of Andrew Riutta. One reason should be obvious, once you read his
poetry: haikuEsq was too excited about having Andrew’s work on
this humble website to wait for a formal introductory post. The other
reason for putting off an introduction is perhaps a little less obvious:
haikuEsq is trained as a lawyer, not a literary critic, and he’s been
having a hard time finding the right words to explain what makes
Andrew’s haiku stand out — for both their excellence and their unique
voice.
Our other alter ego dagosan put it like this: When I
see most high-quality haiku, I allow myself the conceit of
thinking “I could have written that (at least with a lot more
practice).” With Riutta’s haiku, I often sigh, “I never
would have seen that connection, or said so much
with so few words.”
“RiuttaA” In an interview with the poet-editor Robert Wilson, in the
Summer 2005 edition of Wilson’s Simply Haiku Magazine, we get
a glimpse of Andrew that helps explain his art and craft — and allows
him to provide the words haikuEsq hasn’t yet found. Asked which poets
have influenced him, Andrew includes Ralph Waldo Emerson, saying:
“One of the quotes that has become one of my templates is by Emerson:
‘Step out of the house to see the moon and it is mere tinsel; it will not
please as when its light shines upon your necessary journey’.”
When asked his goals, he explains:
Since I am rather new to all of this, my goals still consist
of attempting to give that which seems to have very little
voice in our world, a voice: the bond and the distance between
humanity and the world in which it lives. Ultimately we are all
moving in the same direction, and yet so very few people you
meet are willing to acknowledge this fact. I want to continue to
notice and write about the little moments that depict this scenario.
Then, after saying that he would like to help people develop their own voices,
Andrew reveals a longterm goal (that resonates with this weblog’s Editor):
There’s also a part of me that would love to help haiku appeal
to those who may not be interested in it because they believe
that it conveys that which is already obvious. I would like to
help people recognize that each of us is participating in all
these moments, and therefore, each of us has the depth to
be able to perceive them in a manner that no one else can.
Juxtaposing emotion (often conflict) with the natural world around us,
Andrew writes haiku that create a mood with a simple image and a
human connection. He tells us he will “always be a newcomer” to
haiku, because “Every day is a new day.” That’s not a cliche for
Andrew; it’s the attitude that makes his poetry alive, with real moments
and mood, not contrived ones.
Enough introduction. Here’s another course in the ongoing feast that
Andrew Riutta has generously allowed f/k/a to share with you. You can
find links to posts that feature his work on his archive page.
quiet lake—
all these years
he has held his breath
summer:
I leave it to die
in the pasture
the silver leaves
that were once my life—
autumn wind
every time
a child blinks…
another dandelion
driftwood…
such a long way
to stillness
leafless trees—
an old man stares at himself
in the river
Andrew Riutta from Simply Haiku (Autumn 2005)
p.s. Those who like biographical information, should know that Andrew
Riutta lives in northern Michigan, along with his wife, Lori, and their four-year
old daughter, Issabella (gotta love that name!). [Her first published haiku
appeared in the Spring 2005 edition of Canadian Zen Haiku.]
Andrew grew up on the shores of Lake Superior, surrounded by freighters
and agates; orchards and farms. When not writing or reading poetry, Andrew
loves to sew hand-stitched bags out of canvas and leather. He also loves
listening to wide band and shortwave radio. Mostly, he loves “learning from
his daughter about the world.”
October 16, 2005
introducing andrew riutta
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Hi David – good stuff from Andrew R, Matt
Comment by matt — October 17, 2005 @ 2:26 pm
Hi David – good stuff from Andrew R, Matt
Comment by matt — October 17, 2005 @ 2:26 pm