Las Vegas is a crazy place. Picturing CES shows some of that. There’s more to come.
Just noticed I have 394 potos tagged lasvegas here and another 77 here.
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Las Vegas is a crazy place. Picturing CES shows some of that. There’s more to come.
Just noticed I have 394 potos tagged lasvegas here and another 77 here.
Years ago at a small event the give-away schwag was an insTand portable laptop tripod. We set it up once, couldn’t figure out how to break it down again, and put it the first of a series of storage closets. We’ve lived 9 places in 10 years, I’m sure it’s been transported between at least half of them.
Anyway, during this last trip back to Santa Barbara it occurred to me that this little stand would be ideal for my wife, who likes to use her laptop in the living room of the apartment we’re renting near Boston. So I finally figured out how to break it down and set it up again, then stuffed it in a bag that I carried here to Las Vegas, en route back East.
A few minutes ago I decided to use it here at my hotel, where, as always at hotels, the desk is uncomfortably high, and was giving me shoulder cramps.
Now I wish I had discovered this thing years ago. Yes, it’s a little shaky (it’s very light), but that’s my only quibble. Otherwise it does a great job serving as an artificial lap that stands between my knees while I sit upright in a comfortable chair. (This hotel has one of those, at least.) Since the flat part of the stand that supports the laptop is aluminum and open underneath, it makes a good heat sink and keeps the hot bottom of the laptop off my legs. And it can be adjusted not only for height but for angle as well. Pretty slick.
Even at the $99 list price, I’d say it’s worth it. And I’m betting that there are plenty of discounts out there.
In any case, the insTand may be the most useful piece of schwag I’ve received. Highly recommended.
I watch little television, so I’ve felt comfortable ignoring the writers strike, which has been going on since November.
But it’s hard to escape the strike’s effects while hanging out in Southern California, where writers of movies and TV shows are essential to what they call The Industry here.
Not surprisingly, a search for a bracing perspective on the matter took me to Articulation and Activism: In Praise of Screenwriters … and “Hackwriters” Too — a post last month by my old friend and colleague Stephen Lewis at his blog Hak Pak Sak. His core points:
| The strikers’ demands focus on residuals from new and emerging distribution channels — especially the internet. Over the last decades, writers time and again missed the boat on gaining a fair share of earnings from the recycling of their work via new media, including videocassettes and DVDs. Now, they are determined not to repeat this mistake with internet distribution. All of us who who are paid job-by-job for our labor and/or creative abilities should back the strikers in whatever ways we can. The same goes for those of us who believe in the future of internet as the primary distribution channel for news, opinion, knowledge, and entertainment and who understand that media are just what the word implies, i.e. “dark fiber” and “empty pipes”, vehicles for conveying content and no more. In the end, backing the strike means willingness to pay for internet content, directly or indirectly, and to pressure those who charge for content, i.e. the owners of networks and other marketing shells, to ensure that a fair share of the life-long earnings of productions goes those who create them. |
Steve has also been active in ProjectVRM, and his post moves me to point out that VRM should, among other things, create business models that facilitate “willingness to pay” for writing and other “content” in the open marketplace where the users of that content have wide-open choices over what to pay for creative goods and how to relate to creators. Our job is to create that “how”. Hollywood won’t, and perhaps can’t. Certainly not without our help, anyway.
That “how” needs to lower the friction involved in “willingess to pay” in the direction of zero. That is, the cost in time and effort required to pay must move toward zero until the willingness to pay exceeds the same value. This challenge first faced us with Napster, and nearly all “solutions” from the supply side since then have ranged from harmful to inadequate.
The will to pay fair sums for perceived value needs to be melded with technology that facilitates 1) working relationships (on an elective basis for both supply and demand), and 2) efficient transaction. Neither can be scaffolded on the old supply-controlled systems that feel threatened by the Net. Nor can it be built on an artist-by-artist or distributor-by-distributor basis, because that will just result in countless narrowly-focused and incompatible CRM (customer relationship management) systems, such as those we see today with public broadcasting, where CRM systems restrict listeners and viewers to paying for freely available creative goods only through hundreds of different channels comprised of stations that mostly comprehend relationship only in terms of “membership”.
Nor can it be built only inside some large company’s walled garden. The most free markets will be built on the most free customers — and the most creative and resourceful suppliers and intermediators.
VRM systems need to leverage the freedom and facilitate the independence of individuals, and their ability to make their own choices. They must enable passive consumers to become active customers. It must help demand find and drive supply at least as well as supply drives and creates demand. A healthy market ecosystem with have both. Not just the latter.
The markets that arise from independent and enabled customers will be incalculably varied and large. And some of the largest potential facilitators of those markets — especially those without stakes in the old distro systems — are in an ideal position to help out here, and to break free of their own old failing or hidebound business models. (Hear that, phone companies? Retailers? Banks and credit card companies?) This is the Intention Economy I wrote about almost two years ago. We’ve made progress in that direction (especially around identity), but we still have a long way to go.
More at How VRM can help CRM get past DRM and some other links I don’t have time to find right now. Gotta pack and leave for CES in Las Vegas. [Later… here’s one.]
Paul Downey: I see two kinds of Twitterers emerging: Twits and Twerps.
Interesting read. Not sure if I’m either, both or neither.
So my good friend Freddy Herrick is a terrific writer with a huge pile of excellent screenplays — screen novels, actually — in the queue. I’ve read some. They’re terrific and deserve production. Toward that end I’ve encouraged Freddy to go ahead and start blogging them as installments. You know, like Dickens.
Which he’s done, at California Below the Waist. His first opus there is The Final Option. The story thus far:
Enjoy. Or better yet, connect. Write to faherrick AT gmail.com.
We’ve been under snow in Boston for all of December; but in our case we missed the white Christmas there, opting instead to visit family and grandbaby in Baltimore, where it was a bit cold but not snowy. Christmas evening, however, we made up for that by hanging in Denver, waiting for a plane to Boise, where things were white again, and getting whiter.
The next morning, after a fabulous breakfast I wrote about on site, we hopped in the rented Subaru Forrester and headed toward Sun Valley. The roads were slick and the accidents were many, so I didn’t do any shooting until we were heading into Shoshone, and taking the Sawtooth Scenic Byway (Idaho 75) north into Sun Valley. That’s where this gallery came from, including the shot above, which was made by The Kid out a side window. Not bad.
We had fresh snow every day in Sun Valley, and even more up at Galena where I did the first cross-country skiing in my life. Beautiful place, with the best lodge food I’ve ever had. Amazingly good, especially considering the remote infrastructure-free location.
Anyway, things stayed white all the way until we were over California airspace yesterday. More pix of those after I get some sleep.
Bruce Steinberg was my best reader, one of my best email correspondents, and one of the best friends I’ve never met in the flesh. We always talked about getting together, but never made it work.
This morning I received an email with news that Bruce passed away yesterday after a brief illness. He was 64.
I just put up a post about Bruce, over at Linux Journal.
If you knew Bruce, or have some links to add to the short list I put up there, please add them to the comments under that post, or send me pointers to blog posts of your own.
The self-described “Multi-Award Winning Super-Producer and Director” has just put out a press release that begins,
| SANTA BARBARA, Calif. & LOS ANGELES–(BUSINESS WIRE)–Santa Barbara Arts TV today announced that they have formed a content and advertising partnership with YouTube, now allowing the YouTube community to engage, interact and monetize the Exclusive, A-List Social Media Content on The Santa Barbara Arts TV YouTube Brand Channel at http://www.youtube.com/SBARTSTV. |
A few (among many) money grafs down is this pair:
| Santa Barbara Arts TV content is now monetized through our YouTube Partner Channel via Google AdSense Video Units and The Google AdSense YouTube Video Units Player. Santa Barbara Arts TV Content is now listed in the AdSense Content Providers Area as Santa Barbara Arts and AdSense publishers are currently monetizing our content. |
| Google AdSense Video Units enable AdSense publishers to display relevant, targeted video content within a customized, embedded player that’s ad-supported. Google is working with select YouTube content partners including Santa Barbara Arts TV to supply the video content. AdSense Video Units Program is available in the US and will roll-out to the UK, Ireland, Canada and new countries where video units are available allowing the enabling and enriching of websites and blogs with relevant video content while enabling Webmasters and Bloggers to earn extra revenue from the relevant, non-intrusive ads that accompany the videos. |
As if this weren’t scammy (and spammy) enough, there’s THE OFFICIAL SANTABARBARAARTSTV.com YOUTUBE PARTNER CHANNEL itself. It contains this subtle message from Cliff:
| WE ARE ADSENSE ENABLED!!! WEBMASTERS AND BLOGGERS MAKE MONEY THROUGH YOUTUBE AND GOOGLE ADSENSE…SPEAK THE TRUTH AND HELP PEOPLE AND CHARITIES AND KARMA WILL LOOK OUT FOR YOU..RESIST NEGATIVITY..SHOW COMPASSION TO THE MISGUIDED…LIVE YOUR DREAMS…DO NOT MISUSE PEOPLE…BE LOVE BE LOVED…WEBMASTERS AND BLOGGERS MAKE MONEY THROUGH YOUTUBE AND GOOGLE ADSENSE AND THIS PROGRAM IS NOW AVAILABLE IN AMERICA AND SOON TO ROLL OUT IN OTHER COUNTRIES IN A STAGGERED ROLLOUT AND THE PUBLIC CAN NOW MAKE MONEY FROM OUR YOUTUBE CHANNEL THROUGH GOOGLE ADSENSE WELCOME TO THE YOUTUBE MONEY CASHCOW REVOLUTION: SANTA BARBARA ARTS IS ONE OF THE HUNDRED COVETED ORIGINAL YOUTUBE PARTNERS WHO IS CURRENTLY ADSENSE YOUTUBE VIDEO UNITS ENABLED. |
| MEANING PEOPLE, CHARITIES, WEBMASTERS, BLOGGERS, WEBSITE CREATORS CAN ALL MAKE MONEY NOW, THIS IS AN ECONOMIC REVOLUTION. COURTESY OF YOUTUBE. |
| THE SECRET THE SECRET OF ATTRACTION IT IS NO SECRET IT IS A GIFT WE GIVE AND WE GET! POSITIVE KARMA |
| NAMASTE |
Cliff seems to be a happy guy who enjoys what he’s doing, so … what the hell.
[later…] Cliff, clearly a good-natured guy, posted a response here.
Best Christmas music video. Drifters. Circa 1955, as I recall. That’s Clyde McPhatter behind the white reindeer’s lip-sync. And Bill Pinkney as Santa. Or vice versa. Bonus Elvis link.