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states and capitals

While discussing ChatGPT with my teenage grandkids, I put it to a number of tests. In one I asked it to write a poem that includes all the capital cities in the U.S. Here is its reply:

From sea to shining sea, Across this land so grand, The capitals of every state, Await us to take a stand.

In Montgomery, Alabama, We begin our noble quest, To climb each statehouse staircase, And put our wills to the test.

Through Juneau, Alaska, To Phoenix, Arizona’s heat, The halls of power beckon us, With challenges we must meet.

Little Rock, Arkansas, And Sacramento, too, We march to their state capitals, To learn what they can do.

From Denver, Colorado’s heights, To Connecticut’s Hartford town, We cross this land of liberty, To see our nation’s crown.

Dover, Delaware, And Tallahassee, Florida’s heat, We journey forth to find our place, In every statehouse seat.

Atlanta’s Georgia peach, And Honolulu’s island breeze, We’ll walk the halls of power, To achieve our lofty dreams.

Through Boise, Idaho’s hills, And Springfield’s Illinois pride, We’ll take the steps of governance, With courage as our guide.

Indianapolis, Indiana, And Iowa’s Des Moines, We’ll stand in every capital, To honor each state’s joins.

From Topeka’s Kansas plains, To Kentucky’s Frankfort pride, We’ll learn from every leader, In whom we can confide.

Baton Rouge, Louisiana, And Augusta, Maine’s coast, We’ll listen to the wisdom, That each statehouse host.

In Annapolis, Maryland, And Massachusetts’ Boston town, We’ll seek to find our purpose, And rise to wear the crown.

Lansing, Michigan, And St. Paul’s Minnesota pride, We’ll climb each capital’s staircase, And never be denied.

Mississippi’s Jackson town, And Jefferson City’s Missouri call, We’ll cross this land with honor, And never falter or fall.

Helena, Montana’s heights, And Lincoln’s Nebraska plains, We’ll march through every capital, And honor each state’s gains.

Carson City, Nevada, And Concord’s New Hampshire pride, We’ll stand in every statehouse, And let our voices be our guide.

Trenton’s New Jersey call, And Santa Fe’s New Mexico sun, We’ll climb the stairs of governance, And learn from everyone.

Albany’s New York pride, And Raleigh’s North Carolina charm, We’ll honor every state’s glory, And never let it harm.

Bismarck’s North Dakota plains, And Columbus’ Ohio pride, We’ll journey forth to every capital, With honor as our guide.

Oklahoma’s Oklahoma City, And Salem’s Oregon call, We’ll stand in every statehouse, And never let our spirits fall.

Harrisburg, Pennsylvania, And Rhode Island’s Providence town, We’ll climb each capital’s staircase, And never let ourselves drown.

South Carolina’s Columbia pride, And South Dakota’s Pierre call, We’ll cross this land with dignity, And never let ourselves stall.

Nashville’s Tennessee music, And Austin’s Texas pride, We’ll stand in every statehouse, And let our voices rise.

Salt Lake City’s Utah heights, And Montpelier’s Vermont pride, We’ll march through every capital, And let our dreams be our guide.

Richmond’s Virginia charm, And Olympia’s Washington crown, We’ll honor every state’s valor, And never let ourselves down.

Charleston’s West Virginia hills, And Madison’s Wisconsin pride, We’ll journey forth to every capital, And never be denied.

Cheyenne’s Wyoming pride, And Washington, D.C.’s White House, We’ll cross this land with honor, And never let ourselves douse.

From sea to shining sea, We’ve walked each statehouse hall, And learned the lessons of governance, That make our nation stand tall.

Redraw your own conclusions.

I shoot a lot of pictures. Most are from altitude (such as the above). But lots are of people and places, for example, here are a few I shot at DWebCamp last summer with my new Sony A7 IV camera (to which I migrated last year after many years shooting Canon):

Importing and curating photos is the only organized thing I do in life. Let me explain.

Under each of those photos is the name of the file. These are the actual file names, not ones stored in the library of some app and remembered at the meta-level. None are called DSCN0401.JPG, IMG_4523.JPG, or IMG_1874.PNG. I’ve given all of them meaningful names, all by the same convention: YYYY_MM_DD_name-of-event. Every file in every folder has the same name as the folder, with a number appended to it. The numbers are chronological. Each event’s folder goes into a month folder, each of those goes into a year folder, and all years go into a folder called pix-by-year. That folder has years going back to 1869. (The earliest are scans, such as this one.)

I organize and name all my photos with a piece of software originally called iView Media Pro, then Expression Media 2 (after Microsoft bought it), and finally Phase One Media Pro (after Microsoft abandoned it). I like the second version best, so that’s what I use.

Here is a short and partial list of all the things Expression Media 2 can do:

  1. Rename files in the Finder, very selectively, alone, or in batches (much more smoothly and easily than can be done with Adobe Bridge or Apple’s Shortcuts or Automator).
  2. Search for any variable, or combination of variables
  3. Sort by up to 24 variables (file name, size, date created, date modified…)
  4. Resize selectively
  5. Open any files with any other app
  6. Bring multiple photos (files) from multiple directories into a single catalog, to organize any way I want. Also to export, rename, or whatever, including—
  7. Run a slide show, with many choices of presentation (much more than with Apple’s Photos), and save shows as movies
  8. Open any file or collection of files in any other app (for me that’s usually Photoshop 2021)
  9. Basic image edits
  10. Rotate, flip, zoom in and out
  11. See and edit EXIF data for every shot
  12. Find missing and duplicate items
  13. Show or hide any file or combinations of files
  14. Move files in the Finder
  15. Operate in lieu of the finder when dragging or dropping into a Web page or another app
  16. Arrange or tile photos by hand or by sort
  17. Log and show actions
  18. Place images on a map
  19. Make a .pdf of any image or collection of them
  20. Turn galleries into pages in .html
  21. Import and export to and from .xml

I don’t do all that stuff, but I list it because I want to remember what I know I will lose when I move from this 2017 MacBook Pro running Mojave to my new 16″ 2023 M2 Max MacBook Pro. That will happen later today after I upgrade both machines to the latest version of Ventura. When that happens, Expressions Media 2, a 32-bit program last updated in 2013, will be kaput. And I will need to find another workflow.

Maybe Expression Media 2 will survive through emulation or something. Or maybe Phase One Media Pro (also last updated in 2013) will work.

Or maybe one of ya’ll has a better way to manage workflow than I’m using now. I’m open.

Meanwhile, here goes…

[Later (May 10, 2023)…] I am now working with my new M2 Macbook Pro, and I feel like I am missing limbs. The only prostheses I have are the limited choices that come with Apple’s Finder and Adobe Bridge. So again, help is welcome. Thanks.


Addendum: If you’re wondering why I’m not running my life on Linux and free and/or open-source software, the main reasons are Photoshop and Lightroom. I’ve tried Gimp and it doesn’t cut it. Photoshop knows the camera and lenses I’m using, and its tools, such as dehaze, are extremely useful. See the photos here? Thank dehaze for making the detail pop out. (Yes, Gimp de-hazes, but not easily.) I hate being trapped in Apple’s castle as much as the next serf, but shooting as much as I do requires tools I can use quickly and easily.

That’s a question asked on Quora and deleted before I posted my answer. So I’m posting my answer here.

This is like asking if a car radio sounds better than a TV. Because it’s a matter of where, how, when, and what, more than a matter of sound.

There is some overlap in the sense that both SiriusXM and YouTube are fully useful on mobile apps. But you don’t watch your radio in your car or listen to your radio on your TV, even though it’s possible to do both through apps that are native to both the road (through Android Auto and Apple Carplay) and the living room (through Roku, Amazon, Apple, and other TV app platforms).

As for the sound itself, YouTiube lets you select audio quality bitrates up to 256kbps AAC & OPUS. SiriusXM’s default bitrate is also 256kpbs, but over the satellite link bitrates are typically lower—sometimes much lower. But, since SiriusXM does not (to my knowledge, so far) publish their bitrates in a place that’s easy to find, its bitrates are subject to debate. Here is one of those on Reddit.

But, again, it’s a matter of where. when, and what, more than how. If you want to see and hear a piece of music, YouTube provides enormous optionality, with its almost boundless collection of videos. If you want radio-like music programming, SiriusXM offers more—plus sports, talk, news, sports (including play-by-play for all the major ones), and more.

Yet the Internet has more than both put together. That’s why the image above is of Radio Paradise, which is one of the oldest and best Internet music stations. It’s live on the Net and the Web, and it has Best Of collections on YouTube as well.

Bonus link (and a lot of fun): radio.garden. There’s an app for that too.

[Update: 11:20 AM Wednesday 18 January] Well, I woke this morning to hear all the signals from Gibraltar Peak back on the air. I don’t know if the site is on generator power, or if electric power has been restored. This pop-out from a map symbol on Southern California Edison’s Power Outage Awareness Map suggests the latter:

However, I am listening right now to KZSB/1290 AM’s FM signal on 96.9 from Gibraltar Peak, where the show hosts are detailing many road closures, noting that sections of Gibraltar road are “down the hill,” meaning not there anymore, and unlikely to be fixed soon. I think I also heard them say their FM transmitter is on generator power. Far as I know, they are the only station covering local road closures, buildings damaged, farms and orchards damaged, and related topics, in great detail. It’s old-fashioned local radio at its best. Hats off.

Looking at the power requirements up there, only two stations are high-power ones: KDB/93.7’s transmitter pumps 4.9kW into a stack of five antenna bays that yield an ERP (effective radiated power) of 12.5kW, and KDRW(KCRW)/88.7 uses about 5.9kW to produce 12kW ERP through a stack of four antenna bays. Those are on the poles at the right and left ends of this photo, which I shot after the Jesusita Fire in 2009:

All the other stations’ transmitters require less wattage than a microwave oven. Three only put out ten watts. So, given typical modern transmitter efficiencies, I’m guessing the site probably has a 20kW generator, give or take, requiring about 2.5 gallons of propane per hour. So a 500-gallon propane tank (a typical size) will last about 200 hours. Of course, none of that will matter until the next outage, provided electrical service is actually restored now, or soon.

[Update: 3:34 PM Monday 16 January] Two news stories:

  1. Edhat: Gibraltar Road Damage., by Edhat staff, Januraly 11, 2023 12:30 PM. It’s a collection of revealing Gibraltar Road photos that I wish I had seen earlier. Apologies for that. This is the text of the whole story: “A resident of Gibraltar Road shared the below photos from the recent storm damage. A section of the road appears to be washed out with a Tesla trapped under some debris. The Tesla slide is located approximately a quarter mile past the Rattlesnake Canyon trailhead and the washed road is about a mile past the radio tower before reaching the west fork trailhead.” If “mile past” means going uphill toward East Camino Cielo on the ridge, that means travel was (and is) impeded (at the very least) in both directions from the transmitter sites. The photos are dramatic. Please check them out.
  2. NoozhawkSeveral Radio Stations Still Off the Air After Storm Knocks Out Power to Gibraltar Transmitter Site by Giana Magnoli, by Managing Editor Giana Magnoli, January 16, 2023 | 1:47 pm

From the Noozhawk story:

  • “… they’ve helicoptered up a new battery and 600 gallons of diesel fuel to the site’s backup generator, but they haven’t been able to get it to work.” I believe this is for lack of the expected banjo valve. (See below.)
  • “Southern California Edison, which supplies power to the transmission towers site, first reported an outage for the Gibraltar Road area at 2:34 a.m. Jan. 9, the day of the big storm.” That was Monday. At least some stations would have switched over to generator power then.
  • “Repair crews haven’t been sent to the site yet, according to the SCE Outage Map, but Franklin said he heard there could be new poles installed this week.” That’s John Franklin, who runs the whole Gibraltar Peak site.
  • “KCLU (102.3 FM) went off the air on Wednesday and was still off as of Monday.KCLU (102.3 FM) went off the air on Wednesday and was still off as of Monday. KJEE (92.9 FM) went down for several days but came back on the air on Thursday.” Note: it’s not on now—at least not on the radios I’m using.
  • “Santa Barbara County spokeswoman Kelsey Gerckens Buttitta said there are cell and radio station towers off Gibraltar Road that requires fuel to operate, and Gibraltar Road and East Camino Cielo Road are closed because of slides, debris and slipouts.” Fixing those roads will be very difficult and time-consuming.

The story also lists signals I reported off as of last night. One correction to that: K250BS/97.9, which relays KTMS/990, is on the air. This I presume is because it’s at the KTMS/KTYD site. All the signals from that site (which is up the road from Gibraltar Peak) are still up. I assume that’s either because they are fed electric power separately from Gibraltar Peak, or because they are running on generator power.

[Update: 11:40 AM Monday 16 January] In a private group discussion with broadcast engineers, I am gathering that a stretch of Gibraltar Road close to the Gibraltar Peak site has collapsed. The location is 34°28’05.2″N 119°40’21″W, not far from the road into the transmitter site. This is not the section marked closed by Santa Barbara County on its map here. It is also not an easy fix, because it appears from one photograph I’ve seen (shared on a private group) that the land under the road slid away. It is also not the section where power lines to the site were knocked out. So we’re looking at three separate challenges here:

  1. Restoring electrical service to Gibraltar Peak, and other places served by the same now-broken lines
  2. Repairing Gibraltar Road in at least two places (the one marked on the county map and the one above)
  3. Getting generators fueled and fixed.

On that last issue, I’m told that the site with most of the transmitters can be powered by a generator that awaits what is called a banjo valve. The KDB facility requires propane, and stayed up longer than the others on the peak while its own supply held up.


Gibraltar Peak isn’t the highest landform overlooking Santa Barbara. At 2180 feet, it’s about halfway up the south flank of the Santa Ynez Mountains. But it does provide an excellent vantage for FM stations that want the least obstructed view of the market’s population. That’s why more local signals come from here than from any other site in the region.

Except for now: a time that began with the storm last Tuesday. That’s when power lines feeding the peak were broken by falling rocks that also closed Gibraltar road. Here is a list of signals that have been knocked off the air (and are still off, as of the latest edit, on Sunday, January 15 at 11:15PM):

  • 88.7 KDRW, which has a studio in Santa Barbara, but mostly relays KCRW from Santa Monica
  • 89.5 KSBX, which relays KCBX from San Luis Obispo*
  • 89.9 K210AD, which relays KPCC from Pasadena by way of KJAI from Ojai
  • 90.3 KMRO-FM2, a booster for KMRO in Camarillo
  • 91.5 K218CP, which relays KAWZ from Twin Falls, Idaho
  • 93.7 KDB, which relays KUSC from Los Angeles (down after running on generator power for 5 days)
  • 96.9 K245DD, which relays KZSB/1290 AM in Santa Barbara
  • 97.9 K250BS, which relays KTMS/990 AM in Santa Barbara (and is on a KTMS tower, farther up the slope)
  • 98.7 K254AH, which relays KPFK from Los Angeles
  • 102.3 KK272DT, the FM side of KCLU/1340 in Santa Barbara and KCLU/88.3 in Thousand Oaks

KTMS/990AM, KTYD/99.9FM, and K231CR/94.1, which relays KOSJ/1490AM, are still on the air as of Sunday night at 11:15pm. Those are are a short distance farther up Gibraltar Road. (In the other box in the photo above.)

Here is a guide to substitute signals for some of the stations:

  • KCRW/KDRW can be heard on KCRU/89.1 from Oxnard (actually, Laguna Peak, in Pt. Magu State Park)
  • KDB can be heard on KDSC/91.1 from Thousand Oaks (actually off Sulphur Mountain Road, south of Ojai)
  • KCLU can be heard on 1340 AM from Santa Barbara and 88.3 FM from Thousand Oaks
  • KPCC can be heard on KJAI/89.5 from Ojai (also transmitting from Sulphur Mountai Road)
  • KSBX/KCBX can be heard on 90.9 from Solvang (actually Broadcast Peak)
  • KPFK can be heard on its home signal (biggest in the U.S.) from Mount Wilson in Los Angeles at 90.7
  • KZSB can be heard on 1290 AM from Santa Barbara
  • KMRO can still be heard on its Camarillo main transmitter on 90.3

The two AM signals (marked green in the top list above) are strong in town and most of the FMs are weak but listenable here and there. And all of them can be heard through their live streams online.

Published stories so far, other than this one:

The Independent says the site is a “relay” one. That’s correct in the sense that most of the stations there are satellites of bigger stations elsewhere. But KCLU is local to Santa Barbara (its anchor AM station is here), and the ratings reflect it. I wrote about those ratings a few years ago, in Where Public Radio Rocks. In that post, I noted that public radio is bigger in Santa Barbara than anywhere else in the country.

The most recent ratings (Spring of 2022), in % shares of total listening, are these:

  • KDB/93.9, classical music, relaying KUSC/91.1 from Los Angeles: 7.9%
  • KCLU/102.3 and 1340 in Santa Barbara (studios in Thousand Oaks), public broadcasting: 7.3%
  • KDRW/88.7 in Santa Barbara (main studio in Santa Monica, as KCRW/89.9): 4.6%
  • KPCC/89.9, relaying KJAI/89.5 and KPCC/89.3 in Pasadena: 1.3%
  • KSBX/89.5, relaying KCBX/90.1 from San Luis Obispo: 0.7%

Total: 21.8%.

That means more than a fifth of all radio listening in Santa Barbara is to noncommercial and public radio.

And, of all those stations, only KDB/KUSC and KCLU-AM are on the air right now.

By the way, when I check to see how public broadcasting is doing in other markets, nothing is close. Santa Barbara still kicks ass. I think that’s an interesting story, and I haven’t seen anyone report on it, other than here.


*Turns out KSBX is off the air permanently, after losing a coverage battle with KPBS/89.5 in San Diego. On December 29, they published a story in print and sound titled Why is 89.5 KSBX off the air? The answer is in the atmosphere. They blame tropospheric ducting, which much of the time makes KPBS come in like a local signal. Also, even though KPBS’s transmitter on Soledad Mountain (really more of a hill) above the coast at La Jolla is more than 200 miles away, it does pump out 26,000 watts, while KCBX puts out only 50 watts—and less in some directions. Though the story doesn’t mention it, KJAI, the KPCC relay on 89.5 for Ojai, is audible in Santa Barbara if nothing else is there. So that also didn’t help. By the way, I’m almost certain that the antenna identified as KSBX’s in the story’s photo (which is also one of mine) is actually for KMRO-2. KSBX’s is the one on the left in this photo here.

2005 Landslide at La Conchita

Most of California has just two seasons: rain and fire. Rain is another name for Winter, and it peaks in January. In most years, January in California isn’t any more wet than, say, New York, Miami or Chicago. But every few years California gets monsoons. Big ones. This is one of those years.

The eighteen gallon storage tub in our yard is sixteen inches deep and serves as a rain gauge:

Yesterday morning it was less than half full. While it gathered rain, our devices blasted out alerts with instructions like this:

So we stayed home and watched the Web tell us how the drought was ending:

Wasn’t long ago that Lake Cachuna was at 7%.

So that’s good news. The bad news is about floods, ruined piers and wharfsdowned trees, power outages, levee breaches. The usual.

It should help to remember that the geology on both coasts is temporary and improvisational. The East Coast south of New England and Long Island (where coastal landforms were mostly dumped there or scraped bare by glaciers in the geologic yesterday) is a stretch of barrier islands that are essentially dunes shifted by storms. Same goes for the Gulf Coast. The West Coast looks more solid, with hills and mountains directly facing the sea. But Pacific storms in Winter routinely feature waves high as houses, pounding against the shores and sea cliffs.

Looking up the coast from Tijuana, within a few hundred years Coronado and Point Loma in San Diego, La Jolla, all the clifftop towns up the coast to Dana Point and Laguna, Palos Verdes Peninsula, Malibu and Point Dume, Carpinteria, the Santa Barbara Mesa and Hope Ranch, all of Isla Vista and UCSB, Pismo and Avila Beaches, all of Big Sur and the Pacific Coast Highway there, Carmel and the Monterey Peninsula, Aptos, Capitola and Santa Cruz, Davenport, Half Moon Bay, Pacifica, the headlands of San Francisco, Muir and Stimson Beaches and Bolinas in Marin, Fort Bragg in Mendicino County, and Crescent City in Humbolt—all in California—will be eaten away partially or entirely by weather and waves. Earthquakes will also weigh in.

The photo up top is of La Conchita, a stupidly located town on the South Coast, west of Ventura, four days after a landslide in 2005 took out 13 homes and killed 10 people. All the land above town is a pile of former and future landslides, sure to slide again when the ground is saturated with water. Such as now or soon.

So that’s a long view. For one that spans the next week, visit windy.com and slide the elevation up to FL (flight level) 340 (34000 feet):

That yellow river of wind is a jet stream hauling serious ass straight across the Pacific and into California. Jet streams are why the headwinds and tailwinds you see on seat-back displays showing flight progress on planes often say 100mph or more. Look at Windy before you fly coast to coast or overseas, and you can guess what the flight path will be. You can also see why it may take as little as five hours to get from Dulles to Heathrow, or more than seven hours to come back by a route that touches the Arctic Circle. Your plane is riding, fighting or circumventing high altitude winds that have huge influences on the weather below.

To see how, drop Windy down to the surface:

Those eddies alongside the jet stream are low pressure centers full of the moisture and wind we call storms. They spin along the sides of the jet stream the way dust devils twist up along the sides of highways full of passing trucks. Those two storm centers are spinning toward California and will bring more wind and rain.

Beside the sure damage those will bring, there will be two benefits. One is that California will be as green as Ireland for a few months. The other is that wildflowers will bloom all over the place.

The Death Valley folks are hedging their bet, but I’d put money on a nice bloom this Spring. Watch for it.

Bonus link: There’s An Underground City Beneath Sacramento In Northern California That Most People Don’t Know About. Excerpt: “…Old Sacramento was built up during the time of the gold rush, but the frequent flooding of this area obliterated its first level time and time again, until finally, the city abandoned that level altogether. It’s both fascinating and creepy to tour the abandoned level…”

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We live in the Anthropocene, a geological epoch defined by the influence of one species over everything else, including the planet itself. That species is ours, and we are a pestilential one, altering, consuming, and wasting everything we can.

Specifically, our civilizations have advanced on the planet like a cancer, parasitically metabolizing materials we call “resources” (without their permission) as if their sums were not finite. Oil and coal will be gone in a few hundred years. Uranium, titanium, tungsten, helium, lithium and other members of the periodic table may be gone far sooner, thanks to our boundless appetites. And yes, we can raise crops of corn and other plants to make fuel for cars and jets, but only at the many costs of monoculture on the biodiversity required for sustaining every form of life.

Vinay GuptaI bring all this up because we’ll be talking about it on Monday at this month’s Ostrom Workshop salon at Indiana University and live on the Web. Our speaker will be Vinay Gupta (@leashless), inventor of the Hexayurt refugee shelter, founder and CEO of Mattereum, a progenitor of Ethereum, and source of wisdom on all that and much else. The title of his talk is the headline above. His case is that we have to get our per-person environmental consumption down by about 10x. Or else.

It helps that there are people and regions in the world providing living examples of how that is done. Vinay is deeply familiar with those and will share what he knows in ways that help us co-think and work to save the planet’s butt, along with our own.

The salon is at 2 PM Eastern time. It is also free, but you need to register first, here.

If this follows the pattern of our prior salons—all with the theme Beyond the Web—the presentation and discussion will be lively, informative, and productive. See you there.


In July 2008, when I posted the photo above on this blog, some readers thought Santa Barbara Mission was on fire. It didn’t matter that I explained in that post how I got the shot, or that news reports made clear that the Gap Fire was miles away. The photo was a good one, but it also collapsed three dimensions into just two. Hence the confusion. If you didn’t know better, it looked like the building was on fire. The photo removed distance.

So does the Internet, at least when we are there. Let’s look at what there means.

Pre-digital media were limited by distance, and to a high degree defined by it. Radio and television signals degrade across distances from transmitters, and are limited as well by buildings, terrain, weather, and (on some frequency bands), ionospheric conditions. Even a good radio won’t get an absent signal. Nor will a good TV. Worse, if you live more than a few dozen miles from a TV station’s transmitter, you need a good antenna mounted on your roof, a chimney, or a tall pole. For signals coming from different locations, you need a rotator as well. Even on cable, there is still a distinction between local channels and cable-only ones. You pay more to get “bundles” of the latter, so there is a distance in cost between local and distant channel sources. If you get your TV by satellite, your there needs to be in the satellite’s coverage footprint.

But with the Internet, here and there are the same. Distance is gone, on purpose. Its design presumes that all physical and wireless connections are one, no matter who owns them or how they get paid to move chunks of Internet data. It is a world of ends meant to show nothing of its middles, which are countless paths the ends ignore. (Let’s also ignore, for the moment, that some countries and providers censor or filter the Internet, in some cases blocking access from the physical locations their systems detect. Those all essentially violate the Internet’s simple assumption of openness and connectivity for everybody and everything at every end.)

For people on the Internet, distance is collapsed to the height and width of a window. There is also no gravity because space implies three dimensions and your screen has only two, and the picture is always upright. When persons in Scotland and Australia talk, neither is upside down to the other. But they are present with each other and that’s what matters. (This may change in the metaverse, whatever that becomes, but will likely require headgear not everyone will wear. And it will still happen over the Internet.)

Digital life, almost all of which now happens on the Internet, is new to human experience, and our means of coping are limited. For example, by language. And I don’t mean different ones. I mean all of them, because they are made for making sense of a three-dimensional physical world, which the Internet is not.

Take prepositions. English, like most languages, has a few dozen prepositions, most of which describe placement in three-dimensional space. Over, around, under, through, beside, within, off, on, over, aboard… all presume three dimensions. That’s also where our bodies are, and it is through our bodies that we make sense of the world. We say good is light and bad is dark because we are diurnal hunters and gatherers, with eyes optimized for daylight. We say good is up and bad is down because we walk and run upright. We “grasp” or “hold on” to an idea because we have opposable thumbs on hands built to grab. We say birth is “arrival,” death is “departure” and careers are “paths,” because we experience life as travel.

But there are no prepositions yet that do justice to the Internet’s absence of distance. Of course, we say we are “on” the Internet like we say we are “on” the phone. And it works well enough, as does saying we are on” fire or drugs. We just frame our understanding of the Internet in metaphorical terms that require a preposition, and “on” makes the most sense. But can we do better than that? Not sure.

Have you noticed that how we present ourselves in the digital world also differs from how we do the same in the physical one? On social media, for example, we perform roles, as if on a stage. We talk to an audience straight through a kind of fourth wall, like an actor, a lecturer, a comedian, musician, or politician. My point here is that the arts and methods of performing in the physical world are old, familiar, and reliant on physical surroundings. How we behave with others in our offices, our bedrooms, our kitchens, our clubs, and our cars are all well-practiced and understood. In social media, the sense of setting is much different and more limited.

In the physical world, much of our knowledge (as the scientist and philosopher Michael Polanyi first taught) is tacit rather than explicit, yet digital technology is entirely explicit: ones and zeroes, packets and pixels. We do have tacit knowledge of the digital world, but the on/off present/absent two-dimensionality of that world is still new to us and lacks much of what makes life in the three-dimensional natural world so rich and subtle.

Marshall McLuhan says all media, all technologies, extend us. When we drive a car we wear it like a carapace or a suit of armor. We also speak of it in the first person possessive: my engine, my fenders, my wheels, much as we would say my fingers and my hair. There is distance here too, and it involves performance. A person who would never yell at another person standing in line at a theater might do exactly that at another car. This kind of distance is gone, or very different, in the digital world.

In a way we are naked in the digital world, and vulnerable. By that I mean we lack the rudimentary privacy technologies we call clothing and shelter, which protect our private parts and spaces from observation and intrusion while also signaling the forms of observation and contact that we permit or welcome. The absence of this kind of privacy tech is why it is so easy for websites and apps to fill our browsers with cookies and other ways to track us and report our activities back to dozens, hundreds or thousands of unknown parties. In this early stage of life on the Internet, what’s called privacy is just the “choices” sites and services give us, none of which are recorded where we can easily find, audit, or dispute them.

Can we get new forms of personal tech that truly extend and project our agency in the digital world? I think so, but it’s a question so completely good that we don’t yet have an answer.

 

agree not to track

It’s P7012: Standard for Machine Readable Personal Privacy Terms, which “identifies/addresses the manner in which personal privacy terms are proffered and how they can be read and agreed to by machines.”

P7012 is being developed by a working group of the IEEE. Founded in 1963, the IEEE is the largest association of technical professionals in the world and is serious in the extreme.

This standard will guide the way the companies of the world agree to your terms. Not how you agree to theirs. We have the latter “system” right now and it is failing utterly, massively, and universally. Let me explain.

First, company privacy policies aren’t worth the pixels they’re printed on. They can change on a whim, and there is nothing binding about them anyway.

Second, the system of “agreements” we have today do nothing more than put fig leaves over the hard-ons companies have for information about you: information you give up when you agree to a consent notice.

Consent notices are those banners or pop-overs that site owners use to halt your experience and shake down consent to violations of your privacy. There’s usually a big button that says ACCEPT, and some smaller print with a link going to “settings.” Those urge you to switch on or off the “necessary,” “functional,” “performance,” and “targeting” or “marketing” cookies that the site would like to jam into your browser.

Regardless of what you “choose,” there are no simple or easy ways to discover or dispute violations of your “agreement” to anything. Worse, you have to do this with nearly every freaking website you encounter, universalizing the meaninglessness of the whole thing.

But what if sites and services agreed to your terms, soon as you show up?

We have that in the natural world, where it is impolite in the extreme to look under the personal privacy protections called clothing. Or to penetrate other personal privacy protections, such as shelter, doors, shades, and locks. Or to plant tracking beacons on people to follow them like marked animals. There are social contracts forbidding all of those. We expect that contract to be respected, and for the most part it is.

But we have no such social contracts on the Net. In fact, we have the opposite: a feeding frenzy on private information about us, made possible by our powerlessness to stop it, plus boundless corporate rationalization.

We do have laws meant to reduce that frenzy by making some of it illegal. Others are in the works, most notably in Europe. What they have done to stop it so far rounds to zero. In his latest book, ADSCAM: How Online Advertising Gave Birth to One of History’s Greatest Frauds, and Became a Threat to Democracy, Bob Hoffman has a much more sensible and effective policy suggestion than any others we’ve seen: simply ban tracking.

While we wait for that, we can use the same kind of tool that companies are using: a simple contract. Sign here. Electronically. That’s what P7012 will standardize.

There is nothing in the architecture of the Net or the Web to prevent a company from agreeing to personal terms.

In fact, at its base—in the protocol called TCP/IP—the Internet is a peer-to-peer system. It does not consign us to subordinate status as mere “users,” “consumers,” “eyeballs,” or whatever else marketers like to call us.

To perform as full peers in today’s online world, we need easy ways for company machines to agree to the same kind of personal terms we express informally in the natural world. That’s what P7012 will make possible.

I’m in that working group, and we’ve been at it for more than two years. We expect to have it done in the next few months. If you want to know more about it, or to help, talk to me.

And start thinking about what kind of standard-form and simple terms a person might proffer: ones that are agreeable to everyone. Because we will need them. And when we get them, surveillance capitalism can finally be replaced by a much larger and friendlier economy: one based on actual customer intentions rather than manipulations based on guesswork and horrible manners.

One candidate is #NoStalking, aka P2B1beta. #NoStalking was developed with help from the Cyberlaw Clinic at Harvard Law School and the Berkman Klein Center, and says “Just give me ads not based on tracking me.” In other words, it does permit advertising and welcomes sites and services making money that way. (This is how the advertising business worked for many decades before it started driving drunk on personal data.)

Constructive and friendly agreements such as #NoStalking will help businesses withdraw from their addiction to tracking, and make it easier for businesses to hear what people actually want.

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Hollywood Park Racetrack, 1938

Hollywood Park Racetrack, 1938

Hollywood Park Racetrack is gone. In its place is SoFi Stadium, the 77,000-seat home of Los Angeles’ two pro football teams and much else, including the 6,000-seat YouTube Theater. There’s also more to come in the surrounding vastness of Hollywood Park, named after the racetrack. Wikipedia says the park—

consists of over 8.5 million square feet (790,000 m2) that will be used for office space and condominiums, a 12-screen Cinepolis movie theaterballrooms, outdoor spaces for community programming, retail, a fitness center, a luxury hotel, a brewery, up-scale restaurants and an open-air shopping and entertainment complex.

The picture above (via this Martin Turnbull story) is an aerial view of the racetrack in 1938, shortly after it opened. Note the parking lot: immense and almost completely filled with cars. Perhaps this was the day Seabiscuit won his inaugural Gold Cup. Whether or not, few alive today remember when only baseball was more popular than horse racing in the U.S.

What interests me about this change is that I’ve enjoyed a bird’s-eye view of it, while approaching Los Angeles International Airport on commercial passenger planes. I’ve also photographed that change over the course of seventeen years, through those same windows. Between 2005 and 2022, I shot many dozens of photos of the racetrack site (along with the adjacent Hollywood Park Casino) from its last working days as a racetrack to the completion of SoFi Stadium (with the casino’s relocation to a corner of what had been the Racetrack’s parking lot).

In this album on Flickr are 91 photos of that change. Here I tell the story on one page. We’ll start in January 2005:

At this time the racetrack was long past its prime but still functioning along with the casino. (Look closely and you’ll see the word CASINO in red on the roof of the nearest grandstand. The casino itself is the gray building to its left.) In the distance, you can see the skyline of the West Wilshire region and the Hollywood Hills, topped by the HOLLYWOOD sign. (Hollywood Park is actually in Inglewood.)

This same year, Churchill Downs Incorporated sold the track to the Bay Meadows Land Company, owned by Stockbridge Capital Group, for $260 million in cash. This was good for the private capital business, but doom for the track. Bay Meadows, an equally famous racetrack just south of San Francisco, was also doomed.

This shot was taken seven months later, this time looking south:

Note the fountains in the ponds and the pavilion for members and special guests. Also, notice the separate grandstand for the Casino. The cars in the lots are almost certainly extras for LAX’s car rental companies, leasing unused parking spaces. But you can still see in the racetrack what (it says here) was “once described as too beautiful for words.”

The next photo is from April 2007:

Everything still appears operative. You can even see horses practicing on the dirt track. Also note The Forum across the street on the north side. Now the Kia Forum, its roof at various times also bore Great Western and Chase brand images. It was built in 1966 and is still going strong. During its prime, the Lakers in their Showtime era played there. (The team moved downtown to Staples Center in 1999.)

Next is this view, three months later in July 2007, looking south from the north side:

Note the stables between the racetrack and the practice track on the left. Also, note how the inner track, which had turned from dark brown to blue in prior photos, is now a light brown. It will later be green as well.

(Studying this a bit, I’ve learned that good horse race tracks are very deep flat-topped trenches filled with layers of special dirt that require constant grooming, much of which is devoted to making sure the surface is to some degree wet. In arid Los Angeles, this is a steep requirement. For more on how this works, this Wired story will help.)

Two months later, in September 2007, this view looking north takes in most of the Hollywood Park property, plus The Forum, Inglewood Cemetery, Baldwin Hills (beyond the cemetery and to the left or west):

The Hollywood Hills, with its white sign, is below the clouds, in the top middle, and the downtown Los Angeles skyline is in the top right.

Here on the Hollywood Park property, the casino will be rebuilt on the near edge of the property, along South Stadium Drive.

Here, a few months later, in February 2008, the inner track is once again blue:

This time take note of the empty areas of the parking lot, and how some regions are partitioned off. Ahead we’ll see these spaces variously occupied.

A few seconds after the shot above, I took this shot of the casino and club grounds:

The next shot comes a year and a half later, in September 2009:

Here the inner track has returned to green grass. In the far corner of the parking lot, across from The Forum, a partitioned section has activity involving at least six tents, plus other structures.

Almost three years passed before I got another view, in May 2102, this time looking south from the north side:

Here we get a nice view of the stables and the practice track. On the far side of both is a shopping center anchored by Home Depot and Target. (The white roofs are left and right.) Look in the coming shots at how those will change. Also, note the keystone-shaped fencing inside the practice track.

Here is the same scene one month later, in June 2012:

The keystone shape in the practice track is oddly green now, watered while the rest of the ground inside the track is not. A few seconds later I shot this:

Here the main change is the black-on-orange Belfair logo on the roof of the main grandstand. The paint job is new, but in fact, the racetrack became the Betfair Hollywood Park back in March, of this year.

In December begins California’s short rainy season, which we see here in my last view of the racetrack in 2012:

It’s a bit hard to see that the main track is the outer one in dark brown. We also see that the inner track, which had been blue and then green, is now brown: dirt instead of grass. This is my last view before the racetrack got its death sentence. Wikipedia:

On May 9, 2013 in a letter to employees, Hollywood Park president F. Jack Liebau announced that the track would be closing at the end of their fall racing season in 2013. In the letter, Liebau stated that the 260 acres on which the track sits “now simply has a higher and better use”, and that “in the absence of a favorable change in racing’s business model, the ultimate development of the Hollywood property was inevitable”. It was expected that the track would be demolished and replaced by housing units, park land and an entertainment complex, while the casino would be renovated.

My next pass over the property was on June 16, 2013:

The racetrack here is still verdant and irrigated, as you can see from the sprays onto the inner track, which is grass again. The last race here would come six months later, and demolition would begin shortly after that.

One year later, in June 2014, we can see the practice track and the stables absent of any use or care, condemned:

Farther west we see the casino is still operative, with cars in the parking lot:

Racing is done, but some of the ponds are still filled.

Three months later, in September 2014, demolition has begun:

Half the stables are gone, and the whole racetrack area has been bulldozed flat. Two things to note here. First is the row of red trees on the slope at the near end of the track. I believe these are red maples, which turn color in Fall even this far away from their native range. They were a nice touch. Second is the pond at the far end of the track. This is where they will start to dig a vast bowl—a crater—that will become the playing field inside the new SoFi Stadium.

Two months later, in November 2014, all the stables are completely gone, and there is a road across a dirt pile that bridges the old outer track:

This shot looks northeast toward the downtown Los Angeles skyline, and you can see the Hollywood sign on the dark ridge at the left edge of the frame, below a bit of the plane’s wing. The blur at the bottom, across the parking lot, is from the plane’s engine exhaust. (One reason I prefer my windows forward of the wing.)

This next shot is another two months later, in January 2015:

The casino is still happening, but the grandstand is ready for demolition and the racetrack area is getting prepared for SoFi.

One month after that, in February 2015, we see how winter rains have turned some untouched areas green:

Only two of the red trees remain (or so it appears), and the grandstands are still there, along with an operative casino.

This next shot is eight months later, in October, 2015:

Now the grandstand is gone. It was demolished in May. Here is a KNBC/4 report on that, with a video. And here is a longer hand-held amateur video that also gets the whole thing with stereo sound. New construction is also happening on the left, next to the old casino. This is for the new casino and its parking garage.

The next shot is almost a year later, in September, 2016:

It was a gloomy and overcast day, but you can see the biggest changes starting to take shape. The new casino and its parking garage are all but done, digging of the crater that will become the SoFi stadium has started, and landscaping is also starting to take shape, with hills of dirt in the middle of what had been the racetrack.

Ten months later, in July 2017, the SoFi crater is dug, structural pieces are starting to stand up, the new casino is operating and the old casino is gone:

Here is a close-up of work in and around the SoFi crater, shot a few seconds earlier:

The cranes in the pale gray area stand where a pond will go in. It will be called Rivers Lake.

This shot a few seconds later shows the whole west end of what will become the Hollywood Park complex:

The area in the foreground will become a retail center. The buildings on the left (west) side of the site are temporary ones for the construction project. On the right is the one completed permanent structure: the casino and its parking garage. Buildings on the left or west edge are temporary ones for the construction project.

Three months later, in January 2018, I flew over the site at night and got this one good shot (at 1/40th of a second moving at 200+mph):

Now they’re working day and night raising the SoFi structure in the crater. I share this to show how fast this work is going. You can see progress in this photo taken one month later, in February 2018, again at night:

More than a year went by before I passed over again. That was in August 2019. Here is my first shot on that pass:

Here you SoFi’s superstructure is mostly framed up, and some of the seating is put in place. Here is a wider view shot two seconds later, after I zoomed out a bit:

In both photos you see the word FORUM on The Forum’s roof. (It had previously said “Great Western” and “Chase.” It is now the Kia Forum.) You can also see the two ponds in full shape. The left one will be called Rivers Lake. The right one will pour into it over a waterfall. Cranes on the left stand in the outline of what will become an eight-story office building.

Three months later, in November 2019, the outside surfaces of the stadium are about halfway up:

We also see Rivers Lake lined, with its gray slopes and white bottom.

After this the Covid pandemic hit. I didn’t travel by air (or much at all) for almost two years, and most sporting events were canceled or delayed. So the next time I passed over the site in a position to shoot it was April 2022, when SoFi Stadium was fully operational, and the area around it mostly complete:

Here we see the shopping center in the foreground, now with the Target store showing its logo to the sky. The old practice track and stables have been replaced by parking. A few seconds later I zoomed in on the completed stadium:

We see Rivers Lake, the office building, and its parking structure are also done, as are the parking lots around the stadium. You can also see “SoFi Stadium” in raised lettering on the roof.

And that completes the series, for now.

There are a total of thirty-one photos above. All the links in the photos above will take you to a larger collection. Those in turn are a fraction among the hundreds I shot of the site. And those hundreds are among many thousands I’ve shot of ground and sky from passenger planes. So far I’ve posted over 42,000 photos tagged aerial or windowseat in my two Flickr accounts:

Hundreds of those photos have also found their ways into Wikipedia, because I license nearly all my photos online to encourage cost-free re-use. So, when people with an interest in a topic search for usable pictures they’d like to see in Wikipedia, they often find some of mine and park them at Wikimedia Commons, which is Wikipedia’s library of available images. Of the hundreds you’ll find there in a search for “aerial” plus my name, one is the top photo in the Wikipedia article on Hollywood Park Racetrack. I didn’t put it there or in Wikimedia Commons. Randos did.

My purpose in putting up this post is to encourage documentation of many things: infrastructure changes, geological formations, and any other subject that tends to get overlooked. In other words, to be useful.

A friend yesterday said, “as soon as something becomes infrastructure, it becomes uninteresting.” But not unimportant. That’s one reason I hope readers will amplify or correct what I’ve written here. Blogging is good for that.

For the curious, the cameras I used (which Flickr will tell you if you go there), were:

  1. Nikon Coolpix E5700 with a built-in zoom (2005)
  2. Canon 30D with an 18-200 Tamron zoom (2005-2009)
  3. Canon 5D with Canon 24-70mm, 24-85mm, and EF24-105mm f/4L zooms (2012-2015)
  4. Canon 5D Mark III with the same EF24-105mm f/4L zoom (2016-2019)
  5. Sony a7R with a Sony FE 24-105mm F4 G OSS zoom (2022)

I’m not a big spender, and photography is a sideline for me, so I tend to buy used gear and rent the good stuff. On that list, the only items I bought new were the Nikon Coolpix and the two 24-105 zooms. The Canon 5D cameras were workhorses, and so was the 24-105 f4L Canon zoom. The Sony a7R was an outgrown but loved gift from a friend, a fine art photographer who had moved on to newer (and also loved) Sony gear. Experience with that camera (which has since died) led me this June to buy a new Sony a7iv, which is a marvel. Though it has a few fewer pixels than the a7R, it still has 33 million of them, which is enough for most purposes. Like the a7R, it’s mirrorless, so what you see in the viewfinder or the display on the back is what you get. It also has a fully articulated rear display, which is great for shooting out the plane windows I can’t put my face in (and there are many of those). It’s like a periscope. So expect to see more and better shots from planes soon.

And, again, give me corrections and improvements on anything I’ve posted here.

 

In one of his typically trenchant posts, titled Attentive, Scott Galloway (@profgalloway) compares human attention to oil, meaning an extractive commodity:

We used to refer to an information economy. But economies are defined by scarcity, not abundance (scarcity = value), and in an age of information abundance, what’s scarce? A: Attention. The scale of the world’s largest companies, the wealth of its richest people, and the power of governments are all rooted in the extraction, monetization, and custody of attention.

I have no argument with where Scott goes in the post. He’s right about all of it. My problem is with framing it inside the ad-supported platform and services industry. Outside of that industry is actual human attention, which is not a commodity at all.

There is nothing extractive in what I’m writing now, nor in your reading of it. Even the ads you see and hear in the world are not extractive. They are many things for sure: informative, distracting, annoying, interrupting, and more. But you do not experience some kind of fungible good being withdrawn from your life, even if that’s how the ad business thinks about it.

My point here is that reducing humans to beings who are only attentive—and passively so—is radically dehumanizing, and it is important to call that out. It’s the same reductionism we get with the word “consumers,” which Jerry Michalski calls “gullets with wallets and eyeballs”: creatures with infinite appetites for everything, constantly swimming upstream through a sea of “content.” (That’s another word that insults the infinite variety of goods it represents.)

None of us want our attention extracted, processed, monetized, captured, managed, controlled, held in custody, locked in, or subjected to any of the other verb forms that the advertising world uses without cringing. That the “attention economy” produces $trillions does not mean we want to be part of it, that we like it, or that we wish for it to persist, even though we participate in it.

Like the economies of slavery, farming, and ranching, the advertising economy relies on mute, passive, and choice-less participation by the sources of the commodities it sells. Scott is right when he says “You’d never say (much of) this shit to people in person.” Because shit it is.

Scott’s focus, however, is on what the big companies do, not on what people can do on their own, as free and independent participants in networked whatever—or as human beings who don’t need platforms to be social.

At this point in history it is almost impossible to think outside of platformed living. But the Internet is still as free and open as gravity, and does not require platforms to operate. And it’s still young: at most only decades old. In how we experience it today, with ubiquitous connectivity everywhere there’s a cellular data connection, it’s a few years old, tops.

The biggest part of that economy extracts personal data as a first step toward grabbing personal attention. That is the actual extractive part of the business. Tracking follows it. Extracting data and tracking people for ad purposes is the work of what we call adtech. (And it is very different from old-fashioned brand advertising, which does want attention, but doesn’t track or target you personally. I explain the difference in Separating Advertising’s Wheat and Chaff.)

In How the Personal Data Extraction Industry Ends, which I wrote in August 2017, I documented how adtech had grown in just a few years, and how I expected it would end when Europe’s GDPR became enforceable starting the next May.

As we now know, GDPR enforcement has done nothing to stop what has become a far more massive, and still growing, economy. At most, the GDPR and California’s CCPA have merely inconvenienced that economy, while also creating a second economy in compliance, one feature of which is the value-subtract of websites worsened by insincere and misleading consent notices.

So, what can we do?

The simple and difficult answer is to start making tools for individuals, and services leveraging those tools. These are tools empowering individuals with better ways to engage the world’s organizations, especially businesses. You’ll find a list of fourteen different kinds of such tools and services here. Build some of those and we’ll have an intention economy that will do far more for business than what it’s getting now from the attention economy, regardless of how much money that economy is making today.

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