Broadcasting

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Just got stopped in my tracks by this passage in Plans for ‘TV Everywhere’ Bog Down in Tangled Pacts, in The Wall Street Journal:

Nearly three years after Time Warner Inc. and Comcast Corp. kicked off a drive to make cable programming available online for cable subscribers, the idea of TV Everywhere remains mired in technical holdups, slow deal-making and disputes over who will control TV customers in the future.

Say what? Control?

Excuse me, but no. Cable doesn’t control us now, and won’t control us in the future, either. As long as Cable keeps trying to choke us, we’ll keep cutting the cords.

Not surprisingly, Cable calls Internet-based distribution of content “over the top,” or OTT. Up here, over the top of cable’s clutches, is the everywhere we call the world.

Whether or not cable and phone companies succeed  in building out the fully licensed world (that is, sucking everywhere down under the lids of their closed systems), we will remain free. We can live without you if we have to. Always could, always will.

 

 

I own a lot of books and music CDs — enough to fill many shelves. Here’s just one:

They are relatively uncomplicated possessions. There are no limits (other than mine) on who can read my books, or what else  I can do with them, shy of abusing fairly obvious copyright laws. (For example, I can’t plagiarize somebody’s writing, or reproduce whole chapters of a book I’m quoting.) Music is a bit more complicated, but not to the degree that I stop assuming that I own and control the CDs on my shelves (even when they’re copied onto a hard drive, or stored in a cloud). The same even goes for the videocassettes and DVD of movies I’ve purchased. They are mine. I own them.

But books, music and movies from Amazon, Apple and other BigCos aren’t really sold. They are licensed. Take Amazon’s terms of use for e-books. They say this:

… the Content Provider grants you a non-exclusive right to view, use, and display such Digital Content an unlimited number of times, solely on the Kindle or a Reading Application or as otherwise permitted as part of the Service, solely on the number of Kindles or Other Devices specified in the Kindle Store, and solely for your personal, non-commercial use. Digital Content is licensed, not sold, to you by the Content Provider.

Pretty clear. That stuff ain’t yours. All you get is some downloaded data and a highly restricted set of permissions for where and how you use that data, mostly within within the walled gardens provided by Amazon and the Content Providers. So it’s really more like renting than buying. (And not from friendly competitors, either.)

What’s more, the seller can also change the licensing terms at will. For example, in Apple’s terms for iTunes, it says “Apple reserves the right to modify the Usage Rules at any time.” Somewhere deep in the 55-page terms of use for the iPhone it says the same kind of thing. This is why your ownership of a smartphone is far more diminished than your ownership of a laptop or a camera. That’s because our phones are members of proprietary systems that we don’t operate. This is why the major operators (e.g. Verizon, AT&T) and OEMs (e.g. Apple and Google) are at liberty to reach into your phone and turn stuff on and off. (MVNOs such as Ting distinguish themselves by not doing that.)

Same with TV. Nothing you watch on your cable or satellite systems is yours. In most cases the gear isn’t yours either. It’s a subscription service you rent and pay for monthly. Companies in the cable and telephone business would very much like the Internet to work the same way. Everything becomes billable, regularly, continuously. All digital pipes turn into metered spigots for “content” and services on the telephony model, where you pay for easily billable data forms such as minutes and texts. (If AT&T or Verizon ran email you’d pay by the message, or agree to a “deal” for X number of emails per month.)

Free public wi-fi is getting crowded out by cellular companies looking to move some of the data carrying load over to their own billable wi-fi systems. Some operators are looking to bill the sources of content for bandwidth while others experiment with usage-based pricing, helping turn the Net into a multi-tier commercial system. (Never mind that “data hogs” mostly aren’t.) And mobile carriers are starting to slice up the Web itself. In All Mobile Traffic Isn’t Equal — As ‘Net Neutrality’ Debate Swirls, Wireless Carriers Start Cutting Special Deals , Anton Troianovski writes this in the Wall Street Journal:

One of Europe’s biggest wireless companies recently started offering a new plan in France: For less than $14 a month, customers could get unlimited Web browsing on their phones.

The catch—the Internet was limited to Twitter and Facebook. Every 20 minutes spent on any other website cost nearly 70 cents.

France Telecom SA’s Orange Group is one of several wireless carriers around the world experimenting with slicing up the Web into limited offerings and exclusive deals they hope will bring marketing advantages or higher profits.

In Turkey, mobile operator Turkcell lets users pay a flat fee to access Facebook, but not competing Turkish social networks. Polish carrier Play has offered free access to a handful of sites including Facebook but charged for the rest of the Web. And AT&T Inc. now says it’s planning to let app developers subsidize U.S. subscribers’ use of services.

Such tests remain the exception not the rule. Still, they show that the “open Web” ideal that has long governed Internet use is starting to break down as more and more surfing takes place on mobile devices.

Telecom executives, tired of being the “dumb pipes” through which valuable Internet traffic flows, say they need to cut such deals to make investing in expensive mobile-data networks worthwhile. But entrepreneurs seeking to devise new mobile offerings worry the shifting rules of the game will favor well-heeled companies that can afford carriers’ new terms.

Thus turning the mobile Web into something more like TV.

Meanwhile, back on the book and music front, publishers already have the Amazon and Apple content sphincters in place, on the iPads, iPhones and Kindles that are gradually marginalizing our dull old all-purpose desktop and laptop computers.What used to be radio is gradually turning into a rights-clearing mess. You like Spotify? Read Michael Robertson on how hard it is for Spotify and other radio-like music services to make money, or for the artists to make much either. You like to hear music on the radio, either over the air or over streams? Read David Oxenford’s report on how complicated that’s getting. Stopping SOPA was indeed an achievement by advocates of a free and open Internet.  But that was like stopping one goal in a football game after the other side already built up a 100-to-0 lead.

So, while BigCo walled gardeners such as Apple and Amazon continue to convert things that could be owned in the physical world (starting with music and books) into what can only be licensed in the virtual one, the regulatory framework around the Internet is ratcheting in an ever more restrictive direction, partly at the behest of regulatory captors such as the phone, cable and content companies (all getting more and more vertically integrated), and partly at the behest of countries that want the UN and the ITU to help them restrict Net usage inside their borders.  The latter is less about licensing than about pure politics, but it’s still at variance with the free and open marketplace the Net opened up in the first place.

John Battelle has long been observing this trend, and contextualizes it in a post titled It’s not whether Google’s threatened. It’s asking ourselves: What commons do we wish for?, The gist:

What kind of a world do we want to live in? As we increasingly leverage our lives through the world of digital platforms, what are the values we wish to hold in common? I wrote about this issue a month or so ago:  On This Whole “Web Is Dead” Meme. In that piece I outlined a number of core values that I believe are held in common when it comes to what I call the “open” or “independent” web. They also bear repeating (I go into more detail in the post, should you care to read it):

– No gatekeepers. The web is decentralized. Anyone can start a web site. No one has the authority (in a democracy, anyway) to stop you from putting up a shingle.

– An ethos of the commons. The web developed over time under an ethos of community development, and most of its core software and protocols are royalty free or open source (or both). There wasn’t early lockdown on what was and wasn’t allowed. This created chaos, shady operators, and plenty of dirt and dark alleys. But it also allowed extraordinary value to blossom in that roiling ecosystem.

– No preset rules about how data is used. If one site collects information from or about a user of its site, that site has the right to do other things with that data, assuming, again, that it’s doing things that benefit all parties concerned.

– Neutrality. No one site on the web is any more or less accessible than any other site. If it’s on the web, you can find it and visit it.

– Interoperability. Sites on the web share common protocols and principles, and determine independently how to work with each other. There is no centralized authority which decides who can work with who, in what way.

I find it hard to argue with any of the points above as core values of how the Internet should work. And it is these values that created Google and allowed the company to become the world beater is has been these past ten or so years. But if you look at this list of values, and ask if Apple, Facebook, Amazon, and the thousands of app makers align with them, I am afraid the answer is mostly no. And that’s the bigger issue I’m pointing to: We’re slowly but surely creating an Internet that is abandoning its original values for…well, for something else that as yet is not well defined.

This is why I wrote Put Your Taproot Into the Independent Web. I’m not out to “save Google,” I’m focused on trying to understand what the Internet would look like if we don’t pay attention to our core shared values.

What’s hard for walled gardeners to grok — and for the rest of us as well  — is that  the free and open worlds created by generative systems such as PCs and the Internet have boundaries sufficiently wide to allow creation of what Umair Haque calls “thick value” in abundance. To Apple, Amazon, AT&T and Verizon, building private worlds for captive customers might look like thick value, but in the long run captive customer husbandry closes more opportunities across the marketplace than they open. Companies do compete (as do governments), but the market and civilization are both games that support positive sum outcomes for multiple players. The free and open Internet is the game board on which the Boston Consulting Group says a $2.1 trillion economy grew in 2010, on a trajectory to reach $4.2 trillion by 2016. That game board is also a commons, and it’s being enclosed. (Lewis Hyde, author of Common as Air, calls it the “third enclosure.”)

By losing the free and open Internet, and free and open devices to interact with it — and even such ordinary things as physical books and music media — we reduce the full scope of both markets and civilization.

But that’s hard to see when the walled gardens are so rich with short-term benefits.

[Later…] I should make clear that I’m not against silos as a business breed, or vertical integration as a business strategy. In fact, I think we owe a great deal of progress to both. I think Apple actually opened up the smartphone market with the iPhone, and its vertical private marketplace. The concern I’m expressing in this post is with the fractioning of the commercial Web, as we experience it, and of much else that happens on the Net, into private vertical silos, using proprietary gear that limits what can be done to what the company owning the whole market allows. The book business, for example, largely happens inside Amazon, as of today. I think this is good in some ways, and worse in others. I’m visiting the worse here.

 

Read here about Raditaz, which I hadn’t heard about before. It’s a competitor to Pandora. Some differences: unlmited skips, no ads, geo-location.

I started out by setting up three “stations,” based on three artists: Lowell George, Seldom Scene and Mike Auldridge. I’m on the Mike Auldridge station now, and guess what comes up? Dig:

Mike Auldridge 8-string swing

Not just a great Mike Auldridge album cut, but a cover by Ray Simone, my late good friend and business partner, about whom I wrote this yesterday and this last month. It’s like seeing a friendly ghost.

Anyway, some first impressions and thoughts…

  • Need an Android and iPad app [Later… See the top comment below, with better information than I had when I first wrote this.]
  • Would like integration with creative terrestrial stations like KEXP, KCRW, WMBR, WFUV, et. al. (I other words, FM still cuts it. Think symbiosis, not just competition)
  • Would like opportunity for comments with skips, thumbs up and thumbs down. A skip isn’t always a dislike, or a preference. Sometimes it’s just curiousity at work.
  • The Twitter link works well. Give us a short URL for the current song.
  • Need more genres and decades. How about the ’50s?
  • Idea: Let listeners add their own audio — to be their own DJs — for some of the tunes. Make the ability a paid premium service
  • Work with the VRM development community on EmanciPay. Hey, some of us might like to pay more per play than SoundExchange wants. If you’re interested, DM me at @dsearls or dsearls at cyber dot law dot harvard dot edu.
  • Add a back button.
  • Make one’s whole listening history available as personal data one can copy off and use on their own.
  • RadioInk has quotage from the CEO, Tom Brophy, from this week’s launch announcement. I’d like to find that from a link at Raditaz.com.
  • Says here, “when you create a new station, your station is automatically assigned geographical coordinates so other users can find your station in our map view or when browsed on our explore page.” That’s cool, but what if my head or heart aren’t really where I am when I create a station? I do like exploring the map, though. Listening right now to Johnny Cash from Cleveland, while I’m in Boston.
  • Integrate with Sonos.

Gotta go. But that’s a start.

 

Hassle House poster panel

That’s what many thought when they first saw the poster for Hassle House, in Durham, North Carolina, back in ’76 or so. As soon as any of the posters went up, they disappeared, becoming instant collectors’ items. At the time, all I wanted was to hire the cartoonist who did it, so he could illustrate some of the ads I was creating for a local audio shop. That cartoonist was the polymath Ray Simone, who went on to become the creative leader of Hodskins Simone & Searls (HS&S), the advertising agency I co-founded with Ray and David Hodskins, in 1978, and which thrived in North Carolina and Silicon Valley for the next two decades.

When I put up Remembering Ray, which (among much else) expressed my wish to re-surface the Hassle House poster, Jay Cunningham said in a comment that he could scan his copy. Which he did, and the results are here. In another comment Rob Gringle gives more of the back-story than I had known at the time.

Before HS&S, David and Ray were both with a small “mutilple media studio” called Solar Plexus Enterprises, which grew out of the Duke Media Center. Also there was Helen Hudson Whiting, who was a first-rate epicure as well as the fastest and most capable typesetter I had ever known. I just looked Helen up and found this nice write-up from Duke Magazine Books:

In Helen’s Kitchen: A Philosophy of Food


By Helen Hudson Whiting. Regulator Bookshop, 2000. 241 pages. $17.95.

In the text below is this:

Helen Hudson Whiting ’75 was, among other things, a bookseller and co-owner of Durham’s Regulator Bookshop, a reader, a writer, and an amateur chef. For nineteen years, she wrote food commentaries for Triangle area publications: first for WDBS-FM’s The Guide, and then for The Independent.

In Helen’s Kitchen, organized posthumously and edited by her friends and colleagues, features an eclectic selection of these columns, as well as remembrances from people who knew Whiting and cherished her enterprising, adventurous culinary attitude and her zest for pleasure and her keen intellect.

I worked with Ray, Helen and David at Solar Plexus before we founded HS&S, and Helen continued to work alongside the new agency, doing most of our typesetting. So she became a good friend as well.

But that’s not my point here. My point is that ours was a special community, and at the beginning of many things, although we didn’t know it at the time.

At Ray’s memorial gathering in Pacifica last Sunday, Steve Tulsky made that point beautifully. He said our artsy-hippie community in Durham and Chapel Hill back then was a special group. Much was born there, in music, art, performance, writing, publishing, business, events, and other fields. The Independent, modeled by The Guide, is still going strong. So is the Regulator Bookshop. WDBS is long gone. So are WQDR and WRDU (as what they were then, anyway), which carried forward the radio torch WDBS lit when it went on in 1971. But their spirits survive in Good Radio everywhere. The Festival for the Eno, still going strong, began as the Folklife Festival, in 1976, on the country’s bicentennial. WDBS was highly involved, as the station broadcasting the many musical acts playing there. (Perhaps some old tapes still survive.)

While I was working with David, Ray and Helen at Solar Plexus in ’77, I also worked with the Psychical Research Foundation, which studied scientifically evidence for life after death, and was located at Duke University. The PRF spun off of the Foundation for Research on the Nature of Man, led by J. B. Rhine, who launched the whole parapsychology field out of research he conducted at Duke in the 1930. Among the many decendents of that work is the Institute of Noetic Sciences, headed by Marilyn Schlitz, another member of our community back in the decade.

Here’s another weird connection. One of the central institutions of that time in Durham was the Durham Bulls single-A baseball team, which played at an old athletic field surrounded by brick tobacco warehouses. It was a special team at a special time and place. You might remember the movie about it.

Anyway, I just wanted to bring back to the foreground some of what we’ve lost or forgotten from that wonderful formative period in so many lives, and in so many ways.

In The Web is on life support: Forrester Research, Marketwatch reports on a speech titled “Three Social Thunderstorms,” by Forrester CEO George Colony at LeWeb. Sourcing both the Marketwatch report and George’s slides, this appears to be what he said*…

Thunderstorm One is “The Death of the Web.” Marketwatch:

Colony said that several models of thinking about the Web/Internet space are dead or outmoded.

Colony distinguished between the Web, which he said is a software architecture, and the Internet, which is a larger organizing framework.

He said technology is migrating away from the PC/Desktop model, as well as what he called the Web cloud.

Thunderstorm Two is “Social Saturation.” George’s slide:

  • Yes, we are in a bubble…for social startups
  • We are moving to a post social (POSO) world
  • POSO startups will dominate

Marketwatch again:

Colony asked LeWeb attendees to consider “what we will hold in our hands 5 years from now.”

Forrester Research thinks the answer to that question is the so-called App Internet, which offers a “faster, simpler and better Internet experience.”

The App Internet market is worth $2.2 billion, according to Forrester Research.

And decision makers at 41% of companies are now moving away from Web-based software toward the App Internet, Colony said…

He also said that adoption of social media in urban areas was now extremely high and “running out of hours and people.”

Declaring, in effect, that we are socially saturated.

That means “we are in a bubble,” he said, adding that a post-social world was on its way that would “sweep away some of the nonsense like Foursquare.

Thunderstorm Three is “Enterprise.” George’s summary slides:

What enterprise means

  • Beyond Sharepoint…lies the next wave of social opportunity
  • A rich and growing professional service market emerges
  • A major test of marketing and BT collaboration

When the skies clear…

  • A new social platform – App Internet
  • New social players – POSO
  • New social opportunities – Enterprise
  • Social will thrive, but in an evolved form

Declaring things dead is always an attention-grabber, and George grabbed a lot with this one, as you can see from the links below. Forrester’s market (and George’s primary audience), however, is the enterprise. For that audience George is right to call for thinking beyond today’s Web and social strategies, and to develop app-based ones. But calling the Web dead along the way has the effect of a red herring, diverting attention away from real risks both to the Net and to the Web — risks that extend to enterprises as well, and that all of us (including Forrester) should also be caring about. More about those in my next post.

Meanwhile, here are Zemanta‘s related articles:


Fred Wilson has since put up Sunday Debate: Is Social Peaking?, which includes George’s full speech. Watch it and compare with what I was able to glean above from the Marketwatch report and George’s slides, which were all I had to go by at the time. That alone is a lesson in the insufficiencies of all sources other than one’s own direct witness.

Now let’s look at what George says abut the “death of the Web,” and about the larger topic of “the network.”

Starting at 3:10 George says “Yes, the network is improving in power, but not at the same speed as processing and storage.” And, “If you had to build an architecture based only around the network — move all your bits to the network — you would be wasting over time all this extraordinary processing power and storage.” As an example of how the network is moving slowly, he cites the slow uptake of 4G mobile data in Europe. Other nuggets:

  • The periphery of the network is becoming ever more intelligent.” (that is, “what we hold in our hands” e.g. the iPad.)
  • (I’ll add more when I have time. Other stuff has jumped in the way.)

What matters here is the reason why the network is growing slower than either processing or storage: because it’s trapped inside what Bob Frankston calls The Regulatorium, which is the collusive space co-occupied by the phone and cable operators and their regulatory captives. While we might be impressed that our downstream speeds from Comcast have gone from 3Mbps to 50Mbps, that progress masks the limits that all the carriers put on forward Internet growth, and connectivity in general. For more on that, go to my next post, Broadband vs. Internet.

Tossed TVsI’m sitting in a medical office (routine stuff) where a number of people, myself included, are doing our best to ignore the flat TV screen on the wall. Most of us are reading magazines, using our phones or tablets, or (in one case — mine) working on a laptop.

When I arrived around 8am, I found the flat screen interesting, because it was showing a radio show I like: Dennis & Callahan, of WEEI. While most sports talk shows sound like human beer cans yelling at each other, D&C is always thoughtful and informative, even (or especially) when it veers off the sports groove, as it often does. I’d never seen John Dennis or Gerry Callahan before, so it was interesting to see them at work. I also like their long 8am conversation with Boomer Esiason every Monday during the NFL season. So digging all that was cool. Then, at 9am, when the show ended, the first of a series of half-hour-long ads began to run. Says here on the NESN schedule page that “paid programming” will continue until noon. Nobody in the room is watching. It wouldn’t be a stretch to say that most of them find the non-stop pitches annoying.

NESN is the New England Sports Network. I’d never seen it before, except maybe in a bar or another place like this one. Nothing I’ve seen so far this morning would make me want to see it again. (I’m still in the Waiting Room, waiting.) While it was nice seeing D&C, I don’t need a TV for that. And, while “paid programming” fills the time between D&C and sports news later in the day, it’s otherwise one big value-subtract for everybody but the station and the advertiser (and, I suppose the people who buy the crap being advertised — currently some kind of electronic “Amish fireplace.”). But then, so might be pretty much everything else on TV that isn’t news or sports you can’t get anywhere else.

That’s being unfair, of course. There is plenty of worthwhile stuff on TV. Talent shows. Sit-coms. Dramas and comedies. Even some reality shows. (I know people who love “Dancing With the Stars.”) My point is that none of it needs to be on TV, because today TV = Cable, and only Cable needs Cable. What we call “channels” and “networks” are just sources of programs, most of which are just files or streams that can be stored as files. We have the Net for that now.

Programs should be made available to pay for and watch on an a la carte basis, or as part of subscription packages that make sense to viewers. Apple does some of that, but most of the programs are too expensive at this point.

Sure, NBC, ABC, TNT, AMC and the rest of them have “brands” as sources of programs. But why should they be stuffed inside so much packing material, like D&C gets stuffed between “paid programming” nobody watches? Why not buy what’s worth more than $zero at prices that also exceed $zero, without also buying all the pure crap that serves as filler?

Mostly because the flywheels of Business As Usual in TV are enormous, and are sustained by FCC regulations for over-the-air, Cable and Satellite (a variety of Cable) that remain anchored in the nearly-vanished Antenna Age. (Speaking of which, there is an excellent exhibition called TV in the Antenna Age, in Terminal 3 at SFO. Check it out if you’re flying United in or out of there.)

Conveniently, all Cable companies offer Internet service as well. TV on the Net they call “over the top.” But in the long run, “over the top” will be the whole thing. The writing is already on the wall. Progress toward the inevitable is slow, but we can see how it ends. What used to be TV will just be files and streams, some of which we’ll pay for, and some of which will be free. Meanwhile, more of the usual crap will just be ignored.

[Later…] Brett (below) makes a good point about the high efficiency of broadcast (cable) for streaming. I should add that cable broadcast as a way of delivering video will make sense for a long time. But the business and technical model as it stands is obsolete and out of alignment with the marketplace. “TV” will become as obsolete as telegraphy. Video will never be.

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Rochester, Vermont

My favorite town in Vermont is Rochester. I like to stop there going both ways while driving my kid to summer camp, which means I do that up to four times per summer. It’s one of those postcard-perfect places, rich in history, gracing a lush valley along the White River, deep in the Green Mountains, with a park and a bandstand, pretty white churches and charm to the brim.

My last stop there was on August 20, when I shot the picture above in the front yard of Sandy’s Books & Bakery, after having lunch in the Rochester Cafe across the street. Not shown are the 200+ cyclists (motor and pedal) who had just come through town on the Last Mile Ride to raise funds for the Gifford Medical Center‘s end-of-life care.

After Hurricane Irene came through, one might have wondered if Rochester itself might need the Center’s services. Rochester was one of more than a dozen Vermont towns that were isolated when all its main roads were washed out. This series of photos from The Republican tells just part of the story. The town’s website is devoted entirely to The Situation. Here’s a copy-and-paste of its main text:

Relief For Rochester

Among the town’s losses was a large section of Woodlawn Cemetery, much of which was carved away when a gentle brook turned into a hydraulic mine. Reports Mark Davis of Valley News,

Rochester also suffered a different kind of nightmare. A gentle downtown brook swelled into a torrent and ripped through Woodlawn Cemetery, unearthing about 25 caskets and strewing their remains throughout downtown.

Many of the graves were about 30 years old, and none of the burials was recent.Yesterday, those remains were still outside, covered by blue tarps.

Scattered bones on both sides of Route 100 were marked by small red flags.

“We can’t do anything for these poor people except pick it up,” said Randolph resident Tom Harty, a former state trooper and funeral home director who is leading the effort to recover the remains.

It was more than 48 hours before officials in Rochester — which was cut off from surrounding towns until Tuesday — could turn their attention to the problem: For a time, an open casket lay in the middle of Route 100, the town’s main thoroughfare, the remains plainly visible.

I found that article, like so much else about Vermont, on VPR News, one of Vermont Public Radio‘s many services. When the going gets tough, the tough use radio. During and after natural disasters, radio is the go-to medium. And no radio service covers or serves Vermont better than VPR. The station has five full-size stations covering most of the state, with gaps filled in by five more low-power translators. (VPR also has six classical stations, with their own six translators.) When I drive around the state it’s the single radio source I can get pretty much everywhere. I doubt any other station or network comes close. Ground conductivity in Vermont is extremely low, so AM waves don’t go far, and there aren’t any big stations in Vermont on AM anyway. And no FM station is bigger, or has as many signals, as VPR.

One big reason VPR does so much, so well, is that it serves its customers, which are its listeners. That’s Marketing 101, but it’s also unique to noncommercial radio in the U.S. Commercial radio’s customers are its advertisers.

VPR’s services only begin with what it does on the air. Reporting is boffo too. Here’s VPR’s report on Rochester last Thursday, in several audio forms, as well as by transcription on that Web page. They use the Web exceptionally well, including a thick stream of tweets at @vprnet.

I don’t doubt there are many other media doing great jobs in Vermont. And at the local level I’m sure some stations, papers and online media do as good a job as VPR does state-wide.

But VPR is the one I follow elsewhere as well as in Vermont, and I want to do is make sure it gets the high five it deserves. If you have others (or corrections to the above), tell me in the comments below.

Some additional links:

WTKR/3 in Norfolk has live coverage streaming on the Web. So does WGNT. It’s the same show, also being carried on WHRV radio (streaming at that link). So if you want to see and hear live coverage where the action is, from mainstream media, those are the places.  WVEC, WAVY, WHRO and WVBT all have pretty much the usual static sites. (Correct me if I’m wrong.)

WTKR and WGNT get a high five for casting globally by streaming locally. This is something they can do, but the Weather Channel cannot, because it’s tied up with obligations to broadcast live only over cable. Local stations aren’t encumbered by the same obligations, outside of network programming. (They just used some uStream video from cage-free journalists in North Carolina, and keep thanking their Facebook friends, which is cool. Some props should go to blogs and tweets too, though.)

[Later…] Here is a list of all TV stations now streaming live on the Net:

  • Tidewater Virginia —WTKR and WGNT. Also carried on WHRV radio.
  • Richmond — WTVR
  • Washington DC — none
  • Baltimore — WMAL
  • Philadelphia — none
  • New York — WNYW
  • Boston — none so far
  • Hartford-New Haven — WTNH

[Later still: midnight Eastern…] With the storm passed, WTKR/WGNT went off. WMAL doesn’t seem to be on. WNYW is still up (with the storm approaching). WNYC‘s stream is quite good on radio.

Here are another bunch of streams.

For visualization of the storm itself, it’s hard to beat Intellicast:

Click on the image, mouse over the map that comes up, and move it to position it where you like. Click on “press play to start” to see the image animated.

Irene appears to have no clear and open eye right now, as she moves north up along Virginia Beach, Norfolk, Tidewater Virginia and the Delmarva peninsula.

[later still…] Last but far from least: the state that seems to have gotten the worst of Irene was off the mainstream radar but right up her final alley: Vermont. The flooding has been terrible.

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The Rock face of the Music Radio island is eroding away, as station after station falls into the vast digital sea. Here’s a story in Radio Ink about how two FM rockers have been replaced by news and sports broadcasts that were formerly only on the AM band. (The illo for the story is a hideously discolored mug shot of the aged Mick Jagger.) But Rock isn’t the only music format that’s in trouble. All of them are.

For most of the last century, music and music radio were Xtreme symbiotes. To be popular, or just to be known to more than your local club or coffee house, you had to get your music on the radio. (For some great cinematic history on this, rent Coal Miner’s Daughter, just to see how Loretta Lynn established herself as a singer.) That’s because you also needed to sell what the radio played, which were recordings. All of those were on plastic discs.

Most music we hear is no longer on discs, or even on the radio.

Radio’s biggest advantage since the beginning was being live. This is why it’s still essential for talk, and especially for news and sports — the three formats that are winning on FM and keeping AM alive. Radio will remain strong as long as Internet streaming stays complicated (which it is, even on smartphones), and radios remain standard equipment in new cars. But music radio is still dying slowly. Three reasons:

  1. Music on radio is rarely presented by connoisseurs who know more than you do, and you’re glad to learn from. This in fact has been the case for a long time. There remain a few exceptions, but none (to my knowledge) make much money. By contrast, the Net is full of music connoisseurs and connoisseur-like offerings (e.g. Pandora, LastFM, Spotify).
  2. You don’t choose what music you want to hear. You can do that with Spotify or Rhapsody, and to a lesser extent with Pandora and LastFM.
  3. Advertising. We used to have no choice about enduring it. Now we do.

But music dying on the radio doesn’t mean it lives on the Net. At least not in the form of radio stations as we’ve known them. That’s because of copyright laws.

Radio has huge legacy legal advantages over all-digital alternatives on the copyright front. I won’t go into the details, because they’re complicated beyond endurance, but suffice it to say there is a reason why there are no podcasts of popular music. (Briefly, it’s that the podcaster would have to “clear rights” with the copyright holder of every song.) All we get is “podsafe” music, and music from outfits like the ones mentioned above, which have worked their own broad licensing deals with copyright holders — and from radio stations that enjoy similar deals and happen to stream as well.

Note that radio stations pay more, per recording, to copyright holders for streaming than they do for broadcasting on the air. But they get a break on the streaming side if they’re already broadcasting music over the air, because they don’t have to clear rights with all the artists they play.

The key here is the term “performance.” The way the law (in the U.S. at least) is set up, every play of every recording on the radio or over the Net is considered a performance, and the assumption by the copyright absolutists (the RIAA, primarily) is that copyright holders need to be paid for those performances. And they’ve been putting the squeeze in recent years on music radio to pay as much for performance rights as streamers on the Internet have been forced to pay. (They put those shackles on the Internet radio baby, right in the cradle.) This will also have a chilling effect on music radio.

So an irony of considering recorded music a “performance,” for the purpose of extracting royalties from radio stations on the Net and over the air, is that music on both is either going away or turning toward new systems, such as Spotify, LastFM, Pandora and the rest. But no new radio stations, on either the airwaves or the Net. Not if they’re going to play music of the RIAA-protected kind, which is most of what we know.

If the record industry were not immune to clues, it would find ways to open up opportunities for new music radio stations on the Net. But I doubt they will, until FM music is on its deathbed, just like it’s been on AM since FM wounded it.

Bonus links: Michael Robertson’s latest improvement to radio, DAR.fm.

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I just learned from Dan Kelly that Bruce Elving passed away last month. Details are thin, but here’s a short list of links:

Bruce Elving, Ph.D.Bruce and I were frequent correspondents for many years, starting the early ’70s, when Bruce began publishing his FM Atlas, an authoritative compilation of technical details for every FM station in the U.S. — and an essential handbook for everyone who loved to listen to far-away FM radio stations. Those people are called DXers, and I was one of them.

If you’ve ever been surprised to hear on your FM radio a station from halfway across the country, you were DXing. From my homes in New Jersey and North Carolina, I logged many hundreds of FM and TV stations whose signals skipped off the ionosphere’s sporadic E layer.

For DXers, catching far-away stations is kind of like fishing. You don’t want to catch just the easy ones. For that you go to the AM (aka MW) or shortwave (SW) bands, where the big signals are meant to go hundreds or thousands of miles.

WSM from Nashville and KSL from Salt Lake City occupy what used to be call “clear channels”: ones with no other signals at night. That’s why WSM’s Grand Ole Opry, heard for decades (and even today) every night on radios in rural areas throughout The South , literally made country music. (I listened in New Jersey, carefully turning my radio to “null out” interference from New York’s WNBC, now WFAN, which was right next to WSM on the dial.)

But FM and TV are on bands where signals don’t go far beyond the transmitter’s visible horizon, unless the conditions are right, which isn’t often. That’s one reason DXing FM and TV was more fun for the likes of Bruce Elving and me.

In its heyday (or heydecade), DXing on FM was about hooking relatively rare and slightly exotic fish. The best months to fish were in late spring and summer, when warm calm summer mornings would bring tropospheric (or “tropo”) conditions, in which FM and TV signals would bend along the Earth’s curve, and coast to distances far beyond the horizon. Thus my home in Chapel Hill, NC was often treated to signals from hundreds of miles away. I recall days when I’d pick up WDUQ from the Pittsburgh on 90.5 with the antenna pointed north, then spin the antenna west to get WETS from Johnson City, Tennessee on 89.5, then spin just north of east to get WTGM (now WHRV) from Hampton Roads, Virginia, on the same channel.

Tropo is cool, but the best FM fishing is in times of sporadic-E propagation , when the E-layer of the ionosphere becomes slightly refractive of VHF frequencies, bending them down at an angle of just a few degrees, so that the signals “skip” to distances of 800-1200 miles. This also tends to happen most often in late spring and early summer, typically in the late afternoon and evening.

Thanks to sporadic-E, we would watch Channel 3 TV stations from Louisiana, Texas, Nebraska, Minnesota, Cuba and various places in Canada. But, more often, I would also carefully log FM stations I identified in Bruce Elving’s FM Atlas. From 1974 to 1985 (after which I lived in California, where FM and TV DXing conditions were very rare), I logged more than 800 FM stations, most of which came from more than 800 miles away. Bruce said he’d logged more than 2000 from his home in Duluth, Minnesota. I’m sure that’s a record that will stand forever. (Bear in mind that there were only about 10,000 FM signals in the U.S. at the time.)

For Bruce, FM was also a cause: an underdog he fought for, even after it became an overdog with his help. See, up until the early ’60s, FM was the secondary radio band in the U.S. The sound was better, but most cars didn’t have FM radios, and most cheap home and portable radios didn’t either. Transistor radios were the iPods of the ’50s and ’60s, and most of those were AM-only. Bruce championed FM, and his newsletter, FMedia, was a tireless advocate of FM, long after FM won the fight with AM, and then the Internet had begun to win the fight with both.

I remember telling Bruce that he needed to go digital with PCs, and then take advantage of the Net; and he eventually did, to some degree. But he was still pasting up FM Atlas the old-fashioned way (far as I know) well into the ’90s.

I pretty much quit DXing when I came to Silicon Valley in ’85, though I kept up with Bruce for another decade or so after that. Learning about his passing, I regret that we didn’t stay in closer touch. Though we never met in person, I considered him a good friend, and I enjoyed supporting his work.

With Bruce gone, an era passes. TV DXing was effectively killed when the U.S. digital transition moved nearly every signal off VHF and onto UHF (which skips off the sky too rarely to matter). The FM band is now as crowded as the AM band became, making DXing harder than ever. Programming is also dull and homogenous, compared to the Olde Days. And the Internet obsolesces a key motivation for DXing, which is being able to receive and learn interesting things from distant signals.

A core virtue of the Internet is its virtual erasure of distance. Anybody can hear or watch streams from pretty much anywhere, any time, over any connection faster than dial-up. The stream also tends to stay where it is, and sound pretty good. (For a fun treat, play around with radio.garden, which lets you “tune” between stations by rotating a globe.)

What remains, at least for me, is an understanding of geography and regional qualities that is deep and abiding. This began when I was a kid, sitting up late at night, listening to far-away stations on the headphones of my Hammarlund HQ-129X, hooked up to a 40-meter ham radio antenna in my back yard, with a map spread out on my desk, and encyclopedia volumes opened to whatever city or state a station happened to come from. It grew when I was a young adult, curious about what was happening in Newfoundland, Bermuda, Texas, Winnipeg, or other sources of FM and TV signals I happened to be getting on my KLH Model 18 tuner or whatever old black-and-white TV set I was using at the time.

When it was over, and other technical matters fascinated me more, I’d gained a great education. And no professor had more influence on that education than Bruce Elving, Ph.D.

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