This week I’ve been watching some episodes of Anne Robertson’s Five Year Diary with a visiting researcher. It’s been great getting back into this work. There were quite a few exciting finds among reels I’d never seen, including one with a soundtrack recorded during a review at Mass Art. Anne discusses her work with her professors, Saul Levine and a second, as yet unidentified, man. This episode is somewhat early in the work (1983), but the discussion is relevant to the work as a whole.
Part of my goal with watching more reels of the Diary is to prioritize reels for digitization. Presently, 8 reels of the work have been digitized and are available for screenings. It is our goal to digitize the entire work; we are prioritizing and hope to have more reels available this fall.
The final reel of the Diary (Reel 83, 1997), which was only accidentally so, includes some images that remind me of earlier reels. There is some focus on weight, a theme from the beginning, as well as the family gravestones, holidays, and, as always the moon. I’m going to have to watch the entire work – is there an episode without the moon? The moon and Anne are the constant characters in the film. Anne travels; her companion the moon meets her there. Anne goes through cycles of mental stability; the moon waxes and wanes.
The Diary is most obviously a thorough evaluation of the self, but despite Anne’s obsessions about her own body and life, she is also a solid viewer of the natural world. The moon is the face of it, but we see the seasons closely monitored, plant life, the weather. Paradoxically, her romantic obsessions are found on television, and on programs that are anything but celebrations of nature.
Here in Cambridge, the summer is drawing to a close. It’s made most obvious by the return of the students, clearly demonstrated by traffic and restaurant crowds, but Anne’s films remind me to look to the trees that are beginning to brown, the flowers that are going to seed, the vegetables that will require harvest before the frost.