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Monthly Archive for June, 2009

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more beckerman

From: Charles Nesson
Date: Thu, Jun 11, 2009 at 9:04 AM
To: Ray Beckerman

It may be unfair to the record companies that the internet came along; progress happens; Henry Ford was unfair to the buggy whip business;

But it is not fair of the record companies to put it off on the kids.

It is amazing to me that the riaa can impose thousands of lawsuits through the federal courts not for compensation but purely for message-making with not more than a helpless whimper from the federal court. The record companies admit they lose money on these law suits. That means all the money they collect goes to lawyers paid to grind poor people up in federal process.

And this is not an abuse because we are to presume that Congress intended this. Why would we presume it when there is no evidence of it?

Think what an amazing proposition this is, that Congress can authorize private lawsuits for message-making as their primary purpose, and here we are to act as if this is what Congress actually did, by the by.

There is no precedent for this.

———-
From: Ray Beckerman
Date: Thu, Jun 11, 2009 at 9:41 AM
To: nesson

I disagree; I don’t share your sympathy for the record companies.

I haven’t seen anything “unfair to the record companies”.

The Copyright Act, as interpreted by the courts, has been able to

accommodate new technologies, and there is nothing about the

internet that is inconsistent with copyright law. Brick-and-mortar

analogies abound, and will provide guidance as we work our way

through.

The record companies came into the internet age with a huge head start – a vast

and valuable collection of sound recordings with enormous

earning potential as digital music. Instead of seeing digitalization

and the internet as the unbelievable business opportunity that

it represented, and recognizing the enormous marketing and promotional

opportunities it offered, their executives hemmed and hawed and

wondered, too accustomed to being monopolists and too accustomed

to talking only to each other, to reach out to explore and to make deals.

They let it all pass them by, until musicians no longer needed them,

having found the ability to market their music directly to their fans

and potential fans.

The same visionless executives then decided to find a scapegoat,

for their own failure, and those same failed executives are the ones

pursuing this phony witch hunt, mercilessly, ruthlessly, and to the

detriment of the companies they are supposed to be serving.

Thanks to their (a) initial failure, and (b) compounding of that failure,

those 4 record companies are shrinking as we speak; numerous new

‘record companies’ and marketing channels are thriving; and many

musicians now act as their own ‘label’, keeping the fruits of their labor

instead of having almost all of it skimmed off by parasites.

No, it’s quite fair.

The only thing that’s unfair is the misery they have created for

so many American families.

instruction to the jury – respect

Jury Instruction

right to record

ws219135_hypothetical right to record
where in charlie is stopped, hypothetically, while recording in a public place and told by police to turn his recorder off

suppose charlie has his apartment rigged with a motion-activated net-nanny camera to check on babysitters and such. he responds to a knock on his front door by police who proceed to intrude and search his place without a warrant, seizing several items, all of it automatically recorded. has charlie violated the law? do the police have a right to unlawfully intrude in privacy?

true jamaica rising

ws219133.kevin_rises

true jamaican

letter to judge davis

letter-to-judge-davis

wish i could have tuned in somehow on the hearing that took place today on a raft of important motions, including suppression of mediasentry’s unlicensed private investigations, but alas. this is all the public gets (from ben sheffner:

Here’s the entire minute order:

Minute Entry for proceedings held before Chief Judge Michael J. Davis: Motion Hearing held on 6/10/2009 re [279] MOTION in Limine to Preclude Defendant from Raising or Asserting Evidence of Other Lawsuits filed by UMG Recordings, Inc, Warner Bros Records Inc, Sony BMG Music Entertainment, Capitol Records, Inc, Interscope Records, Arista Records LLC, [310] MOTION to Dismiss for Lack of Jurisdiction filed by Jammie Thomas-Rasset, [283] MOTION in Limine to Preclude Fair Use Defense filed by UMG Recordings, Inc, Warner Bros Records Inc, Sony BMG Music Entertainment, Capitol Records, Inc, Interscope Records, Arista Records LLC, [276] MOTION in Limine – Unopposed filed by Jammie Thomas-Rasset, [284] MOTION in Limine to Preclude Defendant from Asserting an Innocent Infringement Defense at Trial filed by UMG Recordings, Inc, Warner Bros Records Inc, Sony BMG Music Entertainment, Capitol Records, Inc, Interscope Records, Arista Records LLC, [272] MOTION in Limine to Exclude the Testimony of Defendant’s Expert Dr. Yongdae Kim by Plaintiffs filed by UMG Recordings, Inc, Warner Bros Records Inc, Sony BMG Music Entertainment, Capitol Records, Inc, Interscope Records, Arista Records LLC, [263] MOTION to Suppress Evidence filed by Jammie Thomas-Rasset. Motions were moved argued and taken under advisment. Order to follow. Motion to Dismiss [310] was ruled premature and denied. (Court Reporter Lori Simpson) (kmw)

morning mail – ray beckerman

in response to the memo i filed yesterday following last friday’s oral argument before judge nancy gertner (unrecorded except by stenographic transcript i can get typed at $6 plus a page), Ray Beckerman commented:

[Ed. note: My usual admonition to law students and beginning lawyers: do not emulate anything you see from either side in this case. Very little of it is remotely connected to what normal lawyers do when engaged in the practice of law. Usually I don’t pity federal judges, because they are fairly privileged people with a lot of power and a lifetime job. But in this case my heart goes out to Judge Nancy Gertner because she and her staff attorneys are the only normal lawyers working on this case, so they have to do all the heavy lifting themselves, with no help from counsel for either side. They cannot trust or rely upon, and are never helped in doing their jobs, by anything either side submits. -R.B.]

From: Charles Nesson
Date: Tue, Jun 9, 2009 at 5:57 PM
To: Ray Beckerman

what did you find so bad?

———-
From: Ray Beckerman
Date: Tue, Jun 9, 2009 at 7:25 PM
To: nesson

Since you ask for my opinion:

In general you are trying to make some kind of statement instead of focusing on the particular case at hand, and the cards which you have been dealt.

The purpose of a brief is to try to win the case for the client; not to give vent to one’s personal beliefs. If you want to run a holy war against the RIAA’s litigation campaign then do what I have done: take on different cases, for different people, with different factual situations, and try to win each one, or do the best you can with each one. Just because you’ve chosen to confine yourself to one case doesn’t mean you should use it as a platform for changing the world. The judge has her own problems, and she has a job to do; and you’re not helping her to help you when you submit a brief like that.

To me the whole brief was problematic throughout; if one of your students, when in practice, submitted a brief like that, the judge would be laughing at him or her under his or her breath.

1. Stylistically, in my opinion the style was inappropriate throughout.

2. Substantively, I don’t see (a) asking the judge to make up new law on federal abuse of process, (b) asking the judge to hold that it is an abuse of process under state law to sue for damages authorized by the Copyright Act, (c) asking the judge to conclude that congress delegated anything to an industry association, (d) asking the judge to hold that some statutory damages can’t be applicable to noncommercial users, and (e) asking the judge to show favoritism to an admitted copyright infringer.

You’ve made a series of arguments for which you have no basis other than emotion. And you’re arguing the case as if you are in the Commonwealth of Moot. And you’re arguing the case as if Joel is Jesus.

In this case you have a couple of valid substantive arguments: (a) innocent infringement; (b) the inability to collect statutory damages if Joel’s use of an ‘online media distribution system’ predated the effective date of the copyright registrations; and (c) the potential excessiveness of a statutory damages award under Gore/State Farm/Williams. I haven’t seen you seriously brief any of these, although in reality they are all you have.

You’ve done well to get the hard drive protective order. In my view you ought to come down from your pedestal and concentrate on real world, doable accomplishments like that one.

You should concentrate on real lawyering, not treating motion practice to a judge as if it’s a television drama closing statement to a jury.

[Remember: You asked for my opinion]

———-
From: Charles Nesson
Date: Tue, Jun 9, 2009 at 9:13 PM

nicely written.
[snip]

– 1. Stylistically, in my opinion the style was inappropriate throughout.

was i offensive in any way?

2. Substantively, I don’t see (a) asking the judge to make up new law on federal abuse of process,

do you think riaa is abusing federal process?

(b) asking the judge to hold that it is an abuse of process under state law to sue for damages authorized by the Copyright Act,

so abusing someone in massachusetts with federal process is ok with massachusetts?

(c) asking the judge to conclude that congress delegated anything to an industry association,

the power of deterrence, the power to pick and choose on whom to impose punishment

(d) asking the judge to hold that some statutory damages can’t be applicable to noncommercial users,

why would you not ask for this?

and (e) asking the judge to show favoritism to an admitted copyright infringer.

when did i do that?

———-
From: Ray Beckerman
Date: Wed, Jun 10, 2009 at 12:23 AM
To: nesson@law.harvard.edu


— 1. Stylistically, in my opinion the style was inappropriate throughout.

– was i offensive in any way?

offensive no, unprofessional yes

2. Substantively, I don’t see (a) asking the judge to make up new law on federal abuse of process,

– do you think riaa is abusing federal process?

do you have legal authority for view that it is a tort

(b) asking the judge to hold that it is an abuse of process under state law to sue for damages authorized by the Copyright Act,

– so abusing someone in massachusetts with federal process is ok with massachusetts?

suing someone under a fedl statute for a remedy provided in a fedl statute is definitely ok

— (c) asking the judge to conclude that congress delegated anything to an industry association,

– the power of deterrence, the power to pick and choose on whom to impose punishment

congress delegated nothing whatsoever to an industry assoc

(d) asking the judge to hold that some statutory damages can’t be applicable to noncommercial users,

– why would you not ask for this?

because there’s nothing statute or caselaw to suggest it

and (e) asking the judge to show favoritism to an admitted copyright infringer.

– when did i do that?

you’re asking the judge to adopt your sympathy for Joel
she’s not in that business
what she does has to be within the law

———-
From: Ray Beckerman
Date: Wed, Jun 10, 2009 at 12:26 AM
To: nesson

nicely written. say more about your defenses: (1) innocent infringement, what makes joel’s infringement innocent, and is the objective of asserting this reducing the statutory damages to $200 per?

that he didn’t know it was a copyright infringement

yes it would reduce to $200 per infringement (ps there is caselaw that 2 songs from 1 album may be 1 infringement not 2)

(2) is there law saying that the copyright registration had to have preceded the infringement?

yes it’s in 412 … i guess you don’t read the things i send you or my blog.. look at my practice tip on the subject

(3) what do you think has not been done w/r/t to the gore disproportion argument?

well like for example you left out all the leading authorities from your brief, for one
and you left out all the winnable arguments, for another

:<)

prelude to a brilliant oral argument

june 8, 2009
6-8-09.jammie thomas conf.mp3

but wait: here’s an edited, volume enhanced and more compact version thanks to alter fritz
6-8-09jammie-thomas-confedited

wherein i am told i may not record the proceeding to preclude kiwi’s objection to the defects in the copyright registrations at issue in the jammie thomas case, after which i state my objection and turn my recorder off
:<(

here’s the draft i’m working on:motion-to-intervene-and-audio-record

for those who may be concerned that my recording even this much of the phone conference is illegal, i do not agree. there may be a problem under massachusetts law, but i am prepared to meet it. massachusetts has no business requiring phone conferences in federal court cases to go unrecorded. there may be a problem under the minnesota district court local rules, which seem to flatly preclude recording of any judicial proceeding except by stenographic transcript (that must be purchased and in any event not made public until 90 days after it is filed), but i fully believe i have a right to put my objection on the record — on the public record — and i turned the recorder off immediately upon completion of having done so.

pirate party

piratparty-sweeden
i have been feeling shamed that last friday i was forced to argue in secret our case for being heard in open court before a jury on objections to what the riaa is doing to us, not total secrecy, but secret enough so that i cannot listen to it again myself and cannot link you to it. those moments were a high point in the case toward which my students worked hard. they should have been able to hear and experience the argument for themselves. i should be able to teach them from it. but they are all dispersed, except for debbie who came and sat beside me, and could not be there. i can buy a transcript and wait for it to be typed at either three or six dollars a page depending on how fast i want it. i could take the money out of our defense fund, but that would pretty much exhaust it, or i could pay the money myself, but either way it shames and galls me to know that with my little black olympus i could for nothing be listening and linking now to a recording that has life in it.

i come back from my walk and open twitter to find a tweet from lessig heralding the success of the swedish pirate party in gaining seats in the european union. this is awesome news. feature this:

Among voters aged under 30, some 19 percent are believed to have cast a vote for the Pirate Party.

“They are the biggest party among young people, bigger than both the Social Democrats and the Moderates,” said politics professor Sören Holmberg.

Pirate Party voters said they considered the freedom to file share by far the most important issue when deciding their party allegiance.

We should do it here. the American Pirate Party.

i want to run

:<)

i am an audio blogger

june 2:
6-2-0911motion-to-record1

june 3:
6-3-09-1hearing-coming-up
America in the Internet Age
Published On Wednesday, June 03, 2009 9:26 PM
By CHARLES R. NESSON

in which charlie, with fern as his editor, explains his strategy for law

june 4:

becca-phd1

june 5:
6-5-09-1all-she-has-to-fear