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MOLTENI NET WORKSAs a (literally) old basketball player, I have always hated dealing with net-less hoops. Full satisfaction for a shot well made requires a net. But nets do wear out. Schools and cities fail to replace them. So I sometimes take matters into my own hands, and replace nets personally.

This is also what Maria Molteni does, but in a far more artful and fun way.  She explains,

MOLTENi NET WORKS function simply. Participants will hand-crochet basketball nets to be installed on hoops where such are missing or damaged. I’ve created a blog and gmap to keep track of spaces where nets have been installed or have yet to be. Contributors may follow the progress of the project, reporting sightings and requests for nets in their own neighborhoods. Efforts have begun locally, and spread to additional projects such as artist Kevin Clancy’s “Portable Utopia” in Johannesburg. I aim to engage other creative enthusiasts collaborating via workshops and skill shares to fabricate nets and exchange new design ideas.

This good work is what earned MOLTENI NET WORKS an Awesome Foundation award in February from the Boston chapter, of which I am a trustee. We have never had a more deserving recipient. Here’s what Kara Brickman reports in our latest blog post:

The MOLTENi NET WORKS project is well underway with a recent exhibit at Cambridge’sMEME Gallery in Central Square that also included workshops where participants were able to hand-crochet basketball nets to be installed on bare hoops. Efforts have begun locally in Allston, MA and there are several local organizations (Boston include Artists for Humanity, Villa Victoria Center for the Arts, Design Studio for Social Intervention, and Massart’s Fibers Department) interested in putting on more workshops.

If you’d like to get pitch in, there are a few ways you can get involved.

  • Give your time and skills by attending a workshop and putting in some elbow grease making nets.
  • Kick in to the Kickstarter fund so that the MOLTENi NET WORK project can extend it’s reach across the globe…

I’ll make the party. And I can’t wait to drop some three-pointers through one of those colorful new nets.

And enjoy more of Maria’s art here.

So I’d like to find authoritative sources for two quotes. Here’s the first:

“I prefer the company of younger men. Their stories are shorter.”

No idea where I got that one. It’s too right not to be real, but I can’t a source yet. (That’s a job I’m giving ya’ll.)

The second quote I memorized instantly while reading a book, though I don’t remember which one.  (I’m guessing it was .) This is what Hughes said Parker wrote in a guest book at William Randolph Hearst‘s when the old man was still living with his consort, the actress :

“Upon my honor
I saw a madonna
standing in a niche,
above the door
of the private whore
of the world’s worst
son of a bitch”

Could be I’m one wrong about that one too. Dunno. Sources and corrections, anyone?

Tags:

“Social networks” are getting out of control. And I don’t mean their control. I mean your control and mine. Here’s an image to keep in mind while you read the rest of this post:

The calf is you or me. The cow is just one of our many social networks. Here’s how the situation looks from my browser…

  • I have 840 contacts . I won’t call them friends, though some of them are. A few are relatives, but most are neither. They’re people I’ve met or had contact with, somehow, somewhere. I also have 675 “friend requests.” If you’re on that list and want to contact me, find another way, since I avoid Facebook for all but the unavoidable (such as, say, a reunion that’s being organized by relatives).
  • I have 480 contacts , most of which I know about as well as my contacts on Facebook. I also belong to one Linkedin discussion group that I haven’t figured out how to deal with yet, mostly because I prefer my discussion groups in email, where I can sort them out into boxes of my own making. I see that Linkedin now also has updates on the Twitter model (and via Twitter). I see why they do it, but I don’t need it.
  • I have 212 contacts on Flickr (plus more through three other accounts). I don’t know and don’t follow most of those contacts, because to me Flickr is is for sharing photos with the world in organized ways. While I appreciate the groups there, I’ve organized none, and when my photos show up in some, it’s always because other people — most of which I don’t know — have put them there. I also know few if any of the people who have put more than 200 of my photos on Wikimedia Commons, a gallery of photos eligible for inclusion in Wikipedia articles. (And, in fact, most of my shots in the Commons are also in Wikipedia.) Again, this is not a social effect. Also note that in the Wikipedia case that there isn’t a business model anywhere in sight (aside from the $50/year I gladly pay for my two “pro” Flickr accounts).
  • I follow 1352 entities (most are people, some are companies or organizations) , and am followed by 13,096 others. I am sure most of us, whoever (and whatever) we are, don’t know each other. I use Twitter to find and share interesting stuff in short postings. This may be “social,” but only in a very loose sense.
  • I don’t know how many “friends” or contacts I have on Google, because I can’t find a number, or a list. My iGoogle page (which I view in just one of the four browsers I use) lists eight alphabetically before it runs out out of space at the letter N. I don’t know how to scroll down to see the rest, and I’m not much interested in trying. In any case the number is a tiny subset of lists elsewhere. For what it’s worth, I use Google’s services for many different things (docs, self-organized groups, mail de-spamming), but “social” stuff is not among them.
  • The address book on my computer lists 1162 cards, including a growing number of dead people, dead companies, and dead numbers from live companies. Yesterday I weeded the number of Verizon contact numbers down from six to one.
  • My main chat client, which spans four different contact lists and accounts (AIM-iChat, Google, Linux Journal and the Berkman Center), currently shows 35 available. I don’t know what the total number of contacts there is. Several hundred, I guess.
  • My other chat account, Skype, doesn’t integrate with those in the last paragraph and doesn’t give me a count of people online and off. I’m guessing I have about fifty contacts there.

The job of integrating all of these is mine, and I don’t bother, because the tools for doing that don’t yet exist — at least not in sufficient maturity for me to contemplate using them. Thus I am not yet what calls the point of integration for my own data. In fact I can’t be, because most of the data in these “social networks” is not mine. Functionally (if not also legally), it’s theirs. And I’m just a calf for each of them.

Of course, all these companies want to help me do everything, by leveraging the “social” data they have about me. Mostly they give me advertising that doesn’t help, but sometimes they just try to improve their meat and potatoes with “social” gravy. The latest example is Google, with “” recommendations. These augment Google’s third improvement to , through a button “to publicly give something your stamp of approval.” The idea: “Your +1’s can help friends, contacts, and others on the web find the best stuff when they search,” because “sometimes it’s easier to find exactly what you’re looking for when someone you know already found it.”

Why does Google think we want to “find the best stuff” all the time — as if all we do is shop, or something like it? Sure, they make their money with advertising, but I think the real reason is that they can’t resist the temptation to route “social” signals into everything else. Hey, it’s what the other kids are doing.

Since so much of what those kids do is invisible to us, they try to get away with all kinds of stuff. For more on what they’re doing, read The Wall Street Journal‘s What They Know series  http://wsj.com/wtk), and Joe Andrieu’s ISharedWhat Facebook login simulation site, which shows you how much personal data — yours and your friends’ — might get spilled every time you click on one of these:

They get away with it because the calf-cow system allows it. Also because the World Wide Ranch is getting really freaking huge. By some counts there are more than a billion commercial sites on the Web. Just by the sheer numbers involved, the default assumption is that most searches have commercial purposes. That’s what you’re likely to find in any case.

It’s interesting that non-advertising search results are now called “organic,” as if they were some kind of marginalized exception, of interest only to to a few obsessive purists.

Says Wikipedia, “Organic search results are listings on search engine results pages that appear because of their relevance to the search terms, as opposed to their being advertisements. In contrast, non-organic search results may include pay per click advertising.” How quaint and retro, to think that some search results should simply be relevant to search terms, without commercial prejudice by the search engine.

In respect to Google’s recent search improvements, I submit that organic searches are still what people want most, and that “social” help is marginal at best and distracting at worst.

Take yesterday morning, when I was wondering what accounts for ground conductivity. This was, admittedly, an idle distraction of the sort I wrote about later in the day, in World Wide Puddle. I mean, I didn’t really need to know what accounts for ground conductivity, especially since it’s a question I’ve had for about fifty years, and I haven’t suffered for lack of an answer. But search engines are here for a reason, so I looked again.

Google says it finds more than six million results in a search for “ground conductivity”. The top result is the FCC’s M3 maps page, which I’d expect. These maps explain why, for example, , a 5000-watt radio station on 570am in Yankton, South Dakota, has a signal that reaches from Canada to Oklahoma, while WWNC, a station on the same channel in Asheville, North Carolina, operating with the same power, covers an area only a fraction the size of WNAX’s. For a broadcast engineering junkie like me, this is catnip, but it doesn’t explain why ground conductivity varies from one region to another. I mean, why does flat ground in Long Island have almost no ground conductivity (0.5 mhos/meter) while equally flat ground around Dallas has very high ground conductivity (30 mhos/meter). Why do mountains in New England have low conductivity (2-4 mhos/meter) while mountains in coastal California have high conductivity (8-30 mhos/meter)? The M3 maps don’t say.

In the second result, Wikipedia saysGround conductivity refers to the electrical conductivity of the subsurface of the earth.” But that’s about it.

The third result, from Tom K1JJ, tells how to measure ground conductivity, but doesn’t explain the cause.

Next is a Facebook page on the subject, with a write-up lifted straight out of Wikipedia. It is recommended to me, with thumbs up, by two people I know: a nephew of mine and a fellow broadcast engineering obsessive. There is no discussion, and the page says “0 people like this”.

Two decades ago, when Compuserve hosted a large variety of excellent forums, I belonged to a broadcast engineering social network of sorts (though few of us met in real life). But today I don’t have one, even on Facebook — and the rest of my many “social networks” are no help with searches like this one.

Hmm… I just thought, “maybe Quora could provide some help. I just went there in the browser where Quora’s cookies for me are parked. It still wants me to log in, and a minute has passed while the progress thing on the bottom of the page says “Waiting for Facebook.” Okay, I’m there now, and I just put up the question, “What causes ground conductivity?”. According to Quora, I have “981 Followers, 485 Followingand “6 @Mentions” there. Will one or more of them get me an answer? Interesting experiment. We’ll see.

Whatever happens on Quora, I have no faith that my searches on Google will be improved by anybody’s “+1,” any more than my searches have been improved by “social” whatever. Here’s why: usually I’m looking for something very specific. And often what I’m looking for is not for sale.

In most cases I use Google and Bing the way I use a dictionary: to look something up. I don’t need a “recommendation” when I just want to know how to spell “mocassin”. Stand back, everybody. I think the dictionary should have it. Thank you.

I learned about Google’s “+1” feature only this morning, on Sheila Lennon’s blog. There she quotes the same Google post about “+1”:

So how do we know which +1’s to show you? Like social search, we use many signals to identify the most useful recommendations, including things like the people you are already connected to through Google (your chat buddies and contacts, for example). Soon we may also incorporate other signals, such as your connections on sites like Twitter, to ensure your recommendations are as relevant as possible. If you want to know who you’re connected to, and how, visit the “Social Circle and Content” section of the Google Dashboard.

To get started +1’ing the stuff you like, you’ll need to create a Google profile—or if you already have one, upgrade it. You can use your profile to see all of your +1’s in one place, and delete those you no longer want to recommend. To see +1’s in your Google search results you’ll need to be logged into your Google Account.

I just clicked on the Google Dashboard link, and found I had to log in, even though I was already logged in on a different tab in the same browser. This got me into my Google Accounts page, which has a LOT of information in a lot of contexts — all provided by Google. At the top is Gmail. Slightly edited (for the privacy of others), and with links removed, it says,

Gmail
Inbox 5000 conversations
Most recent: [18] new discussions, [15] new comments… at 9:22 AM
All mail 5000 conversations
Most recent: [18] new discussions, [15] new comments… at 9:22 AM
Sent mail 70 conversations
Most recent: ____ on Mar 31, 2011
Saved drafts 46 conversations
Most recent: progress & title on Mar 9, 2011
Chat history 60 conversations
Most recent: Chat with __________ on Mar 11, 2011
Spam 17000 conversations
Most recent: Copy of a Gucci watch is what you need … at 9:40 AMTrash 60 conversationsMost recent: Re: Sharing my TEDx Talk: The Unclear Path at 11:01 PM

First, I almost never go to Gmail in a browser. In fact, few people know my actual Gmail address (which is silly and has nothing to do with my real name). All mail to me at Searls.com gets routed to my Gmail account, which I use to filter out spam. I then pick up mail there from my IMAP account, which keeps copies at the server, or “in the cloud” as we now like to say.

Second, what makes Spam or Trash “conversations”? I’ll go to my grave being known as the main guy responsible for the “markets are conversations” meme, but usage like this makes me regret it.

Following Gmail on my Accounts page are:

  • Google Video (nothing uploaded)
  • Groups (33 total, mostly inactive, and not including two I just killed off)
  • Health (1 profile, which I gave up filling out long ago)
  • iGoogle (14 gadgets, 1 tab)
  • Latitude (disabled, because I like not being tracked)
  • Product search (shopping list has two items: the most recent of which reads “Most recent: Canon EOS 30D on May 27, 2006″ — a camera I bought long ago)
  • Profile (16 “about me” items, most of which I have kept vague)
  • Reader (36 subscriptions, following 11)
  • Sidewiki (no entries)
  • Sites (1 “shared with me” that I don’t know)
  • Social Circle and Content (which says,
    Direct connections from Google chat and contacts 4 connections with content; Direct connections from links listed on your Google profile 200 connections with content; Secondary connections 1788 connections with content; and Social content 3 links — and I have no idea wtf that all means)
  • Talk (23 contacts, which settles a guess I made above)
  • Web history (most recent for Web, Images, News, Products, Video, Maps, Blogs and Books — but only with this one browser, on this one laptop)
  • YouTube (a profile, plus a paucity of stuff under uploads, history, favorites, subscription, contacts and personal messages)
  • Other products (“11 additional products are not yet available in this dashboard – Show all”)

So I just spent twenty minutes weeding through and cleaning up all that stuff. I could spend similar sums of time doing the same on Linkedin, Flickr and other services. But I would rather have my own way of keeping personal information straight with myself, and sharing it selectively and when I felt like it. That’s what VRM development going on in the Personal Data Ecosystem is about. I won’t go into all the projects, but the idea they share is that each of us, as sovereign individuals, are (as Joe says) the best points of integration for our own data. None of these social sites, no matter how well-intended they may be, can do the job, simply because nothing, and nobody, can be personal for me on my behalf. If puppets are involved, they need to be mine. Not the reverse.

At the Kynetx Impact conference two weeks ago (where much fun was had), gave an interesting talk that summarized what he said last November, in a post perfectly titled
The Third Wave of the Web Will Be Uniquely Personal. He writes about three waves. The first is “information and access” — roughly what I’ve called the “static Web.” The seond is “social.” That’s the stage we’re getting fed up with now. The third is personal:

Now that the world’s information is posted, linked, indexed and searchable, and friends are connecting, sharing, liking, and following, the quest is on to streamline the noise and give the Web another dimension – one not measured by the data, or who led you to the data, but you as an individual. The third wave of the Web, I believe, is going to be about personalization by individual based on that individual’s preferences – explicitly stated or otherwise.

The declaration of the next wave of the Web being personal is not shared universally, of course. Some say the next wave is all about mobile. Others may say the next wave is all about location. But the right approach to ‘personal’ absolutely encompasses each of these things. With our smartphones and tablets being increasingly powerful, they are practically an extension of us, and we are relying on them to discover relevant things, content, places and products for us as individuals. Similarly, our location is an ingredient of who we are – for where we are impacts our decisions, and what tips are relevant, be it for news, for restaurants, lodging, dating or anything else. So “personal” as an individual is both local and mobile.

Excellent. I especially like how smartphones and tablets are extensions of ourselves in the world. (A little more about that here.) Then he adds,

Personal As In Me.

A lot of services say they are “personal”, when in fact, most of what they do is actually social.

These services may leverage your social graph to provide personalized recommendations based on what friends or other people similar to you may like – much like television shows group people of similar demographics to guess what commercials are best suited for which episodes in which time slots. The hope may be that the more your friends like something, the more likely you are to click it or buy it. Peer pressure, you know. Meanwhile, other services say they are personal because you have specifically provided them with information about you and what you like, which goes partway to discovering your interests, but is incomplete, and possibly inaccurate, as you may want to indicate that you are something that you are not, or you may have overlooked some of your own interests in the name of rapid completion.

Beyond these initial attempts is a new wave of companies trying to crack the code of the real you. Of course, my6sense is one of those companies. Our goal is to deliver a personalized experience in all possible aspects of your life, finding the right information for you at the right time in the right context, based on you as an individual. But we are not alone. Take, for example, Hunch.com, which is talking about personalizing the Internet, and says they can build a taste profile for you, based on your own unique interests and tastes. Also, in October, Mike Arrington of TechCrunch previewed Gravity, founded by former MySpace executives. In that piece, which he headlined as “The Personalization War”, he said “I saw my own Interest Graph based only on my Facebook and Twitter streams over the last several months and it’s scary-accurate.”

Louis doesn’t go off the personal rails here. He just doesn’t quite get on, staying instead on the corporate ones:

Gravity says they will help “The right information find you. Hunch says it “Personalizes the Internet”. You’ve heard me talk about my6sense for some time – discovering your “Digital intuition”. Besides the crazy folks like us who are thinking about this constantly, there are other smart companies on the case. Start with personal recommendations from TiVo, Amazon and Netflix. Look at Google Reader Magic and Google’s Priority Inbox for Gmail. Look also at LinkedIn’s purchase of Mspoke for personal recommendations and Facebook’s splitting of the Most Recent feed and that of the News Feed.
Which makes sense: My6sense is his company. Then finally,
The continuing rapid growth of information creation and sharing, combined with pervasive connectivity, increased capability of smartphones and other mobile devices and the growth of location is all pointing us into a direction where the services on the other end have more potential to know you than those of years past, and you have the ability to be inspired by the right information in the right place more than ever before. This is a wave, one that benefits from all these mega-changes in the Web, that small companies and big ones alike are seeing. Maybe there’s another big winner in there, just like there was in the last two. Regardless, the direction is clear. Show me my Web for me.

Sorry, but no. My Web is not their Web. I’m tired of being shown. I’m tired of “experiences” that are “delivered” to me. I’m tired of bad guesswork — or any guesswork. I don’t want “scarily accurate” guesses about me and what I might want.

What I crave is independence, and better ways of engaging — ones that are mine and not just theirs. Ones that work across multiple services in consistent ways. Ones that let me change my data with all these services at once, if I want to.

I want liberation from the commercial Web’s two-decade old design flaws. I don’t care how much a company uses first person possessive pronouns on my behalf. They are not me, they do now know me, and I do not want them pretending to be me, or shoving their tentacles into my pockets, or what their robots think is my brain. Enough, already.

I spoke at Kynetx Impact the night before Louis’ talk. The visuals are on Slideshare. Here is slide 25, which illustrates the problem with the commercial Web’s long-defaulted client-server design:

Wikipedia says, “The client–server model of computing is a distributed application structure that partitions tasks or workloads between the providers of a resource or service, called servers, and service requesters, called clients.”

So, while the Net itself has an end-to-end design, in which all the ends are essentially peers, the Web (technically an application on the Net) has a submisive-dominant design in which clients submit to servers. It’s a calf-cow model. As calves, we request pages and other files from servers, usually getting cookie ingredients mixed in, so the cow can remember where we were the last time we suckled, and also give us better services. Especially advertising.

We have no choice but to agree with this system, if we want to be part of it. And, since the cows provide all the context for everything we do with them, we have onerous “agreements” in name only, such as what you see on your iPhone every time Apple makes a change to their store:

Legal folks call these “contracts of adhesion.” Sez the Free Dictionary,

A type of contract, a legally binding agreement between two parties to do a certain thing, in which one side has all the bargaining power and uses it to write the contract primarily to his or her advantage.

An example of an adhesion contract is a standardized contract form that offers goods or services to consumers on essentially a “take it or leave it” basis without giving consumers realistic opportunities to negotiate terms that would benefit their interests. When this occurs, the consumer cannot obtain the desired product or service unless he or she acquiesces to the form contract.

Here’s the thing: client-server’s calf-cow model requires this kind of thing, because the system is designed so the server-cows are in complete control. You are not free. You are captive, and dependent.

This system has substantiated a business belief that has been around ever since Industry won the industrial revolution: that a captive customer is more valuable than a free one. We’ve built systems that tendentiously affirm that belief, and the commercial Web is chief among those systems today. Correspondingly, on the customer side, we actually believe that a free market is your choice of captor. Even champions of the free market, such as The Wall Street Journal, seem to think this is okay. (Or they wouldn’t keep talking about how telecom giants — occupants of a regulatory zoo they all but own and control — comprise the “free market” at work.)

If the next wave is personal, then we have to bring our own contexts.

Think for a moment about the context of renting a wheelbarrow. If you sign an agreement for that, it’s only to put up a deposit, pay a certain amount, assume liability for whatever harms you might cause with it, and return the thing in good condition. That’s about it.

Or think about what happens when you walk into a shoe store. You don’t have to sign a damn thing. (If you’re lucky, the store won’t require that you belong to their “loyalty” program just to get a “discount” that’s nothing more than a normal price, rather than a higher price they charge to punish non-“members”.) Your context is shopping for shoes. Laws apply, of course. You aren’t allowed to steal things or act in a disturbing way. But nobody stands at the door telling you to stop and sign an agreement — least of all one with clauses (which nearly all adhesive contracts have) saying they have the right to change the terms, and they can do that whenever they please.

We won’t get rid of calf-cow systems, nor should we. They work, but they have their limits, and those become more apparent with every new calf-cow service we join. But we can work around these things, and supplement them with other systems that give us equal power on equal footings, including the ability to proffer our own terms, express our own preferences and policies, and make independent choices.

Louis Gray’s personal wave is for real, and it’s just starting. It’s also what we’ve been building through the last four years with . And it’s starting to catch on. The number and variety of VRM development projects has grown a lot lately, as has the activity level as well.

Naturally, VRM has attracted the interest of major players on the sell side of the marketplace. A month ago I spoke on stage with on stage at the Internet Advertising Bureau conference. (John’s insightful post about “digital plumage” ran in the same timeframe.) Next week I’ll speak at in San Francisco and to a meeting with and in Minneapolis. It’ll be fun.

The message I’m bringing is not about how these companies can improve the cow systems everybody has done so much to build and improve already. It’s about how buyers and sellers are no longer just cattle, and how we now need to prove something we’ve known all along: that free customers are more valuable than captive ones.

is ahead of his time again.  nailed computing as a utility, long before “the cloud” came to mean pretty much the same thing. His latest book, , explored the changes in our lives and minds caused by moving too much of both online — again before others began noticing how much the Net was starting to look like a handbasket.

Thus The Shallows comes to mind when I read Alice Gregory’s in . An excerpt:

I have the sensation, as do my friends, that to function as a proficient human, you must both “keep up” with the internet and pursue more serious, analog interests. I blog about real life; I talk about the internet. It’s so exhausting to exist on both registers, especially while holding down a job. It feels like tedious work to be merely conversationally competent. I make myself schedules, breaking down my commute to its most elemental parts and assigning each leg of my journey something different to absorb: podcast, Instapaper article, real novel of real worth, real magazine of dubious worth. I’m pretty tired by the time I get to work at 9 AM.

In-person communication feels binary to me now: subjects are either private, confessional, and soulful or frantically current, determined mostly by critical mass, interesting only in their ephemeral status. Increasingly these modes of talk seem mutually exclusive. You can pull someone aside—away from the party, onto the fire escape—and confess to a foible or you can stay inside with the group and make a joke about something everyone’s read online. “Maybe you keep the wrong company,” my mother suggests. Maybe. But I like my friends! We can sympathize with each other and feel reassured that we’re not alone in our overeager consumption, denigrated self-control, and anxiety masked as ambition.

Here’s Nick:

On the Net, we face many information faucets, all going full blast. Our little thimble overflows as we rush from tap to tap. We transfer only a small jumble of drops from different faucets, not a continuous, coherent stream.

Psychologists refer to the information flowing into our working memory as our cognitive load. When the load exceeds our mind’s ability to process and store it, we’re unable to retain the information or to draw connections with other memories. We can’t translate the new material into conceptual knowledge. Our ability to learn suffers, and our understanding remains weak. That’s why the extensive brain activity that Small discovered in Web searchers may be more a cause for concern than for celebration. It points to cognitive overload.

The Internet is an interruption system. It seizes our attention only to scramble it. There’s the problem of hypertext and the many different kinds of media coming at us simultaneously. There’s also the fact that numerous studies—including one that tracked eye movement, one that surveyed people, and even one that examined the habits displayed by users of two academic databases—show that we start to read faster and less thoroughly as soon as we go online. Plus, the Internet has a hundred ways of distracting us from our onscreen reading. Most email applications check automatically for new messages every five or 10 minutes, and people routinely click the Check for New Mail button even more frequently. Office workers often glance at their inbox 30 to 40 times an hour. Since each glance breaks our concentration and burdens our working memory, the cognitive penalty can be severe.

The penalty is amplified by what brain scientists call . Every time we shift our attention, the brain has to reorient itself, further taxing our mental resources. Many studies have shown that switching between just two tasks can add substantially to our cognitive load, impeding our thinking and increasing the likelihood that we’ll overlook or misinterpret important information. On the Internet, where we generally juggle several tasks, the switching costs pile ever higher.

The Net’s ability to monitor events and send out messages and notifications automatically is, of course, one of its great strengths as a communication technology. We rely on that capability to personalize the workings of the system, to program the vast database to respond to our particular needs, interests, and desires. We want to be interrupted, because each interruption—email, tweet, instant message, RSS headline—brings us a valuable piece of information. To turn off these alerts is to risk feeling out of touch or even socially isolated. The stream of new information also plays to our natural tendency to overemphasize the immediate. We crave the new even when we know it’s trivial.

And so we ask the Internet to keep interrupting us in ever more varied ways. We willingly accept the loss of concentration and focus, the fragmentation of our attention, and the thinning of our thoughts in return for the wealth of compelling, or at least diverting, information we receive. We rarely stop to think that it might actually make more sense just to tune it all out.

Try writing about the Net and tuning it out at the same time. Clearly Nick can do that, because he’s written a bunch of books about the Net (and related matters) while the Net’s been an available distraction. Meanwhile I’ve spent most of the past year writing just one book, fighting and often losing against constant distraction. It’s very hard for me to put the blinders on and just write the thing. In the last few months what I’ve succeed in doing, while wearing the blinders and getting most of my book writing done, is participating far less in many things that I help sustain, or that sustain me, including projects I’m working on, time with my wife, kids and grandkids, and this very blog. (Lotta white spaces on the calendar to the right there.)

On the whole I’ve been dismissive of theories (including Nick’s) about how the Net changes us for the worse, mostly because my own preoccupations, including my distractions, tend to be of the intellectually nutritive sort — or so I like to believe. That is, I’m curious about all kinds of stuff, and like enlarging the sum of what I know, and how well I know it. The Net rocks for that. Still, I see the problem. I can triangulate on that problem just from own struggles plus Alice’s and Nick’s.

used to say, “Great minds discuss ideas, mediocre minds discuss events, and small minds discuss people.” (Attributed, with some dispute, to Eleanor Roosevelt.) The Net feeds all three, but at the risk of dragging one’s mind from the great to the small. “What else are we doing on the internet if not asserting our rank?” Alice writes. (Would we ask the same about what we’re doing in a library?) Later she adds,

Sometimes I can almost visualize parts of myself, the ones I’m most proud of, atrophying. I wish I had an app to monitor it! I notice that my thoughts are homeopathic, that they mirror content I wish I weren’t reading. I catch myself performing hideous, futuristic gestures, like that “hilarious” moment three seconds into an intimate embrace in which I realize I’m literally rubbing my iPhone screen across his spine. Almost every day at 6 PM my Google Alert tells me that an “Alice Gregory” has died. It’s a pretty outdated name, and most of these obituaries, from family newsletters and local papers, are for octogenarians. I know I’m being tidy-minded even to feel a pang from this metaphor, but still . . .

It’s hard not to think “death drive” every time I go on the internet. Opening Safari is an actively destructive decision. I am asking that consciousness be taken away from me. Like the lost time between leaving a party drunk and materializing somehow at your front door, the internet robs you of a day you can visit recursively or even remember. You really want to know what it is about 20-somethings? It’s this: we live longer now. But we also live less. It sounds hyperbolic, it sounds morbid, it sounds dramatic, but in choosing the internet I am choosing not to be a certain sort of alive. Days seem over before they even begin, and I have nothing to show for myself other than the anxious feeling that I now know just enough to engage in conversations I don’t care about.

The internet’s most ruinous effect on literacy may not be the obliteration of long-format journalism or drops in hardcover sales; it may be the destruction of the belief that books can be talked and written about endlessly. There are fewer official reviews of novels lately, but there are infinitely more pithily captioned links on Facebook, reader-response posts on Tumblr, punny jokes on Twitter. How depressing, to have a book you just read and loved feel so suddenly passé, to feel—almost immediately—as though you no longer have any claim to your own ideas about it. I started writing this piece when the book came out at the end of July, and I started unwriting it almost immediately thereafter. Zeno’s Paradox 2.0: delete your sentences as you read their approximations elsewhere. How will future fiction work? Will details coalesce into aphorism? I wonder if instead of scribbling down in my notebook all the familiar aspects of girls I see on the street, as I used to, I’ll continue doing what I do now: snapping a picture and captioning it, in the words of Shteyngart, “so media.”

I’ll grant that we have problems here, but is literacy actually being ruined? Is long-format journalism actually obliterated? The New Yorker is as thick as ever with six to eight thousand word essays. Books still move through stores online and off. Our fourteen year old kid still reads piles of books, even as he spends more time online, watching funny YouTube videos and chatting with a friend three time zones away. Is he worse for that? Maybe, but I don’t think so. Not yet, anyway.

What I am sure about is this: Twitter, Facebook and Tumblr are temporary constructions on the Web, like Worlds Fairs used to be, when we still had them. The Internet is a world where all four seasons happen at once. New sites and services are like plants that germinate, grow, bud, bloom and die, over and over. Even the big trees don’t grow to the sky. We need their fruit, their shade, their wood and the humus to which they return. Do we need the other crap that comes along with it those stages? Maybe not, but we go for it anyway.

Last Tuesday gave an excellent Berkman Lunch talk titled Status Update: Celebrity, Publicity and Self-Branding in Web 2.0. The summary:

In the mid-2000s, journalists and businesspeople heralded “Web 2.0” technologies such as YouTube, Twitter, and Facebook as signs of a new participatory era that would democratize journalism, entertainment, and politics. By the decade’s end, this idealism had been replaced by a gold-rush mentality focusing on status and promotion. While the rhetoric of Web 2.0 as democratic and revolutionary persists, I will contend that a primary use of social media is to boost user status and popularity, maintaining hierarchy rather than diminishing it. This talk focuses on three status-seeking techniques that emerged with social media: micro-celebrity, self-branding, and life-streaming. I examine interactions between social media and social life in the San Francisco “tech scene” to show that Web 2.0 has become a key aspect of social hierarchy in technologically mediated communities.

I’ve been in and out of that scene since 1985, and I know personally a large percentage of Alice’s sources. One of them, , provided Alice with some terrific insights about how the status system works. Tara also punched out of that system not long ago, moving to Montreal and starting a company. She has also been very active in the development community, for which I am very grateful. She’s on a helluva ride.

Listening to the two Alices,  comes to mind:

A Route of Evanescence,
With a revolving Wheel –
A Resonance of Emerald
A Rush of Cochineal –
And every Blossom on the Bush
Adjusts it’s tumbled Head –
The Mail from Tunis – probably,
An easy Morning’s Ride –

Speaking of which, here’s Bill Hicks on life’s ride:

The World is like a ride in an amusement park, and when you choose to go on it you think it’s real, because that’s how powerful our minds are. And the ride goes up and down and round and round, and it has thrills and chills and is very brightly colored, and it’s very loud. And it’s fun, for a while.

Some people have been on the ride for a long time, and they’ve begun to question, ‘Is this real, or is this just a ride?’, and other people have remembered, and they’ve come back to us and they say ‘Hey, don’t worry. Don’t be afraid, ever, because this is just a ride.’ and we KILL THOSE PEOPLE.

“Shut him up! We have alot invested in this ride! SHUT HIM UP! Look at my furrows of worry. Look at my big bank account, and my family. This has to be real.”

It’s just a ride.

But we always kill those good guys who try and tell us that. You ever noticed that? And let the demons run amok. But it doesn’t matter, because … It’s just a ride.

And we can change it anytime we want. It’s only a choice. No effort, no work, no job, no savings of money. A choice, right now, between fear and love. The eyes of fear wants you to put bigger locks on your door, buy guns, close yourself off. The eyes of love, instead see all of us as one.

(Watch the video. It’s better.)

Social media, social networking — all of it — is just practice. It’s just scaffolding for the roller coaster we keep re-building, riding on, falling off, and re-building. That’s what we’ve been making and re-making of civilization, especially since Industry won the Industrial revolution. (That’s why we needed world’s fairs,  to show off how Industry was doing.)

You go back before that and, on the whole, life didn’t change much, anywhere. Most of our ancestors, for most of the Holocene, lived short, miserable lives that were little different than those of generations prior or hence.

Back in the ’70s I lived in a little community called Oxbow, north of Chapel Hill. My house was one off whats now called Wild Primrose Lane, in this map here. In those days the bare area in the center of that map was a farm that was plowed fresh every spring. One day while we were walking there, I picked up a six-inch spear point (or hand-held scraper) that now resides at the (one county over):

I brought it to friends in the anthropology department at UNC — associates of the great Joffre Coe — who told me it was a Guilford point, from the Middle Archaic period, which ran from 6000 to 3000 B.C. (The original color was gray, as you can see from the chipped parts. The surface color comes from what’s called patination.)

What fascinates me about this date range, which is similar to the range for other kinds of points everywhere in the world, is how little technology changed over such a long period of time. Generation after generation made the same kinds of stone tools, the same way, for thousands of years. Today we change everything we make, pretty much constantly. There was no operating among the Guilford people, or anywhere, in 5000 B.C. Today Moore sometimes seems slow.

I don’t have a conclusion here, other than to say that maybe Nick and both Alices are right, and the Net is not so ideal as some of us (me especially) tend to think it is. But I also think the Net is something we make, and not just something that makes us.

Clearly, we could do a better job. We have the tools, and we can make many more.

 

Real reading

Garrison Keillor on books:

I happen to love the sensual experience of walking into a bookstore and examining the wares, picking up books, smelling them, admiring the covers, reading the first page or two. In 15 minutes, I can always find at least five books that really deeply interest me. I can’t do that online. It just doesn’t excite my viscera the way physical books do. This is a learned pleasure going back to when I was 10 and rode my bike downtown and walked into the reading rooms of the Minneapolis Public Library. It’s not a pleasure I can transfer to a digital image on a screen, just as I can’t get as excited about a picture of a naked woman as I do about one who is walking across the floor toward me.

A few days ago at The Coop on Harvard Square a book that deeply interested me was Garrison’s latest, titled simply Good Poems. So I bought it. From his introduction:

I looked at a truckload of poems to find the few thousand I’ve read on the radio, and it’s an education. First of all, most poems aren’t memorable, in fact, they make no impression at all. Sorry, but it’s true. There are brave blurbs on the back cover (“writes with a lyrical luminosity that reconceptualizes experience with cognitive beauty”) but you open up the goods and they’re like condoms on the beach, evidence that somebody was here once and had an experience but not of great interest to the passerby.

Speaking of memorable, a lookup on Google of Keillor and “condoms on the beach” brings up 70 results, including this one, which spared me the need to transcribe the above from the book. The Web is a handy thing. And so is Good Poems.

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This week the Bay Area loses two of its radio landmarks. On 102.1fm, , which has been broadcasting classical music since 1946, will be replaced by a simulcast of (“K-FOX”), a classic rock station in San Jose. And on 90.3 fm, KUSF, which has been one of the most active and community-involved free-form college radio stations in history, has gone silent. When the signal on 90.3 comes back on the air, it will carry the KDFC call letters and classical music programming. Meanwhile the old KUSF will continue in some form online. The new KDFC will also broadcast on 89.9, which is the former home of , a station licensed to .

This graphic, combined from three coverage maps at Radio-Locator.com, shows the before-and-after situation. One red line is KDFC’s old primary coverage area on 102.1. The other two are its new primary coverage areas on 90.3 and 89.9:

(More about signals below at *)

Since the 90.3 signal is tiny, and the 89.9 signal is far away, KDFC will be losing a great deal of coverage. Neither of the new signals serves the Peninsula, the South Bay or the East Bay beyond Berkely and Oakland. KUSF needs to start over online. On the FM band, it’s dead.

What happened was a three-way deal between , the and the . Entercom is the one of the largest owners of broadcast properties in the country, and an aggressive buyer of broadcast properties. So is USC, which has expanded its classical network from in Los Angeles to five stations spread from Morro Bay to Palm Springs. USF, like many universities, held a broadcast license that had monetary value on the open market while producing no income for the university itself.

According to Radio Ink and other sources, here’s how the deal went down:

  1. USF sold the 90.3 frequency to USC for $3.8 million.
  2. USC also bought KNDL for $2.8 million.
  3. Entercom, which owns KDFC, bought KUFX from the Clear Channel Aloha Trust, and will simulcast KUFX (still as “K-FOX”) over KDFC’s old 102.1 facility. Entercom will also give KDFC’s call letters and record collection to “A new San Francisco-based nonprofit.”

The press releases:

While it’s nice that KDFC has stayed alive, its move to much weaker signals is a far bigger loss for Bay Area classical music listeners than losses suffered by listeners when New York’s WQXR and Boston’s WCRB made similar moves. WQXR stayed on the air with a smaller signal from the same antenna, and WCRB moved to a same-size transmitter a couple dozen miles from the center of town, but most listeners could still get the stations. KDFC’s new facilities only cover a fraction of the population reached by the old signal. Essentially the new station covers San Francisco, and that’s it. More about coverage below*.

KDFC’s listenership is not small. The raw numbers are actually outstanding. According to Radio-Info.com (which leverages Arbitron), KDFC had 632,000 listeners in the most recent ratings period (December 2010), a notch above news-talk leader KGO (624,100). KDFC’s 3.2 average quarter hour (AQH) share was tied for #8 in the market, one notch above “sports giant” KNBR, which scored a 2.8. (KGO was #1 overall for most of the last six decades, and KNBR is an AM powerhouse that covers at least half of California by day and the whole West at night.) In fact, KDFC had better overall numbers than any other Entercom station in the Bay Area.

The problem for Entercom was the format. It’s hard to sell advertising for classical music stations, which have less inventory to offer (sports, news and popular music stations carry many more minutes of advertising per hour), and serve an older audience as well.

Judging from the KDFC statement on its website The Classical Public Radio Network () will hold the license, even though it closed down a few years ago, sort of. It also says,

The new KDFC has already begun to look for new signals to offer reception in the South Bay and the entire Bay Area for our around-the-clock classical programming.

We are happy to let you know Dianne Nicolini, Hoyt Smith, Rik Malone, and Ray White will continue as your on-air hosts, and KDFC’s partnerships with the Bay Area arts and culture community will continue to grow and thrive.

KDFC is the last major commercial classical station in America to make the transition to public radio. This move ensures that classical radio is sustainable for our community into the future. Since 1947, Bay Area classical fans have shown their passionate support for KDFC. Now more than ever, we’re grateful for that support as we begin the new era of Classical KDFC. Comments can be made to  comments at myclassical.org, or by phoning 415-546-8710. If you’d like to send a check as a Founder for the Future of KDFC, please send a check to:

The Classical Public Radio Network, 201 Third Street, 12th floor, San Francisco, CA 94103.

It’s signed by Bill Leuth, Vice President, KDFC. Bill and the other names he mentions are Bay Area classical radio institutions as well.

As for KUSF, maybe going online will be a form of liberation. As signals go, 90.3 barely covered San Francisco. The Internet covers the world. And Internet radio is growing fast. Aribitron now includes online streams in its ratings, which it wouldn’t do that if those streams were not signifiant. In San Francisco, KNBR’s stream had more than 50,000 listeners in November. In Los Angeles, KROQ’s stream had 67,900 listeners in December. Many more people every day are listening to radio on phones and other portable devices. Even Howard Stern, when he renewed with Sirius in December, said the future of satellite listening isn’t over satellite — it’s over the Internet. (Which Jeff Jarvis and I both told him, back when he was still making up his mind. Latelr Howard kindly gave a hat tip to Jeff on the air.)

And hey, KDFC can benefit from the same thing.

Here’s more from The Bay Citizen and the San Francisco Chronicle. And a rescue mission report at SF Weekly… And here’s the audio from a KQED Forum program on the matter. It says that KUSF is slated to become “an online-only training station for students.] Here’s a San Francisco Chronicle story on a gathering at USF at which “almost 500 backers” of KUSF came to confront Stephen A. Privett, the University President. The part that matters:

Privett said he made the decision because the station, dominated by outside volunteers, “was of minimal benefit to my students.”

“This was not a crass business decision about dollars,” Privett said. “This was about ensuring our programs involve our students. … Our primary mission is to our students, it is not to the community at large.”

Privett said some of the $3.75 million would be used to fund the student-led online station, with the rest going to other unspecified educational projects.

Well, “student-led” suggests that the community might still be involved.

For frequent updates follow @KUSF. and at SaveKUSF on Facebook. Feelings are not weak on this matter. KUSF is much loved by its community.

On January 20, I put up a new post suggesting that the KUSF community go for 87.7fm. I think it’s available.

It also amazes me (it’s still January 20) that this post and the next one have not yet received a single comment. Meanwhile my earlier post about Flickr now has 86 comments, and even the highly arcane Geology by Plane has 6. Could it be that the total number of people who care just isn’t that large? Not saying this is a bad thing, just that it’s an isolated one. So far 3,384 people say they like SaveKUSF on Facebook. But liking and doing are way different. As I suggest here, the best bet for doing isn’t trying to make a university turn down $3.8 million for something they clearly wish to unload. It’s to start something new.

* Signal stuff, for the technical:

In a more perfect world, where my many passions and obligations would be jobbed out to team of scattered clones, one of me would be in Santa Barbara, at the Super Santa Barbara exhibition on Net Neutrality at 653 Paseo Nuevo where a reception will take place 6:30pm-9pm on Thursday (that’s today) January 6th.

In my stead will be friends, most notably Joe Andrieu — who will give a talk on Net Neutrality with a Q&A — and Warren Schultheis of City2.0, who organized the event and the exhibition, which will run Jan 7th – Jan 23rd. Tues-Sun 12pm -5pm.

In their page on Net Neutrality, there’s a link to this piece I wrote for Linux Journal in 2006. It holds up pretty well, actually.

Again, wish I could be there. But if you are, please come by. There are many arguments to be had on the topic — art to appreciate as well (such as the Julia Ford item above). But the fact that matters most for Santa Barbara is that the city is still under-served by its sources of Internet connectivity. That alone should give everybody plenty to talk about.

Bonus link.

When I was walking to school in the second grade, I found myself behind a group of older kids, arguing about what subjects they hated most. The consensus was geography. At the time I didn’t know what geography was, but I became determined to find out. When I did, two things happened. First, I realized that I loved geography (and along with it, geology). Second, I learned that popularity of anything often meant nothing. And I’ve been passionate about geography ever since.

But not just for myself. Instead I’m interested in feeding scholarship wihin subjects that interest me. For both geography and geology I do that mostly through photography. Toward that end, here are a few recent sets I’ve posted, or updated:

Meanwhile, close to 200 of my shots are now in Wikimedia Commons. Big thanks to the Wikipedians who have put them there. I can’t begin to count how many Wikipedia articles many of these illustrate. currently accompanies eighteen different articles in fourteen different languages.

While we’re on the subject of , I’ll commend to you the new book Good Faith Collaboration by , a fellow at this year. His first chapter is online.

You may notice that most of my links to subjects, both in my online writings and in my photo captions, go to Wikipedia entries. Sometimes people ask me why. One reason is that Wikipedia is the closest we have come, so far, to a source that is both canonical and durable, even if each entry changes constantly, and some are subject to extreme disagreement. Wikipedia is, like the , a set of . Another reason is that Wikipedia is guided by the ideal of a neutral point of view (NPOV). This, Joseph says, “ensures that we can join the scattered pieces of what we think we know and good faith facilitates the actual practice of fitting them together.”

The nature of the Net is to encourage scatterings such as mine, as well as good faith about what might be done with them.

This morning, while freezing my way down 8th Avenue to Piccolo on 40th to pick up a couple of cappuccinos, I paused outside the to admire its stark modern lobby as delivered the latest storm news from Los Angeles through my phone’s earbuds. In the midst of reports of fallen rocks, traffic accidents and fears of mudslides, KNX said an actor had been seriously injured during last night’s latest preview performance of Spider-Man, on Broadway, three short blocks from my very ass.

This wasn’t the show’s first injury. In fact, the show had already earned “Troubled” as its adjectival first name.

So, after I got back to our hotel room, we brought up the Times’ website on our iPad (the paper’s own application crashes) and read Actor Injured in Fall During ‘Spider-Man’ Performance, by reporters Dave Itzkoff and Hamilton Boardman. Also contributing to the story were —

  • actress Natalie Mendoza, “who plays the spider-goddess Arachne” and “wrote on her Twitter feed: ‘Please pray with me for my friend Chris, my superhero who quietly inspires me everyday with his spirit. A light in my heart went dim tonight.'” The story adds, “She appeared to be referring to her fellow cast member Christopher Tierney, who is an aerialist and ensemble member in the musical. Bellevue Hospital Center confirmed that on Monday night it had received a patient by that name.”
  • Steven Tartick, an audience member. “‘You heard screams,’ Mr. Tartick said. ‘You heard a woman screaming and sobbing.’
  • An unnamed “New York Times reader” who shot a video of the accident, which ran along with the story. (That’s my own screenshot on the right.)
  • Audience members Scott Smith and Matthew Smith
  • Brian Lynch, an audience member who “described the scene at the Foxwoods Theater on his Twitter feed, writing: ‘Stopped short near end. Someone took nasty fall. Screaming. 911 called. No idea what happened, kicked audience out.’ He added: ‘No joke. No explanation. MJ and Spidey took what seemed to be a planned fall into the stage pit. Then we heard MJ screaming.'”
  • Eyewitness Christine Bord, who “described events outside the theater in a blog post on her Web site, onlocationvacations.com, and “In a telephone interview,” said “two ambulances and a fire truck were already waiting outside the theater when most audience members exited. The actor was quickly brought out on a stretcher, wrapped in protective gear and wearing a neck brace. He acknowledged the crowd which clapped for him before an ambulance took him away.”
  • A New York Times reader who supplied a photo “showing a ‘Spider-Man’ actor being transported to an ambulance outside the Foxwoods Theater.”

The story concludes,

The “Spider-Man” musical has faced several setbacks during its preview period, with one of its actresses suffering a concussion and two actors who were injured by a sling-shot technique meant to propel them across the stage. On Friday it was announced that “Spider-Man” was delaying its official opening by four weeks to Feb. 7 so that creative changes could be made to the show.

A press representative for “Spider-Man” said in an email message: “An actor sustained an injury at tonight’s performance of ‘Spider-Man: Turn Off the Dark.’ He fell several feet from a platform approximately seven minutes before the end of the performance, and the show was stopped. All signs were good as he was taken to the hospital for observation. We will have more news shortly.”

The comments are a snarky icing on the story’s cake, some calling to mind the late and very great Mystery Science Theory 3000:

“Will a vending machine be selling insurance if the audience cares to purchase any?””There is a reason why this stuff is done with CGI.”

“Didn’t I just read this story?”

“Not so amazing now, are you, Spidey?”

“Dude, this show is getting better all the time! I gotta get me a ticket before it gets shut down.”

“Whoever gave the video to the Times should be commended. That is one brutal fall. If the actor’s neck isn’t broken he’s lucky. We all understand that in today’s world the investments of a group of millionaires in a Broadway show are more important than actors lives but it’s time for the grownups to step in and shut this nonsense down. Look, of course it is sad when someone is injured, but this is the price you have to pay if you want to create great theater. Everyone knows that great theater is about launching people across stages using slingshots. It is what Ibsen did, it is what Shakespeare did, it is what made Sondheim famous. To all the haters posting here, how do you expect to be enlightened at the theater if you can’t see shows that launch actors into the air using slingshots? Mark my words, in one hundred years High School’s will require their students to read Hamlet and to construct slingshots with which to launch each other. That obviously justifies these injuries.”

We live in liminal times, on the blurred boundary between What Was and What Will Be. The formalities of Reporting as Usual, which the Times has epitomized for more than a century, are What Was. What Will Be is Version 2.o of The Press, which will mash up stories (among other news provisioning units) from many sources, which will be credited, linked, and kept current in as close to Real Time as humanly and technically possible.

On Rebooting the News yesterday, @Jay Rosen revisited his excellent distinction between The Press and The Media. Here’s my compression of it: The Press is where we get capital-J Journalism at its best—that is, through goods that truly inform us. The Media is an advertising business.

Nice to see the former keeping up with the Times. And vice versa.

And I do hope that Chris Tierney and the show both recover.

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So my friend Joe tells me to check out a book called Where Good Ideas Come From. I look it up on Google and click on the top result, an Amazon one for Steven Johnson’s book by that title. That goes to an Amazon page for the book, with links and pitches to various other books I might also want. One is Clay Shirky’s Cognitive Surpus. Another is Ian Morris’s Why The West Rules — For Now. Another is for Kevin Kelly’s What Technology Wants. I already have Kevn’s book, but would like to buy the other three, in a bunch.

So I go to put them all in my cart. But I can’t—far as I know, anyway. Not on that page, because it turns out this search result is intended mostly (or entirely… hard to tell) for Kindle users. I don’t have a Kindle and prefer to buy actual paper books. So I search again, within Books this time, on the Amazon site. This brings up a page for Stephen Johnson’s book, and a grouping of books “Frequently Bought Together” that has Kevin’s and Clay’s books and a way to pay for all three at once (for $50.57).

But I don’t want Kevin’s book this time, and I’m missing Ian Morris’s book. Can I put together a different “Price for all three” that includes the books I do want this time around? Well, I have to find Ian’s book. It’s not in “Customers Who Bought This Item Also Bought”—at least not on that page. I eventually find it on page 3 (of 20) in a horizontal scroll to the right of the original five. But how to combine them? I dunno, and decide just to do it the aging-fashioned way: by putting all three individually in my basket.

Back in 1996 this seemed miraculous. Now it seems like a chore.

I would love it if Amazon gave me a simple search result, for the book I want, and then let me optionally add all the other stuff that right now is aggressive guesswork about what I might want.

Or maybe there’s already a way of doing that. Is there?

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