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About an hour into Southern Illinois after watching St. Louis’ Gateway Arch recede from our rear-view mirrors, we were met along Interstate 70 by an even more surreal giant totem: a white cross, rising oddly out of a field next to the highway and behind a bunch of industrial buildings. So we shot a bunch of pictures of it and kept on trucking. Later I looked up giant cross 70 illinois and found Effingham, Illinois – Giant Cross, at RoadsideAmerica.com:

In case a nearly 200-foot cross isn’t surreal enough for you, this site is enhanced by ten rock-shaped (as in “Rock of Ages”, natch) speakers next to the stone tablets for each Commandment, blasting out what sounds like the stuttering instrumental break from Pink Floyd’s “One Of These Days.” Press a button by each station and hear a bit of wisdom appropriate to the given Commandment. [Aqua Larva, 10/28/2006]

Now I’m sorry we didn’t stop.

(By the way, I’m posting this from the passenger seat of our car, heading toward Cleveland just past Columbus in Ohio on Interstate 71. Gotta hand it to Verizon: EvDO actually works here. It’s the first stretch on the whole trip where the connection has stayed up.)

One disappointment of my Canon 30D camera is that the colors, while almost clinically accurate, are not as rich as they were on my old Nikon Coolpix 5700. The Coolpix is now a five-year-old model, with only 5 megapixels and no switchable lenses or anything. Yet it took some outstanding shots. The one above was taken at SBA, the Santa Barbara Airport, through a chain link fence. Shots in that series are still among my faves.

With help from the excellent Danny Silverman, here in the Berkman geek cave, the old “Colonel Sanders” banner is now at the top of the new blog.

Seems pretty good to me. What do ya’ll think?

Crafts in the can

That’s toilet paper origami, found via the Junkyard Sports Community. Bonus kick: Flashlight art.

One of the things I like best about digital photography is seeing results and learning from them immediately. In shots like the one above, for example, I could see that the time exposure actually worked, even from an airplane flying at hundreds of miles an hour. I not only see what I got right away, but I know exactly what settings produced the exposure, and I don’t have to waste a roll of film and a pile of prints to see the result.

Shots like these also fool the photo processing systems too. Those systems often think night shots like these are underexposed and compensate by overexposing them in the printing process. To get the shot above to work with film, I’d probably need to bring the negative back in with specific instructions to enlarge it properly.

It’s also interesting for me to see, often months after I’ve posted them, which pictures people remark upon or call favorites. The one above, for example, I shot on June 6 of last year. Since then it has been called a favorite by five different people, all at different times, including once a few hours ago, which is how it returned to my attention.

The shots of mine that others call favorites are often not my own favorites. Yet the fact that others have “favorited” these is interesting and rewarding to me. It’s also taught me not to edit too heavily. Better to throw a pile of stuff up there than to post only those shots I consider most worthy.

Also, how people relate to photographs differs from one online photo service to another. For example, Tabblo (born in Cambridge, MA) supplements Flickr pefectly as a place to assemble photos into montages or “tabblos” that can, if you like, be printed in a variety of forms. (Disclosure: I’ve consulted Tabblo in the past.) Thanks to mashable web services, I can flow my Flickr sets into tabblos. It’s interesting to me that this tabblo has had 14 comments (two by me, in response to others), including two favorites (not by me), out of just 90 views. Meanwhile the original photo set on Flickr has had 2 comments out of 244 views. For the Tabblo set that’s more than 10x the rate of commenting on way less than half of the viewing of the same set on Flickr.

What would be my own favorites, among either photos or sets or tabblos? I’ll post a few here over the coming days or weeks, to see if any of the rest of ya’ll agree.

I’m in one of the yellow areas in the dopper radar map above. My wife and kid are in a rental car in a dark red area, driving into BWI for a flight home that I suspect may be delayed. Meanwhile power is out at my daughter’s family’s house. I’m sitting in a chair on the front porch, enjoying the thunderstorm, connected to the Net by EvDO on the cell system. It’s an old neighborhood, so the yard and road are shaded by large old oak, maple and elm trees. The rain drips twice in front of the porch, once from the sky onto the house and trees, and once from the leaves onto the ground. I don’t see much lightning, but the thunder is a low, almost constant rumble, tumbling across the sky, as if vast boulders were rolling around on an invisble metal ceiling. Tire treads from cars rolling by make long kissing sounds on wet pavement. These too have doppler effects, rising in tone on approach and dropping as they depart. There is an urgency to driving I don’t share here on the porch. We are in two different Newtonian states: bodies in motion and bodies at rest. Observation by drivers is mandatory, but only through narrow cones of relevance, one constantly oncoming, the other receding in rear-view mirrors. Observation by trees and porch-sitters is optional. Which makes this post an indulgence.

I have Linux Journal work to do. That’s fun too, watching from afar what’s happening at Linux World Expo in San Francisco. The Net too is a natural environment: a true public marketplace of the ancient type — a noisy place where people gather to do business and make culture. Yet even as we enlarge this place more every day, it seems we understand it less. The Net, for all its finite and fully revealed complexities, is no less mysterious the rest of Creation. Life is nothing if not extravagant and original and mysterious at its original core — on the Net no less than ground soaked by rain.

Recently at Harvard we had a meeting where the subject of the Internet as a “public good” was discussed. For all the excellent thought and conversation we shared, it seemed to me we failed, unavoidably to grip a fundamental question from which all answers must be gounded. Namely, What is the Net?

We have knowledge of this no less than we have knowledge of life. We know it, we experience it, yet we cannot explain the origins of its origins, which are neither chicken nor egg. Whitman writes,

The press of my foot to the earth
springs a hundred affections.
They scorn the best I can do to relate them.

These are the thoughts of all men in all ages and lands.
They are not original with me.
If they are not yours as much as mine
they are nothing or next to nothing.
If they do not enclose everything they are next to nothing.
If they are not the riddle and the undying of the riddle
they are nothing.
If they are not just as close as they are distant
they are nothing.

This is the grass that grows
wherever the land is and the water is.
This is the common air that bathes the globe.

Is the Net no less a globe than the one on which we walk? I wonder.

We made the Net. We are its gods. Yet our voices are not those of burning bushes. They are the buzz of the public marketplace. Is this place — where you and I are now — any less holy, or even primeval, than a forest floor? I suggest it isn’t, because at its core is a fecund nothingness: a zero-distance void between you and I and each of us who choose to connect on it. The working distance between you and I right now is less than between myself and the family inside this house — a fact that slightly bothers me. Yet, when I shut the lid on this laptop, the distance between you and I will return to the finite: no less close than that between readers and the authors of books. Now the proximal is returned to advantage: I will step inside a door to visit a baby just a few days old: a full self where a year ago there was none. When he becomes conscious of his own original mysteries, what will he see?

Here’s what Whitman saw:

Rise after rise bow the phantoms behind me.
Afar down I see the huge first Nothing,
the vapor from the nostrils of death.
I know I was even there.
I waited unseen and always.
And slept while God carried me
through the lethargic mist.
And took my time.

Long I was hugged close. Long and long.
Infinite have been the preparations for me.
Faithful and friendly the arms that have helped me.

Cycles ferried my cradle, rowing and rowing
like cheerful boatmen;
For room to me stars kept aside in their own rings.
They sent influences to look after what was to hold me.

Before I was born out of my mother
generations guided me.
My embryo has never been torpid.
Nothing could overlay it.
For it the nebula cohered to an orb.
The long slow strata piled to rest it on.
Vast vegetables gave it substance.
Monstrous animals transported it in their mouths
and deposited it with care.

All forces have been steadily employed
to complete and delight me.
Now I stand on this spot with my soul.

I know that I have the best of time and space.
And that I was never measured, and never will be measured.

I tramp a perpetual journey.
My signs are a rainproof coat, good shoes
and a staff cut from the wood.

Each man and woman of you I lead upon a knoll.
My left hand hooks you about the waist,
My right hand points to landscapes and continents,
and a plain public road.

Not I, nor any one else can travel that road for you.
You must travel it for yourself.

It is not far. It is within reach.
Perhaps you have been on it since you were born
and did not know.
Perhaps it is everywhere on water and on land.

Shoulder your duds, and I will mine,
and let us hasten forth.

Humans are traveling animals. More than upright walkers, we are runners. I have read that a healthy young adult, or a small pack of them, can run almost indefinitely, and surely exhausted many a meal. The human diaspora spread out of Africa like a stain across everywhere on water and land, all in in the span of a few dozen millennia. Now our shouldered duds are laptops and cell phones, and no longer just staffs cut from wood. Is this bad? I suggest it is no less natural. We are less “digital natives” than beings that extend their senses and powers by making tools and then making things from those tools that further extend their senses and powers. By powers of indwelling our vehicles become extensions of our greater selves. It is not for lack of fact that drivers speak of “my fender” and fliers speak of “my wings”. We are skilled at being far more than our fleshy sleves. And we lean toward movement, always hastening down the public road.

Whitman concludes,

The spotted hawk swoops by and accuses me.
He complains of my gab and my loitering.

I too am not a bit tamed. I too am untranslatable.
I sound my barbaric yawp over the roofs of the world.

The last scud of day holds back for me.
It flings my likeness after the rest and true as any
on the shadowed wilds,
It coaxes me to the vapor and the desk.

I depart as air.
I shake my white locks at the runaway sun.
I effuse my flesh in eddies and drift in lacy jags.

I bequeath myself to the dirt and grow
from the grass I love.
If you want me again look for me under your boot soles.

You will hardly know who I am or what I mean.
But I shall be good health to you nevertheless.
And filtre and fiber your blood.

Failing to fetch me at first keep encouraged.
Missing me one place search another
I stop some where waiting for you.

Here, for example. Wherever this is.

I’m in Baltimore for about a week, enjoying good times with family. And with the city. In spite of all the publicity by Poe, Mencken, Levinson, Waters, and a pile of fine sports teams, Baltimore remains one of the most overlooked cities in the world — a singular center of shipping, education, industry, medicine, science, history, government, art, sports fanaticism and other signs of advanced civilization. All those virtues make for fun exploration, too. Which I’ve done every time I’ve come here.

Of course, I’ve shot pictures. Click on the one above (from Fort McHenry) for all 244 shots I’ve tagged “Baltimore”. In addition to photosets here, here and here, it includes shots from the sky — such as this one, taken at night from high overhead on a flight from Los Angeles to Boston.

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