Tag: Harvard University (page 4 of 5)

Explore, Cite, and Print: Page Delivery Service Updates (December 2010)

The latest release of Harvard’s Page Delivery Service (PDS) – the system through which we share our digital scores with the world – is live, and there are a few enhancements to share with you.

We spend a lot of time writing a structural outline for every score we digitize, to make it easier to find works, movements, scenes, and even single arias. While we’ll keep adding that full indexing, it’s now possible to navigate using thumbnail images of each page, as well: when you’re looking at a digitized book or score, click “Expand All,” then “Show Thumbnails” in the left-side navigation frame. This might be an interesting way to get a simple visual overview of a work’s structure, and I have to admit that for some scores, it’s just fun; take a look at the thumbnails for this copy of Debussy’s La Boîte à Joujoux: Ballet pour Enfants, and I think you’ll see what I mean.

The next addition is a “Cite this Resource” button: click this to get descriptions and persistent links for both the entire score and the single page you’re looking at. These aren’t perfectly-formatted citations, but they gather a lot of the information you’ll need in a bibliography or caption. Here’s a screenshot, using a page from La Boîte à Joujoux as an example:

Screenshot, PDS Cite This Resource Tool
Screenshot: PDS "Cite This Resource" Tool (click to enlarge)

And finally, the full print-to-PDF option is back! Requests for 10 or fewer pages are delivered in real time; if you request more than 10 pages, you’ll be sent a link to the PDF once it’s been processed (those links remain available for 7 days).

Ready to start exploring? Digital Scores and Libretti is, of course, my favorite, but check out other Digital Collections of Harvard College Library and Web-Accessible Collections at Harvard University for photographs, pamphlets, manuscripts, books, maps, and other rare materials ranging from Digital Papyri to Latin American Pamphlets.

– Kerry Masteller

Who in the world is Eda Kuhn Loeb?

The full name of our library is the Eda (no “n”) Kuhn Loeb Music Library – not to be confused with the Frances Loeb Library at the Graduate School of Design or the Loeb Drama Center – and we are often asked about our namesake. Unfortunately, we do not have a picture, but we can tell you who she was:

Eda Kuhn Loeb was born to Solomon and Regina Kuhn, members of a prominent merchant and investment banking family in  Cincinnati in 1867. Largely at the prompting of her aunt Betty, the firm, Kuhn Loeb, moved to New York. There the Kuhns and the Loebs moved in the same social and business circles as the Warburgs and other prominent German Jewish banking and investment families.  Eda married her cousin, Morris Loeb, in 1895 and Morris became a renowned (and rather eccentric) chemist who taught at Columbia University.  Eda became an active philanthropist and spent her life in the lively social and highly musical circles of Kuhns, Loebs, Warburgs and Guggenheims in New York, colorfully described in Stephen Birmingham’s Our Crowd.  Her husband died in 1912.  Eda never remarried.  She was clearly close to her multitude of nieces and nephews. At her death in 1951, she left generous donations to  hospitals, colleges, and universities (including Harvard), and the Public Library of Cincinnati and Hamilton County, which houses a special collection of rare editions of books illustrated by artists (Loeb Collection), leaving the remainder of her estate to her great-nephew, cellist Gerald Warburg.  Warburg used this money to fund the construction of the Music Library at Harvard in 1956 which was then named in her honor.

N.B. One of Eda’s brothers-in-law was James Loeb, who was instrumental in funding the construction of Paine Hall and who also established the Loeb Classical Library series of books.

Read more about the history of our library.  We thank the Public Library of Cincinnati and Hamilton County for this information.

-Virginia Danielson and Liza Vick

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