Revolutionary Roads: Robert Kramer at the Harvard Film Archive

RK Route1 Poster

A long-form poet of political cinema, Robert Kramer (1939-1999) may be the greatest American filmmaker we hardly knew. His unique alloys of fiction and documentary chronicle the doings and undoings of the revolutionary Left from the Sixties through the Eighties. Yet the perspectives offered in his films are prismatically personal: the hesitations of a militant on the eve of armed revolution, the ambivalent patriotism of a returning exile, the passions and prejudices of a lobster fisherman and a sardine-canning woman, a Southern Baptist campaigner and a New England Wiccan, inheritors of Civil War pedigrees and immigrants recently arrived. Although Kramer died before Bush fiascos and Obama prospects, his vigilant examinations of the American experience remain moving and timely.

Nearly a decade after his death, a trio of Kramer’s highest-impact films returns to the Harvard Film Archive, September 26 to 28, in “Robert Kramer’s Reports from the Road.” “Ice” (1969), the earliest work, is a pseudo-documentary thriller set within the operations of a militant radical group. “Milestones” (1975) tracks a set of loosely connected characters amid a sedated political landscape, as each seeks out a conscionable existence through communal, familial, or individual transformation. In the five-month-long drive (and 255-minute-long footage) that gives us “Route One / USA” (1989), Kramer delivers a rich array of under-represented voices along the highway from Fort Kent to Key West—in the spirit of a Robert Frank or a Studs Terkel, and resulting in nothing less than a people’s history of the late 80s.

A longer Kramer series unfolded this July at the Anthology Film Archives in New York. Although, yet precisely because, Kramer’s work is nearly impossible to find in library collections or to purchase copies of—and the following clips are both utterly unrepresentative and already rare—no one with even the faintest interest in the documentary tradition or in the American century at twilight should miss these screenings. (In a heartening nod to Kramer, incidentally, the annual summer International Seminar on Documentary Film has been calling itself Doc’s Kingdom.)

A clip from “Ice”:

A clip from “Milestones”:

A clip from “Route One / USA”:

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