Would MPAA v. Individuals “Make Sense”?

That’s what Donna’s asking. Putting aside arguments that would apply equally to RIAA or MPAA suits, here are a couple unique reasons why MPAA suits might not make sense:


Beyond Valenti’s rhetoric, I don’t think even the MPAA would argue that, today, they’re being immensely harmed by downloads.  They worry that they’ll end up suffering like some say the record industry is, but the urgency is somewhat limited.


With that in mind, why doesn’t the MPAA continue to leach off of the RIAA’s suits?  It’s unlikely that people will discern a difference between sharing music and movies – if they get the message from the RIAA, it will solve the MPAA’s problems.  (And, if the RIAA’s lawsuits do not succeed, then the MPAA will have a much stronger case when appealing to Congress.)


Moreover, the MPAA hasn’t even begun to tap into the downloads market.  Movielink is a joke compared to what the RIAA’s offering right now.  Given that quality problems are more substantial for P2P movie downloads, a legit service might be able to sufficiently curb file-sharing.


Finally, I would assume that most movie sharers do not share that many movies.  To share a large collection of movies would take a lot of hard drive space (and possibly personal time and energy if the sharer did the movie rips).  If the MPAA wants a substantial number of suits, they won’t be able to hone in on egregious offenders like the RIAA has.  That could create serious PR problems.

Speaking of Being Screwed…

As I said before, this could be extremely bad.  Ernest’s dead-on – if the Supreme Court takes this one, that does not bode well for the continuing vitality of Sony.  I also agree that the SC is unlikely to take this up, because even had Posner actually followed Sony via Napster, he would have come to the same result.  One could argue that, because Posner’s opinion was so flawed, there are more issues that the SC would be willing to take a look at.  Certainly, Posner took liberties with Sony the pseudo-negligence rule he adopted contradicts the hybrid technical and user capability standard in Sony (see previous posts here and here for more explanation).  But, almost the entire opinion is dicta, so I doubt the Court will have any interest in it.  No bad precedent has really been set, because the holding was quite simple: if you have no substantial non-infringing uses, then you don’t fall under Sony.  In practice, Posner’s dicta is important – both sides of the Grokster appeal are citing to it.  Still, the SC won’t waste its time dealing with that.

How Far Does the Broadcast Flag Go?

I must confess: I have yet to get through the entirety of the FCC’s gargantuan Order.  I have been trying to keep abreast of others’ analyses and excerpting of key parts We know it’s not really going to affect piracy and it’s going to cripple production and consumers uses of digital TV equipment.  But precisely how bad have we been screwed?


Professor Felten goes through his Broadcast Flag scorecard, and comes to the conclusion “The FCC’s order will be harmful; but it could have been much, much worse.” Sure.  But, reading Felten’s entire post, I thought he would have ended by saying, It’s bad, and it could get a lot worse as the FCC sorts out these details.  I have little reason to be optimistic at this point.


But forget what they might say – I can’t even discern what they already said.  SethF points out that the FCC wants to protect open source software defined radio; however, it seemed that open source does not gel with the FCC’s robustness requirements (as described here).  Aren’t they still, as the EFF argued in its comments on BPDG, still not tamper proof?  I noted in my brief skim of the Order that the FCC brought up distinguishing software, but how far does this go?


And Ernest’s checking out a possible loophole regarding exports.


In any case, I’ve got more reading and thinking to do on this. So, keep reading the great analyses out there, go back to the Order, then ask a friend, then back to the primary sources, rinse, repeat.

Responses to Thoughts on PSU/Napster

1.  Do check out the commentary here and here regarding my posts on PSU/Napster.  Let me respond to a few piece here.


First, consider Adam’s suggestion that PSU/Napster will lead to more students complying with copyright law.  As Adam states, this is hardly an ideal solution.  Indeed, PSU/Napster does nothing to stop people from using P2P.  Because of its limited artist selection and computer platforms (Macs and the iPod, in particular), many students will have no use for this system.  Sure, it will give some a decent substitute, but many students (and, as a potential contributor, the university) will remain in legal jeapordy.


Next, I concede that my definition of the “university’s mission”, at least in my pho email, may be too narrow; however, I think you’d need to stretch even a sufficiently broad definition to make Napster/PSU fit.


Taking on the specifically cited counterexamples: first, college radio provides students with a way to learn important skills in a way that serves the student body as a whole.  And though I have my gripes about the disproportionate money schools spend on athletics, at least that, too, involves students.  PSU/Napster has no such student involvement.  Second, if PSU/Napster is meant to serve music majors, I think the students have a decent case that their money was poorly spent.  PSU’s Digital Music Library seems to be a narrowly targeted service, providing only the songs necessary for various classes.  Of course, this difference makes sense, because PSU/Napster wasn’t created to serve music majors – it was meant to try to decrease P2P infringement – and I doubt Graham Spanier and the RIAA will tell you any different.


Finally, cable TV has some significant differences.  No student can receive cable TV without someone laying down the cable lines first, and no one student can make the choice to do this – only the university can. And, once the university’s decided to do that, I can imagine that it is advantageous to simply provide one service for everybody, rather than adjust to individual demand.  On the contrary, students can get Napster without the university’s help.  Yes, they need the university to get the reduced rate, but that’s hardly comparable to laying the cable lines.


I think that points to a more generalizable difference between PSU/Napster and other college services.  In many instances, the college pools money and provides the service when the collective action would be too difficult otherwise.  I don’t think PSU/Napster fits that bill.


At the same time, even if I concede that other services are superfluous and thus that this is a difference in degree and not of kind, I think there’s still reason for serious concern.  Given that this doesn’t address the underlying problems; that it won’t eliminate P2P; that it doesn’t serve a good size chunk of the student population; and that, even for the population it does serve, it will be of little interest because of song choice and DRM constraints (who wants to “own” a tethered download?), I think the disconnect from the university’s academic mission becomes a greater problem.


Again, this is why I bring up PSU’s subsidizing Roxio. With other university services, the imperfect fit is overshadowed by other benefits.  Here, you’re locking the students into this one company’s service (including its restrictive contract), regardless of advancements by rival services, which students are very capable of taking advantage of themselves.  If Rhapsody comes out with a far superior service 2 months from now, why should PSU students have to continue to pay Roxio for an inferior product? Why do they need the college to choose Napster for them?  Want to bet that part of getting the cheaper subscription fee required signing a long term, exclusive deal?  Like I said in my pho letter: “Certainly, there are advantages to pooling the students’ resources to, presumably, receive a lower subscription fee.  At the same time, given how distant this is from the university’s mission, don’t these problems seem more severe?”


Similarly, that’s why I dislike the university’s current rhetoric.  I know PSU calls other things “free” and supports other for-profits.  But I don’t understand why that means the University has to try to market this to their students.  If this were a good fit, I doubt the University would try to hard-sell it this way.


2.  Mary notes that the negative reaction to PSU/Napster could be a sign of things to come for CLs. Her recommendation is spot on: “We need to think carefully about these objections and other aspects of CLs for the full Internet populace.”


Without a doubt, CLs have cross-subsidization problems which will inevitably upset some people.  But some problems are worse than others, and, in CLs, I think there are likely to be plenty of off-setting benefits.  Unlike in PSU/Napster, all musicians would be included in a CL, there’d be no DRM (and thus lessened compatibility problems), and (theoretically) anyone on any platform could use the service. 


These differences do not dispose of the issue. However, I think it’s reasonable to say that the services are different enough that, even though PSU/Napster isn’t getting a warm welcome, I doubt it’s ultimately a good predictor of how CLs will be treated.


For more on this subject, see Netanel’s paper (49-55).

Harvard Crimson Reports on My C+D

A not-too-bad article on my recent posting of the Diebold docs.


Update: As Mary reported, there were several errors in the doc.  First, they said that the fair use test is part of the DMCA. Second, they implied that Harvard sent me the C+D, when Diebold did and Harvard simply reacted to it and forwarded it to me – that’s made clearer later in the article, but it’s still a bit misleading.  Third, there is no planned hearing. I mentioned to the reporter that I would go before a hearing if necessary, something I’d said earlier here.  However, right now I’m still working through the issues with Harvard officials.

My letter to Pho on PSU/Napster

See here. (slightly edited from original).


It recaps a lot of the points in these posts:


The Copyfight: Back to School Edition
Spin Machine: Penn State’s Download Service
More Crummy Reporting on Penn State’s Music Service

The Price is wrong (pt 2)

The Price is Wrong? (Pt 2)

Earlier, I thought about how people’s willingness to use more than one app for music downloading might hurt paying service’s chances.


Let’s play out a similar idea with Napster’s service.  Students start to use the service. First, they realize that some of the music they want isn’t on it, which already gives them some incentive to go to KaZaA.  Second, they realize that they have to pay 99 cents to actually own a DRMed version that they can burn to a CD or move to a portable device.  That will likely reduce the value of the tethered downloads to a significant extent, particularly when the students consider taking their music collection with them for winter/spring/summer break.


So, for most songs, they jump right back onto KaZaA.  And once they’re doing that frequently, what need do they have to use Napster 2.0’s streams?  Why would they use it at all?


Like last time, feel free to challenge my underlying assumptions.

More Crummy Reporting on Penn State’s Music Service

Reuters reports: “Song-swap pioneer-turned online music store Napster is expected to announce a deal with Penn State University to offer its newly relaunched music service for free to tens of thousands of students, sources familiar with the matter said Wednesday.” (emphasis added)


Yes, Roxio and the RIAA are providing this service all out of the goodness of their hearts. And Penn State will not be charging their students directly or indirectly for the service.  As I’ve said before, this is one heck of a spin machine.


Whatever contractual or technological restrictions that Napster decides to impose on to its typical users are likely passed on to these students. If they want to buy songs from a service with better contractual or DRM terms, they get double charged.  For instance, a student who owns an iPod will have little reason to use his “free” Napster account.


Isn’t it interesting that Roxio’s getting this exclusive deal, rather than the University building its own system and using a license from the RIAA?  It adds a whole other dimension of clumsiness to this – as if it weren’t bad enough that the students are being forced into paying for the RIAA’s music regardless of their listening habits, they now have to fund Roxio specifically, too.


Is this the way to a more competitive market in online music stores? To have the colleges choose ahead of time for all student consumers?


Did I mention that this is a state university subsidizing Roxio and its selection of artists only, not musicians in general?


Update: Frank’s got links to other stories on the matter.

Broadcast Flag Threat Model

Professor Felten argues that the broadcast flag is built on an incoherent threat model.  See here and here for earlier observations about how the RIAA/MPAA are unclear about whether they’re trying to create a “speed bump” or end all copying.  SethF counters Felten at Felten’s blog and on his own.

EFF Discusses File-Sharing Campaign on Politech

I wrote earlier about problems in the EFF’s “Let the Music Play” campaign while defending them against some criticisms.  A similar discussion has begun on Politech, see here, here, and here.  Do check it out.

EFF Gets Accelerated Schedule for Diebold Case

See Judge Fogel’s ruling (via Why-War?‘s Micah), and related EFF press releases.  Also, check out Diebold’s brief in opposition.

FCC Enacts Broadcast Flag

Breaking news at EFF. More later. From FCC:


FCC Adopts Anti-Piracy Protection For Digital TV
Ruling (PDF)
News Release: Word | Acrobat
Powell Press Statement: Word | Acrobat
Abernathy Statement: Word | Acrobat
Copps Statement: Word | Acrobat
Adelstein Statement: Word | Acrobat

Diebold, Harvard, and Me

Apologies for the recent absence. I’ve been busy with this, but also with this (see Copyright and the University) On Friday, Harvard’s Computer Security team contacted me about Diebold’s notice-and-takedown request. Access to the the documents at my Harvard webspace is currently disabled. At present time, I cannot tell you about my response to the request.

However, I can tell you that I will be challenging any attempt by Harvard to treat this as an offense under the two-strikes-and-you’re-disconnected policy, which is its interpretation of 17 USC 512(i). I will be filing a letter defending my actions and will go before a hearing if necessary. I will also use this opportunity, as best I can, to urge the University to reconsider its role in these matters and its DMCA policies in general. I hope Harvard’s lawyers will be just as open to my thoughts as the understanding and cordial computer security team.

Immeasurable thanks to those of you who are helping me with this issue.

Copyright Office Grants Narrow Exemptions

See here.


Not a whole lot of change. Just two additional exemptions: obsolete formats for computer programs and video games (a narrow version of the Internet Archive’s proposal) and lack of e-books for the disabled.  Also, the censorware and damaged “dongle” exemptions have been narrowed a little.


Ernest has got the linkage going. I hope to write some longer analysis later, too, but for now I don’t think I can get through all the docs. Here are my notes as I read the short version and a quick skim of the longer recommendation (198 pages!!!) – I will read them both more closely later:


These commenters [proposing an exemption for public domain works] have overlooked that if a work that is entirely in the public domain is protected by an access control measure, the prohibition on circumvention will not be applicable. Therefore, no exemption is needed.”  The good news: nice clarification about public domain works. I had always thought this was obvious given the language of the statute, but many have asked for clarification just in case. The bad news: this doesn’t affect public domain works bundled with copyrighted works. The weird news: The commenters didn’t “overlook” how public domain works aren’t protected. The EFF specifically advocated that position – they just wanted clarification.


The Register rejects an exemption for obsolete or damaged audiovisual works because “the proponents have not made the case with respect to fragility of DVDs, nor have they shown that the making of backup copies of DVDs is a noninfringing use.” Sigh on both accounts. What more do we have to prove about DVD rot? And now courts and legislators can cite to this for the proposition that backups are infringing, even though the contrary has been asserted.


After the accepted exemptions, the Register’s first positive response to a comment is to Ernest‘s. While the Register agrees that quotation is important, it sides with Reimerdes in stating that all he’s asking for is mere convenience.  Shockingly, the Register urges people to use the analog hole and redigitization to make their fair use. Nevermind Macrovision for the moment – can you believe the Register actually advocated creating unencrypted copies using the analog hole?  The Register also completely dodged Ernest’s argument about CSS not being an access control.


The Register totally rejects arguments about region coding.  Though even DVD-CCA and MPAA weren’t clear about whether multiregion players are circumvention devices, the Register asserted that they are in footnote 213 of the longer recommendation.


The Register also does not agree that “space-shifting” is necessarily a non-infringing uses and thus works “tethered” to certain devices do not require an exemption.  The Register also concludes that allowing the creation of a Linux-based DVD player will lead to increased piracy.  Apparently, if people need a DVD player, they just shouldn’t use Linux. We can all say goodbye to interop.


What’s really bizarre is that the Register says, “The purpose of tethering is to limit subsequent redistribution.” If that’s the case, then that sounds more like a copy-control, not an access control. The point of an access control tethering has more to do with limiting what devices you can use to play/access the copy, not whether you can copy and redistribute its contents.


There’s an interesting if confusing discussion of copy controls on CDs that sometimes act like access controls becaues of malfunctions – see the EFF’s comment.  First, the Register agrees that the copy-protection in these CDs is not an access control – that means you can circumvent some copy-protected CDs.  However, in cases that do not involve malfunction, like dual session CDs as merged access and copy controls, the Register didn’t find sufficient harmful effects.


The Register states that webcaster’s don’t need an exemption because they already have one in 17 USC 112(e)(8).  Webcasters didn’t want to have to ask for non-encrypted versions first, and the Register balked.


Really interesting note on the Lexmark v. Static Control case. The Register says, “The Register concludes that an existing exemption in section 1201(f)addresses the concerns of remanufacturers, making an exemption under section 1201(a)(1)(D) unnecessary.” Because there’s already an exemption, the Register won’t go any further and will simply let the courts sort it out.  The Register used similar reasoning when refusing to grant further exemptions for security testing and encryption research.


Later on, “It would also appear that to the extent that such a file format is unreadable, and to the extent that the file format is the product of a “computer program,” one may be able to utilize the reverse engineering exemption in

Broadcast Flag and Ownership Rules

Awhile ago, I suggested that (among many other reasons) mandating the broadcast flag would be unwise because spectrum policy is currently in flux.  Any tech mandate based on incumbent broadcasters’ wishes will necessarily ignore the broadcasters of the future.


It occurred to me that the FCC’s ownership rule making also provides a significant argument against the flag.  Chairman Powell repeatedly asserted that over the air televsion is merely one small part in a large, competitive media market.  It has to compete with print, radio, and the Internet.  Well, if it’s such an insignificant industry, then why should it get to determine policies for the entire tech industry? I’m not necessarily saying that I agree with the ownership rule changes; rather, I’m saying that the FCC has already stated that broadcast TV shouldn’t be treated specially.

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