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Heard cherry“Cherry Pie”, by Skip & Flip, this morning on the radio while taking The Kid to school. I remembered that Skip & Flip had another hit, “It was I”, and that one of the two singers also had a later hit as a member of another group. What was it? I wondered. The Kid wanted to know. So did I.

But we’re talking about old stuff here. Those two hits were from 1960 and 1959, when I was 13 (like my kid, the oldies lover, is now) and 12. Whatever else they did was moldly too. Still, I used to know. Or, I still knew, but didn’t remember, which is just as bad. Shit like this happens when your archives fill up and spill all over the brain pan.

Anyway, I went to the links above, and to Wikipedia, where I found that the two were Skip Batlin and Gary S. Paxton, the former of which has been dead since 2003 and the latter of which had quite the subsequent career, including the item I didn’t remember: that he was with the Hollywood Argyles, which had a hit with “Alley Oop” which reached #1 in the summer of 1961. (Though in New York, where most of my radio came from at the time, Top 40 stations — WABC, WINS and WMCA — played a version by Dante & the Evergreens. Hey, I remember that, anyway.)

Seems Paxton did a lot more, too. For example, producing “Monster Mash”, by Bobby “Boris” Pickett, and playing with The Byrds, New Riders of the Purple Sage and the Flying Burrito Brothers.

But the strongest stuff is at his website. His all-caps testimony page is packed with interesting stuff. Such as,

RIGHT AFTER I TURNED 18 – I HAD TO REGISTER FOR THE DRAFT. ONE DAY WHEN I WAS SITTING IN A RESTAURANT A WOMAN WALKED UP TO ME AND SAID, “MAY I TALK WITH YOU I’M YOUR MOTHER! … I WAS IN TOTAL SHOCK – I HAD NEVER BEEN TOLD I WAS ADOPTED … I WAS ‘VERY CONFUSED. IN THE SAME TIME FRAME MY FIRST RECORD “IT WAS I BY SKIP AND FLIP WAS OUT …. 1 WENT TO NEW YORK, DID TV SHOWS AND TOURS WITH THE GREAT ALAN FREED (WHO NAMED) ROCK & ROLL AND THE DICK CLARK TOURS … INSTANT STARDOM …
TOO MUCH TOO FAST AFTER BEING SO-O-O POOR FOR SO-O-O LONG.
WE THEN CUT “CHERRY PIE” IT WAS A MILLION SELLER … I WENT TO HOLLYWOOD IN 1959 AND THERE I CUT “ALLEY-OOP” IT WAS A MULTI-MILLION SELLER. .. I WAS PART OF THE SUNSET STRIP HIPPIE MOVEMENT – THE SEA WITCH – THE WHISKEY A-GO-GO ETC. A YEAR OR SO LATER I PRODUCED “MONSTER MASH” – A MILLION SELLER – 3 TIMES – 1962-1967-1974 … 1 CUT MANY MILLION SELLERS WITH TOMMY ROE AND THE ASSOCIATION, PAUL REVERE AND THE RAIDERS, MANY JAZZ ARTISTS INCL1JDING THE FOUR FRESHMAN AND VARIOUS JAZZ STARS.
MY MOTHER TOLD ME SHE WAS 1/2 NATIVE AMERICAN-KICKAPOO INDIAN AND 1/2 SCOTCH AND THAT MY FATHER WAS 1/2 JEWISH AND 1/2 RED-HEADED IRISHMAN – SO. THAT MAKES ME AN lNJU. I DID A LOT OF SOCIAL WORK WITH THE YAKKI INDIANS IN THE PlUTE MOUNTAINS … 1 MOVED TO BAKERSFIELD, CALIFORNIA – HAD A LAKE MARINA HOTEL & CABINS IN THE MOUNTAINS

Then he moved to Nashville and found Jesus. This came in handy:

IN 1980 TWO MEN WERE HIRED TO MURDER ME OVER A CONTRACT DISPUTE .. THEY BEAT MY HEAD IN WITH A PIPE – – BROKE BOTH OF MY SHOULDERS – SHOT ME THREE TIMES WITH A .38 WHILE I CONTINUED TO YELL” IN THE NAME OF J E S U S YOU CAN’T KILL ME!” WHILE I WAS DOWN SICK – MY STUDIO PARTNER EMBEZZLED ME OUT OF A 1/2 MILLION DOLLARS – THE FDIC FORCED ME THROUGH INVOLUNTARY BANKRUPTCY AND TOOK ALL OF MY ROYALTIES FOR 10 YEARS – THEN THE IRS BILLED ME FOR $432,000.00 FOR THE MONEY THE FDIC TOOK. I THEN GOT BLEEDING ULCERS, LOST 80% OF MY BLOOD – STARTED HAVING A STROKE – I WAS RUSHED TO BAPTIST HOSPITAL, I WAS GIVEN 8 BLOOD TRANSFUSIONS -THEY GAVE ME HEP C IN THE BLOOD TRANSFUSIONS FROM 1990 ON. MY WIFE, VICKI SUE HELPED ME MOVE TO BRANSON n~ 1999 – WE GOT MARRIED ON VALENTINES DAY – 2002 – I’VE WRITTEN WELL OVER 2,000 SONGS – OVER 600 RECORDED – ABOUT 150 OF THEM HITS IN ONE WAY OR THE OTHER.

As Neo put it in The Matrix, Whoa.

matterhorn_by_moonlight

There are mountains, and there is the Matterhorn. It’s all a matter of sculpture and presentation. Great art, great framing.

The Matterhorn is ice sculpture. It was carved by ice out of rock pushed to the sky by a collision between Italy and Europe that’s still going on. The ice was as high as the mountain, or higher, and the carved off parts are scattered all over the Alps and its alluvial fans, discarded by water and wind when the ice cap melted, only a few millennia before the Pyramids showed up. Go back to when the ice was at high tide, and the Alps looked like the near-buried parts of Greenland do today. (See here, here and here.)

The shot above was what the Matterhorn looked like by moonlight on our way back to the hotel tonight. There’s hardly a thing on Earth more impressive than that.

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matterhorn-gornergrat_pano

The shot above is a pano taken by The Kid with my iPhone, which isn’t good for much else here in Switzerland. (Click here or on the shot to see the original, including larger sizes.) On the left is the Matterhorn, which may be the most impressive mountain on Earth. It’s hard to imagine more glorious ski slopes than those surrounding Zermatt, all of which either face the Matterhorn or occupy its flanks.

Skiing was good on the upper runs, but icy on the lower ones. The four inches of fresh powder yesterday, plus fresh artificial snow in places, was a big help. But the heavy rains on Christmas day are still preserved in a layer of ice.

Near the end of the day, the kid and I took a wrong turn and had to navigate our way down runs that were a bit advanced, at least for me. (I’m an intermediate skier at best.) I fell more times than I bothered to count, though not on the steepest sections. I think I just wore out. So we’re taking a day or two off from skiing and doing less strenuous things.

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So I just followed this tweet by Chris Messina to Mike Arrington‘s The End of Hand Crafted Content. The tweet-bite: “The rise of fast food content is upon us, and it’s going to get ugly.” Meaning that FFC “will surely, over time, destroy the mom and pop operations that hand craft their content today. It’s the rise of cheap, disposable content on a mass scale, force fed to us by the portals and search engines.”

Just as an aside, I’ve been hand-crafting (actually just typing) my “content” for about twenty years now, and I haven’t been destroyed by a damn thing. I kinda don’t think FFC is going to shut down serious writers (no matter where and how they write) any more than McDonald’s killed the market for serious chefs.

Mike explains, “On one end you have AOL and their Toyota Strategy of building thousand of niche content sites via the work of cast-offs from old media. That leads to a whole lot of really, really crappy content being highlighted right on the massive AOL home page… On the other end you have Demand Media and companies like it. See Wired’s ‘Demand Media and the Fast, Disposable, and Profitable as Hell Media Model‘… They push SEO juice to this content, which is made as quickly and cheaply as possible, and pray for traffic. It works like a charm, apparently.” By “works” I suppose Mike means that they make money.

His penultimate point:

My advice to readers is just this — get ready for it, because you’ll be reading McDonalds five times a day in the near future. My advice to content creators is more subtle. Figure out an even more disruptive way to win, or die. Or just give up on making money doing what you do. If you write for passion, not dollars, you’ll still have fun. Even if everything you write is immediately ripped off without attribution, and the search engines don’t give you the attention they used to. You may have to continue your hobby in the evening and get a real job, of course.

Good advice. In my own case, I sometimes make money writing, but usually I don’t. I do get paid well for my counsel (and my speaking), mostly because of what I’ve been writing in places like this. SEO for me is linking and crediting generously. That works like a charm, too. And I have fun doing what I trust is good work in the world. That has SEO qualities as well. (None of it is a hobby, though. At least I don’t think of it that way. And if I don’t, it isn’t.)

Mike concludes, “Forget fair and unfair, right and wrong. This is simply happening. The disruptors are getting disrupted, and everyone has to adapt to it or face the consequences. Hand crafted content is dead. Long live fast food content, it’s here to stay.”

Well, no. Nothing with real real value is dead, so long as it can be found on the Web and there are links to it. Humans are the ones with hands. Not intermediaries. Not AOL, or TechCrunch, or HuffPo, or Google or the New York Freaking Times. The Net is the means to our ends, not The Media, whether they be new disruptors or old disruptees. The Net and the Web liberate individuals. They welcome intermediators, but they do not require them. Even in cases were we start with intermediation — and get to use really good ones — what matters most is what each of us as individuals bring to the Net’s table. Not the freight system that helps us bring it there, no matter how established or disruptive that system is.

The title of this post plays off the 1971 poem/song “The Revolution Will Not Be Televised”, by Gil Scott-Heron. The passage that stands out for me is this one:

The revolution will not be right back after a message
about a white tornado, white lightning, or white people.
You will not have to worry about a dove in your
bedroom, a tiger in your tank, or the giant in your toilet bowl.
The revolution will not go better with Coke.
The revolution will not fight the germs that may cause bad breath.
The revolution will put you in the driver’s seat.

The lyrics were not addressed to me, a white guy from the suburbs, but they spoke to me all the same. Especially that last line.

We still seem to think that progress on the Net is the work of “brands” creating and disrupting and doing other cool stuff. Those may help, but what matters most is what each of us does better than anybody or anything else. The term “content” insults the nature of that work. And of its sources.

The revolution that matters — the one that will not be intermediated — is the one that puts each of us in the driver’s seat, rather than in the back of the bus. Or on a bus at all.

Come on by

citslogo

For my readers in Santa Barbara, I highly invite you to come over to the open house, Noon-2pm today at CITS — the Center for Information Technology and Society at UCSB. This is a great bunch of people, doing great work, in a nice new space that I wish I could be in myself. Alas, I have a prior commitment on the East Coast, where I am now (keeping me away from the last day of IIW as well — and that’s an event I helped start).

CITS is at 1310 Social Science & Media Studies Building. Some details about that here.

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boreray

Painted Cave. Lava Falls Trail. Uinkaret Volcanic Field. Nat Friedman. Denver International Airport. Sarah Lacy. Rainsford Island. Dorney Lake. David Boies. A peak above a glacier. Rim of the World Highway. Elena Kagan. Diablo Canyon Power Plant. Lake Havasu. Berneray, North Uist. Spectacle Island. San Gorgonio Mountain. River Nith. Paul Trevithick. Dumont Dunes. Tunitas Creek. Steve Gillmor. Boreray, North Uist. Guido van Rossum. Nunavut Shadows. Bristol Dry Lake. Brunswick Nuclear Generating Station.

All shots I’ve taken. All put in Wikimedia Commons, and (in nearly all cases above) in Wikipedia, by persons other than myself.

All I did was post them on Flickr, label and tag them well, so they could be found and used, via the Creative Commons Attribution Share-Alike license.

That’s just some of them, by the way. Lots more where they came from. One hundred and five, so far.

I blog by grace of something I hardly expected to find: a free open wi-fi hot spot in London. Way back in (it says 1969, but it was actually) 2002, I had a ball discovering many free wi-fi hot spots in London, got to make many new friends, and enjoy, for a brief shining year or two, the grace of public wi-fi by countless distributed private means.

Somewhere betwen then and now that ended. So now I’m sitting with  newer friends where Blackfriars Bridge crosses the Thames, on Riverside Walk (or is it Southwalk?) in the Spring. Except it’s Autumn.

It’s been beautiful all week here. Guess I brought nice weather with me.

[Later…] Now it’s the next day. I’m at Heathrow, Terminal One, at the Star Alliance lounge, where the wi-fi is “completely down,” they tell me. Fortunately I have a BT OpenZone account, and I can get a signal from BTOZ just inside the door of the lounge, where my bum is parked now.

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For years I’ve been watching my old pal Britt Blaser work to improve the means by which citizens manage their elected politicians, and otherwise improve governance in our democracy.

Now comes Diane Francis, veteran columnist for the National Post in Canada (but yes, she’s an American), summarizing the good that should come from Britt’s latest: iVote4U, and its trial run toward the elections in New York coming up in just a few days. New York’s Digitized Dems Can Take Over City Council Sept. 15, says the headline. In addition to the Drupal sites of the last two links, there is a Facebook app as well.

The idea, sez Britt, is “to give voters a way to manage their politicians as easily as they manage their iTunes”. If you’re a New Yorker who plans to vote next week, give it a whirl. If enough of you do, you might begin to see what we call Government Relationship Management (or GRM) at work.

iVote4U pioneers as a fourth party service.Follow that link for more on what I mean by that; or check out Joe Andrieu’s series on user driven services. If we want government that is truly of, by and for the people, we need tools that give meaning to those prepositions. Especially the first two. Britt has dedicated his life to providing those tools. Give them a try.

You don’t need to be a Democrat, by the way. These tools should work equally well for voters of all political bendings.

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JOHO promo

David Weinberger‘s latest JOHO is up. He unpacks the highlights here. One among many typically quotable nuggets: Transparency brings us to reliability the way objectivity used to.

Ry Cooder singing “I’m a fool for a cigarette”: 1401 views, 4 ratings.

WritingHanna singing “Coffee Ditty“: 704 views, 101 ratings.

Hannah sounds a lot like Maria Muldaur, no?

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