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I’ve been looking gratefully and often, over the past few years, at Louis J. Maher, Jr.’s . The shots themselves date from 1956-1966, and he put the page up in 2001; but their subjects are the sort that don’t change much over a span of time so short as the last thirty-five years. Dr. Maher is an Emeritus Professor in the Department of Geoscience at the University of Wisconsin-Madison, and specializes in the Quarternary Period, which also happens to be the one in which we  live. (More specifically, we operate in the Holocene epoch, which is the name geologists give to the last dozen millennia or so.)

Explains Dr. Maher,

I was working on a closed-circuit educational television class in geology in 1966. A problem arose while I was planning the outline of some 43 lectures. Many of the available photographs and films that I wanted to use were copyrighted. Although they could be shown free to normal classes, royalties were required once they were put on video tape. I decided to solve the problem by getting a couple of cameras and spending a month in the West filming my own material. Then a happy thought occurred to me. Why not take some of the pictures from the air? I had earned a private pilot rating in 1964 and had logged about 90 flight hours. It happened that the Geophysics Section of our Geology Department owned a Cessna 170B that had been purchased for aeromagnetic research. At the time N2398D was sitting empty at a local airport, and the University of Wisconsin agreed to absorb 100 hours of flight time for the project. Graduate student and project assistant Charles F. Mansfield indicated he was willing to come along as photographer; I could not have found a more able colleague.

I have used the color film taken during the flights of 1966 long after the black and white video tapes were discarded, and I have added to the collection over the years. While it is important to have detailed ground-based slides to illustrate geological features for introductory classes, a few shots from the air help to establish their overall relationship.

These air photos have been very useful in my teaching. I think they can be useful teaching aids for others. I have copyrighted the digital image files, but I am making 360 of them available at no cost for noncommercial educational use.

That’s also the idea behind all the photos described or tagged geology in my Flickr photo collection. Only a few of those were taken by lightplane. (Those are in this set of the San Andreas Fault, in the Carrizo Plain of California. The pilot was @DougKaye) The rest were all shot from heavyplane, at altitudes of up to forty thousand feet and more. (I think the highest was this one.) Some were shot from the ground, such as during this cross-country road trip. Here’s one sample, from a flight over Greenland:

So here’s a belated thanks to Dr. Maher for his generosity. As did he, I grant permission to anybody teaching or learning geology to use any of my shots, any way they please. All of them should be CC licensed to permit that. If you find any that aren’t, let me know and I’ll fix them.

Hey, this is cool: CoolLAj Magazine includes this shot in La La Land at It’s Best: Photos of LA:

It was near the end of a series of flights from Copenhagen to Santa Barbara, and easily the best of the bunch.

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This morning, while freezing my way down 8th Avenue to Piccolo on 40th to pick up a couple of cappuccinos, I paused outside the to admire its stark modern lobby as delivered the latest storm news from Los Angeles through my phone’s earbuds. In the midst of reports of fallen rocks, traffic accidents and fears of mudslides, KNX said an actor had been seriously injured during last night’s latest preview performance of Spider-Man, on Broadway, three short blocks from my very ass.

This wasn’t the show’s first injury. In fact, the show had already earned “Troubled” as its adjectival first name.

So, after I got back to our hotel room, we brought up the Times’ website on our iPad (the paper’s own application crashes) and read Actor Injured in Fall During ‘Spider-Man’ Performance, by reporters Dave Itzkoff and Hamilton Boardman. Also contributing to the story were —

  • actress Natalie Mendoza, “who plays the spider-goddess Arachne” and “wrote on her Twitter feed: ‘Please pray with me for my friend Chris, my superhero who quietly inspires me everyday with his spirit. A light in my heart went dim tonight.'” The story adds, “She appeared to be referring to her fellow cast member Christopher Tierney, who is an aerialist and ensemble member in the musical. Bellevue Hospital Center confirmed that on Monday night it had received a patient by that name.”
  • Steven Tartick, an audience member. “‘You heard screams,’ Mr. Tartick said. ‘You heard a woman screaming and sobbing.’
  • An unnamed “New York Times reader” who shot a video of the accident, which ran along with the story. (That’s my own screenshot on the right.)
  • Audience members Scott Smith and Matthew Smith
  • Brian Lynch, an audience member who “described the scene at the Foxwoods Theater on his Twitter feed, writing: ‘Stopped short near end. Someone took nasty fall. Screaming. 911 called. No idea what happened, kicked audience out.’ He added: ‘No joke. No explanation. MJ and Spidey took what seemed to be a planned fall into the stage pit. Then we heard MJ screaming.'”
  • Eyewitness Christine Bord, who “described events outside the theater in a blog post on her Web site, onlocationvacations.com, and “In a telephone interview,” said “two ambulances and a fire truck were already waiting outside the theater when most audience members exited. The actor was quickly brought out on a stretcher, wrapped in protective gear and wearing a neck brace. He acknowledged the crowd which clapped for him before an ambulance took him away.”
  • A New York Times reader who supplied a photo “showing a ‘Spider-Man’ actor being transported to an ambulance outside the Foxwoods Theater.”

The story concludes,

The “Spider-Man” musical has faced several setbacks during its preview period, with one of its actresses suffering a concussion and two actors who were injured by a sling-shot technique meant to propel them across the stage. On Friday it was announced that “Spider-Man” was delaying its official opening by four weeks to Feb. 7 so that creative changes could be made to the show.

A press representative for “Spider-Man” said in an email message: “An actor sustained an injury at tonight’s performance of ‘Spider-Man: Turn Off the Dark.’ He fell several feet from a platform approximately seven minutes before the end of the performance, and the show was stopped. All signs were good as he was taken to the hospital for observation. We will have more news shortly.”

The comments are a snarky icing on the story’s cake, some calling to mind the late and very great Mystery Science Theory 3000:

“Will a vending machine be selling insurance if the audience cares to purchase any?””There is a reason why this stuff is done with CGI.”

“Didn’t I just read this story?”

“Not so amazing now, are you, Spidey?”

“Dude, this show is getting better all the time! I gotta get me a ticket before it gets shut down.”

“Whoever gave the video to the Times should be commended. That is one brutal fall. If the actor’s neck isn’t broken he’s lucky. We all understand that in today’s world the investments of a group of millionaires in a Broadway show are more important than actors lives but it’s time for the grownups to step in and shut this nonsense down. Look, of course it is sad when someone is injured, but this is the price you have to pay if you want to create great theater. Everyone knows that great theater is about launching people across stages using slingshots. It is what Ibsen did, it is what Shakespeare did, it is what made Sondheim famous. To all the haters posting here, how do you expect to be enlightened at the theater if you can’t see shows that launch actors into the air using slingshots? Mark my words, in one hundred years High School’s will require their students to read Hamlet and to construct slingshots with which to launch each other. That obviously justifies these injuries.”

We live in liminal times, on the blurred boundary between What Was and What Will Be. The formalities of Reporting as Usual, which the Times has epitomized for more than a century, are What Was. What Will Be is Version 2.o of The Press, which will mash up stories (among other news provisioning units) from many sources, which will be credited, linked, and kept current in as close to Real Time as humanly and technically possible.

On Rebooting the News yesterday, @Jay Rosen revisited his excellent distinction between The Press and The Media. Here’s my compression of it: The Press is where we get capital-J Journalism at its best—that is, through goods that truly inform us. The Media is an advertising business.

Nice to see the former keeping up with the Times. And vice versa.

And I do hope that Chris Tierney and the show both recover.

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woman, dog, car

The Kid has been scanning archival family photos and I’ve been uploading them to Flickr (where I have now passed 39,000 shots in that one site alone). Many of these photos are well over a hundred years old. Most are about eighty years old, give or take a decade or two. They’re from the collection of Grace Apgar, my father’s sister, who is now 98 and doing fine. She’s been putting corrections and contexts into the comments. (There is a lot of longevity here. Grace’s mom, my grandmother, lived almost to 108.)

The shot above has me intrigued, because I’m curious to know what kind of car that is. Here’s another shot, of my father and a buddy, with a different car. That shot has a date, but the car’s identity isn’t clear to me yet. There are more car shots here and here.

So, just some fun stuff on a weekend, identifying old things.

My great uncle Jack Dwyer worked in the shipping and steamship business through the first half of the last century. He also took a lot of pictures, including my favorite family photo of all time. (I’m the kid with the beer.) I was going through a bunch of these on Flickr yesterday, when I noticed the name of a ship launched in Biloxi, in 1919. It was the Elizabeth Ruth. Look closely and you can see the ship is wooden. In fact it was one of the last of the masted schooners on which Biloxi specialized.

Thanks to Google Books and the Library of the University of Michigan, we have an account of the Elizabeth Ruth’s launch, in March 1917, in Volume 35 of The Rudder, edited by Thomas Fleming Day (in a day when using full names was still as current as sails on ships). Writes Day, “The Mississippi Shipping Corporation, at Biloxi, put out Elizabeth Ruth, of the Schooner type, one of the prettiest little vessels ever built in the United States, of 1400 tons cargo capacity.”

So I wondered whatever happened to the Elizabeth Ruth. And I quickly found out. From Papers Past, we have this account:

Sez the About page:

Papers Past contains more than one million pages of digitised New Zealand newspapers and periodicals. The collection covers the years 1839 to 1945 and includes 61 publications from all regions of New Zealand.

New Zealand. I just love that. Here I am, wanting to know what may have happened to a minor ship, built and launched from a minor port on one continent ninety-two years ago — that I have just learned about from a book scanned in Michigan and probably not cracked open in the library stacks there except to get scanned — and I get the answer from a scanned strip of equally old print, kindly curated by  archivists half a world away.

That just rocks. Hats off to librarians, archivists and their technical facilitators everywhere, doing the good work of opening up history and letting the world have at it.

Bonus link. Another.

Ten years ago this month, I gave the opening keynote for the International Retail Conference of the Gottlieb Duttweiler Instutut, in Lucerne, Switzerland. The venue was the amazing Culture and Congress Centre, which had opened just two years earlier. Designed by the architect Jean Nouvel and esteemed for its acoustics, it was the most flattering jewell box into which the stone of my rough self has ever been placed as a speaker. My warm up act was a symphony orchestra. While they played I whispered to my wife, “Not one of those musicians has played a wrong note in years. How many seconds will pass before I flub a line?”

Less than ten, it turned out. But somehow that relaxed me, and the rest of the talk went without a hitch, even though many in the audience were wearing headphones, so they could hear me translated to another language, and their reactions (some nodding, some laughing, some shaking their heads) came several seconds after I said whatever it was they were reacting to. It was weird.

I had mostly forgotten the talk, and wasn’t even sure I had put it up online anywhere. But in fact I had, right here.  Since that’s inside a site that’s not indexed by search engines (my choice, so far back that I’ve only recently re-discovered that fact, explaining why nothing there ever shows up), and I don’t plan on fixing it soon (I’ve got other stuff there I really would rather not get indexed), I’ve decided to post the whole thing here in the blog. As one might expect, it was right about some things, wrong about others, set in a context that has long since changed, addressed to an audience that has mostly moved on, and with arcana that may in some cases no longer make sense. Yet I think it still says some worthwhile things that invite probing and discussion. So here goes:

Why Markets Will Once Again Consist of People
(and why this is good news for Retailing)

This speech was given on the Gala Evening/50th Anniversary Celebration of the Gottlieb Dutteiler Institute, in the Kultur- und Kongresszentrum Luzern – Konzertsaal, Lucerne, Switzerland.

The subheads were put there mostly to make it easy for me to keep my extemporizing close to the text, and to make live translation a little bit easier.

25 September, 2000

By Doc Searls


Opening

People ask me why The Cluetrain Manifesto has 95 Theses. The reason is that Martin Luther did our market testing for us. It seemed to work for him, so we figured it would work for us.

But lately I’ve been wondering why he chose 95. I think the answer is that he was really a retailer at heart.

I figure he had 100 theses, but then decided more people would buy it if he knocked off 5 theses and offered 95 as a discount. It was kind of a sale price. Worked pretty well.

The priest

Speaking of priests, I have a friend, an Irish priest who for many years did missionary work in East Africa. After he read The Cluetrain Manifesto, he called me up and said “I love your book. Especially that first thesis: markets are conversations. It’s brilliant.”

I was the original author of that thesis, so this was fun to hear. But the brilliance he praised was his, not mine.

Village market story

This became clear when he told me the story of a visiting friend he once took to a traditional African village market. His friend wanted to buy a rug displayed in one of the merchant’s stalls. With the priest serving as an interpreter, the customer asked for the price. When merchant responded, the customer said, “That’s too much,” and began to walk away.

The priest then explained to his friend that he had insulted the merchant. So they turned around and went back. The customer then indicated that he wanted to go ahead and buy the rug for the stated price. Now the merchant became upset.

The priest now told to his friend that he had insulted the merchant twice – first by refusing to discuss the value of the rug, and second by offering to pay full price. The customer was completely confused. Clearly he didn’t know how to buy a rug in this town.

Then the priest said to his friend, “What do you think the rug is worth?” The friend responded with a number, and a conversation between the three parties followed.

After a while the customer arrived at both an education about the rug and a price everybody agreed was fair.

The point: markets really are conversations

Now this, the priest told me, is an example of how markets really are conversations. In traditional markets like this one, the only way for a seller and a buyer to discover the true value of the seller’s goods is together – by talking about them and coming to an agreement.

In other words, all value is discovered inside a conversation.

This is why the idea of a fixed price set by a merchant is as silly as talking to oneself. It makes no sense. In traditional markets like this one, conversation starts with the merchant’s asking price. It doesn’t end there.

Tech exec conversation

A few days later I shared this story with a group of government technology executives. After my talk, one guy came up to me and offered another insight. He said that here in the industrial world we do negotiate prices, but only for the most expensive goods and services, such as automobiles, houses and large service contracts.

Then he added another observation. We can only negotiate when there’s a balance of power between supply and demand – when neither side has enough advantage to name the price and end the conversation.

We don’t have that situation in mass markets, including the retail world that is familiar to all of us. In that environment, the supply side has been in control for a very long time.

Learning more about prices

So I began to wonder: when did the idea of fixed prices, set by the supply side, take root and became standard?

Sure enough, in another conversation, I learned that the price tag was invented in the late 1800s in Philadelphia. The inventor was John Wanamaker, the man who opened the first department store in the U.S.

History of retailing

This increased my interest in the history of retailing. Since then I have learned that department stores were pioneers in the use of all kinds of technologies, including –

  • telegraph
  • electric lights
  • telephones
  • radio

Retailing was also the first industry to provide employee benefits, such as health care and paid vacation time.

It was also the first industry to take orders by telephone and to offer customer refunds.

In fact, the whole concept of “customer service” comes from the retailing industry.

Adding value to the conversation idea

You see, what’s happening here – for me, and for all these people I talked to – is that we all added meaning to this one idea – that markets are conversations.

What is it about this idea that attracts so much interest? Why does it make people think about the deeper ways that markets really work?

Finding the answers is a discovery process – something that we do together, as I’ve just shown.

I want to continue that process here, tonight.

The four clues

To start, I will share four insights – let’s call them clues – that have come out of conversations we’ve had since The Cluetrain Manifesto came out in January. I choose these because I think each is especially relevant to retailing.

The first clue is that metaphors matter. If conversation is the best metaphor for markets, what’s wrong with the other ones, and why?

The second clue is that the companies we least expected to get our clues are the ones that seem to be doing the most with them. This is a very relevant surprise.

The third clue is that the Internet, like a real market, is a place, not just a medium.

The fourth clue is that there really is not a new economy. Instead there is a new dynamic in the investment economy, where a river of money flowing from venture capitalists into new companies. This is extremely distracting, and I’ll tell you why.

Finally I will talk about how all four of these clues bring us to the subject of this speech: that markets consist of people – and why this is good news for retailing.

Language warning

A brief warning. I am going to be talking about language here. Unfortunately, I am fluent only in English.

  • Ich habe drei Jahren auf Deutch im Shule lehrt, aber… I took two of them twice – and I gave them all back when I was done.
  • I have worked in France, but not long enough to learn any more French than it takes to apologize for mangling that beautiful language. Pardon moi pour vous derenger. Je nes comprend pas le Francais.
  • I also know a tiny bit of Spanish – though far less than my own three-year-old son.

So forgive my lack of multilingual skills.

I trust that what I tell you will still be relevant, not because technology is forcing far too much English into better languages, but because all expression arises from unconscious sources. And those sources are what I’m here to talk about.

Clue #1

My first clue is that metaphors matter.

In English we have an expression: “in terms of.” In fact, we are always speaking in terms of one metaphor or another. Metaphors supply the words we use when we talk about a subject. When we speak in terms of a metaphor, we bring in a box of words from that metaphor, and speak in terms we find in that box.

To demonstrate what I mean, I’ll start by asking a question about life. When we talk about life, what metaphor do we talk in terms of? In other words, what box of words do we use when we talk about life? Again, the answer is not obvious, because it’s almost totally unconscious.

In a word, the answer is travel. When we think and speak about life, we are inside a big box of travel words.

Birth is arrival. Death is departure. Choices are crossroads. Goals are horizons. Careers are paths. Ambitious people move ahead, or move into the fast lane. Lazy people fall behind. Confused people get lost in the woods. Drunkards fall off the wagon. Saintly people follow the straight and narrow path. Sinners stray.

The travel metaphor – this concept that life is a journey –is so deep, so common, so unconscious and so powerful that we almost never think about it. Yet it is nearly impossible to speak about life without using our handy box of travel words.

One more example. Let’s look at the main metaphor for time, which is money. We budget, spend, waste, lose, gain and invest time. We literally think of time in terms of money.

Metaphors for business

Now: let’s look at business. What’s our favorite metaphor for business? What do we think about business in terms of?

There’s war, of course. And sports. We speak of other companies in our business as competitors. We battle them for territory that we try to penetrate, defend, capture, dominate or control. But war and sports are obvious metaphors – we are conscious of them. What’s the biggest unconscious metaphor for business?

In a word, shipping. We often think and speak about business in shipping terms. We call our goods content that we package and move through a distribution system that we also call a channel.

We often talk about delivering products and services that we address to consumers or end users. Both those consumers and end users are positioned at the far ends of the shipping system we call business.

Marketing also uses shipping language when it talks about addressing, sending and delivering messages through media which are also conceived and described in transport terms.

How long have we been talking about business in shipping terms?

The age of industry

The answer is about 200 years – ever since Industry won the Industrial Revolution.

Starting about two hundred years ago, when we began to build the great textile, mining, manufacturing and transportation industries, we also built an enormous distance between production on one hand and consumption on the other.

We spanned this distance with “value chains,” most of which fanned out from a small number of producers to a large number of consumers. And we began to use that label – consumers – for the first time.

Every business had a place somewhere along one of these chains, where it would “add value” to goods the way parts are added to a car on an assembly line.

This distance between production and consumption – and the power enjoyed by producers over consumers – made it easy to think of markets not as places full of real human beings, but as distant abstractions.

Abstractions for markets

Today, two hundred years after the Industrial Revolution, we use the term “market” to mean five completely different kinds of things, none of which derive from what markets were in the first place. Lets go over the list –

1) Markets are product categories. We speak of automobiles, cosmetics and home electronics as “markets.”

2) Markets are geographical areas such as Stuttgart, Philadelphia and China. It’s amazing to me that in the U.S. we can talk about “penetrating” the Chinese “market.” As if we were throwing spears at a map, rather than selling goods to a quarter of the world’s population.

3) Markets are demographic populations. Men, 25-44. Middle-class women. Volvo drivers. Wine conoisseurs. We call each of these “markets” too.

4) Market is a synonym for demand. This is what we mean when we say there is a “market” for Italian wines, parabolic skis, or impolite books like The Cluetrain Manifesto.

5) Market is also a verb we use to label the pushing of goods from supply to demand. This verb “market” is the root word for the noun marketing. Not surprisingly, marketing is concerned almost entirely with the first four abstractions I just talked about

Ancient markets

Now let’s go back and look at the original meaning of markets.

The first markets were places in the middle of town. People gathered in the marketplace to make culture and do business. These places were the hearts of their cultures. Civilization began in the marketplace. Philosophy, mathematics and democracy are all Greek words born in the agora – the Greek marketplace.

In markets like the agora, all the economic relationships we know so well – supply and demand, production and consumption, vendor and customer – were a handshake apart. In these market places, people who sold goods usually also made them.

Names

In fact, people were often named after what they made, or sold. Many of our surnames are fossil remnants of the roles our ancestors played in their marketplaces. Names like Smith, Hunter, Shoemaker, Farmer, Weaver, Tanner, Butcher…. Lehrer, Jäger, Weber, Schuhmacher, Drucker, Händler… Fermier, Marchand.

The noun “market” – which differs little in German, French, Italian and Spanish – derives from the Latin word mercere, which means to buy. In the Roman marketplace, there were no “consumers,” only customers, who came there to shop. Even today in America we call malls “shopping centers.” Not “selling centers.”

Restoring the handshake

In The Cluetrain Manifesto we said the Industrial Age was a long interruption in our understanding of markets as places where people gather to sell their goods, to shop, to talk, and to enjoy public culture.

The Internet ends that interruption by putting everybody within one handshake of everybody else. First sources and final customers are now one mouse click apart.

The Internet restores an even balance of power between supply and demand.

Consumers are customers again. They are people with names, faces, tastes and rich personal histories.

Retailers have known this since Day One, but many companies farther back in the old value chains are beginning to witness this for the first time.

Smart markets

What they witness is markets – conversations – that are becoming smarter and more powerful by informing themselves. And those markets consist of everybody who wants to contribute to the conversation..

Clue #2

This brings me to our second clue. What kinds of companies want to talk about the issues Cluetrain brought up?

Would it be the dot-com start-ups, which were supposed to be changing the world, and putting these big old industrial companies out of business?

No, it was the big old industrial companies. Those were the ones looking hardest for clues. Companies with names like Procter & Gamble, Coca-Cola, Omnicom, Johnson & Johnson, Citicorp, Conoco, Rohm & Haas, Prudential, IBM and Migros.

The Coke example

Recently I’ve been talking with an executive with Coca-Cola who has the unlikely title of Chief Innovation Officer. In fact, the two of us were recently scheduled to serve on a panel where he would explain how Cluetrain is transforming his company.

Before this event was scheduled, I didn’t know Coca-Cola was subject to any kind of outside influence. They seemed to be more a force of nature than a company in the usual sense. The formula for Coke seemed to be on the periodic table of elements.

Why could the #1 brand in the entire world find guidance in a book that attacks the whole concept of branding?

I found that the answer is simple: Coca-Cola knows it can’t tell customers what they want any more.

However, Coca-Cola also knows it has a long-standing relationship with its customers – because it has led the conversation about soft drinks for more than one hundred years. That’s an advantage.

Procter & Gamble

Not long after the Cluetrain book came out, one of my co-authors, David Weinberger, got a call from Procter & Gamble. They wanted him to talk about Cluetrain with them at their headquarters in Cincinnati.

We were amazed. Procter & Gamble was the company that invented branding – a concept it borrowed from the cattle industry more than seventy years ago.

It quickly became clear that P&G was at least starting to get the clues. They knew branding wasn’t what it used to be. They knew this was no longer a world where one company could put one kind of soap in seven different boxes and sing about the difference.

Today, just four months later, P&G has a new CEO and – at least in some cases – an approach to rolling out new products that starts with the Internet.

We see this with a new hair styling product called Physique. In the past, Procter & Gamble might have spent 90% of its new product promotion budget on television advertising. For Physique they’re spending 30% on TV and the rest on the Web. The Web site says “Welcome to the Physique Stylezone: select your country. Underneath that it says, in French, choisessez votre pays. It’s an international campaign.

In the United States alone, more than half a million people (nearly all women) have signed up – on the Web – for free samples and membership in the Physique Club.

The campaign was developed by Saatchi & Saatchi, a global advertising agency headed by Kevin Roberts – a gentleman from New Zealand. Recently Mr. Roberts bragged about Physique’s results. He said, “The average time people spend on the Web site is 11 minutes… We’ve got the consumers. We’re talking to them, they’re talking to us.”

The retailing advantage

So here we have two of the top marketing companies in the world – Coke and Procter & Gamble – that are not only discovering that markets how conversations, but putting that idea to use, perhaps for the first time.

This is easier said than done. Jack Welch, the legendary CEO of General Electric, has a Net-based internal campaign called “destroy your business.” It isn’t much of an exaggeration. These are fundamental changes.

But some businesses will have less to destroy than others, because they already know what it means to be in conversation with their customers.

This is why I believe that the industry with the biggest conversational advantage is retailing. For retailers, customers are real. There is a limit to how much a retailer can treat a customer as an abstraction. For a retailer, a customer is more than a consumer, a seat, an eyeball, or an end user. Customers are real people.

As retailers, we know customers by name. They shop in our stores, eat in our restaurants, trust us with their credit cards and return to shop again because they know who we are too. In fact, they probably know us better than we know them.

This is no small matter. This is a huge advantage. But what is the relevance of the Internet to that advantage.

This brings me to my third clue

Clue #3

The Internet, like a market, is a place, not just a medium. We go to it, not just through it.

When the Internet came along, it was easy to see it as yet another mass medium – as a vehicle (there’s another shipping term) for delivering messages to consumers.

Mulitple metaphpors

Like a newspaper, the Web has pages that we write or author or publish.

Like telephone directories, which are also publications, it gives us ways to look up stores, services, and each other.

Like radio and television we can “deliver content” in the form of audio and video files and streams.

Sometimes we also use theatrical metaphors at the same time. That’s what Web page designers do when they talk about delivering an experience to an audience.

Places

Now let’s look at this the other way around. To us – to people sitting at their computers – the Internet is more like the telephone than any other medium.

Like the telephone, the Internet is profoundly personal. When we are on the phone, we are in a personal, private space, which is why telephones are a lousy medium for commercial messages.

The messages we want on the Net aren’t the ones that “deliver an experience.” They are the ones that come by email, from people we know.

In other words, what matters most is what we hear from each other. What matters most is conversation.

Even our Web pages have a private, personal quality about them. That’s why we call our main pages “home.”

Home is a place.

By that same metaphor, we also speak about that place as a site that we put up on the Net and call a location. We also call that location an address.

The virtues

Now: who built this place? It’s interesting that the Net was not built by or for business. It was built by computer programmers, who did it not just for themselves, but for all of us. A perfect example is the World Wide Web, which was invented here in Switzerland by Tim Berners-Lee: an Englishman who had little interest in business at all.

What was it that made this place so appealing? What were the core virtues that these programmers built into the Net when they created it. There were three:

  1. Nobody owns it
  2. Everybody can use it
  3. Anybody can improve it

You won’t hear those virtues advertised by any of the big technology suppliers. If it were up to them, the Net would never have happened. All of them would have wanted to own it, to restrict access to it, and to improve it only by themselves.

But it didn’t happen that way. Because nobody owns it, everybody can use it, and anybody can improve it, the Net is much like a commons, a plaza, a town square, for the whole world.

This is our world. We have help from the technology suppliers, but they cannot command the way we build it out.

Back in 1955, Gottlieb Duttweiler said “What is happening is the higher valuation of the man in the street as a power in business life, and more, important, as a human being.

By more than forty years, he anticipated a remarkable development:

The most important market place in the history of civilization is designed to value the man on the street. The individual human being.

The new world

One of the greatest thinkers on the subject of the Internet is my friend Craig Burton, who was responsible for much of the success enjoyed by a networking company called Novell, in the 80s. Craig Burton’s thinking has always been many years ahead of his time.

Recently he described the Internet as a sphere, like a bubble, that constantly expands as more people are added to it.

In fact, he suggests we think of the Net as a bubble comprised entirely of people, all looking inward and all visible to each other across the empty space in the middle.

At the speed of light, the distance between any two points – any two people – is zero. And it’s true: in practical terms, it takes me no longer to send an email to Prague than to a co-worker in the next room. A Web page in Milan usually comes up just as fast in my browser as one from Miami, Singapore, or an office down the street.

Craig Burton says the Internet is the first world we have created entirely on our own, as a species. In fact, he believes that the Net is the biggest social, cultural and scientific transformation since the Renaissance, and that it is just beginning.

In this new world, our most fundamental resource is each other – and the conversations by which together we know more than we can know alone.

Clue #4

The fourth clue is that there is no “new” economy. There is only a well-funded distraction from the real economy, which is the economy of conversation we call the marketplace – an economy that has been with us for thousands of years.

To illustrate the problem, let me tell you one final story.

Not long ago I was at a party in San Francisco. There I talked with a young man who was already a veteran of several start-ups. When I asked him what his new company did, he said “we’re an arms merchant to the portals industry.” I had no idea what he meant.

But he answered every one of my questions with more buzzwords. They were “networking eyeball paradigms,” “portalizing B2B solutions,” “scaling strategic synergies” and so on. Finally I asked a rude question: how are sales?

He said, “They’re great. We just closed our second round of financing.”

Two kinds of markets

Suddenly it became clear to me that every company has two kinds of markets: one for its goods and services and one for itself. In other words, it is in two conversations: one with its community of customers, and the other with its community of investors.

In Silicon Valley, we have confused the second one with the first. We have made a “new” economy out of selling huge promises to investors, rather than goods and services to customers.

The best wisdom on this subject comes from Stewart Brand, who says form follows funding.

One reason nobody owns the Net is that it was originally funded by governments and universities. But this is not a well-funded story.

The best-funded story is the one being told by every company whose category begins with an E or whose name ends in a.com or .co.

Nearly every one of those companies was funded by venture capital.

Now, venture capital is not a bad thing. In fact, it is a very good thing. But it is also a very influential and distracting thing, which is why I want to talk about it.

Looking at size

Let’s look at the size of this distraction.

Last year venture capitalists invested around fourteen billion dollars in Silicon Valley alone. This year they are headed toward investing twice that much. The amount of money we’re talking about here is staggering. I have been told that more than half the countries in the world have a smaller gross domestic product.

This money continues to flow like a river. Even when demand for dot-com stocks began to falter early this year, this money river continued to flow through new dot-com start-ups – not only in Silicon Valley, but around the world. Last week Bertelsmann set up a billion-dollar venture capital fund.

Burning money

Where is this money going?

Much of it goes into building staffs, offices and developing technology. But a huge percentage of it goes into marketing, mostly through advertising in every media you can name.

This both attracts and funds enormous amounts of media attention. Magazine displays in the U.S. are being crushed under the weight of fat new business publications. Their very existence testifies to a “new” economy at work. It’s a lot of smoke, suggesting a very big fire.

But what’s burning is money. We don’t have a new economy here. We have a flood of combustible money – a kind of petrol – that is made to be burned.

Dot-com start-ups are very different kinds of businesses from the ones we’ve been building for thousands of years. They don’t have “overhead” or “expenses” in the usual sense. They have “burn rates.” And burn is exactly the term that they use. In this economy – if you can call it that – spending is a good thing. Burning is a good thing.

Perspective

But again, it’s a distracting thing, because most of the time it talks about itself. For a long time, it also disparaged traditional businesses.

So: how can we keep from being distracted by these huge fires and all their smoke?

With some perspective.

The new conversation – about burning money and huge payoffs when these companies go public – is only a few years old.

The old conversation – about vendors and customers selling and buying goods and services – is as old as civilization itself.

In fact, it is civilization.

And we are not in civilization just for the money.

This is what we are learning from companies like Procter & Gamble, Johnson & Johnson, Nortel Networks and. The surprise – and it shouldn’t be one – is that people don’t work at these companies just for the money.

I am amazed at how many people I meet at these companies are not interested in getting rich at dot-com start-ups. Instead they are looking deeply at why they want to work where they do.

I believe we are finding that these companies have souls. They have human purposes that transcend mere economics. These purposes have little to do with short-term opportunities, and nothing to do with cashing out or starting another business.

I believe retailing has more soul than of any other industry. I say this because retailing is deeply involved in culture itself: the culture of the marketplace. Retailing was here for thousands of years before the industrial age. And it will be here for thousands of years afterwards.

Retailers are not just here to sell. They are here to serve.

Gottlieb Duttweiler said, “The constant will to serve has something irresistible about it – conveying mysterious powers over one’s fellow human beings and making interrelationships visible which would otherwise remain hidden.”

He would have loved the Internet.

Conclusion

Clearly, he loved people. Because he also said, “Whoever forgets that people are the dominating factor in business and politics and thinks only in old-style dollars and francs has got his calculation wrong.”

Herr Duttweiler had it right. Retailing is about people. Markets are about people. The Internet is about people.

For Herr Duttweiler, it took extraordinary insight and courage to state this principle so simply when there was no Internet, deep in that long interruption we call the Industrial Age.

What he said was no less true then than it is today. But today a new age has begun: one that belongs to Herr Duttweiler’s dominating factor: people. Now customers and retailers together can finally agree that this is our world, these are our markets, and we are going to make them together – for ourselves, and for each other.

What can we do to improve this new world that nobody owns, everybody can use, and anybody can improve?’

I look forward to hearing the answer – from you.

Thank you very much.

Last week I flew back and forth from Boston to Reno by way of Phoenix. Both PHX-RNO legs took me past parts of Nevada I hadn’t had a good look at before. One item stood out: a dry lake that looked, literally, like a town had been built on it and blown up. In fact, this was the case. The lake was Frenchman Lake, on Frechman Flat, a valley in a part of the desert known as the Nevada Test Site. The town was nicknamed “Doom Town,” and it was built to see what would happen to it in an atomic blast. Here’s a video that shows the results.

In fact more than a dozen blasts rocked the Doom Town area, starting with Able, in 1951 — the first at the Test Site.

This shot shows Yucca Lake and Yucca Flat, which has many dozens of subsidence craters where underground blasts have gone off. This Google Maps view shows the same from above. All the blasts look like rows of dimples in the desert. But some are hundreds of feet across. Before reading about underground nuclear testing, I had thought that all the tests were deep enough to avoid surface effects.

This shot looks across the Test Site to Area 51. Amazing place. Some of what they say about it may even be true. By the way, that shot was taken (I just checked) from almost 100 miles away. I used a Canon 5D and a zoom telephoto lens set to 200mm.

This graphicapple revenue progress, of Apple’s revenues per quarter, broken down by products, tells several stories at once. One is that the iPhone remains huge. (I was amazed by how many I saw in the UK and France.) Another is that the iPod may be getting a bit stale. But the big one is the sudden size of the iPad business.

We have one, a 3G model that arrived when we were in Paris in June. It was nice-to-have but something short of its full promise until a friend in Paris got us a 2Gb SIM so the unit became useful outside of our apartment’s wi-fi zone. (Orange, Apple’s carrier partner in France, requires of Americans a French bank account — just one of many vexing problems with 3G outside anybody’s home country. It’s a freaking mess.) With that SIM, the difference became absolute. Now we could look at maps, shop, and read about topics of immediate local interest, live and on the spot, anywhere. (Even in the subways.) The iPad is much faster than the iPhone and much more convenient than a laptop or a netbook. Form-factor wise, it’s a whole new category.

The question is, can anybody else top it, or even compete with it? Certainly somebody should. Here’s what I’d recommend.

First, a second unit with a smaller form-factor: about half or two thirds the size of the iPad. There’s a need for something that’s bigger than a phone but smaller than the current iPad, which is a bit too large for most purses.

Second, freedom from anybody’s silo. Apple has done it’s vertical thing here. Now it’s time for the horizontal one. In product categories, the horizons are always wider than the skies are high.

Third, featuring the 3G or 4G model, rather than regarding it as a premium exception. This also means working energetically to expose and break down the national boundaries to mobile carrier data plans. We desperately need the phone system to become a data system that also does telephony, rather than the reverse. (More about those in another post.)

Fourth, better speaker(s). The iPad actually sounds quite good, for a speaker that talks out of the same flat hole that’s plugged by the power connector (just like the iPhone).

Fifth, two microphones, for binaural recording. This is hugely under-rated as a feature, and generally ignored by portable gear makers. With binaural recording, you get a you-are-there sound field when listening to the recording with headphones. Related idea: two cameras, for shooting in 3D. The latter would also be a cool peripheral.

Sixth, make the ‘pad a production and not just a consumption device. Shooting and/or editing video, and uploading it to a server on the spot, would be a way cool use for the thing.

Of course, consumer electronics makers are notorious copy-cats. But what they need to do is zig here where Apple zags. There’s infinite room.

From June 13 to July 21, I lived in France. This was the longest I had been out of the country, ever. And, while I loved just about everything about being there, what I’m liking best at the moment is what I failed to take back with me: about ten pounds of fat.

I still wiegh too much. My Withings scale, which produced the graph above, says I’m still carrying around about fifty pounds of fat, with a body mass index of 28.3.

I weighed about 140 when I got out of high school, and about 150 when I got out of college. I gained slowly after that. Except for a couple of diets (McDougal and Atkins), each of which knocked off about 25 pounds, my weight went steadily up. So, on the advice of tweets from @bobmetcalfe, I got the Withings, and started just paying attention. I began on March 26 at 196.2 pounds. I didn’t do much to change my eating habits, though, and I pretty much stayed even. Then, before heading to France, I started purposely eating a bit less. Going without. That’s where you see the decline to 192.1 before we left.

What was different about France? Here ya go:

  1. No breakfast. Usually one of us went to the corner bakery for a baguette, and I’d have a hunk of that, and not always with butter.
  2. Not much lunch either. We’d eat one sometimes, but we were usually too busy.
  3. Great dinners, late at night, by U.S. standards. Peak dinner time in France is 9pm. For the most part we were on what we called “Icelandic Time.” We’d dine late, catch up with the East and West Coasts on our computers after we got back, turn in about 1-2am, and sleep late. The dinners, of course, were full of fat and carbs, but on the whole were just good food. And without the default American obligation to engorge one’s self.
  4. Experimentation. The best tasting anything I had there was rongnon* d’agneau: lamb testicles. My wife talked me into them, at a restaurant that specialized in offal.
  5. Wine. My body doesn’t like alcohol much, though I do enjoy drinking it. But in France I had wine with most of my meals. Not sure what difference that made, but it was a difference in behavior.
  6. No crap food. We ate no chips, no soft drinks (except for the occasional Orangina), no dips. No burgers from McDonalds. No milk shakes. Not much that’s “processed,” as they say, far as I know.
  7. Lots of cheese. France is fromage as much as it is vin.
  8. Walking. Even though we took public transportation to most of the places we went, we also walked a lot — probably several miles per day.
  9. Sweating. Air conditioning isn’t valued or practiced much, at least in the older parts of Paris. And certainly not in the Metro or the RER, the two main underground trains there. Our apartment there also didn’t have it, though it stayed relatively cool with its thick stone walls (the structure dates from the 1600s) and shade. And it was quite hot most of the time I was there.

After we got back, we went shopping. On the list went lots of fruit and off of it went breakfast sausage and other former staples, mostly of the crap food variety. My appetite for them is gone, at least for now. Meanwhile, I like getting into pants I outgrew last year. Next steps: getting into the pants from two years ago, then five years ago…

* This is how I remember it, though I’m told that rognons are kidneys. Maybe somebody can correct me. I know the menu did not say testicules, which is the literal translation. By whatever name, they were lamb nuts.


While walking around Paris for the last month, I’ve became fascinated by the highly fossiliferous limestone that comprises so many of its iconic structures. At one point I thought, Hmm… The City of Light is built with materials of death. I had no idea how much farther that thought would take me.

Without abundant death we wouldn’t have asphalt, concrete, marble, travertine, chert, oil, gas, coal, asphalt, limestone, dolomite, and countless other requirements of civilization. So, given the unusual abundance of limestone in use here, I wondered where it came from. Naturally, from my 21st-century perspective, I assumed that all of it had been quarried in some other place: hills outside of town, perhaps. Lutetian limestone, it’s called, and it’s a relatively new rock: only a few dozen million years old. Younger than dinosaurs. It’s also known as “Paris stone”, and has become quite the fashion item lately.) What I hadn’t figured was that nearly all of this building stone, for many centuries, was extracted from beneath Paris itself: a sum large enough to build a Great Pyramid.

I didn’t learn any of that until we visited the Catacombes a couple days ago.

The Catacombes are bone banks called ossuaries. They occupy abandoned quarries beneath Paris and contain the remains of more than six million people. Many of the deceased were likely the same men (and women? probably) who carved out the quarries, mostly in the first several centuries of the last millennium. It must have been quite a project since these withdrew enough rock to assemble Notre Dame, thousands of other churches large and small, bridges, city walls, and homes—and left beneath the streets of Paris more than 300 kilometers (100 miles) of tunnels, including rooms and vaults that together comprise a vast man-made cave system. Top to bottom, a vertical cross-section of Paris looks like this:

  • Surface — streets, buildings, parks
  • Metro tunnels
  • Sewers
  • Quarries

Fossils are bones of stone, I explained to my kid. And limestones are stones of bone. Here in the Catacombes, down hallways that go on and on and on and on, the bones of dead Parisians are stacked into walls, with an artistry that makes one wonder what was going on in the heads of the masons. The walls facing the visitors are built mostly with femurs and skulls. The femurs are stacked and interlocked, with the knee knuckles outward, course after course forming a pattern like stitches in cloth. These are interrupted by horizontal lines of skulls, and usually topped with a final row: a crowning course of human heads. No concrete, grout, or other adhesive material anywhere. Here and there some arm bones might be used, but femurs and skulls were clearly the preferred structural material. Behind these walls behind lie loosely the rest of the bones: remains of remains.

The masons were priests. The bones were gathered from the city’s cemeteries, which had become rotten with an abundance of corpses as the end of the 18th century approached. That’s when it was decided to move the bones down into deeper graves. The quarries were empty, so the bones came down. The whole project went in stages, running from the late 1700s to the middle 1800s. The priests, whose jobs already required exceptional respect for the dead, were conscripted for the work.

The pictures in my collection (e.g. the one above) aren’t the best I’ve taken. Most of the light was provided by dim illumination in the catacombes itself, or by cell phones. If you wish to know more (and I recommend it), here is a pile of fascinating links:

Since one walks through the tunnels in the company of guides and other people, it is less creepy than you might think. After a while, endless aisles of bones also tend to make the bones themselves ordinary. Yet one wonders: Is this skull Robespierre’s? Danton’s? Both lost their heads to the guillotine, but down here all heads are equally ordinary and anonymous, fully respected, but still just building material.

A lesson: different as we are in life, we are remarkably identical in death. Skulls tend to all look the same. So do other bones. One can say, These were babies once. Then laughing children. They grew up, learned about life, and lived long enough to produce more babies and get work done. And what they’ve left is no different than what everybody else leaves.

What makes us animals is that we eat other living things. (We need their carbon.) We live on things that lived. And we build with them too. Death supplies us. In turn, we supply as well.

What makes us different is who we are, and what we do when we’re alive. Life is for the living. And so, it turns out, is death.

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