By Michael J. Balboni

This is the second entry in a four-part series examining the social and historical forces that have led to the current divide between religion and medicine. Drawing on Peter Berger’s theory of plausibility structures (particular social processes that legitimize social beliefs and practices, giving them a matter-of-fact quality), this series examines key factors that lie behind the current state of spirituality in medicine. This post focuses on our cultural beliefs about physicians as scientists, and how the late nineteenth century alliance with science has transforming the meaning of the medical vocation.

Throughout the history of Western medicine, physicians viewed themselves as invested with a divine mission and purpose. In fact, according to sociologist Jonathan Imber, the initial ascendance of the medical profession during the middle of the Nineteenth century was due in part to the fact that physicians were allied with and morally commissioned by Protestant clergy. Imber suggests that Protestant clergy empowered the medical profession with a moral and spiritual vocation, resulting in a deeply held public trust of physicians.[1] A vivid depiction of this spiritual/medical vocation can be seen in Luke Fildes’ 1891 painting, The Doctor. In this painting, the physician leans pensively over the sickbed of an ill child. The tools of his trade are pushed to the side, as illness takes the upper hand, whereas a light shines on his thoughtful face and gentle expression. He is here not only to offer his medical skills, but also to shepherd the family through a difficult and painful experience. (more…)