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Tag: András Riedlmayer

We miss you, András! Wishing you all the best for an exciting retirement!

András Riedlmayer, Bibliographer in Islamic Art and Architecture at the Fine Arts Library, will be retiring at the end of this year. Words do not do justice to describe András as a colleague, mentor, friend, and advocate for the preservation of cultural heritage in war-torn societies. He will be sorely missed at the library by staff, students, fellows, and researchers. We wish him all the best for a fulfilling and exciting retirement!

András Riedlmayer, Bibliographer in Islamic Art and Architecture, is retiring after 35 years of distinguished service as director of the Documentation Center of the Aga Khan Program for Islamic Architecture at the Fine Arts Library. In his time at Harvard, he has helped build world class library collections and assisted countless students, faculty members, and other scholars with their research. A native of Hungary, he is a specialist in the history and culture of the Ottoman Balkans and has spent the past 25 years documenting the destruction of manuscript libraries and other cultural heritage during the Balkan wars of the 1990s. He has testified about his findings as an expert witness before the International Criminal Tribunal for former Yugoslavia (ICTY) and the International Court of Justice (ICJ). (For more information, see the February 2020 Harvard Gazette article entitled “Harvard Librarian Puts This War Crime on the Map”) In 2018, András received the Middle East Librarians Association’s David H. Partington Award for his “contributions to the field of Middle East librarianship, librarianship in general, and the world of scholarship.”

András holding his tuxedo cat Gideon, with a laptop on the kitchen table while answering reference questions on a zoom meeting.

András holding his tuxedo cat Gideon, with a laptop on the kitchen table while answering reference questions on a zoom meeting.

András Riedlmayer puts this war crime on the map

“… if you really want to make a librarian mad, burn down a library.”

András Riedlmayer, Bibliographer in Islamic Art and Architecture at Harvard’s Fine Arts Library, made this comment when asked why he undertook his project to collect, preserve and publicize evidence of the destruction of cultural heritage in the Balkan wars of the 1990s. The story about his work in the Balkans is profiled in the Harvard Gazette.

Riedlmayer testified at the UN war crimes tribunal (ICTY) in The Hague in the trials of 14 Serbian and Bosnian Serb officials, as an expert on cultural destruction in the Balkans. Among the defendants was former Serbian dictator Slobodan Milošević, accused of war crimes and genocide in Kosovo and Bosnia. Although Milošević died of a heart attack before the ICTY could deliver a verdict in his case, 11 of the others were convicted and sent to prison.

Read more about his ongoing efforts to preserve documentation on the cultural heritage of the Balkans and its fate in the Balkan wars of the 1990s, in the Harvard Gazette.

 

A young man squatting on the ground to pick up and look at torn and burned religious texts inside the village mosque, torched by Serbian soldiers in 1999. The man is photographed from the side, wearing a dark clothing. The ground is rabbled with pieces of concretes and debris. In the background, burned marks on the concrete wall is visible.

Carralevë, Kosovo. Agim Orllatë, a Kosovar Albanian university student who worked with Riedlmayer as an interpreter, looks at torn religious texts inside the village mosque, torched by Serbian soldiers in 1999. (Photo courtesy of András Riedlmayer)

 

Burned book of a Qur’an, opened to show its pages ripped from its binding and partially burned. The edges of book pages are burned.

Remains of a Qur’an, its pages ripped from its binding and partially burned, among the items collected by Riedlmayer in Oct. 1999 from the village mosque in Carralevë, Kosovo. (Photo: Naoe Suzuki)

 

Riedlmayer looking down on a selection of damaged book pages laid out on the table in the office. He is wearing gloves to handle fragile remains of the torn books.

Riedlmayer selecting damaged book pages to be sent for an exhibition on cultural heritage and war, held at the Imperial War Museum in London in 2019. (Photo: Naoe Suzuki)

 

A selection of the damaged pages of books and manuscripts laid on a table. There are two rows and four columns of stacked pages.

A selection of the damaged pages of books & manuscripts collected by Riedlmayer in Oct. 1999 from the village mosque in Carralevë, Kosovo. These damaged books were written in a number of languages: Arabic, Albanian, Ottoman Turkish, Bosnian, Serbian. (Photo: Naoe Suzuki)

 

A monthly church bulletin, written in Serbian, with partially burned marks. The cover of the bulletin includes a black and white image of religious painting. A couple of burned holes were made from the fire.

A partially burned monthly church bulletin from a Serbian Orthodox monastery chapel at Buzovik, Kosovo, targeted in a revenge attack by Kosovo Albanians after the end of the war. One of the items collected by Riedlmayer during his fieldwork in Kosovo in Oct. 1999. (Photo: Naoe Suzuki)

 

Close-up image of the cover of a damaged and desecrated book. The cover includes an ornate border, but the text is difficult to read due to the fire damage.

One of the damaged and desecrated books & manuscripts collected by Riedlmayer in Oct. 1999 from the village mosque in Carralevë, Kosovo. (Photo: Naoe Suzuki)