Houghton Incunable finds its Mate after Two Centuries

Not long ago, Houghton Library acquired a copy of the first half of an edition of the works of Thomas Aquinas printed in Basel by Michael Wenssler in 1485 (Inc 7508) – the first half, I say, because the collection was issued in three parts, of which the second itself consisted of two parts, and the Houghton volume contains part one and the first part of part two.

The Houghton volume is in a contemporary binding, with a title label and separate shelfmark label on the front cover, and the title of each part written boldly along the bottom edges.  There is a neat inscription, inside the counter of the first red and blue puzzle initial, identifying its original owner as the Carthusians of Würzburg.

Initial with inscription from Houghton Inc 7508.

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Quite a card: Raymond S. Wilkins’ sheet music artist card files

Isn’t it always the way, that once one begins opening boxes, all kinds of surprising things appear. This was certainly the case with our recent Hidden Collections grant, to survey all of our historical sheet music collections. Our sheet music had for years been shelved in an end-of-Raiders-of-the-Lost-Ark-warehouse-y kind of situation, awaiting the time and the money to do it justice. Once we began to sort and accession the collections, this being Houghton, of course we have discovered all manner of wonders.

One of my favorite discoveries was the gifts of Raymond Sanger Wilkins, Harvard class of 1912. Wilkins went on to graduate from Harvard law school, and serve on the Massachusetts Supreme Judicial Court from 1944-1970, the last fourteen years as Chief Justice. Hearing this one might imagine that he led a rather austere life, but Wilkins loved music: played several instruments, conducted and composed, and served as trustee of the Boston Symphony Orchestra and the New England Conservatory of Music (among others). Throughout the 1960s, he donated his personal collections of music to Houghton, which included a large collection of operetta and musical vocal scores, and … over 30,000 scores of sheet music. He kept his own card files (though by no means complete), with lyricist and arranger cards, and most importantly for our purposes, artist, and engraver/lithographer files.

Sheet Music 576 Cover

Sheet Music 576 cover, illustrated by John Brandard; from the Wilkins sheet music gift

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Pict Ale

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This post is part of an ongoing series featuring items recently cataloged from the Julio Mario Santo Domingo Collection.

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As the title suggests this is an entertaining read on the history, legends, and facts regarding beer along with clever illustrations.  The self-proclaimed “beer king” Alan Eames covers everything from the invention of beer, drinking habits of various cultures, advice on the best suds in the world, as well as the representation of beer in poetry, song, and popular culture.

I was fascinated to discover within the text something called Pict ale, which according to the author was the first beer brewed in the British Isles and famous for its strength and hallucinogenic potency.  It has been subsequently discovered that dwelling beneath the leaves of the heather plant is ergot fungus which contains LSD-like properties.  Heather ale was made using the flowers of the heather plant which were placed in the bottom of brew vats and combined with malt.  The specific type of heather was a closely guarded secret kept by the Picts, which was eventually lost when they were exterminated by the Scottish King Niall in the fourth century.  Heather ale has enjoyed a resurgence in recent years and is currently produced by a small number of Scottish breweries.

Fraoch FRAΦCH Heather Ale www.heatherale.co.uk ~Sláinte | Flickr ...Fraoch is one of those contemporary heather ales that is brewed by the Williams Bros. Brewing Company in Scotland.  They suggest pairing this original craft beer with venison, haggis, or dessert.

Robert Louis Stevenson famously wrote about the heather ale and its connection to the Picts in his publication of Ballads in 1890.  Houghton has a copy that was once owned by Henry James and includes Heather ale: a Galloway legend where he writes:

“Was far sweeter than honey, 

Was stronger far than wine.”

heatherale_2Another section on beer, poetry, and song reveals that the Middles Ages had many songs written both about the joys and evils of beer.  European history shows that the control and taxation of beer resulted in some of the earliest satiric music.  This musical outrage commonly burst forth in response to the increased price of beer revealing the importance of beer with the general populace.  To learn more from this handy little volume you can find the Secret life of beer : legends, lore & little-known facts[compiled by] Alan D. Eames. Pownal, Vt. : Storey Communications, c1995 in Widener’s collection.  

Thanks to Alison Harris, Santo Domingo Project Manager, for contributing this post. 

Nineteenth-Century Bound Sheet Music Volumes Part III: Thomas J. Kiernan volume of American vocal music, circa 1843-1871

Of the nearly four hundred bound sheet music volumes held in Houghton, many were owned by the same person – there are at least seven owned by Edith Forbes Perkins, for example, and over a dozen by Catharine Dean Flint. Just as interesting, however, are single volumes, one of which is highlighted below.

Inside front cover of the Thomas J. Kiernan volume of American vocal music, circa 1843-1871 (Tawa 8)

Inside front cover of the Thomas J. Kiernan volume of American vocal music, circa 1843-1871 (Tawa 8)

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Nineteenth-Century Bound Sheet Music Volumes Part II: Souvenir of the Confederacy

Most bound volumes in our collection that are about one inch thick contain between thirty and forty individual pieces. This volume, unassuming as it is, contains ninety three.

Cover of Souvenir of the Confederacy (Tawa 70)

Cover of Souvenir of the Confederacy (Tawa 70)

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