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So I have this new laptop that won’t take my old EvDO card, which I long been using to get on the Net over Verizon’s system. It has it’s own phone number and account, but it treats the cell system as a big wi-fi network, effectively. I use it anywhere in I can’t get on by wire or ‘fi here in the U.S. Which is a lot of places. Not cheap: $60 per month. But worth it.

So I need a new card.

To get one, I went to a Verizon store yesterday afternoon here in Loma Linda, CA. A new card, they told me, was $280. Too much, I said. So, after several calls to somebody over the phone, the young man behind the counter said he could “help me out” by discounting the price of a new card if I agreed to extend my cell phone contract another two years. (It’s due to run out in July.)

I didn’t want to do that. So I asked what it cost to cancel the account. The answer was $170. It runs to September.

So the choice is to pay $170 to cancel or pay $300 until the contract runs out. Pretty sucky.

Never mind that I’ve been a Verizon customer for many years, with a FiOS connection in Boston and a landline connection in Santa Barbara, in addition to the cell phone and the EvDO accounts.

I’m really looking forward to fixing this lopsided system.

Says here the Wall Street Journal, long a fee-to-see site, is now secretly free: …in many cases, the method is drop-dead simple; in some cases, it requires the Firefox browser and add-on software. But in all cases, it’s completely legal, and in fact it’s hard to see how the Journal could object to it at all.

I subscribe to the print Journal, and will continue to do that.

I’ve generally avoided going behind the Journal’s paywall, or even visiting the journal’s website, for several reasons:

  1. I never remember my login/password. Nor does Firefox or any other browser I use. Worse, they remember the wrong thing, so I get “We Don’t Recognize Your User Name or Password”, which annoys me too much to screw with.
  2. I don’t want to get any kind of add-on software to do anything that ought to be free and routine. Especially when Firefox is slow and flaky enough to begin with. I mean, right now, on a brand new laptop, Firefox is sucking up to 48.8% of my cpu, just sitting there with no tabs open. (And yes, I am using 3.0b4. It’s better than the non-beta 3.x was, but also won’t run most of the add-ons I used to have.)
  3. Too many links take me to “The Page You Requested Is Available Only to Subscribers”, which pisses me off, since I am a fucking subscriber.
  4. The front page is, in the modern tradition of too many news sites, crowded beyond endurance.

So, Rupert, hurry up with the free version, but for real this time. Your paying subscribers will thank you.

Andrew Sullivan: What I Got Wrong About Iraq. A sample:

  I recall very clearly one night before the war began. I made myself write down the reasons for and against the war and realized that if there were question marks on both sides, the deciding factor for me in the end was that I could never be ashamed of removing someone as evil as Saddam from power. I became enamored of my own morality and this single moral act. And he was a monster, as we discovered. But what I failed to grasp is that war is also a monster, and that unless one weighs all the possibly evil consequences of an abstractly moral act, one hasn’t really engaged in anything much but self-righteousness. I saw war’s unknowable consequences far too glibly.

At its best, war is a lesser evil. I said that in 2002, and got quoted by Glenn Reynolds as well. It was all part of a larger discussion that involved Nick Denton, Dave Winer and others.

Still, I hesitate to say that ‘we’ were right and ‘they’ were wrong. There is too much we don’t know and can’t ever know. We can’t go back and conduct a controlled study of futures, one with and one without the Iraq war.

The side I still feel most comfortable taking is the one against war itself. That it’s a lesser evil doesn’t make it good.

Some times we have no choice. That clearly was the case for WWII. Most times we do have a choice. Iraq was one of those. And we made the wrong one.

But knowing that now doesn’t help show a path of right choices toward ending the war, ending terror, ending hatred and distrust of The Other.

Still, failure teaches. It gives lessons.

Andrew Sullivan again:

  When I heard the usual complaints from the left about how we had no right to intervene, how Bush was the real terrorist, how war was always wrong, my trained ears heard the same cries that I had heard in the 1980s. So I saw the opposition to the war as another example of a faulty Vietnam Syndrome, associated it with the far left, or boomer nostalgia, and was revolted by the anti-war marches I saw in Washington. I became much too concerned with fighting that old internal ideological battle, and failed to think freshly or realistically about what the consequences of intervention could be. I allowed myself to be distracted by an ideological battle when what was required was clear-eyed prudence.

There is a generational battle of sorts going on here too. Andrew is post-boomer. So is Marc Andreessen, who gave this as one of his reasons for supporting Barack Obama:

  Most of the Boomers I know are still fixated on the 1960’s in one way or another — generally in how they think about social change, politics, and the government.
  It’s very clear when interacting with Senator Obama that he’s totally focused on the world as it has existed since after the 1960’s — as am I, and as is practically everyone I know who’s younger than 50.

Today we have a boomer president who is one of those who did not learn any lessons from America’s failure in Vietnam: how we entered the war on delusional and trumped-up premises, how our conventional means lost to the unconventional ones, how we failed to understand the culture and language of the war’s theater, how millions died for no good reason, how the nature of a vast and bureaucratized national security apparatus is too devoid of imagination to do anything on this scale without failing.

That void still exists. If General Petreus and his strategy succeed in Iraq (and we’re a long way from finding out), it will be due to imagination and resourcefulness that are devalued by practice in any large bureaucracy.

Recognizing this does not require having lived through the Sixties, or being obsessed with that time. It does require some perspective. In regards to Iraq, we finally have some of that.

Facebook thinks I’m fat:

In fact, I am. Not not a lot, but more than I would be if I weren’t a desk potato who ate what he wanted and doesn’t exercise enough. But how do they know that? And why would I want to be reminded of it?

Who is in charge of your privacy?

In my last post I quoted some Doors lyrics. Uncharacteristically, I did not do any linking.

I didn’t link to The Doors’ site because it’s full of Flash and other crap that is not only at stylistic variance from the spare and artful nature of The Doors’ work, but likely to either annoy you or crash something. (My Linux box can’t see or hear the Flash stuff, my Windows box wants to download all kinds of stuff and then fails with it anyway, and my Mac just flat-out crashes on it. I don’t recall any other site recently that actually brings down a computer. But that’s what The Doors site did in this case.)

I didn’t link to any lyrics pages because all of them, far as I can tell, bury what the reader wants — just the lyrics, please — inside walls of advertising. Go do a phrase/keyword search for “When the music’s over” and “doors”, on Google. Click on the top results and you’ll find that every one has a pop-up window, plus lots of other advertising jive. Of course, you can block those in your browser; but still, pop-up windows suck. They break the Web’s social contract, which says (among other things) that the publisher should not abuse the reader’s intentions. Nobody goes to a page saying “I want a pop-up window”.

These lyrics pages exist for a good (though bad) reason: most artists don’t publish their own lyrics. People want to see lyrics, however, so the advertising baiters publish the lyrics anyway. Copyright be damned.

So my advice to artists such as The Doors is to publish their own lyrics, in ways that respect the music and their own artistry — as well as the readers’ good will and good intentions.

And while they’re at it, quit making the sites so damn fancy and complicated. Quit burying text inside graphics (where the type can’t scale up and down). Make the pages into blogs that are live and written, rather than static and built. It’s cheaper, too.

I say this, by the way, as a fan of the Doors since the band was new. At one time or another I’ve bought every album, both in vinyl and CD form. I’d love it if the band (or whoever constitutes them now) would just give us a nice simple site that’s easy on readers and their browsers.

Yesterday we went to visit the De Cordova Museum in Concord Lincoln, where we were looking forward to seeing the museum’s iconic pink pig sculpture along with other exhibits in the museum and its Sculpture Park.

Rounding a curve on the road through the park heading into the museum, we were shocked and saddened to see that a tree from the center of a nearby grove had fallen squarely across the pig, smashing it right in the middle. No expert could have dropped the tree more squarely. It was amazing that, given 360 possible compass degrees that the tree might have fallen, it picked exactly this one.

Later we learned that the tree had fallen just that morning, no doubt because its rooting had been weakened by gound saturated with rain over the past few days.

Then this morning I was surprised to find no mention of the news in blog or the Boston Globe. So I just started uploading a bunch of pictures taken with my pocket camera. The lighting wasn’t good, but there are plenty of shots for anybody to use, should they like, up here at Flickr. If you’re a journalist of any kind, feel free to take and use them.

More about the pig. It is a work of Gail Simpson and Aristotle Georgiades of Actual Size Artworks. Its title is Trojan Piggybank, and it is on loan from the artists. From the writeup two links back:

Originally exhibited in the 2004 Navy Pier Walk: The Chicago International Sculpture Exhibition, Trojan Piggybank comes to DeCordova Museum’s Sculpture Park with a playful warning from its collaborative team of artists, Gail Simpson and Aristotle Georgiades, who caution, “Sometimes things are not what they appear to be.”

From a distance, the large pink wood piggybank appears friendly. A closer look reveals military camouflage colors painted around the snout, suggesting a recent wallow in filth, while imparting an additional and foreboding meaning. The artists intend this familiar military pattern to represent the greed associated with our ever-expanding military industrial complex. This visual stratagem is furthered by grates protecting Trojan Piggybank‘s eyes, and a hatch door on the underbelly hinting at hidden invaders inside. A large silver coin waits at the ready in the piggybank’s slot. As Simpson and Georgiades observe, “The pleasures of consumer culture are accompanied by less desirable social consequences. When we impose one way of life onto another, the bad goes along with the good. The playful piggybank has a hidden agenda.”

No wonder our first thought was that the tree across the pig was itself a sculpture, or an improvisation on the original.

Well, in a way it was, no?

We’d hardly yearn for Net Neutrality laws if Comcast and other carriers truly understood that the Net is more than an interactive TV channel with troublesome users.

Unfortunately there are technical as well as busines and political reasons why they fail to grok the Net. A big one is DOCSIS, which is the standard framework inside which cable companies funnel Net traffic. DOCSIS all but requires that they think of the Net as just another TV channel. Because that’s how DOCSIS frames the Net. It’s something delivered over analog channels inside a coaxial cable. Carriers can “bond” channels to widen the bandwidth, but they’re still dealing with radio waves going down a coaxial pipe on one or more channels and back up on others. Asymmetry is built in, simply because the return upstream path is, by design, on lower frequency channels with less carrying capacity. It’s also useless to debate with a cable comapny the need (or lack of it) for QoS (Quality of Service), because QoS has been part of DOCSIS since 1999.

Fiber deployments have different capabilities and restrictions, although most of those are modeled on cable TV, for good business reasons. Verizon’s fiber (FiOS) system, for example, is not designed primarily for Internet users, but for couch potatoes. Those tubers are abundant and low-hanging (or ground-dwelling) fruit.

One can’t blame carriers for going after easy pickings; but one can blame them for wearing blinders toward the massive opportunities that appear when they deliver wide-open bandwidth on which nearly anything can run… and to discover their first-mover advantages there.

But, thanks to these ancient frames, the Net is seen by the carriers (and the FCC) as tertiary to their primary and secondary services: telephony and television, or vice versa. That’s why it’s still just gravy on your phone or cable bill.

Bonus link.

From Portfolio.com:

  Comcast spokeswoman Jennifer Khoury said that the company paid some people to arrive early and hold places in the queue for local Comcast employees who wanted to attend the hearing.
  Some of those placeholders, however, did more than wait in line: They filled many of the seats at the meeting, according to eyewitnesses. As a result, scores of Comcast critics and other members of the public were denied entry because the room filled up well before the beginning of the hearing.
  Khoury said that the company didn’t intend to block anyone from attending the hearing. “Comcast informed our local employees about the hearing and invited them to attend,” she said. “Some employees did attend, along with many members of the general public.”

It was clear to many who attended that the carriers packed the room at yesterday’s FCC Hearing. How lame are employees who can’t show up early enough to get a seat? How lame is a company that pays people to warm seats for lame employees? About as lame as a company that can’t defend its methods of selectively subtracting value from its Internet service. Tag:

I’ve never had laryngitis before, but I do now. I can hardly say a thing. I wanted to make some calls while driving from Santa Barbara to LAX, but ended up giving my voice a rest, which so far hasn’t worked. It was almost impossible to make myself undersood to the United and TSA personnel at the counter and security. Very strange for a talker to have one’s voice reduced to a choice of whisper or honk. Here’s hoping it works by the time I get to London tomorrow.

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