Before the salt in evaporating sea water turns white, it goes through stages of color that range from jade green to brick red, with variations of orange, yellow and other colors. From above the salt ponds around San Francisco Bay look like giant panes of stained glass. The shot above is from my latest set, shot on approach to SFO last week.
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Sitting by Gate 88 at SFO, waiting to board United’s next Boston flight. I just took my chances and ordered a short dry decaf cappuccino. I figured I had a good chance of getting what I wanted because the coffee shop at the gate is Peets, of which I am quite fond because more often than not they make them right.
Not this time. Even with careful instruction (“just some foam and a tiny bit of milk on the espresso”), I got what remains the default for coffee shops everywhere, and which I’ve complained about before.
So now I’m sitting in seat 1a: a biz class window on the shady side of the plane with no obstructions. The window could be cleaner, but it’s not too bad. The shooting should be good.
The more I fly, the more useful, or at least interesting, the NOAA‘s AviationWeather.gov service becomes. At any given moment it has dozens of different reports on weather at altitude, across North America. The one above is among the many that show potential or reported turbulence.
Here’s the FAA’s page on flight delays. Plus FlightAware, the best of a bad bunch — too much flash and other stuff that doesn’t work on too many browsers, especially ones in handhelds. Speaking of which, I’ve lately been appreciating FlightTrack. The list could go on, but I need to move on. See ya in Boston. (At IAD now. The last two paragraphs were written at SFO, where connectivity was minimal.)
Oh, click on the map above and check out the current maximum turbulence potential between here (Washington) and Boston. So far there’s just one pilot report, of moderate turbulence, over Connecticut.
@Newsweek Bummed to hear that. Ferrer was a great character actor with a deep and perfect voice.
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