The Caroline Leaf Collection experienced many moments of closure last week. To begin with, it is now processed, encoded, and the finding aid is up online. I really enjoyed working on this collection and becoming so familiar with Caroline Leaf, the innovative Canadian-American animator and filmmaker, and her work. Her animated and live-action films demonstrate a consistent and delicate balance of whimsical artistry underlined with dark themes. And throughout all of her art, there is willingness – nay, resolve – to invent new methods and execute them beautifully, no matter the time commitment. These qualities are well represented in her collection as well, which is full of drawings and test samples that reveal her extensive processes.
Some snapshots of Caroline Leaf during the making of Interview.
Serendipitously, Caroline Leaf herself traveled from England to visit the Harvard Film Archive last week in order to approve a new answer print of Sand or Peter and the Wolf. There had been a protracted back-and-forth creating the new print because the coloring wasn’t quite right for a while. Her visit just happened to coincide with the finishing of her finding aid, and I had the exciting opportunity to meet (and lunch with!) her. She even gave some feedback on the finding aid, which is a rare opportunity for both a processing archivist and the person for whom the collection is about.