Smokerama

This post is part of an ongoing series featuring items from the newly acquired Julio Mario Santo Domingo Collection.

Img0010

If you are looking for “classic tobacco accoutrements” this volume of Smokerama is just the ticket!  In today’s anti-smoking climate it may seem hard to imagine that smoking was once considered a sophisticated and glamorous habit and accessories for smoking were just as important as the cigarettes themselves.  For example cigarette dispensers were quite popular and all of the various models had their own clever mechanism for dispensing.  You would only have to depress this dapper gentleman’s spotted bow-tie and a cigarette (stored horizontally inside the head) would appear at his lips.  Or if you wanted to be a bit more whimsical you could enjoy this Ronson penguin “Pik-a-Cig” which was both a dispenser and a lighter.  Simply press the lever and a cigarette rolls to the bottom where it can be retrieved by the penguin and lit with the attached lighter.

Img0014

Another big favorite from the thirties were these stylized bellhops who helpfully carried these bags of cigarettes.

Img0012

Img0013

Book matches have historically been used for messages that advertise restaurants, bars, political campaigns, and other special events.  But during World War II book matches were utilized by many propaganda writers who created some memorable slogans such as “Make it Hot for Hitler.”  These Strike ’em Dead matches contained a row of Adolf matches dressed in army uniforms just waiting to be stuck dead when lit.

Img0011Women were also not left out of the occassion as tobacco companies began to target their business at the turn of the century.  In a bid to get more women to buy cigarettes they included these illustrated silks (really satin inserts) in packs of cigarettes, hoping that this prize would encourage their smoking habit.  These were associated with the more expensive cigarettes and consisted of flags, comic images, and women.  The companies also made larger sizes of these “silks” that could be obtained as long as they had evidence of the purchase of cigarettes.

To read more about America’s favorite pastime you can find this in Widener’s collection. Smokerama : classic tobacco accoutrements / Philip Collins ; photography by Sam Sargent. San Francisco : Chronicle Books, c1992.

Thanks to Alison Harris, Santo Domingo Project Manager, for contributing this post.

A library for a stage, students to act

Last night, within the girdle of Houghton’s walls, Harvard’s own Hyperion Shakespeare Company worked on our imaginary forces, staging five scenes from Shakespeare on four unworthy scaffolds throughout the library. Visitors jumped o’er time, from room to room, to behold the swelling scene! Thank you Hyperion!

IMG_08311

Kira Telgen ’19 as Malcolm, Philip van Scheltinga ’19 as Ross, and Ezra Feldman ’02 as Macduff in Macbeth.

(more…)

Sherlock shoots up, in shorthand

Sign of four 2This post is part of an ongoing series featuring items recently cataloged from the Julio Mario Santo Domingo Collection.

Among the works of Arthur Conan Doyle, the Fitz Hugh Ludlow Memorial Library took a particular collecting interest in his second Sherlock Holmes novel, The sign of the four. The novel’s opening lines, here quoted from the Ludlow’s third edition of the George Newnes edition (left), serve to explain why:

Sherlock Holmes took his bottle from the corner of the mantelpiece, and his hypodermic syringe from its neat morocco case. With his long, white, nervous fingers he adjusted the delicate needle, and rolled back his left shirt-cuff. For some little time his eyes rested thoughtfully upon the sinewy forearm and wrist, all dotted and scarred with innumerable puncture-marks. Finally, he thrust the sharp point home, pressed down the tiny piston, and sank back into the velvet-lined arm-chair with a long sigh of satisfaction.

‘Which is it to-day,’ I asked, ‘morphine or cocaine?’

He raised his eyes languidly from the old black-letter volume which he had opened.

‘It is cocaine,’ he said, ‘a seven-per-cent. solution. Would you care to try it?’ (1892 Newnes edition, pages 1-3)

The scene progresses into a disagreement between Holmes and Watson on the advisability of the former’s drug-taking: Holmes sees the cocaine as an escape from the intolerable dullness of life between cases, while Watson fears for his Holmes’s health. (In a later story, The adventure of the missing three-quarter, Watson describes having weaned his friend off of his narcotic habit.)

Here we have much of the substance of Sherlock Holmes’s reputation as a drug user. Part of the study of drugs in literature, however, is the study of their absence. Among the Ludlow Library’s holdings are multiple abridgments from which all reference to drugs has been expunged. The one pictured below is an illustrated 1960 Hart Publishing edition intended for younger audiences. It opens on a fabricated scene-setting paragraph, and moves into a revised version of the argument mentioned above. Holmes again proclaims his disdain for mental stagnation, but declines to mention any recreational means of avoiding it.

Sign of four 3     Sign of four 4

Finally, a curiosity that hints at the depth of the Ludlow Library’s collection. The third version of The sign of the four pictured here is faithful, one assumes, to the original text, but is printed entirely in Pitman shorthand, one of the two shorthand systems most popular in the early twentieth century. Both systems used symbols to represent phonemes rather than words (such that the symbols for rye and wry would be identical). One distinguishing feature of Pitman is that pairs of unvoiced and voiced consonants, such as p/b or t/d, use the same marks, but are differentiated by their thickness. To the uninitiated, only numerals and punctuation marks are decipherable. A volume like this could have been used for practice in translating shorthand back to written English, or simply read for pleasure. The Santo Domingo collection augments an already-considerable Doyle collection at Houghton: this volume is only one of two Pitman shorthand editions held here.

Sign of four 6   Sign of four 7

Newnes edition: EC9.D7722.892sc

Hart abridged edition: EC9.D7722.960s

Pitman shorthand edition: EC9.D7722.Ez930s

Thanks to rare book cataloger Ryan Wheeler for contributing this post.

Print, Manuscript and the Education of Women in Renaissance Italy

Houghton Library has recently acquired a copy of an important book in the history of the education of women, Annibale Guasco’s Ragionamento. Annibale Guasco (1540-1619) composed this educational treatise for his eleven-year-old daughter, Lavinia, as she entered the service of the Duchess of Savoy.

2015-1392

Annibale recorded her humanist education at home and under his direction in music, mathematics, social games, polite speech and reserved conduct. He then framed the elements essential to her success at court — faith, chastity, service to her mistress, continuing her own education, health, hygiene and diet, attention to her personal possessions (clothing, jewelry…), amiable relations and fair treatment of servants. To advance she must be discreet, useful and entertaining, strengthen her musical skills on the viola da gamba and clavichord and in counterpoint. His tips also included diluting wine at meals and mastering Castiglione’s Il Cortegiano.

1200x630bfAnnibale asked that Lavinia make a copy of this text which he presented to her as a parting gift and suggested she use the chancery cursive script that he has taught her with the aid of the examples in Giovanni Francesco Cresci’s Il perfetto cancelleresco corsivo (1579). Lavinia took advantage of the flourishing printing industry in Turin and had her father’s text printed rather than copying it herself in manuscript. It was published in Turin in 1586 by the printing firm of Bevilacqua.

The text has been edited and translated with an introduction by Peggy Osborn at the University of Chicago Press in 2003 in the series The Other Voice in Early Modern Europe.

This post was contributed by William P. Stoneman, Curator of Early Books and Manuscripts.

“The Physical Impossibilities of Death in the Mind of Someone Living”

This post is part of an ongoing series featuring items recently cataloged from the Julio Mario Santo Domingo Collection.

Img0002.jpg

Damien Hirst is a world-renowned (and criticized) English artist, entrepreneur, and art collector, said to be the wealthiest living artist from the United Kingdom. In his I Want to Spend the Rest of My Life Everywhere, With Everyone, One to One, Always, Forever, Now, Hirst collected depictions of his art work and displayed them alongside visual narratives of his life and process, using photographs, graphic images, pop-ups, and other 3D elements to create an interactive experience.

Img0004.jpg

Arguably Hirst’s most famous work is the 1991 The Physical Impossibilities of Death in the Mind of Someone Living, in which a 14-foot tiger shark was suspended in a glass tank full of formaldehyde. Part of a series entitled Natural History, which depicted a variety of animals in preserved in formaldehyde, Physical Impossibilities has drawn the most interest and criticism. In 1993, the original shark had to be replaced due to an imperfect preservation process, leading to the decay of the body. Both sharks used in the artwork were caught soley for the purpose of the project. See the piece in action below:

To learn more and see physical copies of I Want to Spend the Rest of My Life Everywhere, With Everyone, One to One, Always, Forever, Now can be found in the Fine Arts Library collection: New York: Monacelli Press, [1997].

5ZXrfk

Thanks to Irina Rogova, Santo Domingo Library Assistant, for contributing this post.