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Mark Finnern has a great idea: Wikipedia papers. Specifically,

Every student that takes a class has to create or improve a Wikipedia page to the topic of the class. It shouldn’t be the only deliverable, but an important one.

The Wikimedia organization could help the professors with tools, that highlight the changes that a certain user has done on a page. You only pass, when the professor is satisfied with the scientific validity of the page. One could even mark the pages that went through this vetting process differently.

Instead of creating papers that end up in a drawer, you would create pages that you even feel ownership of and would make sure that they stay current and don’t get vandalized. You could even link to them on you LinkedIn profile.

It would make an enormous difference to the quality of Wikipedia year over year. One can think of wiki-how and other pages that could be improved using the same model.

There are other reasons. For example, Wikipedia has holes. Not all of these line up with classes being taught, but some might. Let’s take one example…

811

Wikipedia has an entry for 5-1-1, the phone number one calls in some U.S. states for road conditions. It also has an entry for 9-1-1, the number one calls in North America for emergency services. And, while it has an entry for 8-1-1, the “call before you dig” number in the U.S., it’s kinda stale. One paragraph:

All 811 services in the U.S. will end up using 611 by early 2007, as the United States Federal Communications Commission (FCC) in March 2005 made 811 the universal number for the 71 regional services that coordinate location services for underground public utilities in the U.S.[1][dated info] Currently, each of these “call before you dig” services, has its own 800 number, and the FCC and others want to make it as easy as possible for everyone planning an excavation to call first. This safety measure not only prevents damage that interrupts telecommunications, but also the cutting of electricity, water mains, and natural gas pipes. Establishment of an abbreviated dialing number for this purpose was required by the Pipeline Safety Improvement Act of 2002.

That last link takes you to one of those “Wikipedia does not have an article with this exact name” places. The “call before you dig” link redirects to Utility location. There you’ll find this paragraph:

One-call, Miss Utility, or Underground Service Alert are services that allow construction workers to contact utility companies, who will then denote where underground utilities are located via color-coding those locations. As required by law and assigned by the FCC, the 8-1-1 telephone number will soon be used for this purpose across the United States.

Well, it’s already being used. And it’s way freaking complicated, because there’s this very uneven overlap of entities — federal government, state goverenments, regional associations, and commercial entities, to name a few — that all have something to say.

For example, the U.S. Department of Transportation Pipeline and Hazardous Materials Safety Administration, or PHMSA. Right on their front page, they tell you April is Safe Digging Month. Good to know. April of what year? Next to a blurred emblem with an 811 over a shovel (a poor version the above, which comes from the Utility Notification Center of Colorado) and a horribly blurred graphic proclaiming WE SUPPORT SAFE DIGGING MONTH, a Call Before You Dig link leads to a page that explains,

Guidance for implementing safe and effective damage prevention for underground utilities was established by the Common Ground Alliance (CGA), a national organization representing all underground utility stakeholders. Calling before you dig is the first rule to remember when conducting underground related activities, no matter what the job is. The law requires you to phone the “One-Call” center at 8-1-1 at least two days prior to conducting any form of digging activity.

No link to the Common Ground Alliance. That org (a domain squatter has its .org URL, so it’s a .com) explains that it’s “a member-driven association dedicated to ensuring public safety, environmental protection, and the integrity of services by promoting effective damage prevention practices.” Its news page mentions that, among other things, August 11 is “8-11 Day”. It has a press release template in Word format. It also has news that “MGH Hired as CGA 811 Awareness Contractor” in .pdf. Within that one finds MGH’s website URL, where one finds that the agency is @mghus, which may be the hippest thing in this whole mess.

Digging farther, one finds that there is an call811.com, which appears to be another face of the Common Ground Alliance. (If you’re interested, here are its “sponsors and ambassadors”.)

Also involved is the American Public Works Association. Apparently the APWA is the outfit behind what LAonecall (one of the zillion of these with similar names) calls “the ULCC Uniform Color Code using the ANSI standard Z53.1 Safety Colors”. APWA must have published it at one point, but you won’t find it on its website. Hey, Google doesn’t. Though it does find lots of other sites that have it. Most are local or regional governmental entities. Or utilities like, say, Panhandle Energy. Here’s the graphic:

colorcode

Here in New England (all of it other than Connecticut, anyway), the public face of this is Dig Safe System, Inc., which appears to be a nonprofit association, but there’s nothing on the site that says wtf it is — though it is informative in other respects. It does say, on its index page,

What is Dig Safe ®?

State laws require anyone who digs to notify utility companies before starting, and for good reason. Digging can be dangerous and costly without knowing where underground facilities are located.

Dig Safe ystem, Inc. is a communication network, assisting excavators, contractors and property owners in complying with state law by notifying the appropriate utilities before digging. Dig Safe®, a free service, notifies member companies of proposed excavation projects. In turn, these member utilities respond to the work area and identify the location of underground facilities. Callers are given a permit number as confirmation.

Member utilities, or contracted private locators, use paint, stakes or flags to identify the location of buried facilities. Color coding is used to identify the type of underground facilities… (and the same color coding as above)

I found out all of this — and much more — while I was researching for my column in the November issue of Linux Journal, which has Infrastructure the issue’s theme. I’m leveraging my leftovers here, closing one tab after another in my browser.

I’m also interested in approximately everything, one of which is the official-looking public graffiti on the ground all over the place. These are known locally as “dig safe markings”. At least that piece of the scattered one-call/call-before-you-dig/8-1-1 branding effort has taken root, at least here.

Anyway, I’d love to see a Wikipedia entry or two that pulls all this together. Maybe I should write it, but I’m busy. Hey, I’ve done this much already. Some actual experts ought to pick up the ball and post with it.

Which brings us back to Mark’s suggestion in the first place. Have a class do it.

Hey, @mghus, since you’re in Baltimore, how about  suggesting a Wikipedia page project to The Civil & Environmental Engineering Department at UMBC?

Maybe for 8-11 Day?

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In Curation, meta-curation, and live Net radio, Jon Udell begins, “I’ve long been dissatisfied with how we discover and tune into Net radio”, but doesn’t complain about it. He hacks some solutions. First he swaps time for place:

I’ve just created a new mode for the elmcity calendar aggregator. Now instead of creating a geographical hub, which combines events from Eventful and Upcoming and events from a list of iCalendar feeds — all for one location — you can create a topical hub whose events are governed only by time, not by location.

Then he works on curation:

I spun up a new topical hub in the elmcity aggregator and started experimenting.

That ran into problems from sources. Still it was…

…great for personal use. But I’m looking for the Webjay of Net radio. And I think maybe elmcity topical hubs can help enable that.

So Jon leverages what Tony Karrer described in Second Calendar Curator Joins to Help with List of Free Webinars, and adds,

What Tony showed me is that you can also (optionally) think in terms of meta-curators, curators, feeds, and events. In this example, Tony is himself a curator, but he is also a meta-curator — that is, a collector of curators.

I’d love to see this model evolve in the realm of Net radio. If you want to join the experiment, just use any calendar program to keep track of some of your favorite recurring shows. (Again, it’s very helpful to use one that supports per-event timezones.) Then publish the shows as an iCalendar feed, and send me the URL. As the meta-curator of delicious.com/InternetRadio, as well as the curator of jonu.calendar.live.com/calendar/InternetRadio/index.html, I’ll have two options. If I like most or all of the shows you like, I can add your feed to the hub. If I only like some of the shows you like, I can cherrypick them for my feed. Either way, the aggregated results will be available as XML, as JSON, and as an iCalendar feed that can flow into calendar clients or aggregators.

Naturally there can also be other meta-curators. To become one, designate a Delicious account for the purpose, spin up your own topical hub, and tell me about it.

I really like Jon’s idea. Sometime this weekend I’ll set up what he’s talking abouthere. Or try. I’ve always found Delicious a little too labor-intensive, but then blogging in WordPress’ writing window (as I’m doing now) is a PITA too. (One of these days I’ll get my outliner working again. That’s so much easier for me.)

The new radio dial is a combination of tools and each other’s heads. Given how the Net has eliminated distance as a factor in”reception” (a rapidly antiquifying term), the new frontier is time — how we find it. Or, in radio parlance, how we tune across it to find what we want, and then listen live or off stored files, either in our own devices (podcasting) or in the cloud (on-demand).

As we develop whatever this becomes, we need to avoid the usual traps. For example, there is this tendency for developers — commercial ones, anyway — to believe that the only available paths are —

  1. Making a commodity
  2. Trapping the user

So they do the latter. That’s why we get stuff like the iTunes store, which works with only one brand of mobile devices (Apple’s), and which nearly every other phone maker now, derivatively, wants to copy. (iTunes’ radio tuner, which is nothing more than a directory, works with nothing but itself, near as I can tell. As with most of the iTunes environment, it veers far from Apple’s reputation for ease of use — in addition to being exclusive and non-interoperable.)

What Jon’s doing here is one more among many necessary steps by which control of the marketplace shifts from user-trappers to users themselves.

Speaking of which, there is plenty of user input to the new, improved, and still-improving UI on the Public Radio Player, which now finds programs as well as stations. So, for example, I’m going to be on The Conversation with Ross Reynolds today on KUOW in Seattle, taking about the new 10th Anniversary edition of The Cluetrain Manifesto. The show starts at noon (though my segment comes in a bit later). When I looked up “conversation” on the Player, I found Rick’s show in the list results, and went right there. This goes a long way beyond tuning the way it used to be. But it still has a long way to go.

We’ll get us there.

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I dunno why the New York Times appeared on my doorstep this morning, along with our usual Boston Globe (Sox lost, plus other news) — while our Wall Street Journal did not. (Was it a promo? There was no response envelope or anything. And none of the neighbors gets a paper at all, so it wasn’t a stray, I’m pretty sure.) Anyway, while I was paging through the Times over breakfast, I was thinking, “It’s good, but I’m not missing much here–” when I hit Hot Story to Has-Been: Tracking News via Cyberspace, by Patricia Cohen, on the front page of the Arts section. It’s about MediaCloud, a Berkman Center project, and features quotage from Ethan Zuckerman and Yochai Benkler

ez_yb

(pictured above at last year’s Berkman@10).

The home page of MediaCloud explains,

The Internet is fundamentally altering the way that news is produced and distributed, but there are few comprehensive approaches to understanding the nature of these changes. Media Cloud automatically builds an archive of news stories and blog posts from the web, applies language processing, and gives you ways to analyze and visualize the data.

This is a cool thing. It also raises the same question that is asked far too often in other contexts: Why doesn’t Google do that? Here’s the short answer: Because the money’s not there. For Google, the money is in advertising.

Plain enough, but let’s go deeper.

It’s an interesting fact that Google’s index covers the present, but not the past. When somebody updates their home page, Google doesn’t remember the old one, except in cache, which gets wiped out after a period of time. It doesn’t remember the one before that, or the one before that. If it did it might look, at least conceptually, like Apple’s Time Machine:

timemachine_hero_a

If Google were a time machine, you could not only see what happened in the past, but do research against it. You could search for what’s changed. Not on Google’s terms, as you can, say, with Google Trends, but on your own, with an infinite variety of queries.

I don’t know if Google archives everything. I suspect not. I think they archive search and traffic histories (or they wouldn’t be able to do stuff like this), and other metadata. (Mabye a Googler can fill us in here.)

I do know that Technorati keeps (or used to keep) an archive of all blogs (or everything with an RSS feed). This was made possible by the nature of blogging, which is part of the Live Web. It comes time-stamped, and with the assumption that past posts will accumulate in a self-archiving way. Every blog has a virtual directory path that goes domainname/year/month/day/post. Stuff on the Static Web of sites (a real estate term) were self-replacing and didn’t keep archives on the Web. Not by design, anyway.

I used to be on the Technorati advisory board and talked with the company quite a bit about what to do with those archives. I thought there should be money to be found through making them searchable in some way, but I never got anywhere with that.

If there isn’t an advertising play, or a traffic-attraction play (same thing in most cases), what’s the point? So goes the common thinking about site monetization. And Google is in the middle of that.

So this got me to thinking about research vs. advertising.

If research wants to look back through time (and usually it does), it needs data from the past. That means the past has to be kept as a source. This is what MediaCloud does. For research on news topics, it does one of the may things I had hoped Technorati would do.

Advertising cares only about the future. It wants you to buy something, or to know about something so you can act on it at some future time.

So, while research’s time scope tends to start in present and look back, advertising’s time scope tends to start in the present and look forward.

To be fair, I commend Google for all the stuff it does that is not advertising-related or -supported, and it’s plenty. And I commend Technorati for keeping archives, just in case some business model does finally show up.

But in the meantime I’m also wondering if advertising doesn’t have some influence on our sense of how much the past matters. And my preliminary response is, Yes, it does. It’s an accessory to forgetfulness. (Except, of course, to the degree it drives us to remember — through “branding” and other techniques — the name of a company or product.)

Just something to think about. And maybe research as well. If you can find the data.

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It helps to recognize that the is exactly what its name denotes: an association of presses. Specifically, newspapers. Fifteen hundred of them. Needless to say, newspapers are having a hard time. (Hell, I gave them some, myself, yesterday.) So we might cut them a little slack for getting kinda testy and paranoid.

Reading the AP’s paranoid jive brings to mind Jim Clark on stage at the first (only?) Netscape conference. Asked by an audience member why he said stuff about Microsoft that might have a “polarizing effect”, Jim rose out of his chair and yelled at the questioner, “THEY’RE TRYING TO KILL US. THAT HAS A POLARIZING EFFECT!” I sometimes think that’s the way the AP feels toward bloggers. Hey, when you’re being eaten alive, everything looks like a pirhana.

But last week the AP, probably without intending it, did something cool. You can read about it in “Associated Press to build news registry to protect content“, a press release that manages to half-conceal some constructive open source possibilities within a pile of prose that seems mostly to be about locking down content and tracking down violators of AP usage policies. Ars Technica unpacks some of the possibilities. Good piece.

Over in Linux Journal I just posted AP Launches Open Source Ascribenation Project, in which I look at how the AP’s “tracking and tagging” technology, which is open source, can help lay the foundations for a journalistic world where everybody gets credit for what they contribute to the greater sphere of news and comment — and can get paid for it too, easily — if readers feel like doing that.

The process of giving credit where due we call , and the system by which readers (or listeners, or viewers) choose to pay for it we call .

Regardless of what we call it, that’s where we’re going to end up. The system that began when the AP was formed in 1846 isn’t going to go away, but it will have to adapt. And adopt. It’s good to see it doing the latter. The former will be harder. But it has to be done.

I’d say more here, but I already said it over there.

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“Saving newspapers” is beginning to look like saving caterpillars. Or worse, like caterpillars saving themselves. That’s was the message I got from Rick Edmonds’ API Report to Exec Summit: Paid Content Is the Future for News Web Sites, in Poynter, back in early June. In The Nichepaper Manifesto Umair Haque points toward a possible future butterfly stage for newspapers. Sez Umair,  “Nichepapers aren’t a new product, service, or business model. They are a new institution.”

He gives examples: Talking Points Memo. Huffington Post. Perez Hilton. Business Insider. He’s careful to say that these may not be the first or the best but are “avenues that radical innovators are already exploring to reconceive news for the 21st century.”

These, however, are limited as news sites, and not the best models of future nichepapers. Yes, they’re interesting and in some cases valuable sources of information; but they all also have axes to grind. In this sense they’re more like the old model (papers always had axes too) than the new one(s).

To help think about where news is going, let’s talk about one cause of serious news: wildfires. In Southern California we have lots of wildfires. They flare up quickly, then threaten to wipe out dozens, hundreds or thousands of homes, and too often do exactly that. Look up San Diego Fire, Day Fire, Gap Fire, Tea Fire, Jesusita Fire. The results paint a mosaic, or perhaps even a pointillist, picture of news sourced, reported, and re-reported by many different people, organizations and means. These are each portraits of an emerging ecosystem within  which newspapers must adapt of die.

Umair says, “In the 21st century, it’s time, again for newspapers to learn how to profit with stakeholders — instead of extracting profits from them. The 21st century’s great challenge isn’t selling the same old “product” better: it’s learning to make radically better stuff in the first place.”

Exactly. And that “making” will be as radically different as crawling and flying.

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In his comment to my last post about the sale of WQXR to WNYC (and in his own blog post here), Sean Reiser makes an important point:

One of the unique things about the QXR was it’s relationship with the Times. The Times owned QXR before the FCC regulations prohibiting newspapers ownership of a radio station were enacted. Because of this relationship, QXR’s newsroom was located in the NY Times building and news gathering resources were shared. In a precursor to newspaper reporters doing podcasts, Times columnists and arts reporters would often appear on the air doing segments.

It’s true. The Times selling WQXR seems a bit like the New Yorker dropping poetry, or GE (née RCA) closing the Rainbow Room. (Which has already happened… how many times?) To cultured veteran New Yorkers, the Times selling WQXR seems more like a partial lobotomy than a heavy heirloom being thrown off a sinking ship.

For much of the history of both, great newspapers owned great radio stations. The Times had WQXR. The Chicago Tribune had (and still has) WGN (yes, “World’s Greatest Newspaper”). The Washington Post had WTOP. (In fact, the Post got back into the radio game with Washington Post Radio, on WTOP’s legacy 50,000-watt signal at 1500 AM. That lasted from 2006-2008.). Trust me, the list is long.

The problem is, both newspapers and radio stations are suffering. Most newspapers are partially (or, in a few cases — such as this one — totally) lobotomized versions of their former selves. Commercial radio’s golden age passed decades ago. WQXR, its beloved classical format, and its staff, have been on life support for years. Most other cities have lost their legacy commercial classical stations (e.g. WFMR in Milwaukee), or lucked out to various degrees when the call letters and formats were saved by moving to lesser signals, sometimes on the market’s outskirts (e.g. WCRB in Boston). In most of the best cases classical formats were saved by moving to noncommercial channels and becomimg public radio stations. In Los Angeles, KUSC took over for KFAC (grabbing the latter’s record library) and KOGO/K-Mozart. In Raleigh, WCPE took over for WUNC and WDBS. In Washington, WETA took over for WGMS. Not all of these moves were pretty, but all of them kept classical music alive on their cities’ FM bands.

In some cases, however, “saved’ is an understatement. KUSC, for example, has a bigger signal footprint and far more to offer, than KFAC and its commercial successors did. In addition to a first-rate signal in Los Angeles, KUSC is carried on full-size stations in Palm Springs, Thousand Oaks, Santa Barbara and San Luis Obispo — giving it stong coverage of more population than any other station in Los Angeles, including the city’s substantial AM stations. KUSC also runs HD programs on the same channels, has an excellent live stream on the Web, and is highly involved in Southern California’s cultural life.

I bring that up because the substantial advantages of public radio over commercial radio — especially for classical music — are largely ignored amidst all the hand-wringing (thick with completely wrong assumptions) by those who lament the loss  — or threatened loss — of a cultural landmark such as WQXR. So I thought I’d list some of the advantages of public radio in the classical music game.

  1. No commercials. Sure, public radio has its pitches for funding, but those tend to be during fund drives rather than between every music set.
  2. More room for coverage growth. The rules for signals in the noncommercial end of the band (from 88 to 92) are far more flexible than those in the commercial band. And noncommercial signals in the commercial band (such as WQXR’s new one at 105.9) can much more easily be augmented by translators at the fringes of their coverage areas — and beyond. Commercial stations can only use translators within their coverage areas. Noncommercial stations can stick them anywhere in the whole country. If WNYC wants to be aggressive about it, you might end up hearing WQXR in Maine and Montana. (And you can bet it’ll be on the Public Radio Player, meaning you can get it wherever there’s a cell signal.)
  3. Life in a buyer’s market. Noncommercial radio stations are taking advantage of bargain prices for commercial stations. That’s what KUSC did when it bought what’s now KESC on 99.7FM in San Luis Obispo. It’s what KCLU did when it bought 1340AM in Santa Barbara.
  4. Creative and resourceful engineering. While commercial radio continues to cheap out while advertising revenues slump away, noncommercial radio is pioneering all over the place. They’re doing it with HD Radio, with webcasting (including multiple streams for many stations), with boosters and translators, with RDS — to name just a few. This is why I have no doubt that WNYC will expand WQXR’s reach even if they can’t crank up the power on the Empire State Building transmitter.
  5. Direct Listener Involvement. Commercial radio has had a huge disadvantage for the duration: its customers and its consumers are different populations. As businesses, commercial radio stations are primarily accountable to advertisers, not to listeners. Public radio is directly accoutable to its listeners, because those are also its customers. As public stations make greater use of the Web, and of the growing roster of tools available for listener engagement (including tools on the listeners’ side, such as those we are developing at ProjectVRM), this advantage over commercial radio will only grow. This means WQXR’s listeners have more more opportunity to contribute positively to the station’s growth than they ever had when it was a commercial station. (Or if, like WCRB, it lived on as a lesser commercial station.) So, if you’re a loyal WQXR listener, send a few bucks to WNYC. Tell them thanks for saving the station, and tell them what you’d like them to do with the station as well.

I could add more points (and maybe I will later), but that should suffice for now. I need to crash and then get up early for a quick round trip to northern Vermont this morning. Meanwhile, hope that helps.

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Edward Rosten and I have been having an interesting dialog in the comment section of my last post, which was mostly about WNYC buying WQXR from the New York Times (which has owned it forever) for $11.5 million — and moving QXR’s classical programming up New York’s FM dial from 96.3 to 105.9, where the maximum transmission wattage is far less than allowed on the old frequency.

There has been much hand-wringing and prognosticating over the whole thing. What Would You Do With the New WQXR? is a post on the NYTimes site that is followed by a great many comments. Says Edward, “Post #58, I can assure you, is representative of ‘input’ from people who’ve given ANY thought to how the proposed changes will play out. (‘Power to the people’ has yielded to ‘power to the 24/7 classical music station, whatever its name!’)”

So here’s a summary of my own thinking about why this was a good move by WNYC.

  1. $11.5 million is a bargain for any FM signal radiating from the center of Manhattan, even in these depressed economic times.
  2. There will be a 24/7 classical station in New York called WQXR. It will continue to play much, if not most, of the music its current audience likes. It will also employ some of the same people and air some of the same programs. Doing even a subset of this is to buck the tide that is drowning classical stations everywhere in the U.S.
  3. The signal on 105.9 will pack less punch than the old one on 96.3. The new one is 610 watts while the old one was 6000 watts, from the same antenna on the Empire State Building. The difference, however, is smaller than the wattage would indicate. On FM, height matters more than wattage, and those are the same. And signal strength increases as the square root of the wattage. This means that the new signal will be about a third the power of the old one, rather than one tenth. Either way, it’s still plenty of signal for the boroughs, southern Westchester, Jersey counties bordering the Hudson, and Nassau County. Not bad, considering.
  4. WQXR will now be a noncommercial station owned by the top public station in the top metro market in the country. There are many upsides here that are not available to commercial stations — least of all one owned by a struggling newspaper. These include…
  5. No commercials, beyond the usual noncommercial radio pitches for listener support. For an example of an alternative outcome — having a legacy station and its call letters shunted to a secondary signal while remaining commercial — check out WCRB, Boston’s equivalent of WQXR. The Wikipedia entrty provides copious (and depressing) background. What they don’t say is that WCRB plays lots of commercials, in spite of a commercial free sections of its schedule. (I’d suggest checking out WCRB’s live stream, but they’ve discontinued it.)
  6. The opportunity for listeners to support the station directly, and involve themselves in the station’s missions. In the past one could support WQXR only by buying a car or a mattress from an advertiser. Now you can put some money where your ears are.
  7. WQXR can use translators to enlarge its signal, and bring it to places outside its local coverage area. Translators are low power stations radiating the same audio on a different channel from the original signal. WQXR currently has translators on 96.7 in Asbury Park and 103.7 in Poughkeepsie. Now here’s the cool deal: While commercial stations can only use translators to fill in holes in their home coverage areas, noncommercial stations can put translators anywhere they please. Of course, these have to be on unoccupied channels, and most channels are occupied in most places. There are two ways WNYC can go here. One is to buy up, swap or otherwise deal for existing translators. (There is lots of horse-trading going on in any case between public broadcasters and religious ones. The latter have been much more resourceful about maximizing coverage and spreading translators everywhere.) The other is to find open spots where translators can be wedged in. Anywhere in the country.
  8. The Internet is a wide-open frontier. I listen to WNYC’s classical stream (also carried on the air over the station’s HD service on FM) here in Santa Barbara. I also listen to many other stations (including a dozen or more classical ones) here as well. I use either my iPhone or our home Sonos system. Those are my radios, and they sound fine. There are no limits to the number of Internet channels WNYC/WQXR can choose to put out there. For models of station/stream proliferation (and brand extension) see what KCRW and Minnesota Public Radio do. This multi-million-dollar move by WNYC serves notice that it plans to be one of the country’s public super-stations.

I could go on, but you get the point. The opportunities for WQXR as a WNYC property are far wider than the New York Times would dream of contemplating. I advise loyal listeners of both stations to get behind the effort with cash and helpful input, rather than complaints about signal differences and what WNYC might do with WQXR. Hey, WQXR will be a public station soon. That should give you more influence than ever before.

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Heard this morning on WNYC that the New York Times has unloaded its remaining broadcasting asset, which consists of the channel and facilities of WQXR, which has been a classical music landmark for as long as it’s been around. (One way or another, since 1929. Wikipedia tells the long story well.) The story on WNYC’s website says WQXR will become “part of” WNYC. I assume that means it will become non-commercial.

According to Bloomberg, the deal goes like this:

  • “Univision will pay Times Co. $33.5 million to swap broadcasting licenses and shift its WCAA broadcast to 96.3 FM from 105.9 FM, which will become WQXR… WCAA will get 96.3 FM’s stronger signal.”
  • WNYC will pay Times Co. $11.5 million for 105.9 FM’s license and equipment and the WQXR call letters.”

WQXR was for a long time an AM/FM operation. The AM was on 1560, with a 50,000 watt signal out of a four-tower facility in Maspeth, Queens. The FM was for many years atop the Chanin Building, where it still maintains an auxilliary antenna. I have shots of the old and new antennas here and here. In 2007 the Times Co. unloaded its AM station, then (and still) called WQEW, to Walt Disney Co. for $40 million. It’s now Radio Disney, a kids’ station.

Since the 60s WQXR has shared a master antenna atop the Empire State Building with most of New York’s other FMs. This was their status in 1967. Wikipedia has a good rundown of what’s up there today. Scott Fybush also has a comprehensive report from 2003.

An open question is whether WQXR will remain a beacon on the dial. While other signals on the Empire State Building master antennas run 5000 to 6000 watts, the one on 105.9 is just 610 watts. According to WQXR’s  Web site, the station and has an audience of nearly 800,000 weekly listeners. How many of those will lose the signal? Coverage maps from radio-locator.com for 96.3 and 105.9 are here and here.

For the fully obsessed, here is a current rundown of everything on FM hanging off the Empire State Building, or within 1km of it.

Meanwhile, says here WBCN in Boston, a progressive rock radio landmark, is also getting yanked. You’ll still hear it on the Web, or if you are among the appoximately five owners of an “HD” radio receiver and close enough to WBCN’s transmiter on Boston’s Prudential Building in the Back Bay. Meanwhile Boston will get more of the usual: talk sports and “Hot AC” music. (To me “Hot AC” always sounded like an climate control oxymoron, while “adult contemporary” sounded like a euphemism for pornographic furniture.)

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How Teenagers Consume Media: the report that shook the City carries approximately no news for anybody who watches the changing tastes and habits of teenagers. What makes it special is that it was authored by a fifteen-year old intern at Morgan Stanley in London, and then published by the company.

It says teens like big TVs, dislike intrusive advertising, find a fun side to viral marketing, blow off Twitter, ignore all but the free tabloid newspapers, watch anime on YouTube and so on.

All these are momentary arrangements of patterns on the surface of a growing ocean of bits. (For why it grows, see Kevin Kelly.) What’s most productive to contemplate, I think, is how we will learn to thrive in a vast and growing bit-commons whilst (to borrow a favorite preposition of this teen) trying to make money in the midst.

Which brings me to Chris Anderson‘s new book, Free: the Future of a Radical Price. Malcolm Gladwell dissed it in The New Yorker, while Seth Godin said Malcolm is Wrong and Virginia Postrel gives it a mixed review in The New York Times. But I’m holding off for the simple reason that I haven’t finished reading it. If I write something about it afterward, it will likely be along the lines of what I wrote in Linux Journal as a long response to Tom Friedman’s The World is Flat. (Here are Part I and Part II, totaling more than 10,000 words.)

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I’ve left two messages with the very nice senior tech guy who came out on Monday and confirmed the problem without solving it. Another guy came yesterday when the problem wasn’t happening, and gave me the number of the senior guy to call.

Anyway, no response so far. Meanwhile, the usual: hjigh ping times and traceroutes that show the big latency starting at the first hop: inside Cox’s network.

A smart tech friend, suggests we just replace the cable modem and its power supply. Can’t hurt. Of course, that’s Cox’s gear and their job, and they’re awol, still.

Meanwhile, the quanity of work not getting done is huge.

If I had a choice of carriers, I’d switch in a heartbeat, but I don’t. Verizon is the only alternative, and my house is too far from a central office to get competitive data speeds. So, not much leverage there.

Another friend suggests calling the CEO’s office. If I don’t hear back from the senior tech guy today, I’ll try that in the morning.

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