Some terrific dance music for a grey Wednesday – some genteel, early-Downton-Abbey era numbers, and some a bit more scandalous:
Mae West wants you to shimmy.
“Ev’rybody shimmies now,
Ev’rybody’s learning how,
Brother Bill, Sister Kate,
Shiver, like jelly on a plate.”
Evr’ybody shimmies now, by Eugene West, Joe Gold and Edmund J. Porray, 1918.
A “hesitation” waltz.
“Bill’s little Daisy was more than dance crazy,
she never knew just when to stop,
The waltz – wait a minute – each time she’d begin it
some neighbor would send for a cop.”
Hesitate me around, Bill, by Wm. Jerome and Malvin Franklin, 1914.
A foxy lady from 1915.
Foxy fox trot, by N. H. Moray, 1915.
Buster Brown and his dog Tige
Buster: one-step, by Charles F. Gall, 1916.
Country dances – with hayricks?
Hayrick dance, by Warner Crosby, 1905.
Please. Ouch.
Get off my foot: fox trot, by W. B. Kernell and Van Campen Heilner, 1916.
Who doesn’t?
I wanna fox trot, by Joseph Fecher and Herman Kahn, 1916.
Apparently it’s contagious.
“The fidgety fidge, I cannot lose,
it’s got me shivering,
flivering, quivering,
from my head to my toes”
“I’ve got it”: the fidg-et-ty fidge, by Henry Creamer and Lew Pollack, 1922.
For the inspired, here’s a link to a collection of American dance instruction videos at the Library of Congress.
Please, try these dances at home!
[Thanks to Dana Gee, Project Sheet Music Cataloger, for contributing this post.]








I love these examples, including the verses, but most impressed with how much time and artistic effort it took to design and print these images without the use of any technology. That’s determination (and skill). Thanks for posting.
Thanks, Jane. The graphic design and printing are marvelous on so many of these. There are beautiful monochrome and color lithography covers too, on earlier pieces, like the Ward Collection’s Camp polka.