An Actress Prepares

A promptbook I’ve been working on recently, The Amber Heart, by Alfred Calmour (1857?-1912), is bound in tan leather wrappers with its title stamped in gold on cover and spine. Inside, the covers are decorated with gorgeous red-violet marbled endpapers edged with intricate gold stamping. The book resides in a quarter tan calf and cloth case. It’s not one of those well-worn, frayed working scripts, full of hastily scrawled notes, but rather a treasured memento of a theatrical experience.

Ellen Terry, one of the most celebrated British Shakespearean actresses of the late 19th century/early 20th century, originated the main role of Ellaline in The Amber Heart, presented by actor-manager Henry Irving in 1887 in London, when she was 40 years old, 12 years later playing it in repertory with the Irving company in New York in 1899, with a return engagement in 1900. Here is an image of Terry in the role.

Ellen Terry’s family was a true British theatrical dynasty whose most famous members also include Ellen’s elder sister actress Kate Terry, her son the set designer Gordon Craig, and her nephew John Gielgud. The Theatre Collection copy is inscribed by Ellen Terry to her niece Minnie, daughter of her brother Charles Terry, and a noted child actress in Herbert Beerbohm Tree’s company by the time she was six years old. The inscription is dated “Christmas, 1902”; Ellen Terry would already have completed her successful Broadway run of the play.

Ellen Terry’s inscription in Minnie’s copy of the play

Ellen Terry’s inscription in Minnie’s copy of the play

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“A Harbinger of Those Peaceful Times to Come”: A Gift from the People of Great Britain

houghton75The brief ceremony that marked the opening of Houghton Library on 28 February 1942 took place only months after the United States had entered World War II following the Japanese attack on Pearl Harbor. Professor Charles K. Webster of the University of London was one of three speakers along with Harvard University President James Conant and donor Arthur A. Houghton, Jr.  Webster had been Professor of History at Harvard from 1928 until 1932 when he became Stevenson Professor of International History at the London School of Economics and Political Science, but was there to represent the British Ambassador to the United States, His Excellency The Rt. Hon. Viscount Halifax.  At this occasion an incunable copy of John of Salisbury’s Polycraticus, a treatise on political and ethical philosophy including a major exploration of the responsibilities of rulers and their people, was presented to Harvard University on behalf of the people of Great Britain.  This edition was printed in Brussels between 1479 and 1481.  Webster alluded in his remarks to the scholarship of the great Harvard professor Charles Homer Haskins and his work on the twelfth-century renaissance during which John of Salisbury wrote his treatise and the statement by Halifax read by Webster concluded on the appropriateness of this gift at this time.  John of Salisbury’s ideal ruler:

is or should be subject of a higher law than any made on earth.  This central doctrine is one which has not lost its appeal for American and Englishmen today, for they and their allies are fighting side by side for just one principle – the principle that might cannot go unhampered either by Christian morality or even by man-made law.  There is then a fitness in the choice of this celebrated book as a gift to Harvard University from the people of Great Britain.

inc_9337The book presented (Walsh 3931; ISTC ij00425000), now Inc 9337, contains the book plates of two distinguished English book collectors, who owned the volume before it entered Houghton Library.  Charles Butler (1821-1910), lived in London, but kept his library at Warren Wood in Hatfield, Hertfordshire.  It was included in the sale of his library at Sotheby’s, London, on 5 April 1911 as lot no. 600 and sold for £11 to the Liverpool booksellers, Henry Young and Sons.  John Charrington (1856-1939), of The Grange, Shenley, Hertfordshire was a coal merchant, but was also Honorary Keeper of Prints at the Fitzwilliam Museum in Cambridge University and a very great benefactor of that Museum.  It was included in the sale of his library at Sotheby’s, London, on 18 December 1939, as lot no. 254 and sold for £35 to the London booksellers, E. Ph. Goldschmidt. Three years later the book was presented to Houghton. Presumably a representative for the British government bought the incunable from Goldschmidt, however the chain of ownership between 1939 and 1942 is at present unclear.

In accepting the book on behalf of Harvard, President Conant concluded:

I like to think that this gift of yours is, therefore, a harbinger of those peaceful times to come when in increasing numbers British and American scholars will literally fly back and forth across the Atlantic Ocean to share their labors and their treasures.

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Bookplates from Inc 9337

For a description of Houghton Library’s opening ceremony, see Harvard University Library Notes (March 1942): 61-67, and Harvard Alumni Bulletin (February 1942): 340-342.

William P. Stoneman, Curator of Early Books and Manuscripts

Mo’ money, Mo’ plant problems

This post is part of an ongoing series featuring recently cataloged items from the Ludlow-Santo Domingo Library

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If you are looking for some practical advice on how to grow cannabis under fluorescent lighting I’ve got just the book for you!  A guide to growing Cannabis under fluorescents by C.E. Faber was published in 1974.  Tips on soil, lighting, containers, pruning, and the best types of seeds are only a few of the chapters in this book.  

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The section that I found most fascinating dealt with the problem of insects when you are growing pot.  The author points out that you are at an advantage growing inside because you are not dealing with the typical problems in a field like grasshoppers, slugs, or snails which could “meance your plants.”

What you do need to worry about are things like aphids.  img0003Typically they attack the tender growth tips and buds and can injure plants by sucking the juices from both the stems and leaves of the plant as well as excreting honeydew which serves as a culture for black mold.  Unchecked they will spread over the entire plant then move onto others.  Aphids are only about one thirty-second of an inch long and are prodigious at producing offspring.  Faber counsels that there are really only two choices, one involves going organic and using their natural enemies either the ladybug or the praying mantis and the second involves spraying with insecticide.

Another pot foe is the two spotted spider-mite.   They feed off the plant in the same manner as the aphid causing the leaves to turn a stippled grey-yellow, then brown only to fall off the plant.  img0006They can vary in color and are so tiny it takes a magnifying glass to see them clearly.  Often you can only spot them by looking at the underside of the leaves where small dots of silver indicate the webs to which eggs are attached.  They multiply quickly and your only option is spraying with insecticide again and again.

Location is as you might imagine is extremely important.  The plants need fresh air for the carbon dioxide, so if you are going to put them in a closet be sure to open it for air circulation every day.  If you are committed to growing pot in your house you also need to think about your pets.  Cats in particular love to nibble on vegetation and if you aren’t careful you may come home to a plant that has served as a tasty snack.

I’ll leave you with some of Faber’s advice…“One more thing.  Plants do prefer classical music to rock; violins to electric guitars, Stravinski to the Stones, so if you have a predilection for rock it would be best for your plants to have them in a separate room from your stereo.”  A guide to growing Cannabis under fluorescents by C.E. Faber ; ill. by A. Faber. Philadelphia : Flash Post Express, 1974 can be found in Widener’s collection.  

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Thanks to Alison Harris, Santo Domingo Project Manager, for contributing this post.

The Houghton75 Podcast

We’re happy to announce a new way of learning about the Houghton Library collections and the people that use them. The Houghton75 podcast! Houghton75 will present different voices and perspectives on Houghton Library in its seventy-fifth year.

The series kicks off with Harvard faculty members sharing their thoughts on the collection item they chose for the exhibition HIST 75H: A Masterclass on Houghton Library. The chosen item acts as a springboard for a broader conversation about their research and teaching. The first two episodes are up and ready for listening, either on SoundCloud or through iTunes or your favorite podcasting software (just search for Houghton75 and subscribe!).

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Remember Cootie Catchers?

This post is part of an ongoing series featuring recently cataloged items from the Ludlow-Santo Domingo Library

img0029Will you live in a mansion, drive a Ferrari, get your dream job, have two kids and marry your hot 12-year old crush?  Or will your fate be to have a rusty pickup truck, work a minimum wage job, have 13 kids to feed, and live in a shack?  Cootie catchers helped us answer these difficult questions in our struggle to discover our futures!  Originally called the salt cellar it was first seen in an origami book called Fun with Paper Folding in 1928.  Apparently the cootie catcher name caught on because of the pincer like movement the folded paper makes, which can mimic catching insects, like lice.  I discovered this cootie catcher, or fortune suggester if you prefer, in an issue of X-ray magazine.  It is meant to be removed from the plastic to reveal your future!  Published by Pneumatic Press in California this

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limited edition publication only produced 226 copies per issue and is actually a kind of collaborative artist book full of highly ephemeral objects, art pieces, textiles, poems, photographs, prints, and other types of materials.  Materials are tucked between pages, affixed with stickers and glue, or found inside envelopes.  The user is meant to interact with the items and every page is supposed to surprise.  I was certainly surprised when I found the page by Mike Dyar that supposedly contains his hair.  If indeed it IS his real hair did he donate it to every copy?

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Another particularly delightful page was the fortune cookie.  It is designed with a cut in the page so that you can literally pull the fortune from the drawing of the cookie.  This fortune said “When you’re through changing- you’re through!”

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These fascinating issues of X-ray magazine can be found in the collection of the Fine Arts Library.

Thanks to Donna Viscuglia, Cataloger and Alison Harris, Santo Domingo Project Manager, for contributing this post.