This Love is not a River…

Two of my favorite Fado songs, by two of my favorite singers, Cristina Branco and Carminho:

Translation:
This love is not a river
It has the vastness of the sea
The green dance of the waves
Sobbing in my eyes.
I tried to forget the words
Unspoken between us
But hanging over the silence
On the shores of our voice
I tried to forget your eyes
That do not know how to read mine
But in them is born the daybreak
That dawns on the earth and the heavens
I tried to forget your name
Pluck it from my thoughts
But it returns at every instant
Entwined in the wind.
I tried to see my image
But it was yours that I saw
In my mirror, for I bear
Your flat eyes.
This love is not a river
It has abysses like the sea
And the black mantle of the waves
Shrouds me in blackness
This love is not a river
It has the vastness of the sea
 
Original:
Este amor não é um rio
Tem a vastidão do mar
A dança verde das ondas
Soluça no meu olhar
Tentei esquecer as palavras
Nunca ditas entre nós
Mas pairam sobre o silencio
Nas margens da nossa voz
Tentei esquecer os teus olhos
Que não sabem ler nos meus
Mas neles nasce a alvorada
Que amanhece a terra e os céus
Tentei esquecer o teu nome
Arrancá-lo ao pensamento
Mas regressa a todo o instante
Entrelaçado no vento
Tentei ver a minha imagem
Mas foi a tua que vi
No meu espelho, porque trago
Os olhos rasos de ti
Este amor não é um rio
Tem abismos como o mar
E o manto negro das ondas
Cobre-me de negro o olhar
Este amor não é um rio
Tem a vastidão do mar
https://lyricstranslate.com/en/fado-perdi%C3%A7%C3%A3o-perdition-fado.html

Translation:
I wrote your name on the wind
convinced that I was writing it
on the page of forgetfulness
that in the wind
it would get lost
On the page of forgetfulness
that in the wind it would get lost
And on seeing it go
covered in dust
I considered my heart free
of the bonds of your love
I considered my heart free
of the bonds of your love
Poor me!
I never even thought
that just like me
the wind would fall in love
with that name that is yours
The wind would fall in love
with that name that is yours
As the wind stirs up, so does my pain get stirred up
I want to forget you, believe me
But there is always more wind
I want to forget you
but there is always more wind
Rumi
Translation:
Love is the One who masters all things;
I am mastered totally by Love.
By my passion of love for Love
I have ground sweet as sugar.
O furious Wind, I am only a straw before you;
How could I know where I will be blown next?
Whoever claims to have made a pact with Destiny
Reveals himself a liar and a fool;
What is any of us but a straw in a storm?
How could anyone make a pact with a hurricane?
God is working everywhere his massive Resurrection;
How can we pretend to act on our own?
In the hand of Love I am like a cat in a sack;
Sometimes Love hoists me into the air,
Sometimes Love flings me into the air,
Love swings me round and round His head;
I have no peace, in this world or any other.
The lovers of God have fallen in a furious river;
They have surrendered themselves to Love’s commands.
Like mill wheels they turn, day and night, day and night,
Constantly turning and turning, and crying out.
Original:
If I could see you I would die
and if I died, then I’d see you
I can’t stop, even though I’ve tried
from staring, drowning, in your eyes
Without you all I see are lies
and so my beautiful, that’s why
approaching you, I’m terrified
and yet, still more scared am I
of losing sight of you, my life
In death, I see you with your eyes
awake, you peer out within mine
your love swallowed the whole world up
and burned down my soul and my mind
even my love burned up in yours
it ate up all space and all time
so there’s no inside nor outside
there’s just your side, nothing to find
nothing to say, free, pay no mind
hearing no ears, seeing no eyes
all knots and thoughts simply unwind
as your sword falls, gentler than kind
there’s no one left to realize
Just your dark beauty, shining bright
in each and every lover’s sight
in every tale, in every plight
in all that’s wrong and all that’s right
beneath the depths, above the heights
through all the days, over the nights
you hold my soul closer than tight
and unseen, you perceive the sights
Love’s river floods mine out of sight
Love’s flames burn bodies into light
Love’s kiss turns death back into life
Love conquers all by its sweet might
And so whence my despair or fright?
when all my pains and all delights
are but you, your love and love bites
that bear aloft my soul’s fair kite
and put to shame all that I write

Hafez—If you passs by my grave…

Two of my favorite poems of Hafez; legend is that scholars decided to settle a debate over whether or not Hafez should receive a proper Muslim burial by performing divination with his poetry, the last couplet of the second poem emerged and Hafez was given a proper burial and his shrine has remained a site of pilgrimage ever since.

 

 

Translation:

It’s the fatwa of the Magian Pir and an ancient saying:
Wine is forbidden where the beloved is not the sommelier
I want to tear this cloak of hypocrisy
for unsuitable company is a painful torment for the spirit
Hoping for a sip of wine from the beloved’s lip
For years I have remained firm at the tavern door
Perhaps he has forgotten my old service
Morning breeze, remind him of our ancient pact
If you pass over my grave after a hundred years
My rotten bones will rise from the dust, dancing
The heart-ravisher took my heart with a hundred promises first
Apparently, his kind nature will not forget its pact
Tell the rosebud not to be sad about its knotted state
For it will find help from the breaths of the dawn wind and breeze
O heart, think about finding your remedy at another door
For the lover’s pain cannot be cured by the doctor’s medicines
Get the jewel of ma’rifat that you can take with you
The wealth of gold and silver belongs to others
This snare is hard, without the grace of God
Adam cannot prevail over the accursed Satan
Hafez, if you have no gold or silver, so what? Give thanks!
What better wealth than subtlety of speech and soundness of nature?

 

(translation modified from Reza Saberi’s Divan of Hafez, 426-7)

Original:

فتوی پیر مغان دارم و قولیست قدیم
که حرام است می آن جا که نه یار است ندیم
چاک خواهم زدن این دلق ریایی چه کنم
روح را صحبت ناجنس عذابیست الیم
تا مگر جرعه فشاند لب جانان بر من
سال‌ها شد که منم بر در میخانه مقیم
مگرش خدمت دیرین من از یاد برفت
ای نسیم سحری یاد دهش عهد قدیم
بعد صد سال اگر بر سر خاکم گذری
سر برآرد ز گلم رقص کنان عظم رمیم
دلبر از ما به صد امید ستد اول دل
ظاهرا عهد فرامش نکند خلق کریم
غنچه گو تنگ دل از کار فروبسته مباش
کز دم صبح مدد یابی و انفاس نسیم
فکر بهبود خود ای دل ز دری دیگر کن
درد عاشق نشود به به مداوای حکیم
گوهر معرفت آموز که با خود ببری
که نصیب دگران است نصاب زر و سیم
دام سخت است مگر یار شود لطف خدا
ور نه آدم نبرد صرفه ز شیطان رجیم
حافظ ار سیم و زرت نیست چه شد شاکر باش
چه به از دولت لطف سخن و طبع سلیم

 

 

Translation:

Now that the breeze of paradise blows from the garden
it’s just me and the joyful wine and a houri-natured beloved
Why should the beggar not brag of the sultanate today when
his pavilion is the shade of the cloud and his banquet is the field’s horizon?
The meadow tells the tale of the month of spring
He is not wise, who trades cash for credit of paradise
Do not seek loyalty from the enemy, there will be no light
If the monastery’s candle is lit by the synagogue’s lamp
Mend your soul with wine, for this ruinous world intends
to make bricks from our dust
Do not blame me, a drunk, for the blackness of my record
Who knows what fate has written on his head?
Do not keep your feet away from Hafez’s funeral
for, though immersed in sin, he’s on his way to paradise

 

translation modified from Reza Saberi’s Divan of Hafez)

 

 Original:
کنون که می‌دمد از بوستان نسیم بهشت
من و شراب فرح بخش و یار حورسرشت
گدا چرا نزند لاف سلطنت امروز
که خیمه سایه ابر است و بزمگه لب کشت
چمن حکایت اردیبهشت می‌گوید
نه عاقل است که نسیه خرید و نقد بهشت
به می عمارت دل کن که این جهان خراب
بر آن سر است که از خاک ما بسازد خشت
وفا مجوی ز دشمن که پرتوی ندهد
چو شمع صومعه افروزی از چراغ کنشت
مکن به نامه سیاهی ملامت من مست
که آگه است که تقدیر بر سرش چه نوشت
قدم دریغ مدار از جنازه حافظ
که گر چه غرق گناه است می‌رود به بهشت

You are Light

One of my favorite poems in praise of the Prophetic Light:

 

 

 

 

Translation:
Prayers of God upon You, Light
Light of all the dwelling places
O you, best of all in spaces
Messenger of God, You are
You are light in form and shape
As “light upon light” you came
The Qur’an came down by the same
As a lamp, oil, and light
shining, you came well-arranged
The world does not exist until
it appears through you beautiful
In traditions you have said
that this world takes after you
You from the Holy Presence came
while you’ve never left the same
You were before the cosmos was
past-time is as before-time was
Absolute you were in full,
then took on limits beautiful
Nothing exists in any way
Save the Light, indeed I say
From the unseen, suddenly
It came down from heights, so lofty
God’s Messenger, you have attained
More than virtues can contain
God’s Messenger you have remained
And pliant to you I remain
So al-‘Alawi attends
by your grace, the desired end.

 

 

 

Original:

صلى الله عليكَ يا نـور      يـا نــور كــل المـنـازِل

يا خيرَ من في المنازل

يــا رســولَ الـلَــهِ أنـتــا       أنــتَ الـنـور المتـشـكّـل
نـورٌ عـلـى نــورٍ جئـتـا       بــــه الــقــرآنُ تــنـــزّل
مشـكّـاةً نـــوراً وزيـتــاً       ضـيـاءً جـئــتَ مـعـتـدِل
لا يكـونُ الـكـونُ حـتّـى       يـظـهـر بــــكَ مـتـجَـمَّـل
أنــت فــي الآثــار قُلـتـا        ذا الـكـونُ مـنـكَ تـمـثّـل
من حضرةِ القدس جئتا        وأنــتَ فيـهـا لــم تـــزَل
كنـتَ قبـل الكـونِ كُنـتـا       والأبـــــد مـــثـــلُ الأزَل
مطلـقـاً كـنــتَ فـصِـرتا         بـالــقــيــودِ مـتــجــمّــل
ليسَ في الوجـودِ البتـه         إلّا الـنـورُ قـلــتُ أجـــل
بــدا مــن الغـيـبِ بغـتَـه         مـن أعلـى العـلا تـنـزّل
يــا رســولَ الـلَـهِ حُـزتـا         فضل الفضلِ والفضائل
يــا رســولَ الـلَـهِ دمـتــا         ودُمـــتُ لــــك مُـمـتـثِـل
فالعـلاوي يرجـو حـتّـى        يبـلُـغ بـرضــاك الأمـــل

 

 

 

 

Khaqani on Love

Khaqani

Translation:

The bird that sings the song of pain is love
The courier who knows the tongue of the Unseen is love
The existence that calls you to nonexistence is love
And that which redeems you from you is love

 

Original:

مرغی که نوای درد راند عشق است
پيکی که زبان غيب داند عشق است
هستی که به نيستيت خواند عشق است
وآنچ از تو ترا باز رهاند عشق است

Translation by Reza Saberi

 

Rumi

What then is love? The Ocean of Nonexistence.

It is there that the foot of the intellect is broken

Rumi, Mathnawi, ed. Nicholson, III: 4724.

 

Ibn ‘Arabi

Many mistakes may occur in love. The first of them is that people imagine that the object of love is an existent thing… In fact, love’s object remains forever nonexistent, but most lovers are not aware of this, unless they should be knowers of the realities. (II 337.17)

 

Camaron de la Isla

Translation:

I am like the sad bird
that flits from branch to branch
singing his suffering
because he doesn’t know how to cry

Original:

Soy cómo el pájaro triste,
ay que de rama en rama va,
cantando su sufrimiento, cantando su sufrimiento,
porque no sabe llorar.

 

Wherever you put your foot, we are the ground

Rumi:

 

Translation:

Oh beloved we only see you through your love
Wherever you put your foot we are the ground for you
So how can it be that in this way of love
We see the world through you and yet we don’t see you?

Original:

ای دوست به دوستی قرینیم ترا
هرجا که قدم نهی زمینیم ترا
در مذهب عاشقی روا کی باشد
عالم تو ببینیم و نه بینیم ترا

Near and Far, Fanā’ and Baqā’

A collection of verses from West African poets on the theme…

The first is said to have been improvised extemporaneously by Abū Isḥāq Ibrāhīm ibn Ya’qūb al-Kānemī (from Kanem in contemporary Northeastern Nigeria) upon his visit to the Almohad Sultan Abū Yūsuf Ya’qūb al-Manṣūr (d. 1199) in Marrakech. The Nigerian poet composed and recited these verse on the spot upon entering the Sultan’s presence:

He removed his veil, but out of awe, my eyes still saw him through a veil
His favour drew me near, but out of awe, found myself distant in this nearness.

 

Original:

ازال حجابه عنّي وعيني    تراه من المهابت في حجابي

وقرّبني تفضّله ولاكن  بعدت مهابتاً عند إقترابي

 

See this post for more on this theme and its symbolism…

 

The second is from a contemporary Tijānī scholar from Mauritania:

 

I was annihilated in love for him and I subsisted until
I was annihilated from that annihilation and from subsistence as well.

 

-Muhammad Ould Shaykh ‘Abd Allah

 

Original:

فنيت بحبه و بقيت حتى    فنيت عن  الفناء وعن البقاء

-لمحمد ولد شيخ عبدالله

As is this last set of verses:

I love the the sun when it appears, since it reminds me of the appearance of matchless love
And no star is seen when she comes forth, either from above or from below
And so, O Maya, you have appeared in the eye of my heart, and everything other than you has disappeared
So I see you in whatever is not you, and I don’t see other than you whenever I see you

 

Shaykh Manna Abba “Shaykhānī” wuld Muḥammad al-Ṭulbā, (modified from the translation by Muṣṭafā Okon-Briggs)

 

Original:

أحبّ الشّمس تطهر اذ تحاكي       ظهور الحبّ من غير اشتراك
فلا نجم يلوح متى تبدّت          ولو من غفرة أو من سماك
كذا يامىّ أنت لعين قلبي       ظهرت فعاب عنها من سواك
أراك إذا رأيت سواك فيه          ولستأرى سواك متى أراك

 

from: https://floodplains.tumblr.com/tagged/madh

 

 

Original:

Your beauty’s burned my vision black
      I’ve stared into the sun too long
and when my sight comes blinking back
      all things your face appears upon

 

Ibn al-Fāriḍ—My heart told me

Translation:

1) My heart told me that you are my destroyer my soul is your hostage/ransom whether you know it or not
2) I have not honored the right of your love if I do not die in it out of sorrow, and someone like me is one who honors (his promises)
3) What do I have but my soul? One who gives himself (his soul) for him who he loves in love is not extravagant
4) If you are pleased by it, then you draw near to me o futility of effort, if you didn’t draw near
5) O you my preventer of sweet dreams, giver of the clothes of sickness and with them my debilitating love
6) Have mercy on my last breath and what you have left for me of my perishing body and afflicted heart
7) Love remains and union eludes me (or is my delay) and patience fades and the reunion eludes me (or is my delay)
8) I am not free of other people being jealous of you so don’t waste my sleeplessness because of the fabrications of slanderous imagination
9) Ask the stars of the night, has slumber visited my eyelids? how can you visit someone you don’t know?
10) It is no wonder my eye is stingy with closing its lids while it is generous in the flowing of torrential tears
11) I saw the terror of the day of judgement in what occurred of the pain of separation and the scene of parting
12) If there is no reunion with you then promise it to me, and then you can postpone it
13) Postponement from you, in my eyes, if fulfilling is scarce is as sweet as union with a lover
14) I inclined towards the breaths of the wind biding my time
And to the face of the one that transmits his fragrance*
15) Perhaps the fire of my wings will go out from its blowing
And I wish that it would not go out
16) O friends of mine, you are my hope, and whosoever
Calls you “friends of mine” will be sufficed
17) They returned from what you (pl.)* were upon of fulfillment
Out of generosity, for indeed I am that faithful friend
18) By your lives, by your lives, I swear and in my life, I have not sworn by other than your lives
19) If my soul were in my possession, if I granted it to the one who brings good tidings of your arrival, I would not be just
20) Don’t consider me in my desire to behave unnaturally my love for you is by nature not by strained effort
21) I have concealed my love for you, it concealed me in grief until it was almost as if I was concealed from myself by my life
22) So I hid it from myself for if I were to disclose it I would have found it more elusive than hidden kindness
23) I say to one who meddles with love you expose yourself to affliction, so be a target
24) You are the victim of whomsoever you love so choose for yourself in love whom you select
25) Say to the critics, you have prolonged my blame out of desiring that blame from love would stop me
26) Stop being harsh with me and taste the flavor of Love and when you have loved, then after that be harsh (with me)
27) The secret has come out with the love of the one, who if in darkness (her) veil was rent, I would say, o moon, hide
28) And if one other than me is content with the specters of his imagination I am the one who is not content (even) with reunion with the beloved
29) My love is endowed to him and I am not cured of my affliction by less than my annihilation
30) By his love, and he is my right hand (i.e. my oath), and he suffices as an oath and I extol him almost as much as the Qur’an*
31) If he said flirtatiously: stand on hot embers I would stand obediently and I would not hesitate
32) If he is one who it pleases to step on my cheek I would put it on the ground and not be proud
33) Don’t deny my passion for what pleases him even if he does not take pity on me with union
34) Love prevailed, so I obeyed the command of my passion and in so doing, regarding him, I disobeyed the prohibition of my blamer
35) From me to him is the humbleness of submission and from him to me is the glory of the preventer and the power of the humbler
36) He made religion familiar and I have a heart that has never ceased being not attached to anything but his kindness (not ceased to encounter anything but his kindness)
37) O how lovely is everything which he is contented with and his saliva, o how sweet it is in my mouth
38) If they let Jacob hear a mention of the fineness of his face he would forget the beauty of Joseph
39) Or if Job saw him in a short visit, in a light sleep long ago he would have been cured of his affliction
40) Every full moon and every lithe physique will fall in love with him when he appears as approaching
41) If I say: Every passion (in the world) I have for you He says: I have the glory and every beauty is in me
42) His virtues are perfected and if he had given radiance to the moon when full it would not wane (be eclipsed)
43) With the arts of the describers of his beauty, time expires and nevertheless there is in him that which has not been described
44) I have spent all of myself for the sake of his love at the hand of his beauty so I praise the goodness of my expense
45) The eye desires the form of the beauty which is used by my spirit to love the hidden meaning (spiritually)
46) Make me happy dear brother and enrich me with reports of him sprinkle upon my hearing his attractions and please it
47) So that I see with the eye of hearing the testimony/sight of his beauty spiritually bestow this upon me and honour me
48) O sister of Sa‘ad* from my beloved you came to me with a message and you brought it with loving-kindness
49) I heard what did not hear and I saw what you did not see and I knew what you did not know
50) If he should visit you, o innards, be rent to shreds and if he should leave, o eye, weep
51) There is no harm in distance, for the one whom I love If he is absent form the pupil of my eye, nevertheless he is in me

 

*The breaths of the wind is a stock imagine of the distant lover catching the scent of the Beloved’s perfume. The mystical interpretation is that these breaths (and the face of the second hemistich) are God’s manifestations in the sensible world that comfort the aspirant. Line 15 points out that these comforts can also threaten to blow out the fire of love (if the aspirant becomes too attached to sensible pleasures in their own right), which the aspirant does not want. The switch to addressing the beloved with the plural (“kuntum”) indicates that the speaker is addressing the manyness along with the oneness of God, the Beloved and her breaths, God along with his manifestations.

 

*This could either mean that the poet extols the beloved almost as much as he extols the Qur’an , or that the poet extols the beloved almost as much as he is extolled in the Qur’an (the beloved being the Prophet).

 

*This is a reference to Halima, the wet-nurse of the Prophet

 

Original:

 

قلْبي يُحدّثُني بأنّكَ مُتلِفي، روحي فداكَ عرفتَ أمْ لمْ تعرفِ
لم أقضِ حقَّ هَوَاكَ إن كُنتُ الذي لم أقضِ فيهِ أسى ً، ومِثلي مَن يَفي
ما لي سِوى روحي، وباذِلُ نفسِهِ، في حبِّ منْ يهواهُ ليسَ بمسرفِ
فَلَئنْ رَضيتَ بها، فقد أسْعَفْتَني؛ يا خيبة َ المسعى إذا لمْ تسعفِ
يا مانِعي طيبَ المَنامِ، ومانحي ثوبَ السِّقامِ بهِ ووجدي المتلفِ
عَطفاً على رمَقي، وما أبْقَيْتَ لي منْ جِسميَ المُضْنى ، وقلبي المُدنَفِ
فالوَجْدُ باقٍ، والوِصالُ مُماطِلي، والصّبرُ فانٍ، واللّقاءُ مُسَوّفي
لم أخلُ من حَسدٍ عليكَ، فلاتُضعْ سَهَري بتَشنيعِ الخَيالِ المُرْجِفِ
واسألْ نُجومَ اللّيلِ:هل زارَ الكَرَى جَفني، وكيفَ يزورُ مَن لم يَعرِفِ؟
لا غَروَ إنْ شَحّتْ بِغُمضِ جُفونها عيني وسحَّتْ بالدُّموعِ الدُّرَّفِ
وبماجرى في موقفِ التَّوديعِ منْ ألمِ النّوى ، شاهَدتُ هَولَ المَوقِفِ
إن لم يكُنْ وَصْلٌ لَدَيكَ، فَعِدْ بهِ أملي وماطلْ إنْ وعدتَ ولاتفي
فالمطلُ منكَ لديَّ إنْ عزَّ الوفا يحلو كوصلٍ منْ حبيبٍ مسعفِ
أهفو لأنفاسِ النَّسيمِ تعلَّة ً ولوجهِ منْ نقلتْ شذاهُ تشوُّفي
فلَعَلَ نارَ جَوانحي بهُبوبِها أنْ تَنطَفي، وأوَدّ أن لا تنطَفي
يا أهلَ ودِّي أنتمُ أملي ومنْ ناداكُمُ يا أهْلَ وُدّي قد كُفي
عُودوا لَما كُنتمْ عليهِ منَ الوَفا، كرماً فإنِّي ذلكَ الخلُّ الوفي
وحياتكمْ وحياتكمْ قسماً وفي عُمري، بغيرِ حياتِكُمْ، لم أحْلِفِ
لوْ أنَّ روحي في يدي ووهبتها لمُبَشّري بِقَدومِكُمْ، لم أنصفِ
لا تحسبوني في الهوى متصنِّعاً كلفي بكمْ خلقٌ بغيرِ تكلُّفِ
أخفيتُ حبَّكمُ فأخفاني أسى ً حتى ، لعَمري، كِدتُ عني أختَفي
وكَتَمْتُهُ عَنّي، فلو أبدَيْتُهُ لَوَجَدْتُهُ أخفى منَ اللُّطْفِ الخَفي
ولقد أقولُ لِمن تَحَرّشَ بالهَوَى : عرَّضتَ نفسكَ للبلا فاستهدفِ
أنتَ القتيلُ بأيِّ منْ أحببتهُ فاخترْ لنفسكَ في الهوى منْ تصطفي
قلْ للعذولِ أطلتَ لومي طامعاً أنَّ الملامَ عنِ الهوى مستوقفي
دعْ عنكَ تعنيفي وذقْ طعمَ الهوى فإذا عشقتَ فبعدَ ذلكَ عنِّفِ
بَرَحَ الخَفاءَبحُبّ مَن لو، في الدّجى سفرَ الِّلثامَ لقلتُ يا بدرُ اختفِ
وإن اكتفى غَيْري بِطيفِ خَيالِهِ، فأنا الَّذي بوصالهِ لا أكتفي
وَقْفاً عَلَيْهِ مَحَبّتي، ولِمِحنَتي، بأقَلّ مِنْ تَلَفي بِهِ، لا أشْتَفي
وهَواهُ، وهوَ أليّتي، وكَفَى بِهِ قَسَماً، أكادُ أُجِلّهُ كالمُصْحَفِ
لوْ قالَ تِيهاً:قِفْ على جَمْرِ الغَضا لوقفتُ ممتثلاً ولمْ أتوقفِ
أوْ كانَ مَنْ يَرْضَى ، بخدّي، موطِئاً لوضعتهُ أرضاً ولمْ أستنكفِ
لا تنكروا شغفي بما يرضى وإنْ هوَ بالوصالِ عليَّ لمْ يتعطَّفِ
غَلَبَ الهوى ، فأطَعتُ أمرَ صَبابَتي منْ حيثُ فيهِ عصيتُ نهيَ معنِّفي
مني لَهُ ذُلّ الخَضوع، ومنهُ لي عزُّ المنوعِ وقوَّة ُ المستضعفِ
ألِفَ الصّدودَ، ولي فؤادٌ لم يَزلْ، مُذْ كُنْتُ، غيرَ وِدادِهِ لم يألَفِ
ياما أميلحَ كلَّ ما يرضى بهِ ورضابهُ ياما أحيلاهُ بفي
لوْ أسمعوا يعقوبَ ذكرَ ملاحة ٍ في وجههِ نسيَ الجمالَ اليوسفي
أوْ لوْ رآهُ عائداً أيُّوبُ في سِنَة ِ الكَرَى ، قِدماً، من البَلوَى شُفي
كلُّ البدورِ إذا تجلَّى مقبلاً ، تَصبُو إلَيهِ، وكُلُّ قَدٍّ أهيَفِ
إنْ قُلْتُ:عِندي فيكَ كل صَبابة ٍ؛ قالَ:المَلاحة ُ لي، وكُلُّ الحُسْنِ في
كَمَلتْ مَحاسِنُهُ، فلو أهدى السّنا للبدرِ عندَ تمامهِ لمْ يخسفِ
وعلى تَفَنُّنِ واصِفيهِ بِحُسْنِهِ، يَفْنى الزّمانُ، وفيهِ ما لم يُوصَفِ
ولقدْ صرفتُ لحبِّهِ كلِّي على يدِ حسنهِ فحمدتُ حسنَ تصرُّفي
فالعينُ تهوى صورة َ الحسنِ الَّتي روحي بها تصبو إلى معنى ً خفي
أسْعِدْ أُخَيَّ، وغنِّ لي بِحَديثِهِ، وانثُرْ على سَمْعي حِلاهُ، وشَنِّفِ
لأرى بعينِ السّمعِ شاهِدَ حسْنِهِ معنى ً فأتحفني بذاكَ وشرِّفِ
يا أختَ سعدٍ منْ حبيبي جئتني بِرسالَة ٍ أدّيْتِها بتَلَطّفِ
فسمعتُ مالمْ تسمعي ونظرتُ ما لمْ تنظري وعرفتُ مالمْ تعرفي
إنْ زارَ، يوماً ياحَشايَ تَقَطَّعي، كَلَفاً بهِ، أو سارَ، يا عينُ اذرِفي
ما للنّوى ذّنْبٌ، ومَنْ أهوى مَعي، إنْ غابَ عنْ إنسانِ عيني فهوَ في

 

 

Majnun (Niẓāmī) and John Donne

Niẓami

Translation:

And who am I — so far from you, yet near?
A singing beggar! Layla, do you hear?
Freed from life’s drudgery, my loneliness ,
Sorrow and grief for me spell happiness.
And thirsty in the painstream of delight,
I drown. Child of the sun, I starve at night.
Though parted our two loving souls combine,
For mine is all your own and yours is mine.
Two riddles to the world we represent,
One answer each the other’s deep lament.
But if our parting severs us in two,
One radiant light envelops me and you,
As from another world — though blocked and barred
What there is one, down here is forced apart.
Yet if despairing bodies separate,
Souls freely wander and communicate.
I’ll live forever — Mortal Fear, Decay,
And Death himself have ceased to hold their sway.
Sharing your life in all eternity
I’ll live if only you remain with me.

(Niẓami’s Layla and Majnun, trans. R. Gelpke)

 

John Donne

As virtuous men pass mildly away,
   And whisper to their souls to go,
Whilst some of their sad friends do say
   The breath goes now, and some say, No:
So let us melt, and make no noise,
   No tear-floods, nor sigh-tempests move;
‘Twere profanation of our joys
   To tell the laity our love.
Moving of th’ earth brings harms and fears,
   Men reckon what it did, and meant;
But trepidation of the spheres,
   Though greater far, is innocent.
Dull sublunary lovers’ love
   (Whose soul is sense) cannot admit
Absence, because it doth remove
   Those things which elemented it.
But we by a love so much refined,
   That our selves know not what it is,
Inter-assured of the mind,
   Care less, eyes, lips, and hands to miss.
Our two souls therefore, which are one,
   Though I must go, endure not yet
A breach, but an expansion,
   Like gold to airy thinness beat.
If they be two, they are two so
   As stiff twin compasses are two;
Thy soul, the fixed foot, makes no show
   To move, but doth, if the other do.
And though it in the center sit,
   Yet when the other far doth roam,
It leans and hearkens after it,
   And grows erect, as that comes home.
Such wilt thou be to me, who must,
   Like th’ other foot, obliquely run;
Thy firmness makes my circle just,
   And makes me end where I begun.
Niẓāmī
Fly in love as an arrow towards its target.
Love loosens the knots of being
Love is liberation form the vortex of egotism.
In love, every cup of sorrow which bites into the soul gives it new life
Many a draft bitter as poison has become in love delicious
with love for a saqi, what is there to fear from a bitter draft
However agonizing the experience, if it is for love, it is well.

(Niẓami’s Layla and Majnun, trans. R. Gelpke)

 

Shushtari—Red, Red Wine

Shushtari

I drink wine from the cup
and from myself I approach myself
In myself it is myself I love
For it is my spirit, my reality
the fine wine that fills me and quenches my thirst
I care not what others may say
I seek in myself what I already have
Drink up in good health
the vintage ancient and pure
My allusions are from me and for me, so learn
Don’t resist me, understand
I am everything, the center of totality—accept this.
Forget about him and her, let go of Zayd and Mayya
Take pleasure in loving truly
What’s passing will pass away—but my life remains
My life is not separate from my qualities
for my essence is my all and my all is my essence
My essence shines like the sun
and from myself, I approach myself
in myself, it is myself I love

Original:

I was poured a cup of timeless love
not of this world, nor of heaven
In it I became unique in my time
bearing my banner amongst men
Mine is an amazing path of love unsurpassed
How lucky I am!
Hey you who love him, [know that] the beautiful one has many followers
If you are unkind to them, what misfortune!
Far be it from you, dear ones of Najd
to cut the ties of hope between you and me

 

Original:

سقيت كأس الهوى قديما      من غير أرضى ولا سمائى
أصبحت به فريدعصرى          بين الورى حاملا لوائى
لي مذهب مذهب عجيب          في الحبّ قد فاق ياهنائى
يامن همو للجميل أهيل نجد          أن تقطعوا منكمو رجائى

 

 

My drink and my ride are sweet
and my beloved takes care of me
O my friends, forgive me
my prostration and approach
A fine and fragrant wine
all light shines forth from it
The pourer pours it
May it be my reckoning
I am drunk on love
and I have no comfort without it
Whenever I call out: “O God!”
My response is: “at your service…”

 

Original:

طَابَ نُقْلِي وَشرَابي             وحَبيبي اعتنابي
فاعْذَرُوني يا صِحابِي       في سُجُودِي واقْترابِي
خمرةٌ رَاقَ شَذاهَا           كلُّ نُورٍ مِن سَناهَا
قَامَ سَاقِيها سَقَاهَا            أجْعَلَوهَا احتِسَابِي
أنَا سَكْرانُ مِن هَواهُ           لَيْسَ لي راحٌ سواهُ
كلَّمَا نَادَيْتُ يا هُو             كان لَبَّيْكَ جَوابي

 

 

My love served me cups
of a wine unpressed
the drink of the pure
in which all things appear
I took a sip
and fell for you, o majestic!
My bride was unveiled to me
and I saw nothing but perfection
My intoxication got me drunk
as it did other men
this wine revives souls
whoever drinks it gets drunk
unveiled to me like a bride
and I saw the sun and moon
Pay attention brother, hold your tongue
and hold on to this wondrous secret
so that the veils will be lifted from you
until you see the beloved
from yourself and in yourself, she is everyhting
if you understand or have insight
Go back to your essence and dive in
but don’t stop on the slopes
the commoners will languish in heedlessness
while you see your love openly
O you ignorant in these affairs
submit to what you see:
the wine goes ’round amongst us
and every one of us is drunk
see the men with us here
present with their hearts so full
See them all dancing
the secret is manifest in them
It was for this, they gave their souls
and their night has turned to day.

 

Original:

Your love served me many cups
Its glow illumined my senses
My night turned to day
The sun is mine and the stars
My throne contains the depths
My heart is the starless sphere

 

Your love served me many cups
When I turned from myself
I saw myself unveiling what was hidden
its meaning beyond the kingdoms of men

 

Your love served me many cups
If you like, I’ll tell you true
I’m a real faqir and wanton
Shushtari is unrepentant
I drink with my friend from the cup

 

Your love served me many cups
Look for me in the monastery
You’ll see me slumped among the casks
I love wantonly the one
who revives the souls of those who join him
Your love served me many cups

 

Original:

UB 40

 

Shustari-If Loving You Is Wrong…

Shushtari

My neglect of you is reprehensible, while your love is a duty
my longing is everlasting, while union is elusive
On the tablet of my heart, your love has been marked
my tears are the ink, and beauty is the writer
The reader of my thoughts constantly recites
lessons on the signs of the beautiful one
My gaze wanders in the heaven of your beauty
its penetrating star pierces my mind
Talk about others, listening to that is forbidden
for all of me is stolen and your beauty is the thief
They said to me: repent of loving your beloved
so I replied: I repent of my neglect
The torments of love are sweet for every lover
even if, for another, they are hard and never-ending

 

Translation modified from: L.M. Alvarez. Abu’l-Hasan Shushtari: Songs of Love and Devotion. p. 55

 

Original:

سُلُوِّيَ مكروهٌ وحُبكَ واجبٌ               وشوقِي مقيمٌ والتَّواصلُ غائبُ

وفي لوح قلبي من وِدَادكِ أسطرٌ            وَدمعي مِدادٌ مثل ما الحسن كاتبُ

وقارىء فكري لْلمحَاسِن تالياً               على دَرْس آيات الجمالِ يواظبُ

أُنَزِّهُ طَرفي في سماء جَمالكمْ                    لِثاقب ذِهني نَجمُها هو ثاقبُ

حَديثُ سواكَ السمع عنهُ محَّرمٌ                    فَكُلِّيَ مسلوبٌ وحسنكَ سالبُ

يقولونَ لي تبْ عن هوى من تُحبُّهُ                 فقلتُ عن السلوان إِنِّيَ تائبُ

عَذابُ الهوى عذبٌ على كل عَاشِق       وإِن كان عندَ الغير صعبٌ وواصبُ

 

 

Bill Withers

 

Luther Ingram