looking out of the box in which I was packing his books, “was not very visible when you called it by that name; but it does approve, and she thinks you can’t do better.”

So, Richard said there was an end of it, and immediately began, on no other foundation, to build as many castles in the air as would man the Great Wall of China. He went away in high spirits. Ada and I, prepared to miss him very much, commenced our quieter career.

On our arrival in London, we had called with Mr. Jarndyce at Mrs. Jellyby’s but had not been so fortunate as to find her at home. It appeared that she had gone somewhere to a tea-drinking and had taken Miss Jellyby with her. Besides the tea-drinking, there was to be some considerable speech-making and letter-writing on the general merits of the cultivation of coffee, conjointly with natives, at the Settlement of Borrioboola-Gha. All this involved, no doubt, sufficient active exercise of pen and ink to make her daughter’s part in the proceedings anything but a holiday.

It being now beyond the time appointed for Mrs. Jellyby’s return, we called again. She was in town, but not at home, having gone to Mile End directly after breakfast on some Borrioboolan business, arising out of a society called the East London Branch Aid Ramification. As I had not seen Peepy on the occasion of our last call (when he was not to be found anywhere, and when the cook rather thought he must have strolled away with the dustman’s cart), I now inquired for him again. The oyster shells he had been building a house with were still in the passage, but he was nowhere discoverable, and the cook supposed that he had “gone after the sheep.” When we repeated, with some surprise, “The sheep?” she said, Oh, yes, on market days he sometimes followed them quite out of town and came back in such a state as never was!

I was sitting at the window with my guardian on the following morning, and Ada was busy writing—of course to Richard—when Miss Jellyby was announced, and entered, leading the identical Peepy, whom she had made some endeavours to render presentable by wiping the dirt into corners of his face and hands and making his hair very wet and then violently frizzling it with her fingers. Everything the dear child wore was either too large for him or too small. Among his other contradictory decorations he had the hat of a bishop and the little gloves of a baby. His boots were, on a small scale, the boots of a ploughman, while his legs, so crossed and recrossed with scratches that they looked like maps, were bare below a very short pair of plaid drawers finished off with two frills of perfectly different patterns. The deficient buttons on his plaid frock had evidently been supplied from one of Mr. Jellyby’s coats, they were so extremely brazen and so much too large. Most extraordinary specimens of needlework appeared on several parts of his dress, where it had been hastily mended, and I recognized the same hand on Miss Jellyby’s. She was, however, unaccountably improved in her appearance and looked very pretty. She was conscious of poor little Peepy being but a failure after all her trouble, and she showed it as she came in by the way in which she glanced first at him and then at us.

“Oh, dear me!” said my guardian. “Due east!”

Ada and I gave her a cordial welcome and presented her to Mr. Jarndyce, to whom she said as she sat down, “Ma’s compliments, and she hopes you’ll excuse her, because she’s correcting proofs of the plan. She’s going to put out five thousand new circulars, and she knows you’ll be interested to hear that. I have brought one of them with me. Ma’s compliments.” With which she presented it sulkily enough.

“Thank you,” said my guardian. “I am much obliged to Mrs. Jellyby. Oh, dear me! This is a very trying wind!”

We were busy with Peepy, taking off his clerical hat, asking him if he remembered us, and so on. Peepy retired behind his elbow at first, but relented at the sight of sponge-cake and allowed me to take him on my lap, where he sat munching quietly. Mr. Jarndyce then withdrawing into the temporary growlery, Miss Jellyby opened a conversation with her usual abruptness.

“We are going on just as bad as ever in Thavies Inn,” said she. “I have no peace of my life. Talk of Africa! I couldn’t be worse off if I was a what’s-his-name—man and a brother!”

I tried to say something soothing.

“Oh, it’s of no use, Miss Summerson,” exclaimed Miss Jellyby, “though I thank you for the kind intention all the same. I know how I am used, and I am not to be talked over. YOU wouldn’t be talked over if you were used so. Peepy, go and play at Wild Beasts under the piano!”

“I shan’t!” said Peepy.

“Very well, you ungrateful, naughty, hard-hearted boy!” returned Miss Jellyby with tears in her eyes. “I’ll never take pains to dress you any more.”

“Yes, I will go, Caddy!” cried Peepy, who was really a good child and who was so moved by his sister’s vexation that he went at once.

“It seems a little thing to cry about,” said poor Miss Jellyby apologetically, “but I am quite worn out. I was directing the new circulars till two this morning. I detest the whole thing so that that alone makes my head ache till I can’t see out of my eyes. And look at that poor unfortunate child! Was there ever such a fright as he is!”

Peepy, happily unconscious of the defects in his appearance, sat on the carpet behind one of the legs of the piano, looking calmly out of his den at us while he ate his cake.

“I have sent him to the other end of the room,” observed Miss Jellyby, drawing her chair nearer ours, “because I don’t want him to hear the conversation. Those little things are so sharp! I was going to say, we really are going on worse than ever. Pa will be a bankrupt before long, and then I hope Ma will be satisfied. There’ll he nobody but Ma to thank for it.”

We said we hoped Mr. Jellyby’s affairs were not in so bad a state as that.

“It’s of no use hoping, though it’s very kind of you,” returned Miss Jellyby, shaking her head. “Pa told me only yesterday morning (and dreadfully unhappy he is) that he couldn’t weather the storm. I should be surprised if he could. When all our tradesmen send into our house any stuff they like, and the servants do what they like with it, and I have no time to improve things if I knew how, and Ma don’t care about anything, I should like to make out how Pa is to weather the storm. I declare if I was Pa, I’d run away.”

“My dear!” said I, smiling. “Your papa, no doubt, considers his family.”

“Oh, yes, his family is all very fine, Miss Summerson,” replied Miss Jellyby; “but what comfort is his family to him? His family is nothing but bills, dirt, waste, noise, tumbles downstairs, confusion, and wretchedness. His scrambling home, from week’s end to week’s end, is like one great washing-day—only nothing’s washed!”

Miss Jellyby tapped her foot upon the floor and wiped her eyes.

“I am sure I pity Pa to that degree,” she said, “and am so angry with Ma that I can’t find words to express myself! However, I am not going to bear it, I am determined. I won’t be a slave all my life, and I won’t submit to be proposed to by Mr. Quale. A pretty thing, indeed, to marry a philanthropist. As if I hadn’t had enough of THAT!” said poor Miss Jellyby.

I must confess that I could not help feeling rather angry with Mrs. Jellyby myself, seeing and hearing this neglected girl and knowing how much of bitterly satirical truth there was in what she said.

“If it wasn’t that we had been intimate when you stopped at our house,” pursued Miss Jellyby, “I should have been ashamed to come here to-day, for I know what a figure I must seem to you two. But as it is, I made up my mind to call, especially as I am not likely to see you again the next time you come to town.”

She said this with such great significance that Ada and I glanced at one another, foreseeing something more.

“No!” said Miss Jellyby, shaking her head. “Not at all likely! I know I may trust you two. I am sure you won’t betray me. I am engaged.”

“Without their knowledge at home?” said I.

“Why, good gracious me, Miss Summerson,” she returned, justifying herself in a fretful but not angry manner, “how can it be otherwise? You know what Ma is—and I needn’t make poor Pa more miserable by telling HIM.”

“But would it not be adding to his unhappiness to marry without his knowledge or consent, my dear?” said I.

“No,” said Miss Jellyby, softening. “I hope not. I should try to make him happy and comfortable when he came to see me, and Peepy and the others should take it in turns to come and stay with me, and they should have some care taken of them then.”

There was a good deal of affection in poor Caddy. She softened more and more while saying this and cried so much over the unwonted little home-picture she had raised in her mind that Peepy, in his cave under the piano, was touched, and turned himself over on his back with loud lamentations. It was not until I had brought him to kiss his sister, and had restored him to his place on my lap, and had shown him that Caddy was laughing (she laughed expressly for the purpose), that we could recall his peace of mind; even then it was for some time conditional on his taking us in turns by the chin and smoothing our faces all over with his hand. At last, as his spirits were not equal to the piano, we put him on a chair to look out of window; and Miss Jellyby, holding him by one leg, resumed her confidence.

“It began in your coming to our house,” she said.

We naturally asked how.

“I felt I was so awkward,” she replied, “that I made up my mind to be improved in that respect at all events and to learn to dance. I told Ma I was ashamed of myself, and I must be taught to dance. Ma looked at me in that provoking way of hers as if I wasn’t in sight, but I was quite determined to be taught to dance, and so I went to Mr. Turveydrop’s Academy in Newman Street.”

“And was it there, my dear—” I began.

“Yes, it was there,” said Caddy, “and I am engaged to Mr. Turveydrop. There are two Mr. Turveydrops, father and son. My Mr. Turveydrop is the son, of course. I only wish I had been better brought up and was likely to make him a better wife, for I am very fond of him.”

“I am sorry to hear this,” said I, “I must confess.”

“I don’t know why you should be sorry,” she retorted a little anxiously, “but I am engaged to Mr. Turveydrop, whether or no, and he is very fond of me. It’s a secret as yet, even on his side, because old Mr. Turveydrop has a share in the connexion and it might break his heart or give him some other shock if he was told of it abruptly. Old Mr. Turveydrop is a very gentlemanly man indeed—very gentlemanly.”

“Does his wife know of it?” asked Ada.

“Old Mr. Turveydrop’s wife, Miss Clare?” returned Miss Jellyby, opening her eyes. “There’s no such person. He is a widower.”

We were here interrupted by Peepy, whose leg had undergone so much on account of his sister’s unconsciously jerking it like a bell-rope whenever she was emphatic that the afflicted child now bemoaned his sufferings with a very low-spirited noise. As he appealed to me for compassion, and as I was only a listener, I undertook to hold him. Miss Jellyby proceeded, after begging Peepy’s pardon with a kiss and assuring him that she hadn’t meant to do it.

“That’s the state of the case,” said Caddy. “If I ever blame myself, I still think it’s Ma’s fault. We are to be married whenever we can, and then I shall go to Pa at the office and write to Ma. It won’t much agitate Ma; I am only pen and ink to HER. One great comfort is,” said Caddy with a sob, “that I shall never hear of Africa after I am married. Young Mr. Turveydrop hates it for my sake, and if old Mr. Turveydrop knows there is such a place, it’s as much as he does.”

“It was he who was very gentlemanly, I think!” said I.

“Very gentlemanly indeed,” said Caddy. “He is celebrated almost everywhere for his deportment.”

“Does he teach?” asked Ada.

“No, he don’t teach anything in particular,” replied Caddy. “But his deportment is beautiful.”

Caddy went on to say with considerable hesitation and reluctance that there was one thing more she wished us to know, and felt we ought to know, and which she hoped would not offend us. It was that she had improved her acquaintance with Miss Flite, the little crazy old lady, and that she frequently went there early in the morning and met her lover for a few minutes before breakfast—only for a few minutes. “I go there at other times,” said Caddy, “but Prince does not come then. Young Mr. Turveydrop’s name is Prince; I wish it wasn’t, because it sounds like a dog, but of course he didn’t christen himself. Old Mr. Turveydrop had him christened Prince in remembrance of the Prince Regent. Old Mr. Turveydrop adored the Prince Regent on account of his deportment. I hope you won’t think the worse of me for having made these little appointments at Miss Flite’s, where I first went with you, because I like the poor thing for her own sake and I believe she likes me. If you could see young Mr. Turveydrop, I am sure you would think well of him—at least, I am sure you couldn’t possibly think any ill of him. I am going there now for my lesson. I couldn’t ask you to go with me, Miss Summerson; but if you would,” said Caddy, who had said all this earnestly and tremblingly, “I should be very glad—very glad.”

It happened that we had arranged with my guardian to go to Miss Flite’s that day. We had told him of our former visit, and our account had interested him; but something had always happened to prevent our going there again. As I trusted that I might have sufficient influence with Miss Jellyby to prevent her taking any very rash step if I fully accepted the confidence she was so willing to place in me, poor girl, I proposed that she and I and Peepy should go to the academy and afterwards meet my guardian and Ada at Miss Flite’s, whose name I now learnt for the first time. This was on condition that Miss Jellyby and Peepy should come back with us to dinner. The last article of the agreement being joyfully acceded to by both, we smartened Peepy up a little with the assistance of a few pins, some soap and water, and a hair-brush, and went out, bending our steps towards Newman Street, which was very near.

I found the academy established in a sufficiently dingy house at the corner of an archway, with busts in all the staircase windows. In the same house there were also established, as I gathered from the plates on the door, a drawing-master, a coal-merchant (there was, certainly, no room for his coals), and a lithographic artist. On the plate which, in size and situation, took precedence of all the rest, I read, MR. TURVEYDROP. The door was open, and the hall was blocked up by a grand piano, a harp, and several other musical instruments in cases, all in progress of removal, and all looking rakish in the daylight. Miss Jellyby informed me that the academy had been lent, last night, for a concert.

We went upstairs—it had been quite a fine house once, when it was anybody’s business to keep it clean and fresh, and nobody’s business to smoke in it all day—and into Mr. Turveydrop’s great room, which was built out into a mews at the back and was lighted by a skylight. It was a bare, resounding room smelling of stables, with cane forms along the walls, and the walls ornamented at regular intervals with painted lyres and little cut-glass branches for candles, which seemed to be shedding their old-fashioned drops as other branches might shed autumn leaves. Several young lady pupils, ranging from thirteen or fourteen years of age to two or three and twenty, were assembled; and I was looking among them for their instructor when Caddy, pinching my arm, repeated the ceremony of introduction. “Miss Summerson, Mr. Prince Turveydrop!”

I curtsied to a little blue-eyed fair man of youthful appearance with flaxen hair parted in the middle and curling at the ends all round his head. He had a little fiddle, which we used to call at school a kit, under his left arm, and its little bow in the same hand. His little dancing-shoes were particularly diminutive, and he had a little innocent, feminine manner which not only appealed to me in an amiable way, but made this singular effect upon me, that I received the impression that he was like his mother and that his mother had not been much considered or well used.

“I am very happy to see Miss Jellyby’s friend,” he said, bowing low to me. “I began to fear,” with timid tenderness, “as it was past the usual time, that Miss Jellyby was not coming.”

“I beg you will have the goodness to attribute that to me, who have detained her, and to receive my excuses, sir,” said I.

“Oh, dear!” said he.

“And pray,” I entreated, “do not allow me to be the cause of any more delay.”

With that apology I withdrew to a seat between Peepy (who, being well used to it, had already climbed into a corner place) and an old lady of a censorious countenance whose two nieces were in the class and who was very indignant with Peepy’s boots. Prince Turveydrop then tinkled the strings of his kit with his fingers, and the young ladies stood up to dance. Just then there appeared from a side-door old Mr. Turveydrop, in the full lustre of his deportment.

He was a fat old gentleman with a false complexion, false teeth, false whiskers, and a wig. He had a fur collar, and he had a padded breast to his coat, which only wanted a star or a broad blue ribbon to be complete. He was pinched in, and swelled out, and got up, and strapped down, as much as he could possibly bear. He had such a neckcloth on (puffing his very eyes out of their natural shape), and his chin and even his ears so sunk into it, that it seemed as though he must inevitably double up if it were cast loose. He had under his arm a hat of great size and weight, shelving downward from the crown to the brim, and in his hand a pair of white gloves with which he flapped it as he stood poised on one leg in a high-shouldered, round-elbowed state of elegance not to be surpassed. He had a cane, he had an eye-glass, he had a snuff-box, he had rings, he had wristbands, he had everything but any touch of nature; he was not like youth, he was not like age, he was not like anything in the world but a model of deportment.

“Father! A visitor. Miss Jellyby’s friend, Miss Summerson.”

“Distinguished,” said Mr. Turveydrop, “by Miss Summerson’s presence.” As he bowed to me in that tight state, I almost believe I saw creases come into the whites of his eyes.

“My father,” said the son, aside, to me with quite an affecting belief in him, “is a celebrated character. My father is greatly admired.”

“Go on, Prince! Go on!” said Mr. Turveydrop, standing with his back to the fire and waving his gloves condescendingly. “Go on, my son!”

At this command, or by this gracious permission, the lesson went on. Prince Turveydrop sometimes played the kit, dancing; sometimes played the piano, standing; sometimes hummed the tune with what little breath he could spare, while he set a pupil right; always conscientiously moved with the least proficient through every step and every part of the figure; and never rested for an instant. His distinguished father did nothing whatever but stand before the fire, a model of deportment.

“And he never does anything else,” said the old lady of the censorious countenance. “Yet would you believe that it’s HIS name on the door-plate?”

“His son’s name is the same, you know,” said I.

“He wouldn’t let his son have any name if he could take it from him,” returned the old lady. “Look at the son’s dress!” It certainly was plain—threadbare—almost shabby. “Yet the father must be garnished and tricked out,” said the old lady, “because of his deportment. I’d deport him! Transport him would be better!”

I felt curious to know more concerning this person. I asked, “Does he give lessons in deportment now?”

“Now!” returned the old lady shortly. “Never did.”

After a moment’s consideration, I suggested that perhaps fencing had been his accomplishment.

“I don’t believe he can fence at all, ma’am,” said the old lady.

I looked surprised and inquisitive. The old lady, becoming more and more incensed against the master of deportment as she dwelt upon the subject, gave me some particulars of his career, with strong assurances that they were mildly stated.

He had married a meek little dancing-mistress, with a tolerable connexion (having never in his life before done anything but deport himself), and had worked her to death, or had, at the best, suffered her to work herself to death, to maintain him in those expenses which were indispensable to his position. At once to exhibit his deportment to the best models and to keep the best models constantly before himself, he had found it necessary to frequent all public places of fashionable and lounging resort, to be seen at Brighton and elsewhere at fashionable times, and to lead an idle life in the very best clothes. To enable him to do this, the affectionate little dancing-mistress had toiled and laboured and would have toiled and laboured to that hour if her strength had lasted so long. For the mainspring of the story was that in spite of the man’s absorbing selfishness, his wife (overpowered by his deportment) had, to the last, believed in him and had, on her death-bed, in the most moving terms, confided him to their son as one who had an inextinguishable claim upon him and whom he could never regard with too much pride and deference. The son, inheriting his mother’s belief, and having the deportment always before him, had lived and grown in the same faith, and now, at thirty years of age, worked for his father twelve hours a day and looked up to him with veneration on the old imaginary pinnacle.

“The airs the fellow gives himself!” said my informant, shaking her head at old Mr. Turveydrop with speechless indignation as he drew on his tight gloves, of course unconscious of the homage she was rendering. “He fully believes he is one of the aristocracy! And he is so condescending to the son he so egregiously deludes that you might suppose him the most virtuous of parents. Oh!” said the old lady, apostrophizing him with infinite vehemence. “I could bite you!”

I could not help being amused, though I heard the old lady out with feelings of real concern. It was difficult to doubt her with the father and son before me. What I might have thought of them without the old lady’s account, or what I might have thought of the old lady’s account without them, I cannot say. There was a fitness of things in the whole that carried conviction with it.

My eyes were yet wandering, from young Mr. Turveydrop working so hard, to old Mr. Turveydrop deporting himself so beautifully, when the latter came ambling up to me and entered into conversation.

He asked me, first of all, whether I conferred a charm and a distinction on London by residing in it? I did not think it necessary to reply that I was perfectly aware I should not do that, in any case, but merely told him where I did reside.

“A lady so graceful and accomplished,” he said, kissing his right glove and afterwards extending it towards the pupils, “will look leniently on the deficiencies here. We do our best to polish—polish—polish!”

He sat down beside me, taking some pains to sit on the form, I thought, in imitation of the print of his illustrious model on the sofa. And really he did look very like it.

“To polish—polish—polish!” he repeated, taking a pinch of snuff and gently fluttering his fingers. “But we are not, if I may say so to one formed to be graceful both by Nature and Art—” with the high-shouldered bow, which it seemed impossible for him to make without lifting up his eyebrows and shutting his eyes “—we are not what we used to be in point of deportment.”

“Are we not, sir?” said I.

“We have degenerated,” he returned, shaking his head, which he could do to a very limited extent in his cravat. “A levelling age is not favourable to deportment. It develops vulgarity. Perhaps I speak with some little partiality. It may not be for me to say that I have been called, for some years now, Gentleman Turveydrop, or that his Royal Highness the Prince Regent did me the honour to inquire, on my removing my hat as he drove out of the Pavilion at Brighton (that fine building), ‘Who is he? Who the devil is he? Why don’t I know him? Why hasn’t he thirty thousand a year?’ But these are little matters of anecdote—the general property, ma’am—still repeated occasionally among the upper classes.”

“Indeed?” said I.

He replied with the high-shouldered bow. “Where what is left among us of deportment,” he added, “still lingers. England—alas, my country!—has degenerated very much, and is degenerating every day. She has not many gentlemen left. We are few. I see nothing to succeed us but a race of weavers.”

“One might hope that the race of gentlemen would be perpetuated here,” said I.

“You are very good.” He smiled with a high-shouldered bow again. “You flatter me. But, no—no! I have never been able to imbue my poor boy with that part of his art. Heaven forbid that I should disparage my dear child, but he has—no deportment.”

“He appears to be an excellent master,” I observed.

“Understand me, my dear madam, he IS an excellent master. All that can be acquired, he has acquired. All that can be imparted, he can impart. But there ARE things—” He took another pinch of snuff and made the bow again, as if to add, “This kind of thing, for instance.”

I glanced towards the centre of the room, where Miss Jellyby’s lover, now engaged with single pupils, was undergoing greater drudgery than ever.

“My amiable child,” murmured Mr. Turveydrop, adjusting his cravat.

“Your son is indefatigable,” said I.

“It is my reward,” said Mr. Turveydrop, “to hear you say so. In some respects, he treads in the footsteps of his sainted mother. She was a devoted creature. But wooman, lovely wooman,” said Mr. Turveydrop with very disagreeable gallantry, “what a sex you are!”

I rose and joined Miss Jellyby, who was by this time putting on her bonnet. The time allotted to a lesson having fully elapsed, there was a general putting on of bonnets. When Miss Jellyby and the unfortunate Prince found an opportunity to become betrothed I don’t know, but they certainly found none on this occasion to exchange a dozen words.

“My dear,” said Mr. Turveydrop benignly to his son, “do you know the hour?”

“No, father.” The son had no watch. The father had a handsome gold one, which he pulled out with an air that was an example to mankind.

“My son,” said he, “it’s two o’clock. Recollect your school at Kensington at three.”

“That’s time enough for me, father,” said Prince. “I can take a morsel of dinner standing and be off.”

“My dear boy,” returned his father, “you must be very quick. You will find the cold mutton on the table.”

“Thank you, father. Are YOU off now, father?”

“Yes, my dear. I suppose,” said Mr. Turveydrop, shutting his eyes and lifting up his shoulders with modest consciousness, “that I must show myself, as usual, about town.”

“You had better dine out comfortably somewhere,” said his son.

“My dear child, I intend to. I shall take my little meal, I think, at the French house, in the Opera Colonnade.”

“That’s right. Good-bye, father!” said Prince, shaking hands.

“Good-bye, my son. Bless you!”

Mr. Turveydrop said this in quite a pious manner, and it seemed to do his son good, who, in parting from him, was so pleased with him, so dutiful to him, and so proud of him that I almost felt as if it were an unkindness to the younger man not to be able to believe implicitly in the elder. The few moments that were occupied by Prince in taking leave of us (and particularly of one of us, as I saw, being in the secret), enhanced my favourable impression of his almost childish character. I felt a liking for him and a compassion for him as he put his little kit in his pocket—and with it his desire to stay a little while with Caddy—and went away good-humouredly to his cold mutton and his school at Kensington, that made me scarcely less irate with his father than the censorious old lady.

The father opened the room door for us and bowed us out in a manner, I must acknowledge, worthy of his shining original. In the same style he presently passed us on the other side of the street, on his way to the aristocratic part of the town, where he was going to show himself among the few other gentlemen left. For some moments, I was so lost in reconsidering what I had heard and seen in Newman Street that I was quite unable to talk to Caddy or even to fix my attention on what she said to me, especially when I began to inquire in my mind whether there were, or ever had been, any other gentlemen, not in the dancing profession, who lived and founded a reputation entirely on their deportment. This became so bewildering and suggested the possibility of so many Mr. Turveydrops that I said, “Esther, you must make up your mind to abandon this subject altogether and attend to Caddy.” I accordingly did so, and we chatted all the rest of the way to Lincoln’s Inn.

Caddy told me that her lover’s education had been so neglected that it was not always easy to read his notes. She said if he were not so anxious about his spelling and took less pains to make it clear, he would do better; but he put so many unnecessary letters into short words that they sometimes quite lost their English appearance. “He does it with the best intention,” observed Caddy, “but it hasn’t the effect he means, poor fellow!” Caddy then went on to reason, how could he be expected to be a scholar when he had passed his whole life in the dancing-school and had done nothing but teach and fag, fag and teach, morning, noon, and night! And what did it matter? She could write letters enough for both, as she knew to her cost, and it was far better for him to be amiable than learned. “Besides, it’s not as if I was an accomplished girl who had any right to give herself airs,” said Caddy. “I know little enough, I am sure, thanks to Ma!

“There’s another thing I want to tell you, now we are alone,” continued Caddy, “which I should not have liked to mention unless you had seen Prince, Miss Summerson. You know what a house ours is. It’s of no use my trying to learn anything that it would be useful for Prince’s wife to know in OUR house. We live in such a state of muddle that it’s impossible, and I have only been more disheartened whenever I have tried. So I get a little practice with—who do you think? Poor Miss Flite! Early in the morning I help her to tidy her room and clean her birds, and I make her cup of coffee for her (of course she taught me), and I have learnt to make it so well that Prince says it’s the very best coffee he ever tasted, and would quite delight old Mr. Turveydrop, who is very particular indeed about his coffee. I can make little puddings too; and I know how to buy neck of mutton, and tea, and sugar, and butter, and a good many housekeeping things. I am not clever at my needle, yet,” said Caddy, glancing at the repairs on Peepy’s frock, “but perhaps I shall improve, and since I have been engaged to Prince and have been doing all this, I have felt better-tempered, I hope, and more forgiving to Ma. It rather put me out at first this morning to see you and Miss Clare looking so neat and pretty and to feel ashamed of Peepy and myself too, but on the whole I hope I am better-tempered than I was and more forgiving to Ma.”

The poor girl, trying so hard, said it from her heart, and touched mine. “Caddy, my love,” I replied, “I begin to have a great affection for you, and I hope we shall become friends.”

“Oh, do you?” cried Caddy. “How happy that would make me!”

“My dear Caddy,” said I, “let us be friends from this time, and let us often have a chat about these matters and try to find the right way through them.” Caddy was overjoyed. I said everything I could in my old-fashioned way to comfort and encourage her, and I would not have objected to old Mr. Turveydrop that day for any smaller consideration than a settlement on his daughter-in-law.

By this time we were come to Mr. Krook’s, whose private door stood open. There was a bill, pasted on the door-post, announcing a room to let on the second floor. It reminded Caddy to tell me as we proceeded upstairs that there had been a sudden death there and an inquest and that our little friend had been ill of the fright. The door and window of the vacant room being open, we looked in. It was the room with the dark door to which Miss Flite had secretly directed my attention when I was last in the house. A sad and desolate place it was, a gloomy, sorrowful place that gave me a strange sensation of mournfulness and even dread. “You look pale,” said Caddy when we came out, “and cold!” I felt as if the room had chilled me.

We had walked slowly while we were talking, and my guardian and Ada were here before us. We found them in Miss Flite’s garret. They were looking at the birds, while a medical gentleman who was so good as to attend Miss Flite with much solicitude and compassion spoke with her cheerfully by the fire.

“I have finished my professional visit,” he said, coming forward. “Miss Flite is much better and may appear in court (as her mind is set upon it) to-morrow. She has been greatly missed there, I understand.”

Miss Flite received the compliment with complacency and dropped a general curtsy to us.

“Honoured, indeed,” said she, “by another visit from the wards in Jarndyce! Ve-ry happy to receive Jarndyce of Bleak House beneath my humble roof!” with a special curtsy. “Fitz-Jarndyce, my dear”—she had bestowed that name on Caddy, it appeared, and always called her by it—”a double welcome!”

“Has she been very ill?” asked Mr. Jarndyce of the gentleman whom we had found in attendance on her. She answered for herself directly, though he had put the question in a whisper.

“Oh, decidedly unwell! Oh, very unwell indeed,” she said confidentially. “Not pain, you know—trouble. Not bodily so much as nervous, nervous! The truth is,” in a subdued voice and trembling, “we have had death here. There was poison in the house. I am very susceptible to such horrid things. It frightened me. Only Mr. Woodcourt knows how much. My physician, Mr. Woodcourt!” with great stateliness. “The wards in Jarndyce—Jarndyce of Bleak House—Fitz-Jarndyce!”

“Miss Flite,” said Mr. Woodcourt in a grave kind of voice, as if he were appealing to her while speaking to us, and laying his hand gently on her arm, “Miss Flite describes her illness with her usual accuracy. She was alarmed by an occurrence in the house which might have alarmed a stronger person, and was made ill by the distress and agitation. She brought me here in the first hurry of the discovery, though too late for me to be of any use to the unfortunate man. I have compensated myself for that disappointment by coming here since and being of some small use to her.”

“The kindest physician in the college,” whispered Miss Flite to me. “I expect a judgment. On the day of judgment. And shall then confer estates.”

“She will be as well in a day or two,” said Mr. Woodcourt, looking at her with an observant smile, “as she ever will be. In other words, quite well of course. Have you heard of her good fortune?”

“Most extraordinary!” said Miss Flite, smiling brightly. “You never heard of such a thing, my dear! Every Saturday, Conversation Kenge or Guppy (clerk to Conversation K.) places in my hand a paper of shillings. Shillings. I assure you! Always the same number in the paper. Always one for every day in the week. Now you know, really! So well-timed, is it not? Ye-es! From whence do these papers come, you say? That is the great question. Naturally. Shall I tell you what I think? I think,” said Miss Flite, drawing herself back with a very shrewd look and shaking her right forefinger in a most significant manner, “that the Lord Chancellor, aware of the length of time during which the Great Seal has been open (for it has been open a long time!), forwards them. Until the judgment I expect is given. Now that’s very creditable, you know. To confess in that way that he IS a little slow for human life. So delicate! Attending court the other day—I attend it regularly, with my documents—I taxed him with it, and he almost confessed. That is, I smiled at him from my bench, and HE smiled at me from his bench. But it’s great good fortune, is it not? And Fitz-Jarndyce lays the money out for me to great advantage. Oh, I assure you to the greatest advantage!”

I congratulated her (as she addressed herself to me) upon this fortunate addition to her income and wished her a long continuance of it. I did not speculate upon the source from which it came or wonder whose humanity was so considerate. My guardian stood before me, contemplating the birds, and I had no need to look beyond him.

“And what do you call these little fellows, ma’am?” said he in his pleasant voice. “Have they any names?”

“I can answer for Miss Flite that they have,” said I, “for she promised to tell us what they were. Ada remembers?”

Ada remembered very well.

“Did I?” said Miss Flite. “Who’s that at my door? What are you listening at my door for, Krook?”

The old man of the house, pushing it open before him, appeared there with his fur cap in his hand and his cat at his heels.

“I warn’t listening, Miss Flite,” he said, “I was going to give a rap with my knuckles, only you’re so quick!”

“Make your cat go down. Drive her away!” the old lady angrily exclaimed.

“Bah, bah! There ain’t no danger, gentlefolks,” said Mr. Krook, looking slowly and sharply from one to another until he had looked at all of us; “she’d never offer at the birds when I was here unless I told her to it.”

“You will excuse my landlord,” said the old lady with a dignified air. “M, quite M! What do you want, Krook, when I have company?”

“Hi!” said the old man. “You know I am the Chancellor.”

“Well?” returned Miss Flite. “What of that?”

“For the Chancellor,” said the old man with a chuckle, “not to be acquainted with a Jarndyce is queer, ain’t it, Miss Flite? Mightn’t I take the liberty? Your servant, sir. I know Jarndyce and Jarndyce a’most as well as you do, sir. I knowed old Squire Tom, sir. I never to my knowledge see you afore though, not even in court. Yet, I go there a mortal sight of times in the course of the year, taking one day with another.”

“I never go there,” said Mr. Jarndyce (which he never did on any consideration). “I would sooner go—somewhere else.”

“Would you though?” returned Krook, grinning. “You’re bearing hard upon my noble and learned brother in your meaning, sir, though perhaps it is but nat’ral in a Jarndyce. The burnt child, sir! What, you’re looking at my lodger’s birds, Mr. Jarndyce?” The old man had come by little and little into the room until he now touched my guardian with his elbow and looked close up into his face with his spectacled eyes. “It’s one of her strange ways that she’ll never tell the names of these birds if she can help it, though she named ’em all.” This was in a whisper. “Shall I run ’em over, Flite?” he asked aloud, winking at us and pointing at her as she turned away, affecting to sweep the grate.

“If you like,” she answered hurriedly.

The old man, looking up at the cages after another look at us, went through the list.

“Hope, Joy, Youth, Peace, Rest, Life, Dust, Ashes, Waste, Want, Ruin, Despair, Madness, Death, Cunning, Folly, Words, Wigs, Rags, Sheepskin, Plunder, Precedent, Jargon, Gammon, and Spinach. That’s the whole collection,” said the old man, “all cooped up together, by my noble and learned brother.”

“This is a bitter wind!” muttered my guardian.

“When my noble and learned brother gives his judgment, they’re to be let go free,” said Krook, winking at us again. “And then,” he added, whispering and grinning, “if that ever was to happen—which it won’t—the birds that have never been caged would kill ’em.”

“If ever the wind was in the east,” said my guardian, pretending to look out of the window for a weathercock, “I think it’s there to-day!”

We found it very difficult to get away from the house. It was not Miss Flite who detained us; she was as reasonable a little creature in consulting the convenience of others as there possibly could be. It was Mr. Krook. He seemed unable to detach himself from Mr. Jarndyce. If he had been linked to him, he could hardly have attended him more closely. He proposed to show us his Court of Chancery and all the strange medley it contained; during the whole of our inspection (prolonged by himself) he kept close to Mr. Jarndyce and sometimes detained him under one pretence or other until we had passed on, as if he were tormented by an inclination to enter upon some secret subject which he could not make up his mind to approach. I cannot imagine a countenance and manner more singularly expressive of caution and indecision, and a perpetual impulse to do something he could not resolve to venture on, than Mr. Krook’s was that day. His watchfulness of my guardian was incessant. He rarely removed his eyes from his face. If he went on beside him, he observed him with the slyness of an old white fox. If he went before, he looked back. When we stood still, he got opposite to him, and drawing his hand across and across his open mouth with a curious expression of a sense of power, and turning up his eyes, and lowering his grey eyebrows until they appeared to be shut, seemed to scan every lineament of his face.

At last, having been (always attended by the cat) all over the house and having seen the whole stock of miscellaneous lumber, which was certainly curious, we came into the back part of the shop. Here on the head of an empty barrel stood on end were an ink-bottle, some old stumps of pens, and some dirty playbills; and against the wall were pasted several large printed alphabets in several plain hands.

“What are you doing here?” asked my guardian.

“Trying to learn myself to read and write,” said Krook.

“And how do you get on?”

“Slow. Bad,” returned the old man impatiently. “It’s hard at my time of life.”

“It would be easier to be taught by some one,” said my guardian.

“Aye, but they might teach me wrong!” returned the old man with a wonderfully suspicious flash of his eye. “I don’t know what I may have lost by not being learned afore. I wouldn’t like to lose anything by being learned wrong now.”

“Wrong?” said my guardian with his good-humoured smile. “Who do you suppose would teach you wrong?”

“I don’t know, Mr. Jarndyce of Bleak House!” replied the old man, turning up his spectacles on his forehead and rubbing his hands. “I don’t suppose as anybody would, but I’d rather trust my own self than another!”

These answers and his manner were strange enough to cause my guardian to inquire of Mr. Woodcourt, as we all walked across Lincoln’s Inn together, whether Mr. Krook were really, as his lodger represented him, deranged. The young surgeon replied, no, he had seen no reason to think so. He was exceedingly distrustful, as ignorance usually was, and he was always more or less under the influence of raw gin, of which he drank great quantities and of which he and his back-shop, as we might have observed, smelt strongly; but he did not think him mad as yet.

On our way home, I so conciliated Peepy’s affections by buying him a windmill and two flour-sacks that he would suffer nobody else to take off his hat and gloves and would sit nowhere at dinner but at my side. Caddy sat upon the other side of me, next to Ada, to whom we imparted the whole history of the engagement as soon as we got back. We made much of Caddy, and Peepy too; and Caddy brightened exceedingly; and my guardian was as merry as we were; and we were all very happy indeed until Caddy went home at night in a hackney-coach, with Peepy fast asleep, but holding tight to the windmill.

I have forgotten to mention—at least I have not mentioned—that Mr. Woodcourt was the same dark young surgeon whom we had met at Mr. Badger’s. Or that Mr. Jarndyce invited him to dinner that day. Or that he came. Or that when they were all gone and I said to Ada, “Now, my darling, let us have a little talk about Richard!” Ada laughed and said—

But I don’t think it matters what my darling said. She was always merry.

Librivox Recording: Chapter 14

(Image: “Dancing School”)

We held many consultations about what Richard was to be, first without Mr. Jarndyce, as he had requested, and afterwards with him, but it was a long time before we seemed to make progress. Richard said he was ready for anything. When Mr. Jarndyce doubted whether he might not already be too old to enter the Navy, Richard said he had thought of that, and perhaps he was. When Mr. Jarndyce asked him what he thought of the Army, Richard said he had thought of that, too, and it wasn’t a bad idea. When Mr. Jarndyce advised him to try and decide within himself whether his old preference for the sea was an ordinary boyish inclination or a strong impulse, Richard answered, Well he really HAD tried very often, and he couldn’t make out.

“How much of this indecision of character,” Mr. Jarndyce said to me, “is chargeable on that incomprehensible heap of uncertainty and procrastination on which he has been thrown from his birth, I don’t pretend to say; but that Chancery, among its other sins, is responsible for some of it, I can plainly see. It has engendered or confirmed in him a habit of putting off—and trusting to this, that, and the other chance, without knowing what chance—and dismissing everything as unsettled, uncertain, and confused. The character of much older and steadier people may be even changed by the circumstances surrounding them. It would be too much to expect that a boy’s, in its formation, should be the subject of such influences and escape them.”

I felt this to be true; though if I may venture to mention what I thought besides, I thought it much to be regretted that Richard’s education had not counteracted those influences or directed his character. He had been eight years at a public school and had learnt, I understood, to make Latin verses of several sorts in the most admirable manner. But I never heard that it had been anybody’s business to find out what his natural bent was, or where his failings lay, or to adapt any kind of knowledge to HIM. HE had been adapted to the verses and had learnt the art of making them to such perfection that if he had remained at school until he was of age, I suppose he could only have gone on making them over and over again unless he had enlarged his education by forgetting how to do it. Still, although I had no doubt that they were very beautiful, and very improving, and very sufficient for a great many purposes of life, and always remembered all through life, I did doubt whether Richard would not have profited by some one studying him a little, instead of his studying them quite so much.

To be sure, I knew nothing of the subject and do not even now know whether the young gentlemen of classic Rome or Greece made verses to the same extent—or whether the young gentlemen of any country ever did.

“I haven’t the least idea,” said Richard, musing, “what I had better be. Except that I am quite sure I don’t want to go into the Church, it’s a toss-up.”

“You have no inclination in Mr. Kenge’s way?” suggested Mr. Jarndyce.

“I don’t know that, sir!” replied Richard. “I am fond of boating. Articled clerks go a good deal on the water. It’s a capital profession!”

“Surgeon—” suggested Mr. Jarndyce.

“That’s the thing, sir!” cried Richard.

I doubt if he had ever once thought of it before.

“That’s the thing, sir,” repeated Richard with the greatest enthusiasm. “We have got it at last. M.R.C.S.!”

He was not to be laughed out of it, though he laughed at it heartily. He said he had chosen his profession, and the more he thought of it, the more he felt that his destiny was clear; the art of healing was the art of all others for him. Mistrusting that he only came to this conclusion because, having never had much chance of finding out for himself what he was fitted for and having never been guided to the discovery, he was taken by the newest idea and was glad to get rid of the trouble of consideration, I wondered whether the Latin verses often ended in this or whether Richard’s was a solitary case.

Mr. Jarndyce took great pains to talk with him seriously and to put it to his good sense not to deceive himself in so important a matter. Richard was a little grave after these interviews, but invariably told Ada and me that it was all right, and then began to talk about something else.

“By heaven!” cried Mr. Boythorn, who interested himself strongly in the subject—though I need not say that, for he could do nothing weakly; “I rejoice to find a young gentleman of spirit and gallantry devoting himself to that noble profession! The more spirit there is in it, the better for mankind and the worse for those mercenary task-masters and low tricksters who delight in putting that illustrious art at a disadvantage in the world. By all that is base and despicable,” cried Mr. Boythorn, “the treatment of surgeons aboard ship is such that I would submit the legs—both legs—of every member of the Admiralty Board to a compound fracture and render it a transportable offence in any qualified practitioner to set them if the system were not wholly changed in eight and forty hours!”

“Wouldn’t you give them a week?” asked Mr. Jarndyce.

“No!” cried Mr. Boythorn firmly. “Not on any consideration! Eight and forty hours! As to corporations, parishes, vestry-boards, and similar gatherings of jolter-headed clods who assemble to exchange such speeches that, by heaven, they ought to be worked in quicksilver mines for the short remainder of their miserable existence, if it were only to prevent their detestable English from contaminating a language spoken in the presence of the sun—as to those fellows, who meanly take advantage of the ardour of gentlemen in the pursuit of knowledge to recompense the inestimable services of the best years of their lives, their long study, and their expensive education with pittances too small for the acceptance of clerks, I would have the necks of every one of them wrung and their skulls arranged in Surgeons’ Hall for the contemplation of the whole profession in order that its younger members might understand from actual measurement, in early life, HOW thick skulls may become!”

He wound up this vehement declaration by looking round upon us with a most agreeable smile and suddenly thundering, “Ha, ha, ha!” over and over again, until anybody else might have been expected to be quite subdued by the exertion.

As Richard still continued to say that he was fixed in his choice after repeated periods for consideration had been recommended by Mr. Jarndyce and had expired, and he still continued to assure Ada and me in the same final manner that it was “all right,” it became advisable to take Mr. Kenge into council. Mr. Kenge, therefore, came down to dinner one day, and leaned back in his chair, and turned his eye-glasses over and over, and spoke in a sonorous voice, and did exactly what I remembered to have seen him do when I was a little girl.

“Ah!” said Mr. Kenge. “Yes. Well! A very good profession, Mr. Jarndyce, a very good profession.”

“The course of study and preparation requires to be diligently pursued,” observed my guardian with a glance at Richard.

“Oh, no doubt,” said Mr. Kenge. “Diligently.”

“But that being the case, more or less, with all pursuits that are worth much,” said Mr. Jarndyce, “it is not a special consideration which another choice would be likely to escape.”

“Truly,” said Mr. Kenge. “And Mr. Richard Carstone, who has so meritoriously acquitted himself in the—shall I say the classic shades?—in which his youth had been passed, will, no doubt, apply the habits, if not the principles and practice, of versification in that tongue in which a poet was said (unless I mistake) to be born, not made, to the more eminently practical field of action on which he enters.”

“You may rely upon it,” said Richard in his off-hand manner, “that I shall go at it and do my best.”

“Very well, Mr. Jarndyce!” said Mr. Kenge, gently nodding his head. “Really, when we are assured by Mr. Richard that he means to go at it and to do his best,” nodding feelingly and smoothly over those expressions, “I would submit to you that we have only to inquire into the best mode of carrying out the object of his ambition. Now, with reference to placing Mr. Richard with some sufficiently eminent practitioner. Is there any one in view at present?”

“No one, Rick, I think?” said my guardian.

“No one, sir,” said Richard.

“Quite so!” observed Mr. Kenge. “As to situation, now. Is there any particular feeling on that head?”

“N—no,” said Richard.

“Quite so!” observed Mr. Kenge again.

“I should like a little variety,” said Richard; “I mean a good range of experience.”

“Very requisite, no doubt,” returned Mr. Kenge. “I think this may be easily arranged, Mr. Jarndyce? We have only, in the first place, to discover a sufficiently eligible practitioner; and as soon as we make our want—and shall I add, our ability to pay a premium?—known, our only difficulty will be in the selection of one from a large number. We have only, in the second place, to observe those little formalities which are rendered necessary by our time of life and our being under the guardianship of the court. We shall soon be—shall I say, in Mr. Richard’s own light-hearted manner, ‘going at it’—to our heart’s content. It is a coincidence,” said Mr. Kenge with a tinge of melancholy in his smile, “one of those coincidences which may or may not require an explanation beyond our present limited faculties, that I have a cousin in the medical profession. He might be deemed eligible by you and might be disposed to respond to this proposal. I can answer for him as little as for you, but he MIGHT!”

As this was an opening in the prospect, it was arranged that Mr. Kenge should see his cousin. And as Mr. Jarndyce had before proposed to take us to London for a few weeks, it was settled next day that we should make our visit at once and combine Richard’s business with it.

Mr. Boythorn leaving us within a week, we took up our abode at a cheerful lodging near Oxford Street over an upholsterer’s shop. London was a great wonder to us, and we were out for hours and hours at a time, seeing the sights, which appeared to be less capable of exhaustion than we were. We made the round of the principal theatres, too, with great delight, and saw all the plays that were worth seeing. I mention this because it was at the theatre that I began to be made uncomfortable again by Mr. Guppy.

I was sitting in front of the box one night with Ada, and Richard was in the place he liked best, behind Ada’s chair, when, happening to look down into the pit, I saw Mr. Guppy, with his hair flattened down upon his head and woe depicted in his face, looking up at me. I felt all through the performance that he never looked at the actors but constantly looked at me, and always with a carefully prepared expression of the deepest misery and the profoundest dejection.

It quite spoiled my pleasure for that night because it was so very embarrassing and so very ridiculous. But from that time forth, we never went to the play without my seeing Mr. Guppy in the pit, always with his hair straight and flat, his shirt-collar turned down, and a general feebleness about him. If he were not there when we went in, and I began to hope he would not come and yielded myself for a little while to the interest of the scene, I was certain to encounter his languishing eyes when I least expected it and, from that time, to be quite sure that they were fixed upon me all the evening.

I really cannot express how uneasy this made me. If he would only have brushed up his hair or turned up his collar, it would have been bad enough; but to know that that absurd figure was always gazing at me, and always in that demonstrative state of despondency, put such a constraint upon me that I did not like to laugh at the play, or to cry at it, or to move, or to speak. I seemed able to do nothing naturally. As to escaping Mr. Guppy by going to the back of the box, I could not bear to do that because I knew Richard and Ada relied on having me next them and that they could never have talked together so happily if anybody else had been in my place. So there I sat, not knowing where to look—for wherever I looked, I knew Mr. Guppy’s eyes were following me—and thinking of the dreadful expense to which this young man was putting himself on my account.

Sometimes I thought of telling Mr. Jarndyce. Then I feared that the young man would lose his situation and that I might ruin him. Sometimes I thought of confiding in Richard, but was deterred by the possibility of his fighting Mr. Guppy and giving him black eyes. Sometimes I thought, should I frown at him or shake my head. Then I felt I could not do it. Sometimes I considered whether I should write to his mother, but that ended in my being convinced that to open a correspondence would be to make the matter worse. I always came to the conclusion, finally, that I could do nothing. Mr. Guppy’s perseverance, all this time, not only produced him regularly at any theatre to which we went, but caused him to appear in the crowd as we were coming out, and even to get up behind our fly—where I am sure I saw him, two or three times, struggling among the most dreadful spikes. After we got home, he haunted a post opposite our house. The upholsterer’s where we lodged being at the corner of two streets, and my bedroom window being opposite the post, I was afraid to go near the window when I went upstairs, lest I should see him (as I did one moonlight night) leaning against the post and evidently catching cold. If Mr. Guppy had not been, fortunately for me, engaged in the daytime, I really should have had no rest from him.

While we were making this round of gaieties, in which Mr. Guppy so extraordinarily participated, the business which had helped to bring us to town was not neglected. Mr. Kenge’s cousin was a Mr. Bayham Badger, who had a good practice at Chelsea and attended a large public institution besides. He was quite willing to receive Richard into his house and to superintend his studies, and as it seemed that those could be pursued advantageously under Mr. Badger’s roof, and Mr. Badger liked Richard, and as Richard said he liked Mr. Badger “well enough,” an agreement was made, the Lord Chancellor’s consent was obtained, and it was all settled.

On the day when matters were concluded between Richard and Mr. Badger, we were all under engagement to dine at Mr. Badger’s house. We were to be “merely a family party,” Mrs. Badger’s note said; and we found no lady there but Mrs. Badger herself. She was surrounded in the drawing-room by various objects, indicative of her painting a little, playing the piano a little, playing the guitar a little, playing the harp a little, singing a little, working a little, reading a little, writing poetry a little, and botanizing a little. She was a lady of about fifty, I should think, youthfully dressed, and of a very fine complexion. If I add to the little list of her accomplishments that she rouged a little, I do not mean that there was any harm in it.

Mr. Bayham Badger himself was a pink, fresh-faced, crisp-looking gentleman with a weak voice, white teeth, light hair, and surprised eyes, some years younger, I should say, than Mrs. Bayham Badger. He admired her exceedingly, but principally, and to begin with, on the curious ground (as it seemed to us) of her having had three husbands. We had barely taken our seats when he said to Mr. Jarndyce quite triumphantly, “You would hardly suppose that I am Mrs. Bayham Badger’s third!”

“Indeed?” said Mr. Jarndyce.

“Her third!” said Mr. Badger. “Mrs. Bayham Badger has not the appearance, Miss Summerson, of a lady who has had two former husbands?”

I said “Not at all!”

“And most remarkable men!” said Mr. Badger in a tone of confidence. “Captain Swosser of the Royal Navy, who was Mrs. Badger’s first husband, was a very distinguished officer indeed. The name of Professor Dingo, my immediate predecessor, is one of European reputation.”

Mrs. Badger overheard him and smiled.

“Yes, my dear!” Mr. Badger replied to the smile, “I was observing to Mr. Jarndyce and Miss Summerson that you had had two former husbands—both very distinguished men. And they found it, as people generally do, difficult to believe.”

“I was barely twenty,” said Mrs. Badger, “when I married Captain Swosser of the Royal Navy. I was in the Mediterranean with him; I am quite a sailor. On the twelfth anniversary of my wedding-day, I became the wife of Professor Dingo.”

“Of European reputation,” added Mr. Badger in an undertone.

“And when Mr. Badger and myself were married,” pursued Mrs. Badger, “we were married on the same day of the year. I had become attached to the day.”

“So that Mrs. Badger has been married to three husbands—two of them highly distinguished men,” said Mr. Badger, summing up the facts, “and each time upon the twenty-first of March at eleven in the forenoon!”

We all expressed our admiration.

“But for Mr. Badger’s modesty,” said Mr. Jarndyce, “I would take leave to correct him and say three distinguished men.”

“Thank you, Mr. Jarndyce! What I always tell him!” observed Mrs. Badger.

“And, my dear,” said Mr. Badger, “what do I always tell you? That without any affectation of disparaging such professional distinction as I may have attained (which our friend Mr. Carstone will have many opportunities of estimating), I am not so weak—no, really,” said Mr. Badger to us generally, “so unreasonable—as to put my reputation on the same footing with such first-rate men as Captain Swosser and Professor Dingo. Perhaps you may be interested, Mr. Jarndyce,” continued Mr. Bayham Badger, leading the way into the next drawing-room, “in this portrait of Captain Swosser. It was taken on his return home from the African station, where he had suffered from the fever of the country. Mrs. Badger considers it too yellow. But it’s a very fine head. A very fine head!”

We all echoed, “A very fine head!”

“I feel when I look at it,” said Mr. Badger, “‘That’s a man I should like to have seen!’ It strikingly bespeaks the first-class man that Captain Swosser pre-eminently was. On the other side, Professor Dingo. I knew him well—attended him in his last illness—a speaking likeness! Over the piano, Mrs. Bayham Badger when Mrs. Swosser. Over the sofa, Mrs. Bayham Badger when Mrs. Dingo. Of Mrs. Bayham Badger IN ESSE, I possess the original and have no copy.”

Dinner was now announced, and we went downstairs. It was a very genteel entertainment, very handsomely served. But the captain and the professor still ran in Mr. Badger’s head, and as Ada and I had the honour of being under his particular care, we had the full benefit of them.

“Water, Miss Summerson? Allow me! Not in that tumbler, pray. Bring me the professor’s goblet, James!”

Ada very much admired some artificial flowers under a glass.

“Astonishing how they keep!” said Mr. Badger. “They were presented to Mrs. Bayham Badger when she was in the Mediterranean.”

He invited Mr. Jarndyce to take a glass of claret.

“Not that claret!” he said. “Excuse me! This is an occasion, and ON an occasion I produce some very special claret I happen to have. (James, Captain Swosser’s wine!) Mr. Jarndyce, this is a wine that was imported by the captain, we will not say how many years ago. You will find it very curious. My dear, I shall be happy to take some of this wine with you. (Captain Swosser’s claret to your mistress, James!) My love, your health!”

After dinner, when we ladies retired, we took Mrs. Badger’s first and second husband with us. Mrs. Badger gave us in the drawing-room a biographical sketch of the life and services of Captain Swosser before his marriage and a more minute account of him dating from the time when he fell in love with her at a ball on board the Crippler, given to the officers of that ship when she lay in Plymouth Harbour.

“The dear old Crippler!” said Mrs. Badger, shaking her head. “She was a noble vessel. Trim, ship-shape, all a taunto, as Captain Swosser used to say. You must excuse me if I occasionally introduce a nautical expression; I was quite a sailor once. Captain Swosser loved that craft for my sake. When she was no longer in commission, he frequently said that if he were rich enough to buy her old hulk, he would have an inscription let into the timbers of the quarter-deck where we stood as partners in the dance to mark the spot where he fell—raked fore and aft (Captain Swosser used to say) by the fire from my tops. It was his naval way of mentioning my eyes.”

Mrs. Badger shook her head, sighed, and looked in the glass.

“It was a great change from Captain Swosser to Professor Dingo,” she resumed with a plaintive smile. “I felt it a good deal at first. Such an entire revolution in my mode of life! But custom, combined with science—particularly science—inured me to it. Being the professor’s sole companion in his botanical excursions, I almost forgot that I had ever been afloat, and became quite learned. It is singular that the professor was the antipodes of Captain Swosser and that Mr. Badger is not in the least like either!”

We then passed into a narrative of the deaths of Captain Swosser and Professor Dingo, both of whom seem to have had very bad complaints. In the course of it, Mrs. Badger signified to us that she had never madly loved but once and that the object of that wild affection, never to be recalled in its fresh enthusiasm, was Captain Swosser. The professor was yet dying by inches in the most dismal manner, and Mrs. Badger was giving us imitations of his way of saying, with great difficulty, “Where is Laura? Let Laura give me my toast and water!” when the entrance of the gentlemen consigned him to the tomb.

Now, I observed that evening, as I had observed for some days past, that Ada and Richard were more than ever attached to each other’s society, which was but natural, seeing that they were going to be separated so soon. I was therefore not very much surprised when we got home, and Ada and I retired upstairs, to find Ada more silent than usual, though I was not quite prepared for her coming into my arms and beginning to speak to me, with her face hidden.

“My darling Esther!” murmured Ada. “I have a great secret to tell you!”

A mighty secret, my pretty one, no doubt!

“What is it, Ada?”

“Oh, Esther, you would never guess!”

“Shall I try to guess?” said I.

“Oh, no! Don’t! Pray don’t!” cried Ada, very much startled by the idea of my doing so.

“Now, I wonder who it can be about?” said I, pretending to consider.

“It’s about—” said Ada in a whisper. “It’s about—my cousin Richard!”

“Well, my own!” said I, kissing her bright hair, which was all I could see. “And what about him?”

“Oh, Esther, you would never guess!”

It was so pretty to have her clinging to me in that way, hiding her face, and to know that she was not crying in sorrow but in a little glow of joy, and pride, and hope, that I would not help her just yet.

“He says—I know it’s very foolish, we are both so young—but he says,” with a burst of tears, “that he loves me dearly, Esther.”

“Does he indeed?” said I. “I never heard of such a thing! Why, my pet of pets, I could have told you that weeks and weeks ago!”

To see Ada lift up her flushed face in joyful surprise, and hold me round the neck, and laugh, and cry, and blush, was so pleasant!

“Why, my darling,” said I, “what a goose you must take me for! Your cousin Richard has been loving you as plainly as he could for I don’t know how long!”

“And yet you never said a word about it!” cried Ada, kissing me.

“No, my love,” said I. “I waited to be told.”

“But now I have told you, you don’t think it wrong of me, do you?” returned Ada. She might have coaxed me to say no if I had been the hardest-hearted duenna in the world. Not being that yet, I said no very freely.

“And now,” said I, “I know the worst of it.”

“Oh, that’s not quite the worst of it, Esther dear!” cried Ada, holding me tighter and laying down her face again upon my breast.

“No?” said I. “Not even that?”

“No, not even that!” said Ada, shaking her head.

“Why, you never mean to say—” I was beginning in joke.

But Ada, looking up and smiling through her tears, cried, “Yes, I do! You know, you know I do!” And then sobbed out, “With all my heart I do! With all my whole heart, Esther!”

I told her, laughing, why I had known that, too, just as well as I had known the other! And we sat before the fire, and I had all the talking to myself for a little while (though there was not much of it); and Ada was soon quiet and happy.

“Do you think my cousin John knows, dear Dame Durden?” she asked.

“Unless my cousin John is blind, my pet,” said I, “I should think my cousin John knows pretty well as much as we know.”

“We want to speak to him before Richard goes,” said Ada timidly, “and we wanted you to advise us, and to tell him so. Perhaps you wouldn’t mind Richard’s coming in, Dame Durden?”

“Oh! Richard is outside, is he, my dear?” said I.

“I am not quite certain,” returned Ada with a bashful simplicity that would have won my heart if she had not won it long before, “but I think he’s waiting at the door.”

There he was, of course. They brought a chair on either side of me, and put me between them, and really seemed to have fallen in love with me instead of one another, they were so confiding, and so trustful, and so fond of me. They went on in their own wild way for a little while—I never stopped them; I enjoyed it too much myself—and then we gradually fell to considering how young they were, and how there must be a lapse of several years before this early love could come to anything, and how it could come to happiness only if it were real and lasting and inspired them with a steady resolution to do their duty to each other, with constancy, fortitude, and perseverance, each always for the other’s sake. Well! Richard said that he would work his fingers to the bone for Ada, and Ada said that she would work her fingers to the bone for Richard, and they called me all sorts of endearing and sensible names, and we sat there, advising and talking, half the night. Finally, before we parted, I gave them my promise to speak to their cousin John to-morrow.

So, when to-morrow came, I went to my guardian after breakfast, in the room that was our town-substitute for the growlery, and told him that I had it in trust to tell him something.

“Well, little woman,” said he, shutting up his book, “if you have accepted the trust, there can be no harm in it.”

“I hope not, guardian,” said I. “I can guarantee that there is no secrecy in it. For it only happened yesterday.”

“Aye? And what is it, Esther?”

“Guardian,” said I, “you remember the happy night when first we came down to Bleak House? When Ada was singing in the dark room?”

I wished to call to his remembrance the look he had given me then. Unless I am much mistaken, I saw that I did so.

“Because—” said I with a little hesitation.

“Yes, my dear!” said he. “Don’t hurry.”

“Because,” said I, “Ada and Richard have fallen in love. And have told each other so.”

“Already!” cried my guardian, quite astonished.

“Yes!” said I. “And to tell you the truth, guardian, I rather expected it.”

“The deuce you did!” said he.

He sat considering for a minute or two, with his smile, at once so handsome and so kind, upon his changing face, and then requested me to let them know that he wished to see them. When they came, he encircled Ada with one arm in his fatherly way and addressed himself to Richard with a cheerful gravity.

“Rick,” said Mr. Jarndyce, “I am glad to have won your confidence. I hope to preserve it. When I contemplated these relations between us four which have so brightened my life and so invested it with new interests and pleasures, I certainly did contemplate, afar off, the possibility of you and your pretty cousin here (don’t be shy, Ada, don’t be shy, my dear!) being in a mind to go through life together. I saw, and do see, many reasons to make it desirable. But that was afar off, Rick, afar off!”

“We look afar off, sir,” returned Richard.

“Well!” said Mr. Jarndyce. “That’s rational. Now, hear me, my dears! I might tell you that you don’t know your own minds yet, that a thousand things may happen to divert you from one another, that it is well this chain of flowers you have taken up is very easily broken, or it might become a chain of lead. But I will not do that. Such wisdom will come soon enough, I dare say, if it is to come at all. I will assume that a few years hence you will be in your hearts to one another what you are to-day. All I say before speaking to you according to that assumption is, if you DO change—if you DO come to find that you are more commonplace cousins to each other as man and woman than you were as boy and girl (your manhood will excuse me, Rick!)—don’t be ashamed still to confide in me, for there will be nothing monstrous or uncommon in it. I am only your friend and distant kinsman. I have no power over you whatever. But I wish and hope to retain your confidence if I do nothing to forfeit it.”

“I am very sure, sir,” returned Richard, “that I speak for Ada too when I say that you have the strongest power over us both—rooted in respect, gratitude, and affection—strengthening every day.”

“Dear cousin John,” said Ada, on his shoulder, “my father’s place can never be empty again. All the love and duty I could ever have rendered to him is transferred to you.”

“Come!” said Mr. Jarndyce. “Now for our assumption. Now we lift our eyes up and look hopefully at the distance! Rick, the world is before you; and it is most probable that as you enter it, so it will receive you. Trust in nothing but in Providence and your own efforts. Never separate the two, like the heathen waggoner. Constancy in love is a good thing, but it means nothing, and is nothing, without constancy in every kind of effort. If you had the abilities of all the great men, past and present, you could do nothing well without sincerely meaning it and setting about it. If you entertain the supposition that any real success, in great things or in small, ever was or could be, ever will or can be, wrested from Fortune by fits and starts, leave that wrong idea here or leave your cousin Ada here.”

“I will leave IT here, sir,” replied Richard smiling, “if I brought it here just now (but I hope I did not), and will work my way on to my cousin Ada in the hopeful distance.”

“Right!” said Mr. Jarndyce. “If you are not to make her happy, why should you pursue her?”

“I wouldn’t make her unhappy—no, not even for her love,” retorted Richard proudly.

“Well said!” cried Mr. Jarndyce. “That’s well said! She remains here, in her home with me. Love her, Rick, in your active life, no less than in her home when you revisit it, and all will go well. Otherwise, all will go ill. That’s the end of my preaching. I think you and Ada had better take a walk.”

Ada tenderly embraced him, and Richard heartily shook hands with him, and then the cousins went out of the room, looking back again directly, though, to say that they would wait for me.

The door stood open, and we both followed them with our eyes as they passed down the adjoining room, on which the sun was shining, and out at its farther end. Richard with his head bent, and her hand drawn through his arm, was talking to her very earnestly; and she looked up in his face, listening, and seemed to see nothing else. So young, so beautiful, so full of hope and promise, they went on lightly through the sunlight as their own happy thoughts might then be traversing the years to come and making them all years of brightness. So they passed away into the shadow and were gone. It was only a burst of light that had been so radiant. The room darkened as they went out, and the sun was clouded over.

“Am I right, Esther?” said my guardian when they were gone.

He was so good and wise to ask ME whether he was right!

“Rick may gain, out of this, the quality he wants. Wants, at the core of so much that is good!” said Mr. Jarndyce, shaking his head. “I have said nothing to Ada, Esther. She has her friend and counsellor always near.” And he laid his hand lovingly upon my head.

I could not help showing that I was a little moved, though I did all I could to conceal it.

“Tut tut!” said he. “But we must take care, too, that our little woman’s life is not all consumed in care for others.”

“Care? My dear guardian, I believe I am the happiest creature in the world!”

“I believe so, too,” said he. “But some one may find out what Esther never will—that the little woman is to be held in remembrance above all other people!”

I have omitted to mention in its place that there was some one else at the family dinner party. It was not a lady. It was a gentleman. It was a gentleman of a dark complexion—a young surgeon. He was rather reserved, but I thought him very sensible and agreeable. At least, Ada asked me if I did not, and I said yes.

Librivox Recording: Chapter 13

(Images: “Mr. Guppy’s Desolation” and “The Family Portraits at Mr. Bayham Badger’s”)

On the eastern borders of Chancery Lane, that is to say, more particularly in Cook’s Court, Cursitor Street, Mr. Snagsby, law-stationer, pursues his lawful calling. In the shade of Cook’s Court, at most times a shady place, Mr. Snagsby has dealt in all sorts of blank forms of legal process; in skins and rolls of parchment; in paper—foolscap, brief, draft, brown, white, whitey-brown, and blotting; in stamps; in office-quills, pens, ink, India-rubber, pounce, pins, pencils, sealing-wax, and wafers; in red tape and green ferret; in pocket-books, almanacs, diaries, and law lists; in string boxes, rulers, inkstands—glass and leaden—pen-knives, scissors, bodkins, and other small office-cutlery; in short, in articles too numerous to mention, ever since he was out of his time and went into partnership with Peffer. On that occasion, Cook’s Court was in a manner revolutionized by the new inscription in fresh paint, PEFFER AND SNAGSBY, displacing the time-honoured and not easily to be deciphered legend PEFFER only. For smoke, which is the London ivy, had so wreathed itself round Peffer’s name and clung to his dwelling-place that the affectionate parasite quite overpowered the parent tree.

Peffer is never seen in Cook’s Court now. He is not expected there, for he has been recumbent this quarter of a century in the churchyard of St. Andrews, Holborn, with the waggons and hackney-coaches roaring past him all the day and half the night like one great dragon. If he ever steal forth when the dragon is at rest to air himself again in Cook’s Court until admonished to return by the crowing of the sanguine cock in the cellar at the little dairy in Cursitor Street, whose ideas of daylight it would be curious to ascertain, since he knows from his personal observation next to nothing about it—if Peffer ever do revisit the pale glimpses of Cook’s Court, which no law-stationer in the trade can positively deny, he comes invisibly, and no one is the worse or wiser.

In his lifetime, and likewise in the period of Snagsby’s “time” of seven long years, there dwelt with Peffer in the same law-stationering premises a niece—a short, shrewd niece, something too violently compressed about the waist, and with a sharp nose like a sharp autumn evening, inclining to be frosty towards the end. The Cook’s Courtiers had a rumour flying among them that the mother of this niece did, in her daughter’s childhood, moved by too jealous a solicitude that her figure should approach perfection, lace her up every morning with her maternal foot against the bed-post for a stronger hold and purchase; and further, that she exhibited internally pints of vinegar and lemon-juice, which acids, they held, had mounted to the nose and temper of the patient. With whichsoever of the many tongues of Rumour this frothy report originated, it either never reached or never influenced the ears of young Snagsby, who, having wooed and won its fair subject on his arrival at man’s estate, entered into two partnerships at once. So now, in Cook’s Court, Cursitor Street, Mr. Snagsby and the niece are one; and the niece still cherishes her figure, which, however tastes may differ, is unquestionably so far precious that there is mighty little of it.

Mr. and Mrs. Snagsby are not only one bone and one flesh, but, to the neighbours’ thinking, one voice too. That voice, appearing to proceed from Mrs. Snagsby alone, is heard in Cook’s Court very often. Mr. Snagsby, otherwise than as he finds expression through these dulcet tones, is rarely heard. He is a mild, bald, timid man with a shining head and a scrubby clump of black hair sticking out at the back. He tends to meekness and obesity. As he stands at his door in Cook’s Court in his grey shop-coat and black calico sleeves, looking up at the clouds, or stands behind a desk in his dark shop with a heavy flat ruler, snipping and slicing at sheepskin in company with his two ‘prentices, he is emphatically a retiring and unassuming man. From beneath his feet, at such times, as from a shrill ghost unquiet in its grave, there frequently arise complainings and lamentations in the voice already mentioned; and haply, on some occasions when these reach a sharper pitch than usual, Mr. Snagsby mentions to the ‘prentices, “I think my little woman is a-giving it to Guster!”

This proper name, so used by Mr. Snagsby, has before now sharpened the wit of the Cook’s Courtiers to remark that it ought to be the name of Mrs. Snagsby, seeing that she might with great force and expression be termed a Guster, in compliment to her stormy character. It is, however, the possession, and the only possession except fifty shillings per annum and a very small box indifferently filled with clothing, of a lean young woman from a workhouse (by some supposed to have been christened Augusta) who, although she was farmed or contracted for during her growing time by an amiable benefactor of his species resident at Tooting, and cannot fail to have been developed under the most favourable circumstances, “has fits,” which the parish can’t account for.

Guster, really aged three or four and twenty, but looking a round ten years older, goes cheap with this unaccountable drawback of fits, and is so apprehensive of being returned on the hands of her patron saint that except when she is found with her head in the pail, or the sink, or the copper, or the dinner, or anything else that happens to be near her at the time of her seizure, she is always at work. She is a satisfaction to the parents and guardians of the ‘prentices, who feel that there is little danger of her inspiring tender emotions in the breast of youth; she is a satisfaction to Mrs. Snagsby, who can always find fault with her; she is a satisfaction to Mr. Snagsby, who thinks it a charity to keep her. The law-stationer’s establishment is, in Guster’s eyes, a temple of plenty and splendour. She believes the little drawing-room upstairs, always kept, as one may say, with its hair in papers and its pinafore on, to be the most elegant apartment in Christendom. The view it commands of Cook’s Court at one end (not to mention a squint into Cursitor Street) and of Coavinses’ the sheriff’s officer’s backyard at the other she regards as a prospect of unequalled beauty. The portraits it displays in oil—and plenty of it too—of Mr. Snagsby looking at Mrs. Snagsby and of Mrs. Snagsby looking at Mr. Snagsby are in her eyes as achievements of Raphael or Titian. Guster has some recompenses for her many privations.

Mr. Snagsby refers everything not in the practical mysteries of the business to Mrs. Snagsby. She manages the money, reproaches the tax-gatherers, appoints the times and places of devotion on Sundays, licenses Mr. Snagsby’s entertainments, and acknowledges no responsibility as to what she thinks fit to provide for dinner, insomuch that she is the high standard of comparison among the neighbouring wives a long way down Chancery Lane on both sides, and even out in Holborn, who in any domestic passages of arms habitually call upon their husbands to look at the difference between their (the wives’) position and Mrs. Snagsby’s, and their (the husbands’) behaviour and Mr. Snagsby’s. Rumour, always flying bat-like about Cook’s Court and skimming in and out at everybody’s windows, does say that Mrs. Snagsby is jealous and inquisitive and that Mr. Snagsby is sometimes worried out of house and home, and that if he had the spirit of a mouse he wouldn’t stand it. It is even observed that the wives who quote him to their self-willed husbands as a shining example in reality look down upon him and that nobody does so with greater superciliousness than one particular lady whose lord is more than suspected of laying his umbrella on her as an instrument of correction. But these vague whisperings may arise from Mr. Snagsby’s being in his way rather a meditative and poetical man, loving to walk in Staple Inn in the summer-time and to observe how countrified the sparrows and the leaves are, also to lounge about the Rolls Yard of a Sunday afternoon and to remark (if in good spirits) that there were old times once and that you’d find a stone coffin or two now under that chapel, he’ll be bound, if you was to dig for it. He solaces his imagination, too, by thinking of the many Chancellors and Vices, and Masters of the Rolls who are deceased; and he gets such a flavour of the country out of telling the two ‘prentices how he HAS heard say that a brook “as clear as crystial” once ran right down the middle of Holborn, when Turnstile really was a turnstile, leading slap away into the meadows—gets such a flavour of the country out of this that he never wants to go there.

The day is closing in and the gas is lighted, but is not yet fully effective, for it is not quite dark. Mr. Snagsby standing at his shop-door looking up at the clouds sees a crow who is out late skim westward over the slice of sky belonging to Cook’s Court. The crow flies straight across Chancery Lane and Lincoln’s Inn Garden into Lincoln’s Inn Fields.

Here, in a large house, formerly a house of state, lives Mr. Tulkinghorn. It is let off in sets of chambers now, and in those shrunken fragments of its greatness, lawyers lie like maggots in nuts. But its roomy staircases, passages, and antechambers still remain; and even its painted ceilings, where Allegory, in Roman helmet and celestial linen, sprawls among balustrades and pillars, flowers, clouds, and big-legged boys, and makes the head ache—as would seem to be Allegory’s object always, more or less. Here, among his many boxes labelled with transcendent names, lives Mr. Tulkinghorn, when not speechlessly at home in country-houses where the great ones of the earth are bored to death. Here he is to-day, quiet at his table. An oyster of the old school whom nobody can open.

Like as he is to look at, so is his apartment in the dusk of the present afternoon. Rusty, out of date, withdrawing from attention, able to afford it. Heavy, broad-backed, old-fashioned, mahogany-and-horsehair chairs, not easily lifted; obsolete tables with spindle-legs and dusty baize covers; presentation prints of the holders of great titles in the last generation or the last but one, environ him. A thick and dingy Turkey-carpet muffles the floor where he sits, attended by two candles in old-fashioned silver candlesticks that give a very insufficient light to his large room. The titles on the backs of his books have retired into the binding; everything that can have a lock has got one; no key is visible. Very few loose papers are about. He has some manuscript near him, but is not referring to it. With the round top of an inkstand and two broken bits of sealing-wax he is silently and slowly working out whatever train of indecision is in his mind. Now the inkstand top is in the middle, now the red bit of sealing-wax, now the black bit. That’s not it. Mr. Tulkinghorn must gather them all up and begin again.

Here, beneath the painted ceiling, with foreshortened Allegory staring down at his intrusion as if it meant to swoop upon him, and he cutting it dead, Mr. Tulkinghorn has at once his house and office. He keeps no staff, only one middle-aged man, usually a little out at elbows, who sits in a high pew in the hall and is rarely overburdened with business. Mr. Tulkinghorn is not in a common way. He wants no clerks. He is a great reservoir of confidences, not to be so tapped. His clients want HIM; he is all in all. Drafts that he requires to be drawn are drawn by special-pleaders in the temple on mysterious instructions; fair copies that he requires to be made are made at the stationers’, expense being no consideration. The middle-aged man in the pew knows scarcely more of the affairs of the peerage than any crossing-sweeper in Holborn.

The red bit, the black bit, the inkstand top, the other inkstand top, the little sand-box. So! You to the middle, you to the right, you to the left. This train of indecision must surely be worked out now or never. Now! Mr. Tulkinghorn gets up, adjusts his spectacles, puts on his hat, puts the manuscript in his pocket, goes out, tells the middle-aged man out at elbows, “I shall be back presently.” Very rarely tells him anything more explicit.

Mr. Tulkinghorn goes, as the crow came—not quite so straight, but nearly—to Cook’s Court, Cursitor Street. To Snagsby’s, Law-Stationer’s, Deeds engrossed and copied, Law-Writing executed in all its branches, &c., &c., &c.

It is somewhere about five or six o’clock in the afternoon, and a balmy fragrance of warm tea hovers in Cook’s Court. It hovers about Snagsby’s door. The hours are early there: dinner at half-past one and supper at half-past nine. Mr. Snagsby was about to descend into the subterranean regions to take tea when he looked out of his door just now and saw the crow who was out late.

“Master at home?”

Guster is minding the shop, for the ‘prentices take tea in the kitchen with Mr. and Mrs. Snagsby; consequently, the robe-maker’s two daughters, combing their curls at the two glasses in the two second-floor windows of the opposite house, are not driving the two ‘prentices to distraction as they fondly suppose, but are merely awakening the unprofitable admiration of Guster, whose hair won’t grow, and never would, and it is confidently thought, never will.

“Master at home?” says Mr. Tulkinghorn.

Master is at home, and Guster will fetch him. Guster disappears, glad to get out of the shop, which she regards with mingled dread and veneration as a storehouse of awful implements of the great torture of the law—a place not to be entered after the gas is turned off.

Mr. Snagsby appears, greasy, warm, herbaceous, and chewing. Bolts a bit of bread and butter. Says, “Bless my soul, sir! Mr. Tulkinghorn!”

“I want half a word with you, Snagsby.”

“Certainly, sir! Dear me, sir, why didn’t you send your young man round for me? Pray walk into the back shop, sir.” Snagsby has brightened in a moment.

The confined room, strong of parchment-grease, is warehouse, counting-house, and copying-office. Mr. Tulkinghorn sits, facing round, on a stool at the desk.

“Jarndyce and Jarndyce, Snagsby.”

“Yes, sir.” Mr. Snagsby turns up the gas and coughs behind his hand, modestly anticipating profit. Mr. Snagsby, as a timid man, is accustomed to cough with a variety of expressions, and so to save words.

“You copied some affidavits in that cause for me lately.”

“Yes, sir, we did.”

“There was one of them,” says Mr. Tulkinghorn, carelessly feeling—tight, unopenable oyster of the old school!—in the wrong coat-pocket, “the handwriting of which is peculiar, and I rather like. As I happened to be passing, and thought I had it about me, I looked in to ask you—but I haven’t got it. No matter, any other time will do. Ah! here it is! I looked in to ask you who copied this.”

“Who copied this, sir?” says Mr. Snagsby, taking it, laying it flat on the desk, and separating all the sheets at once with a twirl and a twist of the left hand peculiar to lawstationers. “We gave this out, sir. We were giving out rather a large quantity of work just at that time. I can tell you in a moment who copied it, sir, by referring to my book.”

Mr. Snagsby takes his book down from the safe, makes another bolt of the bit of bread and butter which seemed to have stopped short, eyes the affidavit aside, and brings his right forefinger travelling down a page of the book, “Jewby—Packer—Jarndyce.”

“Jarndyce! Here we are, sir,” says Mr. Snagsby. “To be sure! I might have remembered it. This was given out, sir, to a writer who lodges just over on the opposite side of the lane.”

Mr. Tulkinghorn has seen the entry, found it before the law-stationer, read it while the forefinger was coming down the hill.

“WHAT do you call him? Nemo?” says Mr. Tulkinghorn. “Nemo, sir. Here it is. Forty-two folio. Given out on the Wednesday night at eight o’clock, brought in on the Thursday morning at half after nine.”

“Nemo!” repeats Mr. Tulkinghorn. “Nemo is Latin for no one.”

“It must be English for some one, sir, I think,” Mr. Snagsby submits with his deferential cough. “It is a person’s name. Here it is, you see, sir! Forty-two folio. Given out Wednesday night, eight o’clock; brought in Thursday morning, half after nine.”

The tail of Mr. Snagsby’s eye becomes conscious of the head of Mrs. Snagsby looking in at the shop-door to know what he means by deserting his tea. Mr. Snagsby addresses an explanatory cough to Mrs. Snagsby, as who should say, “My dear, a customer!”

“Half after nine, sir,” repeats Mr. Snagsby. “Our law-writers, who live by job-work, are a queer lot; and this may not be his name, but it’s the name he goes by. I remember now, sir, that he gives it in a written advertisement he sticks up down at the Rule Office, and the King’s Bench Office, and the Judges’ Chambers, and so forth. You know the kind of document, sir—wanting employ?”

Mr. Tulkinghorn glances through the little window at the back of Coavinses’, the sheriff’s officer’s, where lights shine in Coavinses’ windows. Coavinses’ coffee-room is at the back, and the shadows of several gentlemen under a cloud loom cloudily upon the blinds. Mr. Snagsby takes the opportunity of slightly turning his head to glance over his shoulder at his little woman and to make apologetic motions with his mouth to this effect: “Tul-king-horn—rich—in-flu-en-tial!”

“Have you given this man work before?” asks Mr. Tulkinghorn.

“Oh, dear, yes, sir! Work of yours.”

“Thinking of more important matters, I forget where you said he lived?”

“Across the lane, sir. In fact, he lodges at a—” Mr. Snagsby makes another bolt, as if the bit of bread and buffer were insurmountable “—at a rag and bottle shop.”

“Can you show me the place as I go back?”

“With the greatest pleasure, sir!”

Mr. Snagsby pulls off his sleeves and his grey coat, pulls on his black coat, takes his hat from its peg. “Oh! Here is my little woman!” he says aloud. “My dear, will you be so kind as to tell one of the lads to look after the shop while I step across the lane with Mr. Tulkinghorn? Mrs. Snagsby, sir—I shan’t be two minutes, my love!”

Mrs. Snagsby bends to the lawyer, retires behind the counter, peeps at them through the window-blind, goes softly into the back office, refers to the entries in the book still lying open. Is evidently curious.

“You will find that the place is rough, sir,” says Mr. Snagsby, walking deferentially in the road and leaving the narrow pavement to the lawyer; “and the party is very rough. But they’re a wild lot in general, sir. The advantage of this particular man is that he never wants sleep. He’ll go at it right on end if you want him to, as long as ever you like.”

It is quite dark now, and the gas-lamps have acquired their full effect. Jostling against clerks going to post the day’s letters, and against counsel and attorneys going home to dinner, and against plaintiffs and defendants and suitors of all sorts, and against the general crowd, in whose way the forensic wisdom of ages has interposed a million of obstacles to the transaction of the commonest business of life; diving through law and equity, and through that kindred mystery, the street mud, which is made of nobody knows what and collects about us nobody knows whence or how—we only knowing in general that when there is too much of it we find it necessary to shovel it away—the lawyer and the law-stationer come to a rag and bottle shop and general emporium of much disregarded merchandise, lying and being in the shadow of the wall of Lincoln’s Inn, and kept, as is announced in paint, to all whom it may concern, by one Krook.

“This is where he lives, sir,” says the law-stationer.

“This is where he lives, is it?” says the lawyer unconcernedly. “Thank you.”

“Are you not going in, sir?”

“No, thank you, no; I am going on to the Fields at present. Good evening. Thank you!” Mr. Snagsby lifts his hat and returns to his little woman and his tea.

But Mr. Tulkinghorn does not go on to the Fields at present. He goes a short way, turns back, comes again to the shop of Mr. Krook, and enters it straight. It is dim enough, with a blot-headed candle or so in the windows, and an old man and a cat sitting in the back part by a fire. The old man rises and comes forward, with another blot-headed candle in his hand.

“Pray is your lodger within?”

“Male or female, sir?” says Mr. Krook.

“Male. The person who does copying.”

Mr. Krook has eyed his man narrowly. Knows him by sight. Has an indistinct impression of his aristocratic repute.

“Did you wish to see him, sir?”

“Yes.”

“It’s what I seldom do myself,” says Mr. Krook with a grin. “Shall I call him down? But it’s a weak chance if he’d come, sir!”

“I’ll go up to him, then,” says Mr. Tulkinghorn.

“Second floor, sir. Take the candle. Up there!” Mr. Krook, with his cat beside him, stands at the bottom of the staircase, looking after Mr. Tulkinghorn. “Hi-hi!” he says when Mr. Tulkinghorn has nearly disappeared. The lawyer looks down over the hand-rail. The cat expands her wicked mouth and snarls at him.

“Order, Lady Jane! Behave yourself to visitors, my lady! You know what they say of my lodger?” whispers Krook, going up a step or two.

“What do they say of him?”

“They say he has sold himself to the enemy, but you and I know better—he don’t buy. I’ll tell you what, though; my lodger is so black-humoured and gloomy that I believe he’d as soon make that bargain as any other. Don’t put him out, sir. That’s my advice!”

Mr. Tulkinghorn with a nod goes on his way. He comes to the dark door on the second floor. He knocks, receives no answer, opens it, and accidentally extinguishes his candle in doing so.

The air of the room is almost bad enough to have extinguished it if he had not. It is a small room, nearly black with soot, and grease, and dirt. In the rusty skeleton of a grate, pinched at the middle as if poverty had gripped it, a red coke fire burns low. In the corner by the chimney stand a deal table and a broken desk, a wilderness marked with a rain of ink. In another corner a ragged old portmanteau on one of the two chairs serves for cabinet or wardrobe; no larger one is needed, for it collapses like the cheeks of a starved man. The floor is bare, except that one old mat, trodden to shreds of rope-yarn, lies perishing upon the hearth. No curtain veils the darkness of the night, but the discoloured shutters are drawn together, and through the two gaunt holes pierced in them, famine might be staring in—the banshee of the man upon the bed.

For, on a low bed opposite the fire, a confusion of dirty patchwork, lean-ribbed ticking, and coarse sacking, the lawyer, hesitating just within the doorway, sees a man. He lies there, dressed in shirt and trousers, with bare feet. He has a yellow look in the spectral darkness of a candle that has guttered down until the whole length of its wick (still burning) has doubled over and left a tower of winding-sheet above it. His hair is ragged, mingling with his whiskers and his beard—the latter, ragged too, and grown, like the scum and mist around him, in neglect. Foul and filthy as the room is, foul and filthy as the air is, it is not easy to perceive what fumes those are which most oppress the senses in it; but through the general sickliness and faintness, and the odour of stale tobacco, there comes into the lawyer’s mouth the bitter, vapid taste of opium.

“Hallo, my friend!” he cries, and strikes his iron candlestick against the door.

He thinks he has awakened his friend. He lies a little turned away, but his eyes are surely open.

“Hallo, my friend!” he cries again. “Hallo! Hallo!”

As he rattles on the door, the candle which has drooped so long goes out and leaves him in the dark, with the gaunt eyes in the shutters staring down upon the bed.

 

Chapter 12

A touch on the lawyer’s wrinkled hand as he stands in the dark room, irresolute, makes him start and say, “What’s that?”

“It’s me,” returns the old man of the house, whose breath is in his ear. “Can’t you wake him?”

“No.”

“What have you done with your candle?”

“It’s gone out. Here it is.”

Krook takes it, goes to the fire, stoops over the red embers, and tries to get a light. The dying ashes have no light to spare, and his endeavours are vain. Muttering, after an ineffectual call to his lodger, that he will go downstairs and bring a lighted candle from the shop, the old man departs. Mr. Tulkinghorn, for some new reason that he has, does not await his return in the room, but on the stairs outside.

The welcome light soon shines upon the wall, as Krook comes slowly up with his green-eyed cat following at his heels. “Does the man generally sleep like this?” inquired the lawyer in a low voice. “Hi! I don’t know,” says Krook, shaking his head and lifting his eyebrows. “I know next to nothing of his habits except that he keeps himself very close.”

Thus whispering, they both go in together. As the light goes in, the great eyes in the shutters, darkening, seem to close. Not so the eyes upon the bed.

“God save us!” exclaims Mr. Tulkinghorn. “He is dead!” Krook drops the heavy hand he has taken up so suddenly that the arm swings over the bedside.

They look at one another for a moment.

“Send for some doctor! Call for Miss Flite up the stairs, sir. Here’s poison by the bed! Call out for Flite, will you?” says Krook, with his lean hands spread out above the body like a vampire’s wings.

Mr. Tulkinghorn hurries to the landing and calls, “Miss Flite! Flite! Make haste, here, whoever you are! Flite!” Krook follows him with his eyes, and while he is calling, finds opportunity to steal to the old portmanteau and steal back again.

“Run, Flite, run! The nearest doctor! Run!” So Mr. Krook addresses a crazy little woman who is his female lodger, who appears and vanishes in a breath, who soon returns accompanied by a testy medical man brought from his dinner, with a broad, snuffy upper lip and a broad Scotch tongue.

“Ey! Bless the hearts o’ ye,” says the medical man, looking up at them after a moment’s examination. “He’s just as dead as Phairy!”

Mr. Tulkinghorn (standing by the old portmanteau) inquires if he has been dead any time.

“Any time, sir?” says the medical gentleman. “It’s probable he wull have been dead aboot three hours.”

“About that time, I should say,” observes a dark young man on the other side of the bed.

“Air you in the maydickle prayfession yourself, sir?” inquires the first.

The dark young man says yes.

“Then I’ll just tak’ my depairture,” replies the other, “for I’m nae gude here!” With which remark he finishes his brief attendance and returns to finish his dinner.

The dark young surgeon passes the candle across and across the face and carefully examines the law-writer, who has established his pretensions to his name by becoming indeed No one.

“I knew this person by sight very well,” says he. “He has purchased opium of me for the last year and a half. Was anybody present related to him?” glancing round upon the three bystanders.

“I was his landlord,” grimly answers Krook, taking the candle from the surgeon’s outstretched hand. “He told me once I was the nearest relation he had.”

“He has died,” says the surgeon, “of an over-dose of opium, there is no doubt. The room is strongly flavoured with it. There is enough here now,” taking an old tea-pot from Mr. Krook, “to kill a dozen people.”

“Do you think he did it on purpose?” asks Krook.

“Took the over-dose?”

“Yes!” Krook almost smacks his lips with the unction of a horrible interest.

“I can’t say. I should think it unlikely, as he has been in the habit of taking so much. But nobody can tell. He was very poor, I suppose?”

“I suppose he was. His room—don’t look rich,” says Krook, who might have changed eyes with his cat, as he casts his sharp glance around. “But I have never been in it since he had it, and he was too close to name his circumstances to me.”

“Did he owe you any rent?”

“Six weeks.”

“He will never pay it!” says the young man, resuming his examination. “It is beyond a doubt that he is indeed as dead as Pharaoh; and to judge from his appearance and condition, I should think it a happy release. Yet he must have been a good figure when a youth, and I dare say, good-looking.” He says this, not unfeelingly, while sitting on the bedstead’s edge with his face towards that other face and his hand upon the region of the heart. “I recollect once thinking there was something in his manner, uncouth as it was, that denoted a fall in life. Was that so?” he continues, looking round.

Krook replies, “You might as well ask me to describe the ladies whose heads of hair I have got in sacks downstairs. Than that he was my lodger for a year and a half and lived—or didn’t live—by law-writing, I know no more of him.”

During this dialogue Mr. Tulkinghorn has stood aloof by the old portmanteau, with his hands behind him, equally removed, to all appearance, from all three kinds of interest exhibited near the bed—from the young surgeon’s professional interest in death, noticeable as being quite apart from his remarks on the deceased as an individual; from the old man’s unction; and the little crazy woman’s awe. His imperturbable face has been as inexpressive as his rusty clothes. One could not even say he has been thinking all this while. He has shown neither patience nor impatience, nor attention nor abstraction. He has shown nothing but his shell. As easily might the tone of a delicate musical instrument be inferred from its case, as the tone of Mr. Tulkinghorn from his case.

He now interposes, addressing the young surgeon in his unmoved, professional way.

“I looked in here,” he observes, “just before you, with the intention of giving this deceased man, whom I never saw alive, some employment at his trade of copying. I had heard of him from my stationer—Snagsby of Cook’s Court. Since no one here knows anything about him, it might be as well to send for Snagsby. Ah!” to the little crazy woman, who has often seen him in court, and whom he has often seen, and who proposes, in frightened dumb-show, to go for the law-stationer. “Suppose you do!”

While she is gone, the surgeon abandons his hopeless investigation and covers its subject with the patchwork counterpane. Mr. Krook and he interchange a word or two. Mr. Tulkinghorn says nothing, but stands, ever, near the old portmanteau.

Mr. Snagsby arrives hastily in his grey coat and his black sleeves. “Dear me, dear me,” he says; “and it has come to this, has it! Bless my soul!”

“Can you give the person of the house any information about this unfortunate creature, Snagsby?” inquires Mr. Tulkinghorn. “He was in arrears with his rent, it seems. And he must be buried, you know.”

“Well, sir,” says Mr. Snagsby, coughing his apologetic cough behind his hand, “I really don’t know what advice I could offer, except sending for the beadle.”

“I don’t speak of advice,” returns Mr. Tulkinghorn. “I could advise—”

“No one better, sir, I am sure,” says Mr. Snagsby, with his deferential cough.

“I speak of affording some clue to his connexions, or to where he came from, or to anything concerning him.”

“I assure you, sir,” says Mr. Snagsby after prefacing his reply with his cough of general propitiation, “that I no more know where he came from than I know—”

“Where he has gone to, perhaps,” suggests the surgeon to help him out.

A pause. Mr. Tulkinghorn looking at the law-stationer. Mr. Krook, with his mouth open, looking for somebody to speak next.

“As to his connexions, sir,” says Mr. Snagsby, “if a person was to say to me, ‘Snagsby, here’s twenty thousand pound down, ready for you in the Bank of England if you’ll only name one of ’em,’ I couldn’t do it, sir! About a year and a half ago—to the best of my belief, at the time when he first came to lodge at the present rag and bottle shop—”

“That was the time!” says Krook with a nod.

“About a year and a half ago,” says Mr. Snagsby, strengthened, “he came into our place one morning after breakfast, and finding my little woman (which I name Mrs. Snagsby when I use that appellation) in our shop, produced a specimen of his handwriting and gave her to understand that he was in want of copying work to do and was, not to put too fine a point upon it,” a favourite apology for plain speaking with Mr. Snagsby, which he always offers with a sort of argumentative frankness, “hard up! My little woman is not in general partial to strangers, particular—not to put too fine a point upon it—when they want anything. But she was rather took by something about this person, whether by his being unshaved, or by his hair being in want of attention, or by what other ladies’ reasons, I leave you to judge; and she accepted of the specimen, and likewise of the address. My little woman hasn’t a good ear for names,” proceeds Mr. Snagsby after consulting his cough of consideration behind his hand, “and she considered Nemo equally the same as Nimrod. In consequence of which, she got into a habit of saying to me at meals, ‘Mr. Snagsby, you haven’t found Nimrod any work yet!’ or ‘Mr. Snagsby, why didn’t you give that eight and thirty Chancery folio in Jarndyce to Nimrod?’ or such like. And that is the way he gradually fell into job-work at our place; and that is the most I know of him except that he was a quick hand, and a hand not sparing of night-work, and that if you gave him out, say, five and forty folio on the Wednesday night, you would have it brought in on the Thursday morning. All of which—” Mr. Snagsby concludes by politely motioning with his hat towards the bed, as much as to add, “I have no doubt my honourable friend would confirm if he were in a condition to do it.”

“Hadn’t you better see,” says Mr. Tulkinghorn to Krook, “whether he had any papers that may enlighten you? There will be an inquest, and you will be asked the question. You can read?”

“No, I can’t,” returns the old man with a sudden grin.

“Snagsby,” says Mr. Tulkinghorn, “look over the room for him. He will get into some trouble or difficulty otherwise. Being here, I’ll wait if you make haste, and then I can testify on his behalf, if it should ever be necessary, that all was fair and right. If you will hold the candle for Mr. Snagsby, my friend, he’ll soon see whether there is anything to help you.”

“In the first place, here’s an old portmanteau, sir,” says Snagsby.

Ah, to be sure, so there is! Mr. Tulkinghorn does not appear to have seen it before, though he is standing so close to it, and though there is very little else, heaven knows.

The marine-store merchant holds the light, and the law-stationer conducts the search. The surgeon leans against the corner of the chimney-piece; Miss Flite peeps and trembles just within the door. The apt old scholar of the old school, with his dull black breeches tied with ribbons at the knees, his large black waistcoat, his long-sleeved black coat, and his wisp of limp white neckerchief tied in the bow the peerage knows so well, stands in exactly the same place and attitude.

There are some worthless articles of clothing in the old portmanteau; there is a bundle of pawnbrokers’ duplicates, those turnpike tickets on the road of poverty; there is a crumpled paper, smelling of opium, on which are scrawled rough memoranda—as, took, such a day, so many grains; took, such another day, so many more—begun some time ago, as if with the intention of being regularly continued, but soon left off. There are a few dirty scraps of newspapers, all referring to coroners’ inquests; there is nothing else. They search the cupboard and the drawer of the ink-splashed table. There is not a morsel of an old letter or of any other writing in either. The young surgeon examines the dress on the law-writer. A knife and some odd halfpence are all he finds. Mr. Snagsby’s suggestion is the practical suggestion after all, and the beadle must be called in.

So the little crazy lodger goes for the beadle, and the rest come out of the room. “Don’t leave the cat there!” says the surgeon; “that won’t do!” Mr. Krook therefore drives her out before him, and she goes furtively downstairs, winding her lithe tail and licking her lips.

“Good night!” says Mr. Tulkinghorn, and goes home to Allegory and meditation.

By this time the news has got into the court. Groups of its inhabitants assemble to discuss the thing, and the outposts of the army of observation (principally boys) are pushed forward to Mr. Krook’s window, which they closely invest. A policeman has already walked up to the room, and walked down again to the door, where he stands like a tower, only condescending to see the boys at his base occasionally; but whenever he does see them, they quail and fall back. Mrs. Perkins, who has not been for some weeks on speaking terms with Mrs. Piper in consequence for an unpleasantness originating in young Perkins’ having “fetched” young Piper “a crack,” renews her friendly intercourse on this auspicious occasion. The potboy at the corner, who is a privileged amateur, as possessing official knowledge of life and having to deal with drunken men occasionally, exchanges confidential communications with the policeman and has the appearance of an impregnable youth, unassailable by truncheons and unconfinable in station-houses. People talk across the court out of window, and bare-headed scouts come hurrying in from Chancery Lane to know what’s the matter. The general feeling seems to be that it’s a blessing Mr. Krook warn’t made away with first, mingled with a little natural disappointment that he was not. In the midst of this sensation, the beadle arrives.

The beadle, though generally understood in the neighbourhood to be a ridiculous institution, is not without a certain popularity for the moment, if it were only as a man who is going to see the body. The policeman considers him an imbecile civilian, a remnant of the barbarous watchmen times, but gives him admission as something that must be borne with until government shall abolish him. The sensation is heightened as the tidings spread from mouth to mouth that the beadle is on the ground and has gone in.

By and by the beadle comes out, once more intensifying the sensation, which has rather languished in the interval. He is understood to be in want of witnesses for the inquest to-morrow who can tell the coroner and jury anything whatever respecting the deceased. Is immediately referred to innumerable people who can tell nothing whatever. Is made more imbecile by being constantly informed that Mrs. Green’s son “was a law-writer his-self and knowed him better than anybody,” which son of Mrs. Green’s appears, on inquiry, to be at the present time aboard a vessel bound for China, three months out, but considered accessible by telegraph on application to the Lords of the Admiralty. Beadle goes into various shops and parlours, examining the inhabitants, always shutting the door first, and by exclusion, delay, and general idiotcy exasperating the public. Policeman seen to smile to potboy. Public loses interest and undergoes reaction. Taunts the beadle in shrill youthful voices with having boiled a boy, choruses fragments of a popular song to that effect and importing that the boy was made into soup for the workhouse. Policeman at last finds it necessary to support the law and seize a vocalist, who is released upon the flight of the rest on condition of his getting out of this then, come, and cutting it—a condition he immediately observes. So the sensation dies off for the time; and the unmoved policeman (to whom a little opium, more or less, is nothing), with his shining hat, stiff stock, inflexible great-coat, stout belt and bracelet, and all things fitting, pursues his lounging way with a heavy tread, beating the palms of his white gloves one against the other and stopping now and then at a street-corner to look casually about for anything between a lost child and a murder.

Under cover of the night, the feeble-minded beadle comes flitting about Chancery Lane with his summonses, in which every juror’s name is wrongly spelt, and nothing rightly spelt but the beadle’s own name, which nobody can read or wants to know. The summonses served and his witnesses forewarned, the beadle goes to Mr. Krook’s to keep a small appointment he has made with certain paupers, who, presently arriving, are conducted upstairs, where they leave the great eyes in the shutter something new to stare at, in that last shape which earthly lodgings take for No one—and for Every one.

And all that night the coffin stands ready by the old portmanteau; and the lonely figure on the bed, whose path in life has lain through five and forty years, lies there with no more track behind him that any one can trace than a deserted infant.

Next day the court is all alive—is like a fair, as Mrs. Perkins, more than reconciled to Mrs. Piper, says in amicable conversation with that excellent woman. The coroner is to sit in the first-floor room at the Sol’s Arms, where the Harmonic Meetings take place twice a week and where the chair is filled by a gentleman of professional celebrity, faced by Little Swills, the comic vocalist, who hopes (according to the bill in the window) that his friends will rally round him and support first-rate talent. The Sol’s Arms does a brisk stroke of business all the morning. Even children so require sustaining under the general excitement that a pieman who has established himself for the occasion at the corner of the court says his brandy-balls go off like smoke. What time the beadle, hovering between the door of Mr. Krook’s establishment and the door of the Sol’s Arms, shows the curiosity in his keeping to a few discreet spirits and accepts the compliment of a glass of ale or so in return.

At the appointed hour arrives the coroner, for whom the jurymen are waiting and who is received with a salute of skittles from the good dry skittle-ground attached to the Sol’s Arms. The coroner frequents more public-houses than any man alive. The smell of sawdust, beer, tobacco-smoke, and spirits is inseparable in his vocation from death in its most awful shapes. He is conducted by the beadle and the landlord to the Harmonic Meeting Room, where he puts his hat on the piano and takes a Windsor-chair at the head of a long table formed of several short tables put together and ornamented with glutinous rings in endless involutions, made by pots and glasses. As many of the jury as can crowd together at the table sit there. The rest get among the spittoons and pipes or lean against the piano. Over the coroner’s head is a small iron garland, the pendant handle of a bell, which rather gives the majesty of the court the appearance of going to be hanged presently.

Call over and swear the jury! While the ceremony is in progress, sensation is created by the entrance of a chubby little man in a large shirt-collar, with a moist eye and an inflamed nose, who modestly takes a position near the door as one of the general public, but seems familiar with the room too. A whisper circulates that this is Little Swills. It is considered not unlikely that he will get up an imitation of the coroner and make it the principal feature of the Harmonic Meeting in the evening.

“Well, gentlemen—” the coroner begins.

“Silence there, will you!” says the beadle. Not to the coroner, though it might appear so.

“Well, gentlemen,” resumes the coroner. “You are impanelled here to inquire into the death of a certain man. Evidence will be given before you as to the circumstances attending that death, and you will give your verdict according to the—skittles; they must be stopped, you know, beadle!—evidence, and not according to anything else. The first thing to be done is to view the body.”

“Make way there!” cries the beadle.

So they go out in a loose procession, something after the manner of a straggling funeral, and make their inspection in Mr. Krook’s back second floor, from which a few of the jurymen retire pale and precipitately. The beadle is very careful that two gentlemen not very neat about the cuffs and buttons (for whose accommodation he has provided a special little table near the coroner in the Harmonic Meeting Room) should see all that is to be seen. For they are the public chroniclers of such inquiries by the line; and he is not superior to the universal human infirmity, but hopes to read in print what “Mooney, the active and intelligent beadle of the district,” said and did and even aspires to see the name of Mooney as familiarly and patronizingly mentioned as the name of the hangman is, according to the latest examples.

Little Swills is waiting for the coroner and jury on their return. Mr. Tulkinghorn, also. Mr. Tulkinghorn is received with distinction and seated near the coroner between that high judicial officer, a bagatelle-board, and the coal-box. The inquiry proceeds. The jury learn how the subject of their inquiry died, and learn no more about him. “A very eminent solicitor is in attendance, gentlemen,” says the coroner, “who, I am informed, was accidentally present when discovery of the death was made, but he could only repeat the evidence you have already heard from the surgeon, the landlord, the lodger, and the law-stationer, and it is not necessary to trouble him. Is anybody in attendance who knows anything more?”

Mrs. Piper pushed forward by Mrs. Perkins. Mrs. Piper sworn.

Anastasia Piper, gentlemen. Married woman. Now, Mrs. Piper, what have you got to say about this?

Why, Mrs. Piper has a good deal to say, chiefly in parentheses and without punctuation, but not much to tell. Mrs. Piper lives in the court (which her husband is a cabinet-maker), and it has long been well beknown among the neighbours (counting from the day next but one before the half-baptizing of Alexander James Piper aged eighteen months and four days old on accounts of not being expected to live such was the sufferings gentlemen of that child in his gums) as the plaintive—so Mrs. Piper insists on calling the deceased—was reported to have sold himself. Thinks it was the plaintive’s air in which that report originatinin. See the plaintive often and considered as his air was feariocious and not to be allowed to go about some children being timid (and if doubted hoping Mrs. Perkins may be brought forard for she is here and will do credit to her husband and herself and family). Has seen the plaintive wexed and worrited by the children (for children they will ever be and you cannot expect them specially if of playful dispositions to be Methoozellers which you was not yourself). On accounts of this and his dark looks has often dreamed as she see him take a pick-axe from his pocket and split Johnny’s head (which the child knows not fear and has repeatually called after him close at his eels). Never however see the plaintive take a pick-axe or any other wepping far from it. Has seen him hurry away when run and called after as if not partial to children and never see him speak to neither child nor grown person at any time (excepting the boy that sweeps the crossing down the lane over the way round the corner which if he was here would tell you that he has been seen a-speaking to him frequent).

Says the coroner, is that boy here? Says the beadle, no, sir, he is not here. Says the coroner, go and fetch him then. In the absence of the active and intelligent, the coroner converses with Mr. Tulkinghorn.

Oh! Here’s the boy, gentlemen!

Here he is, very muddy, very hoarse, very ragged. Now, boy! But stop a minute. Caution. This boy must be put through a few preliminary paces.

Name, Jo. Nothing else that he knows on. Don’t know that everybody has two names. Never heerd of sich a think. Don’t know that Jo is short for a longer name. Thinks it long enough for HIM. HE don’t find no fault with it. Spell it? No. HE can’t spell it. No father, no mother, no friends. Never been to school. What’s home? Knows a broom’s a broom, and knows it’s wicked to tell a lie. Don’t recollect who told him about the broom or about the lie, but knows both. Can’t exactly say what’ll be done to him arter he’s dead if he tells a lie to the gentlemen here, but believes it’ll be something wery bad to punish him, and serve him right—and so he’ll tell the truth.

“This won’t do, gentlemen!” says the coroner with a melancholy shake of the head.

“Don’t you think you can receive his evidence, sir?” asks an attentive juryman.

“Out of the question,” says the coroner. “You have heard the boy. ‘Can’t exactly say’ won’t do, you know. We can’t take THAT in a court of justice, gentlemen. It’s terrible depravity. Put the boy aside.”

Boy put aside, to the great edification of the audience, especially of Little Swills, the comic vocalist.

Now. Is there any other witness? No other witness.

Very well, gentlemen! Here’s a man unknown, proved to have been in the habit of taking opium in large quantities for a year and a half, found dead of too much opium. If you think you have any evidence to lead you to the conclusion that he committed suicide, you will come to that conclusion. If you think it is a case of accidental death, you will find a verdict accordingly.

Verdict accordingly. Accidental death. No doubt. Gentlemen, you are discharged. Good afternoon.

While the coroner buttons his great-coat, Mr. Tulkinghorn and he give private audience to the rejected witness in a corner.

That graceless creature only knows that the dead man (whom he recognized just now by his yellow face and black hair) was sometimes hooted and pursued about the streets. That one cold winter night when he, the boy, was shivering in a doorway near his crossing, the man turned to look at him, and came back, and having questioned him and found that he had not a friend in the world, said, “Neither have I. Not one!” and gave him the price of a supper and a night’s lodging. That the man had often spoken to him since and asked him whether he slept sound at night, and how he bore cold and hunger, and whether he ever wished to die, and similar strange questions. That when the man had no money, he would say in passing, “I am as poor as you to-day, Jo,” but that when he had any, he had always (as the boy most heartily believes) been glad to give him some.

“He was wery good to me,” says the boy, wiping his eyes with his wretched sleeve. “Wen I see him a-layin’ so stritched out just now, I wished he could have heerd me tell him so. He wos wery good to me, he wos!”

As he shuffles downstairs, Mr. Snagsby, lying in wait for him, puts a half-crown in his hand. “If you ever see me coming past your crossing with my little woman—I mean a lady—” says Mr. Snagsby with his finger on his nose, “don’t allude to it!”

For some little time the jurymen hang about the Sol’s Arms colloquially. In the sequel, half-a-dozen are caught up in a cloud of pipe-smoke that pervades the parlour of the Sol’s Arms; two stroll to Hampstead; and four engage to go half-price to the play at night, and top up with oysters. Little Swills is treated on several hands. Being asked what he thinks of the proceedings, characterizes them (his strength lying in a slangular direction) as “a rummy start.” The landlord of the Sol’s Arms, finding Little Swills so popular, commends him highly to the jurymen and public, observing that for a song in character he don’t know his equal and that that man’s character-wardrobe would fill a cart.

Thus, gradually the Sol’s Arms melts into the shadowy night and then flares out of it strong in gas. The Harmonic Meeting hour arriving, the gentleman of professional celebrity takes the chair, is faced (red-faced) by Little Swills; their friends rally round them and support first-rate talent. In the zenith of the evening, Little Swills says, “Gentlemen, if you’ll permit me, I’ll attempt a short description of a scene of real life that came off here to-day.” Is much applauded and encouraged; goes out of the room as Swills; comes in as the coroner (not the least in the world like him); describes the inquest, with recreative intervals of piano-forte accompaniment, to the refrain: With his (the coroner’s) tippy tol li doll, tippy tol lo doll, tippy tol li doll, Dee!

The jingling piano at last is silent, and the Harmonic friends rally round their pillows. Then there is rest around the lonely figure, now laid in its last earthly habitation; and it is watched by the gaunt eyes in the shutters through some quiet hours of night. If this forlorn man could have been prophetically seen lying here by the mother at whose breast he nestled, a little child, with eyes upraised to her loving face, and soft hand scarcely knowing how to close upon the neck to which it crept, what an impossibility the vision would have seemed! Oh, if in brighter days the now-extinguished fire within him ever burned for one woman who held him in her heart, where is she, while these ashes are above the ground!

It is anything but a night of rest at Mr. Snagsby’s, in Cook’s Court, where Guster murders sleep by going, as Mr. Snagsby himself allows—not to put too fine a point upon it—out of one fit into twenty. The occasion of this seizure is that Guster has a tender heart and a susceptible something that possibly might have been imagination, but for Tooting and her patron saint. Be it what it may, now, it was so direfully impressed at tea-time by Mr. Snagsby’s account of the inquiry at which he had assisted that at supper-time she projected herself into the kitchen, preceded by a flying Dutch cheese, and fell into a fit of unusual duration, which she only came out of to go into another, and another, and so on through a chain of fits, with short intervals between, of which she has pathetically availed herself by consuming them in entreaties to Mrs. Snagsby not to give her warning “when she quite comes to,” and also in appeals to the whole establishment to lay her down on the stones and go to bed. Hence, Mr. Snagsby, at last hearing the cock at the little dairy in Cursitor Street go into that disinterested ecstasy of his on the subject of daylight, says, drawing a long breath, though the most patient of men, “I thought you was dead, I am sure!”

What question this enthusiastic fowl supposes he settles when he strains himself to such an extent, or why he should thus crow (so men crow on various triumphant public occasions, however) about what cannot be of any moment to him, is his affair. It is enough that daylight comes, morning comes, noon comes.

Then the active and intelligent, who has got into the morning papers as such, comes with his pauper company to Mr. Krook’s and bears off the body of our dear brother here departed to a hemmed-in churchyard, pestiferous and obscene, whence malignant diseases are communicated to the bodies of our dear brothers and sisters who have not departed, while our dear brothers and sisters who hang about official back-stairs—would to heaven they HAD departed!—are very complacent and agreeable. Into a beastly scrap of ground which a Turk would reject as a savage abomination and a Caffre would shudder at, they bring our dear brother here departed to receive Christian burial.

With houses looking on, on every side, save where a reeking little tunnel of a court gives access to the iron gate—with every villainy of life in action close on death, and every poisonous element of death in action close on life—here they lower our dear brother down a foot or two, here sow him in corruption, to be raised in corruption: an avenging ghost at many a sick-bedside, a shameful testimony to future ages how civilization and barbarism walked this boastful island together.

Come night, come darkness, for you cannot come too soon or stay too long by such a place as this! Come, straggling lights into the windows of the ugly houses; and you who do iniquity therein, do it at least with this dread scene shut out! Come, flame of gas, burning so sullenly above the iron gate, on which the poisoned air deposits its witch-ointment slimy to the touch! It is well that you should call to every passerby, “Look here!”

With the night comes a slouching figure through the tunnel-court to the outside of the iron gate. It holds the gate with its hands and looks in between the bars, stands looking in for a little while.

It then, with an old broom it carries, softly sweeps the step and makes the archway clean. It does so very busily and trimly, looks in again a little while, and so departs.

Jo, is it thou? Well, well! Though a rejected witness, who “can’t exactly say” what will be done to him in greater hands than men’s, thou art not quite in outer darkness. There is something like a distant ray of light in thy muttered reason for this: “He wos wery good to me, he wos!”

 

CHAPTER XII

On the Watch

It has left off raining down in Lincolnshire at last, and Chesney Wold has taken heart. Mrs. Rouncewell is full of hospitable cares, for Sir Leicester and my Lady are coming home from Paris. The fashionable intelligence has found it out and communicates the glad tidings to benighted England. It has also found out that they will entertain a brilliant and distinguished circle of the ELITE of the BEAU MONDE (the fashionable intelligence is weak in English, but a giant refreshed in French) at the ancient and hospitable family seat in Lincolnshire.

For the greater honour of the brilliant and distinguished circle, and of Chesney Wold into the bargain, the broken arch of the bridge in the park is mended; and the water, now retired within its proper limits and again spanned gracefully, makes a figure in the prospect from the house. The clear, cold sunshine glances into the brittle woods and approvingly beholds the sharp wind scattering the leaves and drying the moss. It glides over the park after the moving shadows of the clouds, and chases them, and never catches them, all day. It looks in at the windows and touches the ancestral portraits with bars and patches of brightness never contemplated by the painters. Athwart the picture of my Lady, over the great chimney-piece, it throws a broad bend-sinister of light that strikes down crookedly into the hearth and seems to rend it.

Through the same cold sunshine and the same sharp wind, my Lady and Sir Leicester, in their travelling chariot (my Lady’s woman and Sir Leicester’s man affectionate in the rumble), start for home. With a considerable amount of jingling and whip-cracking, and many plunging demonstrations on the part of two bare-backed horses and two centaurs with glazed hats, jack-boots, and flowing manes and tails, they rattle out of the yard of the Hotel Bristol in the Place Vendome and canter between the sun-and-shadow-chequered colonnade of the Rue de Rivoli and the garden of the ill-fated palace of a headless king and queen, off by the Place of Concord, and the Elysian Fields, and the Gate of the Star, out of Paris.

Sooth to say, they cannot go away too fast, for even here my Lady Dedlock has been bored to death. Concert, assembly, opera, theatre, drive, nothing is new to my Lady under the worn-out heavens. Only last Sunday, when poor wretches were gay—within the walls playing with children among the clipped trees and the statues in the Palace Garden; walking, a score abreast, in the Elysian Fields, made more Elysian by performing dogs and wooden horses; between whiles filtering (a few) through the gloomy Cathedral of Our Lady to say a word or two at the base of a pillar within flare of a rusty little gridiron-full of gusty little tapers; without the walls encompassing Paris with dancing, love-making, wine-drinking, tobacco-smoking, tomb-visiting, billiard card and domino playing, quack-doctoring, and much murderous refuse, animate and inanimate—only last Sunday, my Lady, in the desolation of Boredom and the clutch of Giant Despair, almost hated her own maid for being in spirits.

She cannot, therefore, go too fast from Paris. Weariness of soul lies before her, as it lies behind—her Ariel has put a girdle of it round the whole earth, and it cannot be unclasped—but the imperfect remedy is always to fly from the last place where it has been experienced. Fling Paris back into the distance, then, exchanging it for endless avenues and cross-avenues of wintry trees! And, when next beheld, let it be some leagues away, with the Gate of the Star a white speck glittering in the sun, and the city a mere mound in a plain—two dark square towers rising out of it, and light and shadow descending on it aslant, like the angels in Jacob’s dream!

Sir Leicester is generally in a complacent state, and rarely bored. When he has nothing else to do, he can always contemplate his own greatness. It is a considerable advantage to a man to have so inexhaustible a subject. After reading his letters, he leans back in his corner of the carriage and generally reviews his importance to society.

“You have an unusual amount of correspondence this morning?” says my Lady after a long time. She is fatigued with reading. Has almost read a page in twenty miles.

“Nothing in it, though. Nothing whatever.”

“I saw one of Mr. Tulkinghorn’s long effusions, I think?”

“You see everything,” says Sir Leicester with admiration.

“Ha!” sighs my Lady. “He is the most tiresome of men!”

“He sends—I really beg your pardon—he sends,” says Sir Leicester, selecting the letter and unfolding it, “a message to you. Our stopping to change horses as I came to his postscript drove it out of my memory. I beg you’ll excuse me. He says—” Sir Leicester is so long in taking out his eye-glass and adjusting it that my Lady looks a little irritated. “He says ‘In the matter of the right of way—’ I beg your pardon, that’s not the place. He says—yes! Here I have it! He says, ‘I beg my respectful compliments to my Lady, who, I hope, has benefited by the change. Will you do me the favour to mention (as it may interest her) that I have something to tell her on her return in reference to the person who copied the affidavit in the Chancery suit, which so powerfully stimulated her curiosity. I have seen him.'”

My Lady, leaning forward, looks out of her window.

“That’s the message,” observes Sir Leicester.

“I should like to walk a little,” says my Lady, still looking out of her window.

“Walk?” repeats Sir Leicester in a tone of surprise.

“I should like to walk a little,” says my Lady with unmistakable distinctness. “Please to stop the carriage.”

The carriage is stopped, the affectionate man alights from the rumble, opens the door, and lets down the steps, obedient to an impatient motion of my Lady’s hand. My Lady alights so quickly and walks away so quickly that Sir Leicester, for all his scrupulous politeness, is unable to assist her, and is left behind. A space of a minute or two has elapsed before he comes up with her. She smiles, looks very handsome, takes his arm, lounges with him for a quarter of a mile, is very much bored, and resumes her seat in the carriage.

The rattle and clatter continue through the greater part of three days, with more or less of bell-jingling and whip-cracking, and more or less plunging of centaurs and bare-backed horses. Their courtly politeness to each other at the hotels where they tarry is the theme of general admiration. Though my Lord IS a little aged for my Lady, says Madame, the hostess of the Golden Ape, and though he might be her amiable father, one can see at a glance that they love each other. One observes my Lord with his white hair, standing, hat in hand, to help my Lady to and from the carriage. One observes my Lady, how recognisant of my Lord’s politeness, with an inclination of her gracious head and the concession of her so-genteel fingers! It is ravishing!

The sea has no appreciation of great men, but knocks them about like the small fry. It is habitually hard upon Sir Leicester, whose countenance it greenly mottles in the manner of sage-cheese and in whose aristocratic system it effects a dismal revolution. It is the Radical of Nature to him. Nevertheless, his dignity gets over it after stopping to refit, and he goes on with my Lady for Chesney Wold, lying only one night in London on the way to Lincolnshire.

Through the same cold sunlight, colder as the day declines, and through the same sharp wind, sharper as the separate shadows of bare trees gloom together in the woods, and as the Ghost’s Walk, touched at the western corner by a pile of fire in the sky, resigns itself to coming night, they drive into the park. The rooks, swinging in their lofty houses in the elm-tree avenue, seem to discuss the question of the occupancy of the carriage as it passes underneath, some agreeing that Sir Leicester and my Lady are come down, some arguing with malcontents who won’t admit it, now all consenting to consider the question disposed of, now all breaking out again in violent debate, incited by one obstinate and drowsy bird who will persist in putting in a last contradictory croak. Leaving them to swing and caw, the travelling chariot rolls on to the house, where fires gleam warmly through some of the windows, though not through so many as to give an inhabited expression to the darkening mass of front. But the brilliant and distinguished circle will soon do that.

Mrs. Rouncewell is in attendance and receives Sir Leicester’s customary shake of the hand with a profound curtsy.

“How do you do, Mrs. Rouncewell? I am glad to see you.”

“I hope I have the honour of welcoming you in good health, Sir Leicester?”

“In excellent health, Mrs. Rouncewell.”

“My Lady is looking charmingly well,” says Mrs. Rouncewell with another curtsy.

My Lady signifies, without profuse expenditure of words, that she is as wearily well as she can hope to be.

But Rosa is in the distance, behind the housekeeper; and my Lady, who has not subdued the quickness of her observation, whatever else she may have conquered, asks, “Who is that girl?”

“A young scholar of mine, my Lady. Rosa.”

“Come here, Rosa!” Lady Dedlock beckons her, with even an appearance of interest. “Why, do you know how pretty you are, child?” she says, touching her shoulder with her two forefingers.

Rosa, very much abashed, says, “No, if you please, my Lady!” and glances up, and glances down, and don’t know where to look, but looks all the prettier.

“How old are you?”

“Nineteen, my Lady.”

“Nineteen,” repeats my Lady thoughtfully. “Take care they don’t spoil you by flattery.”

“Yes, my Lady.”

My Lady taps her dimpled cheek with the same delicate gloved fingers and goes on to the foot of the oak staircase, where Sir Leicester pauses for her as her knightly escort. A staring old Dedlock in a panel, as large as life and as dull, looks as if he didn’t know what to make of it, which was probably his general state of mind in the days of Queen Elizabeth.

That evening, in the housekeeper’s room, Rosa can do nothing but murmur Lady Dedlock’s praises. She is so affable, so graceful, so beautiful, so elegant; has such a sweet voice and such a thrilling touch that Rosa can feel it yet! Mrs. Rouncewell confirms all this, not without personal pride, reserving only the one point of affability. Mrs. Rouncewell is not quite sure as to that. Heaven forbid that she should say a syllable in dispraise of any member of that excellent family, above all, of my Lady, whom the whole world admires; but if my Lady would only be “a little more free,” not quite so cold and distant, Mrs. Rouncewell thinks she would be more affable.

“‘Tis almost a pity,” Mrs. Rouncewell adds—only “almost” because it borders on impiety to suppose that anything could be better than it is, in such an express dispensation as the Dedlock affairs—”that my Lady has no family. If she had had a daughter now, a grown young lady, to interest her, I think she would have had the only kind of excellence she wants.”

“Might not that have made her still more proud, grandmother?” says Watt, who has been home and come back again, he is such a good grandson.

“More and most, my dear,” returns the housekeeper with dignity, “are words it’s not my place to use—nor so much as to hear—applied to any drawback on my Lady.”

“I beg your pardon, grandmother. But she is proud, is she not?”

“If she is, she has reason to be. The Dedlock family have always reason to be.”

“Well,” says Watt, “it’s to be hoped they line out of their prayer-books a certain passage for the common people about pride and vainglory. Forgive me, grandmother! Only a joke!”

“Sir Leicester and Lady Dedlock, my dear, are not fit subjects for joking.”

“Sir Leicester is no joke by any means,” says Watt, “and I humbly ask his pardon. I suppose, grandmother, that even with the family and their guests down here, there is no objection to my prolonging my stay at the Dedlock Arms for a day or two, as any other traveller might?”

“Surely, none in the world, child.”

“I am glad of that,” says Watt, “because I have an inexpressible desire to extend my knowledge of this beautiful neighbourhood.”

He happens to glance at Rosa, who looks down and is very shy indeed. But according to the old superstition, it should be Rosa’s ears that burn, and not her fresh bright cheeks, for my Lady’s maid is holding forth about her at this moment with surpassing energy.

My Lady’s maid is a Frenchwoman of two and thirty, from somewhere in the southern country about Avignon and Marseilles, a large-eyed brown woman with black hair who would be handsome but for a certain feline mouth and general uncomfortable tightness of face, rendering the jaws too eager and the skull too prominent. There is something indefinably keen and wan about her anatomy, and she has a watchful way of looking out of the corners of her eyes without turning her head which could be pleasantly dispensed with, especially when she is in an ill humour and near knives. Through all the good taste of her dress and little adornments, these objections so express themselves that she seems to go about like a very neat she-wolf imperfectly tamed. Besides being accomplished in all the knowledge appertaining to her post, she is almost an Englishwoman in her acquaintance with the language; consequently, she is in no want of words to shower upon Rosa for having attracted my Lady’s attention, and she pours them out with such grim ridicule as she sits at dinner that her companion, the affectionate man, is rather relieved when she arrives at the spoon stage of that performance.

Ha, ha, ha! She, Hortense, been in my Lady’s service since five years and always kept at the distance, and this doll, this puppet, caressed—absolutely caressed—by my Lady on the moment of her arriving at the house! Ha, ha, ha! “And do you know how pretty you are, child?” “No, my Lady.” You are right there! “And how old are you, child! And take care they do not spoil you by flattery, child!” Oh, how droll! It is the BEST thing altogether.

In short, it is such an admirable thing that Mademoiselle Hortense can’t forget it; but at meals for days afterwards, even among her countrywomen and others attached in like capacity to the troop of visitors, relapses into silent enjoyment of the joke—an enjoyment expressed, in her own convivial manner, by an additional tightness of face, thin elongation of compressed lips, and sidewise look, which intense appreciation of humour is frequently reflected in my Lady’s mirrors when my Lady is not among them.

All the mirrors in the house are brought into action now, many of them after a long blank. They reflect handsome faces, simpering faces, youthful faces, faces of threescore and ten that will not submit to be old; the entire collection of faces that have come to pass a January week or two at Chesney Wold, and which the fashionable intelligence, a mighty hunter before the Lord, hunts with a keen scent, from their breaking cover at the Court of St. James’s to their being run down to death. The place in Lincolnshire is all alive. By day guns and voices are heard ringing in the woods, horsemen and carriages enliven the park roads, servants and hangers-on pervade the village and the Dedlock Arms. Seen by night from distant openings in the trees, the row of windows in the long drawing-room, where my Lady’s picture hangs over the great chimney-piece, is like a row of jewels set in a black frame. On Sunday the chill little church is almost warmed by so much gallant company, and the general flavour of the Dedlock dust is quenched in delicate perfumes.

The brilliant and distinguished circle comprehends within it no contracted amount of education, sense, courage, honour, beauty, and virtue. Yet there is something a little wrong about it in despite of its immense advantages. What can it be?

Dandyism? There is no King George the Fourth now (more the pity) to set the dandy fashion; there are no clear-starched jack-towel neckcloths, no short-waisted coats, no false calves, no stays. There are no caricatures, now, of effeminate exquisites so arrayed, swooning in opera boxes with excess of delight and being revived by other dainty creatures poking long-necked scent-bottles at their noses. There is no beau whom it takes four men at once to shake into his buckskins, or who goes to see all the executions, or who is troubled with the self-reproach of having once consumed a pea. But is there dandyism in the brilliant and distinguished circle notwithstanding, dandyism of a more mischievous sort, that has got below the surface and is doing less harmless things than jack-towelling itself and stopping its own digestion, to which no rational person need particularly object?

Why, yes. It cannot be disguised. There ARE at Chesney Wold this January week some ladies and gentlemen of the newest fashion, who have set up a dandyism—in religion, for instance. Who in mere lackadaisical want of an emotion have agreed upon a little dandy talk about the vulgar wanting faith in things in general, meaning in the things that have been tried and found wanting, as though a low fellow should unaccountably lose faith in a bad shilling after finding it out! Who would make the vulgar very picturesque and faithful by putting back the hands upon the clock of time and cancelling a few hundred years of history.

There are also ladies and gentlemen of another fashion, not so new, but very elegant, who have agreed to put a smooth glaze on the world and to keep down all its realities. For whom everything must be languid and pretty. Who have found out the perpetual stoppage. Who are to rejoice at nothing and be sorry for nothing. Who are not to be disturbed by ideas. On whom even the fine arts, attending in powder and walking backward like the Lord Chamberlain, must array themselves in the milliners’ and tailors’ patterns of past generations and be particularly careful not to be in earnest or to receive any impress from the moving age.

Then there is my Lord Boodle, of considerable reputation with his party, who has known what office is and who tells Sir Leicester Dedlock with much gravity, after dinner, that he really does not see to what the present age is tending. A debate is not what a debate used to be; the House is not what the House used to be; even a Cabinet is not what it formerly was. He perceives with astonishment that supposing the present government to be overthrown, the limited choice of the Crown, in the formation of a new ministry, would lie between Lord Coodle and Sir Thomas Doodle—supposing it to be impossible for the Duke of Foodle to act with Goodle, which may be assumed to be the case in consequence of the breach arising out of that affair with Hoodle. Then, giving the Home Department and the leadership of the House of Commons to Joodle, the Exchequer to Koodle, the Colonies to Loodle, and the Foreign Office to Moodle, what are you to do with Noodle? You can’t offer him the Presidency of the Council; that is reserved for Poodle. You can’t put him in the Woods and Forests; that is hardly good enough for Quoodle. What follows? That the country is shipwrecked, lost, and gone to pieces (as is made manifest to the patriotism of Sir Leicester Dedlock) because you can’t provide for Noodle!

On the other hand, the Right Honourable William Buffy, M.P., contends across the table with some one else that the shipwreck of the country—about which there is no doubt; it is only the manner of it that is in question—is attributable to Cuffy. If you had done with Cuffy what you ought to have done when he first came into Parliament, and had prevented him from going over to Duffy, you would have got him into alliance with Fuffy, you would have had with you the weight attaching as a smart debater to Guffy, you would have brought to bear upon the elections the wealth of Huffy, you would have got in for three counties Juffy, Kuffy, and Luffy, and you would have strengthened your administration by the official knowledge and the business habits of Muffy. All this, instead of being as you now are, dependent on the mere caprice of Puffy!

As to this point, and as to some minor topics, there are differences of opinion; but it is perfectly clear to the brilliant and distinguished circle, all round, that nobody is in question but Boodle and his retinue, and Buffy and HIS retinue. These are the great actors for whom the stage is reserved. A People there are, no doubt—a certain large number of supernumeraries, who are to be occasionally addressed, and relied upon for shouts and choruses, as on the theatrical stage; but Boodle and Buffy, their followers and families, their heirs, executors, administrators, and assigns, are the born first-actors, managers, and leaders, and no others can appear upon the scene for ever and ever.

In this, too, there is perhaps more dandyism at Chesney Wold than the brilliant and distinguished circle will find good for itself in the long run. For it is, even with the stillest and politest circles, as with the circle the necromancer draws around him—very strange appearances may be seen in active motion outside. With this difference, that being realities and not phantoms, there is the greater danger of their breaking in.

Chesney Wold is quite full anyhow, so full that a burning sense of injury arises in the breasts of ill-lodged ladies’-maids, and is not to be extinguished. Only one room is empty. It is a turret chamber of the third order of merit, plainly but comfortably furnished and having an old-fashioned business air. It is Mr. Tulkinghorn’s room, and is never bestowed on anybody else, for he may come at any time. He is not come yet. It is his quiet habit to walk across the park from the village in fine weather, to drop into this room as if he had never been out of it since he was last seen there, to request a servant to inform Sir Leicester that he is arrived in case he should be wanted, and to appear ten minutes before dinner in the shadow of the library-door. He sleeps in his turret with a complaining flag-staff over his head, and has some leads outside on which, any fine morning when he is down here, his black figure may be seen walking before breakfast like a larger species of rook.

Every day before dinner, my Lady looks for him in the dusk of the library, but he is not there. Every day at dinner, my Lady glances down the table for the vacant place that would be waiting to receive him if he had just arrived, but there is no vacant place. Every night my Lady casually asks her maid, “Is Mr. Tulkinghorn come?”

Every night the answer is, “No, my Lady, not yet.”

One night, while having her hair undressed, my Lady loses herself in deep thought after this reply until she sees her own brooding face in the opposite glass, and a pair of black eyes curiously observing her.

“Be so good as to attend,” says my Lady then, addressing the reflection of Hortense, “to your business. You can contemplate your beauty at another time.”

“Pardon! It was your Ladyship’s beauty.”

“That,” says my Lady, “you needn’t contemplate at all.”

At length, one afternoon a little before sunset, when the bright groups of figures which have for the last hour or two enlivened the Ghost’s Walk are all dispersed and only Sir Leicester and my Lady remain upon the terrace, Mr. Tulkinghorn appears. He comes towards them at his usual methodical pace, which is never quickened, never slackened. He wears his usual expressionless mask—if it be a mask—and carries family secrets in every limb of his body and every crease of his dress. Whether his whole soul is devoted to the great or whether he yields them nothing beyond the services he sells is his personal secret. He keeps it, as he keeps the secrets of his clients; he is his own client in that matter, and will never betray himself.

“How do you do, Mr. Tulkinghorn?” says Sir Leicester, giving him his hand.

Mr. Tulkinghorn is quite well. Sir Leicester is quite well. My Lady is quite well. All highly satisfactory. The lawyer, with his hands behind him, walks at Sir Leicester’s side along the terrace. My Lady walks upon the other side.

“We expected you before,” says Sir Leicester. A gracious observation. As much as to say, “Mr. Tulkinghorn, we remember your existence when you are not here to remind us of it by your presence. We bestow a fragment of our minds upon you, sir, you see!”

Mr. Tulkinghorn, comprehending it, inclines his head and says he is much obliged.

“I should have come down sooner,” he explains, “but that I have been much engaged with those matters in the several suits between yourself and Boythorn.”

“A man of a very ill-regulated mind,” observes Sir Leicester with severity. “An extremely dangerous person in any community. A man of a very low character of mind.”

“He is obstinate,” says Mr. Tulkinghorn.

“It is natural to such a man to be so,” says Sir Leicester, looking most profoundly obstinate himself. “I am not at all surprised to hear it.”

“The only question is,” pursues the lawyer, “whether you will give up anything.”

“No, sir,” replies Sir Leicester. “Nothing. I give up?”

“I don’t mean anything of importance. That, of course, I know you would not abandon. I mean any minor point.”

“Mr. Tulkinghorn,” returns Sir Leicester, “there can be no minor point between myself and Mr. Boythorn. If I go farther, and observe that I cannot readily conceive how ANY right of mine can be a minor point, I speak not so much in reference to myself as an individual as in reference to the family position I have it in charge to maintain.”

Mr. Tulkinghorn inclines his head again. “I have now my instructions,” he says. “Mr. Boythorn will give us a good deal of trouble—”

“It is the character of such a mind, Mr. Tulkinghorn,” Sir Leicester interrupts him, “TO give trouble. An exceedingly ill-conditioned, levelling person. A person who, fifty years ago, would probably have been tried at the Old Bailey for some demagogue proceeding, and severely punished—if not,” adds Sir Leicester after a moment’s pause, “if not hanged, drawn, and quartered.”

Sir Leicester appears to discharge his stately breast of a burden in passing this capital sentence, as if it were the next satisfactory thing to having the sentence executed.

“But night is coming on,” says he, “and my Lady will take cold. My dear, let us go in.”

As they turn towards the hall-door, Lady Dedlock addresses Mr. Tulkinghorn for the first time.

“You sent me a message respecting the person whose writing I happened to inquire about. It was like you to remember the circumstance; I had quite forgotten it. Your message reminded me of it again. I can’t imagine what association I had with a hand like that, but I surely had some.”

“You had some?” Mr. Tulkinghorn repeats.

“Oh, yes!” returns my Lady carelessly. “I think I must have had some. And did you really take the trouble to find out the writer of that actual thing—what is it!—affidavit?”

“Yes.”

“How very odd!”

They pass into a sombre breakfast-room on the ground floor, lighted in the day by two deep windows. It is now twilight. The fire glows brightly on the panelled wall and palely on the window-glass, where, through the cold reflection of the blaze, the colder landscape shudders in the wind and a grey mist creeps along, the only traveller besides the waste of clouds.

My Lady lounges in a great chair in the chimney-corner, and Sir Leicester takes another great chair opposite. The lawyer stands before the fire with his hand out at arm’s length, shading his face. He looks across his arm at my Lady.

“Yes,” he says, “I inquired about the man, and found him. And, what is very strange, I found him—”

“Not to be any out-of-the-way person, I am afraid!” Lady Dedlock languidly anticipates.

“I found him dead.”

“Oh, dear me!” remonstrated Sir Leicester. Not so much shocked by the fact as by the fact of the fact being mentioned.

“I was directed to his lodging—a miserable, poverty-stricken place—and I found him dead.”

“You will excuse me, Mr. Tulkinghorn,” observes Sir Leicester. “I think the less said—”

“Pray, Sir Leicester, let me hear the story out” (it is my Lady speaking). “It is quite a story for twilight. How very shocking! Dead?”

Mr. Tulkinghorn re-asserts it by another inclination of his head. “Whether by his own hand—”

“Upon my honour!” cries Sir Leicester. “Really!”

“Do let me hear the story!” says my Lady.

“Whatever you desire, my dear. But, I must say—”

“No, you mustn’t say! Go on, Mr. Tulkinghorn.”

Sir Leicester’s gallantry concedes the point, though he still feels that to bring this sort of squalor among the upper classes is really—really—

“I was about to say,” resumes the lawyer with undisturbed calmness, “that whether he had died by his own hand or not, it was beyond my power to tell you. I should amend that phrase, however, by saying that he had unquestionably died of his own act, though whether by his own deliberate intention or by mischance can never certainly be known. The coroner’s jury found that he took the poison accidentally.”

“And what kind of man,” my Lady asks, “was this deplorable creature?”

“Very difficult to say,” returns the lawyer, shaking his head. “He had lived so wretchedly and was so neglected, with his gipsy colour and his wild black hair and beard, that I should have considered him the commonest of the common. The surgeon had a notion that he had once been something better, both in appearance and condition.”

“What did they call the wretched being?”

“They called him what he had called himself, but no one knew his name.”

“Not even any one who had attended on him?”

“No one had attended on him. He was found dead. In fact, I found him.”

“Without any clue to anything more?”

“Without any; there was,” says the lawyer meditatively, “an old portmanteau, but—No, there were no papers.”

During the utterance of every word of this short dialogue, Lady Dedlock and Mr. Tulkinghorn, without any other alteration in their customary deportment, have looked very steadily at one another—as was natural, perhaps, in the discussion of so unusual a subject. Sir Leicester has looked at the fire, with the general expression of the Dedlock on the staircase. The story being told, he renews his stately protest, saying that as it is quite clear that no association in my Lady’s mind can possibly be traceable to this poor wretch (unless he was a begging-letter writer), he trusts to hear no more about a subject so far removed from my Lady’s station.

“Certainly, a collection of horrors,” says my Lady, gathering up her mantles and furs, “but they interest one for the moment! Have the kindness, Mr. Tulkinghorn, to open the door for me.”

Mr. Tulkinghorn does so with deference and holds it open while she passes out. She passes close to him, with her usual fatigued manner and insolent grace. They meet again at dinner—again, next day—again, for many days in succession. Lady Dedlock is always the same exhausted deity, surrounded by worshippers, and terribly liable to be bored to death, even while presiding at her own shrine. Mr. Tulkinghorn is always the same speechless repository of noble confidences, so oddly out of place and yet so perfectly at home. They appear to take as little note of one another as any two people enclosed within the same walls could. But whether each evermore watches and suspects the other, evermore mistrustful of some great reservation; whether each is evermore prepared at all points for the other, and never to be taken unawares; what each would give to know how much the other knows—all this is hidden, for the time, in their own hearts.

Librivox Recording: Chapter 11
Librivox Recording: Chapter 12