Last Saturday evening I was walking up Wadsworth Avenue in Manhattan, a few blocks north of 181st Street, when I passed a group of people sitting sitting on the steps of an apartment building. They were talking, drinking, eating snacks and listening to a boom box set to 94.9FM. A disc jockey chattered in Spanish, followed by music. I noticed the frequency because I’m a lifelong radio guy, and I know there isn’t a licensed station on that channel in New York. The closest is WNSH, called “Nash,” a country-music station in Newark, on 94.7. Given the disc jockey and what little I heard of the sound of 94.9, I was sure the station was a pirate and not just somebody with one of those short-range transmitters you can jack into a phone or a pad.
Before I started hanging at this end of Manhattan I thought the pirate radio game was up. After all, that was the clear message behind these stories:
- Show Me Some Signal: Caribbean Pirate Radio in New York City. By Rishi Nath in Red Bull Music Academy.
- Station had listeners. Just not a license. By Vivian Yee in the New York Times.
- Authorities shut down two pirate radio stations in New York. By Fox News 5.
- NYC Radio: 104.7 FM, 91.7 FM Pirates Busted. By Media Confidential.
But where I mostly hang is a Manhattan apartment that is highly shadowed from FM signals coming from the Empire State Building and 4 Times Square downtown. (That’s where all New York’s main licensed stations radiate from.) Between those transmitters and our low-floor apartment are about a hundred blocks of apartment buildings. Meanwhile, our angle to the North and East (toward The Bronx both ways) is a bit less obstructed. From here I get pirate signals on all these channels:
- 88.1
- 88.7
- 89.3
- 89.7
- 91.3
- 94.5
- 94.9
- 959
- 98.1
- 98.9
- 99.7
- 102.3
- 103.3
- 104.7 (Same as the busted one? Sounds like it.)
- 105.5
I can tell most are pirates because they tend to disappear in the morning. Nearly all are in Spanish and most play varieties of Caribbean music. (Which I wish I could understand what the disc jockeys say, but I don’t.)
As for 94.9, here’s how it looks on the display of the Teac 100 HD radio in our kitchen:
RDBS is the standard used for displaying information about a station. The longer scroll across the bottom says “OTRA ESTACION RIKA.” Looking around a bit on the Web for that, I found this page, which says (among much else) “La administración de Rika 94.5 FM (Rikafm.com)…” So I went to RikaFM.com, where a graphic at the top of the page says “‘FCC Part 15 Radio Station’.” Part 15 is what those tiny transmitters for your mobile device have to obey. It’s an FCC rule on interference that limits the range of unlicensed transmissions to a few feet, not a few miles. So clearly this is a claim, not a fact. I’ve listened in the car as well, and the signal is pretty strong. Other links at RikaFM go to its Facebook and Twitter pages. The latter says “3ra Radio en la cuidad de New York Rika fm una estacion con talentos joven cubriendo toda la ciudad de NY musica variada 24hrs.,” which Google Chrome translates to “The 3rd Radio in the city of New York RikaFM a station with young talents covering all the varied music NYC 24hrs.”
To me this phenomenon is radio at its best. I hope somebody fluent in Spanish and hip to Caribbean music and culture will come up here and study the phenomenon a bit more closely. Because the mainstream media (thus far — consider this a shout-out, @VivianYee 🙂 ) is just coving a few minutes of the authorities’ losing game of whack-a-mole.
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