Farrar and Coudert in Loeb

As you enter the second floor from the staircase in the Loeb Library you will notice three photographs, each seemingly independent, yet tied in a very intimate way. Two photos are of Metropolitan Opera soprano Geraldine Farrar, the other of her friend and amateur singer Clarisse Coudert.

Geraldine Farrar

Geraldine Farrar, 1911

 

The first photo reads For Mrs. Nast –  In Cordial Remembrance Geraldine Farrar New York 1911. During this time Mrs. Nast was referring to Mrs. Condé Nast, whose full name was Jeanne Clarisse Coudert Nast. Clarisse was from a high-society family of considerable wealth. She was married to the Condé Nast, the founder of the mass media company and publisher of Vanity Fair, Vogue, and The New Yorker.

Geraldine Farrar

Geraldine Farrar, 1919

The third photo reads To Clarisse her affectionate friend Geraldine Farrar 1919, signed in pencil by the photographer “Alfred Cheney Johnston N.Y.” Johnston was known for his photographs of Ziegfeld Follies, actresses, and showgirls. Compared to many of his other works, this photograph is quite reserved. There is a change in demeanor toward Clarisse Coudert from “cordial remembrance” to “her affectionate friend” between 1911 and 1919.  

Clarisse Coudert Nast

Clarisse Coudert Nast, c. 1915

The middle photo ties the relationship of the photos together with an elegant capture of Clarisse Coudert. This photo is likely from 1915, as a similar photograph (same backdrop and dress) is found on page 9 in the October 23, 1915 issue of Musical America with the headline “Clarisse Coudert Enters Concert Field From Society.” The photographer is listed as Ira L. Hill Studio. In this same article, the final sentence mentions the close friendship of Geraldine Farrar and Coudert.

An initial gift was given in 1990 by Gerald Warburg, long-time friend of the Loeb Library, great-nephew of Eda Kuhn Loeb, and son-in-law to Condé Nast and Clarisse Coudert Nast. An additional gift of books, scores, and photographs was given by Jeremy Warburg Russo, granddaughter of Jeanne Clarisse Coudert Nast, in 2001. These photos were then framed and hung on our walls for our visitors to enjoy.

Bibliography

Seebohm, Caroline. The Man Who Was Vogue: The Life and Times of Condé Nast. New York: The Viking Press, 1982.

Johnston, Alfred Cheney. Alfred Cheney Johnston: Women of Talent and Beauty 1917-1930. Malvern, PA: Charles Isaacs Photographs, 1987.

“Clarisse Coudert Enters Concert Field From Society.” Musical America, October 23, 1915.

PLAY THIS RECORD LOUD

DMZ. The Neighborhoods. La Peste. Watching punk bands in the early days, Arthur Freedman realized that each show was unique. He witnessed set, song, and personnel changes, different arrangements for some songs and, tragically, untimely deaths of band members. Believing that the energy and exuberance of a live performance could never be reproduced within the recording studio, Arthur bought a cassette deck and microphones (and eventually a video camera) and started to record many of the shows he attended. Often sighted in front of the stage, video camera in hand, he became a familiar figure in the local Boston area rock scene for over four decades.

A box of cassette tapes from the Freedman collection

The Arthur Freedman audio collection came to Loeb Music Library in late 2011, and over the last year we have been working hard to finish digitizing all the original compact cassettes in the collection. Providing a window into an essential era of Boston rock history, it contains over 720 hours of live performances by primarily local rock and punk bands, most of which were recorded between the late 1970s and the mid-1980s. The majority of these recordings were made in storied Boston clubs that no longer exist, and the collection contains many unique performances unavailable elsewhere. Some of the tapes contain accompanying material such as set lists, tickets, and flyers, and others include technical notes or anecdotes about the performance.

Ticket, Boys Say Go, August 1, 1984 at Jumpin’ Jack Flash

Flyer, The Primevals and The Classic Ruins, July 20, 1985 at The Boston Food Co-op

We’d like to celebrate the completion of this project by making the first digitized performances available in the Freedman finding aid. These are two performances by the all-female band Bound & Gagged, recorded at Baba O’Reilly’s in New London, CT on January 29, 1981 and the following night at Hurrah in New York City. The Hurrah show was also filmed by Merrill Aldighieri, but Freedman’s audio version contains two encores.

 

Hear the shows

 

Bound & Gagged formed in 1979 and released an eponymous EP in 1980 on the Boston-based Modern Method label (a small, unassuming note on the rear of the jacket suggests: “PLAY THIS RECORD LOUD”). Members featured in these performances are Martha Swetzoff on guitar, vocals & percussion, Wendy Stone on guitar, Trude Koby on bass & vocals, Marcia Maglione on keyboards, vocals & percussion, and Deni Ozan on drums. Special thanks to Martha Swetzoff for helping us to make these the first streaming performances available from the collection.

Flyer for a benefit show (Sept. 28, 1980) held for Bound & Gagged after their equipment was stolen following a gig at Cantone’s. Courtesy of Martha Swetzoff.

Freedman also recorded over 2000 hours of video during these years, which are a part of his collection held at the Harvard Film Archive. “Artie” still makes recordings and he was recently on hand at screenings of the documentary film “Boys from Nowhere,” which chronicles the Boston garage punk scene of this era. At the Cabot Theater in Beverly, MA in April, the film was followed with sets by the Nervous Eaters and Willie Alexander & The Boom-Boom Band, as well as a panel discussion featuring JJ Rassler of DMZ. Artie was again there to capture it for posterity.

Are you a member of a band Freedman recorded? Did you attend these shows? We want to hear from you! Get in touch with Peter Laurence.

-Peter Laurence, Lesley Bannatyne

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