Early eighteenth-century manuscript miscellanies of French music offer a wealth of insight into contemporary public and private musical tastes and activities. Two such miscellanies in the John Milton and Ruth Neils Ward Collection reveal especially fascinating histories of compilation practices and use.
The Jimi Hendrix Bibliographic Experience
This post is part of an ongoing series featuring items from the Julio Mario Santo Domingo Collection. This week’s feature is the second of two sculptural volumes: in this case, the binding itself, rather than the enclosure, defies convention. The book, a paperback French biography of Jimi Hendrix published in 1976, is unremarkable in itself. However, Read More
Emily Dickinson’s Music Book (EDR 469)
In her formative years, the American poet Emily Dickinson’s interests centered on the study of voice and especially piano, for which she displayed considerable accomplishment and ambition. Her correspondence supplies the background for these activities while the contents of her music book provides a revealing perspective on just how assiduously and enthusiastically she collected, listened Read More
Thumbs up, America!
Music has always played a major role in U.S. political campaigns – Sarah Palin had Heart’s Barracuda and Bill Clinton had Fleetwood Mac’s Don’t stop. However, long before television commercials, songs espousing a candidate’s platform were vital to spreading the candidate’s message and increasing their popularity. In 1876, Rutherford B. Hayes beat Samuel J. Read More