Collections Now Available for Research: March 2018

Houghton Library is pleased to announce that the following collections now have descriptive finding aids and are available for research in the library’s reading room.

Anne Barry correspondence with Norman Mailer and related papers, circa 1961-2009 (MS Am 3159) – processed by Melanie Wisner

Artcraft Lithograph & Printing Co. Window Cards, 1941-1979 (MS Thr 1752) – processed by Melanie Wisner

William Ernest Hocking Papers, 1860-1979 (MS Am 2375) – additions added by Adrien Hilton

 Florence Milner Papers on Lewis Carroll, circa 1860s-1930s (MS Eng 1820) – processed by various staff as part of archival training

Alfonso de Orléans Papers, circa 1937-1975 (MS Span 1870) – processed by Ashley Nary

Ludlow-Santo Domingo Library Collection of Film Stills, circa 1894-2002 (MS Thr 1678) – processed by Elise Ramsey

Alfred K. Schroeder Photographs of the Boston Ballet, circa 1960-1970 (MS Thr 1731) – processed by Magee Lawhorn

Langdon Warner Papers, 1900-1959 (MS Am 3138) – processed by Fletcher Coleman

Charles H. Waterbury Correspondence and Scrapbooks on Chess Problems, 1858-1878 (MS Am 2483) – processed by various staff as part of archival training

Leo Van Witsen Designs and Photographs,1935-1973 (MS Thr 1740) – processed by Betts Coup

Born-Digital Blog Post #2: Generating the Report

This post continues the series, “Behind the Scenes at Houghton”, giving a glimpse into the inner workings of the library’s mission to support teaching and research. Thanks to Magdaline Lawhorn Administrative Fellow & Project Archivist, for contributing this post.

 Houghton’s born-digital survey journey continues to the next stage, beginning with the procurement and analysis of reports illuminating the extent of our holdings. You might be thinking…..why are they bothering with generating reports from materials already at Houghton? Why not just create new workflows and policies that are mindful of born-digital handling for future ingest? In this case we are looking to the past to inform our present and future practices. But first, we must find and preserve the media hidden in our collections. It is estimated that this media won’t be readable by 2030.

We want to be as thorough as possible, in the hopes that we will eliminate the need for a future born-digital backlog survey. No longer will born-digital materials get cast aside, overlooked, and overshadowed by their analog counterparts. In conjunction with the backlog survey we are updating our accessioning procedures to incorporate born-digital material practices. With these new workflows we will log media at accessioning, by removing, photographing, and creating a unique identifier for each object. By employing these changes we remedy the problem that born-digital materials in our holdings are currently facing, allowing us to forge ahead without adding to the backlog.

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The Origins of the Harvard-Radcliffe Orchestra

Today, the Harvard-Radcliffe Orchestra, America’s oldest symphony orchestra, will perform its annual Junior Family Weekend concert in the university’s Sanders Theatre. The HRO began life in 1808 as the quirkily named Pierian Sodality, founded by six Harvard students seeking to further their shared interest in serenading and socializing. The original Pierian Sodality  appears to have concentrated on the latter and members were frequently censured by the university, with four of its musicians actually expelled in 1834. At this particularly low point a single stalwart member remained in the Sodality: Henry Gassett 34, a flautist. Gassett insisted on holding rehearsals and performances of one, paying himself dues and convening solo meetings. Gradually rebuilt in the intervening years, the Sodality would in 1942 become the Harvard Radcliffe-Orchestra (although they retain the name “Pierian Sodality of 1808” for their alumni board).

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Aspects of Edward Lear (Part III)

‘Verily, I am an odd bird’, Lear once confessed. He was also a superb illustrator of odd birds, as his Illustrations of the Family of Psittacidae, or Parrots attests. Working from live models in the gardens of the newly established Zoological Society in London the 18-year-old Lear produced his book without any formal training, independent funding, or institutional support. The remarkable story of his work on this volume—alongside other commissions—has recently been told in Robert McCracken Peck’s The Natural History of Edward Lear. ‘Parrots are my favourites’, Lear noted, but there is also another bird that haunts his imagination, one that makes its presence felt across his oeuvre (from his ornithological draughtsmanship to his travel journals, from his landscape painting to his nonsense poetry, and beyond). Enter The Pelican.

He began drawing these birds early. Houghton Library holds a lovely preparatory sketch of a pelican that Lear would later work up for John Gould’s The Birds of Europe (1837):

The Pelican

“The Pelican”. Edward Lear drawings of animals and birds, ca. 1831-1836
Houghton Library, MS Typ 55.12, f. 2

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Collections Now Available for Research: February 2018

Houghton Library is pleased to announce that the following collections now have descriptive finding aids and are available for research in the library’s reading room.

Francis C. Browne Journals and Ephemera, 1840-1895 (MS Am 3156) – processed by Magdaline Lawhorn

Filipino American Performing Arts Broadsides and Posters, 1979-2002 (MS Thr 1724) – processed by Magdaline Lawhorn

Paolo Gruppe Papers, circa 1909-1972 (MS Thr 1727) – processed by Melanie Wisner

Howard Guild Collection of Subscription Publishing Prospectuses, circa 1860-1912 (Typ 9000) – processed by Simmons intern, Alice Iu under the supervision of Susan Wyssen

William Morris Hunt Papers, 1960-1990 (MS Thr 408) – processed by Adrien Hilton

Vladimir Nabokov Family Papers circa 1920-2000 (MS Russ 140) – processed by Magdaline Lawhorn

The New York Hippodrome : Drawings, 1905-1908 (MS Thr 1716) – processed by Melanie Wisner

Christy Obrecht Family Papers, 1913-1975 (MS Thr 1711) – processed by Magdaline Lawhorn

Roberto Paoli Correspondence, 1905-1997 (MS Ital 206) – processed by Melanie Wisner

Patrick Putnam papers, circa 1920s-1950s (MS Am 3144) – processed by Simmons intern, Alice Iu under the supervision of Susan Wyssen

Arturo Ripstein Papers, circa 1935-2014 (MS Span 186) – processed by Melanie Wisner

Pauline Billings Taylor Collection of Theater Designs, 1892-1968 (MS Thr 1708) – processed by Irina Klyagin

George Doane Wells Family Papers, circa 1704-1934 (MS Am 3154) – processed by Ashley Nary

Kirk Alan Winslow Papers, 1955-2003 (MS Thr 1709) – processed by Adrien Hilton