Entries Tagged as 'Cataloging'

Monday, September 26th, 2016

A picture is worth a thousand words

We have all heard it. If you think of googling it, by the way, don’t—nobody really knows who said it first. We have all said it. Ironically, even writers are fond of it. “The drawing shows me at one glance what might be spread over ten pages in a book,” says Evgenii Bazarov, the revolutionary-inclined […]

Friday, September 16th, 2016

Olé!

Dance notation is one of those tricky subjects which has been discussed for centuries: no matter how you write it down, you’re sure to miss something important. I’ve discussed some examples here in in the blog, particularly regarding Feuillet notation (which was a particular interest of Professor Ward’s). But sometimes folks just take things into […]

Wednesday, September 14th, 2016

New on OASIS in September

Four finding aids for newly accessioned or cataloged collections have been added to the OASIS database this month. Newly cataloged by: Irina Klyagin and Christine Jacobson Henry Wadsworth Longfellow Dana papers on Soviet theater and film and university lecture notes, 1902-1955 (MS Thr 402) Minimally Processed by: Melanie Wisner Tina Howe papers, circa 1958-2015 (MS […]

Thursday, August 11th, 2016

Quite a card: Raymond S. Wilkins’ sheet music artist card files

Isn’t it always the way, that once one begins opening boxes, all kinds of surprising things appear. This was certainly the case with our recent Hidden Collections grant, to survey all of our historical sheet music collections. Our sheet music had for years been shelved in an end-of-Raiders-of-the-Lost-Ark-warehouse-y kind of situation, awaiting the time and […]

Tuesday, August 2nd, 2016

Nineteenth-Century Bound Sheet Music Volumes Part III: Thomas J. Kiernan volume of American vocal music, circa 1843-1871

Of the nearly four hundred bound sheet music volumes held in Houghton, many were owned by the same person – there are at least seven owned by Edith Forbes Perkins, for example, and over a dozen by Catharine Dean Flint. Just as interesting, however, are single volumes, one of which is highlighted below.

Monday, August 1st, 2016

Nineteenth-Century Bound Sheet Music Volumes Part II: Souvenir of the Confederacy

Most bound volumes in our collection that are about one inch thick contain between thirty and forty individual pieces. This volume, unassuming as it is, contains ninety three.

Friday, July 29th, 2016

Nineteenth-Century Bound Sheet Music Volumes Part I: Edith Forbes Perkins volumes

With one of this summer’s Pforzheimer fellowships came the opportunity for frequent trips to a remote corner of Houghton Library’s sub-basement level, where several hundred bound sheet music volumes lay waiting to be catalogued. Thanks to Dana Gee’s extraordinary work with the Hidden Collections Sheet Music project, tens of thousands of loose sheet music scores […]

Wednesday, July 27th, 2016

Join the Conspiracy!

This post is part of an ongoing series featuring items recently cataloged from the Julio Mario Santo Domingo Collection. In late summer 1968, delegates gathered in Chicago for the 35th Democratic National Convention. It had been a year of war, assassinations, and riots. The North Vietnamese launched the Tet offensive in January. Martin Luther King, […]

Saturday, July 2nd, 2016

Shining a spotlight on Hidden Collections

At “hands in the air” in the style of MasterChef at the end of her own arduous MasterSurvey, Dana Gee marks the finish of our own six-month endurance test. Our Hidden Collections Grant to explore strange new worlds of backlog, to seek out new sheet music, to boldly go where no one has gone before, […]

Friday, June 24th, 2016

Son of The heroism of King George

It has already been a busy summer. I had the great good fortune last week to take another Rare Book School course, The Stationers’ Company to 1775, taught by the extraordinary Ian Gadd. Now, you may ask, what the heck is The Stationers’ Company? Basically, it is what today we would call a guild, which […]