Category: Recordings Collection (page 2 of 9)

In Celebration of Apollo 11, Ellington Style

In celebration of the 50th anniversary of the Apollo 11 landing, we are highlighting a fascinating record in our collection. Although the record itself is not particularly rare, the combination of a prominent composer and the anniversary of the premiere performance, in our opinion, makes it worthy of a few paragraphs and further exploration. It is one example among many written in 1969 containing “moon” in the title. “Moon Maiden” is one piece in Ellington’s “Music to Land on the Moon By,” commissioned by the American Broadcasting Company to be broadcast as part of a their 30-hour moon mission coverage. In the setting, Ellington is poised in front of  exact replicas of the spacecraft’s components, including a model lunar module. 

Intimate Ellington Cover

Intimate Ellington Cover

Moon Maiden is released on the album “The Intimate Ellington.” The liner notes from the original album were written by Stanley Dance, a jazz writer and close friend of Ellington, who was present during the rehearsals. There are conflicting citations of this track being recorded on either July 14th or July 15th, 1969, days before the Apollo 11 landing on the moon. Ken Vail’s publication, Duke’s Diary, mentions it was recorded again on September 4, 1969, with a more robust instrumentation. This recording was released in 2002 on Duke Ellington Live and Rare, by Bluebird Records.

Instrumentation of September 4th recording.

Instrumentation of September 4th recording.

For comparison, I recommend first listening to the broadcast version followed by the track released on The Intimate Ellington album. The broadcast version was performed with piano and vocals by Ellington himself, along with Rufus Jones on drums, Paul Kondziela on bass, and Al Chernet on guitar. Mr. Dance writes that he anticipated the celeste might give a “moony” effect and thus during a rehearsal Ellington experimented with a celeste and vocal performance which was recorded and is heard on the album. 

For additional listening enjoyment, check out the 1978 Luv You Madly Orchestra disco arrangement. For more Ellington early recordings, the Loeb Music Library has the Duke Ellington Recordings Collection, available upon request.  The manuscript for Moon Maiden is held at the Smithsonian National Music of American History, Archives Center.


Ellington, Duke. Duke Ellington Live and Rare. New York: Bluebird, 2002, compact disc. Disc 3: The Reader’s Digest Sessions. Recorded September 1969. 

Ellington, Duke. The Intimate Duke Ellington. Pablo 2310-787, 1977, LP.

Stratemann, Klaus. Duke Ellington Day by Day and Film by Film. Copenhagen NV, Denmark: JazzMedia ApS, 1992, p. 592.

Vail, Ken. Duke’s Diary: Part Two: The Life of Duke Ellington 1950-1974. Lanham, MD: Scarecrow Press, 2002, p. 360.


DMZ. The Neighborhoods. La Peste. Watching punk bands in the early days, Arthur Freedman realized that each show was unique. He witnessed set, song, and personnel changes, different arrangements for some songs and, tragically, untimely deaths of band members. Believing that the energy and exuberance of a live performance could never be reproduced within the recording studio, Arthur bought a cassette deck and microphones (and eventually a video camera) and started to record many of the shows he attended. Often sighted in front of the stage, video camera in hand, he became a familiar figure in the local Boston area rock scene for over four decades.

A box of cassette tapes from the Freedman collection

The Arthur Freedman audio collection came to Loeb Music Library in late 2011, and over the last year we have been working hard to finish digitizing all the original compact cassettes in the collection. Providing a window into an essential era of Boston rock history, it contains over 720 hours of live performances by primarily local rock and punk bands, most of which were recorded between the late 1970s and the mid-1980s. The majority of these recordings were made in storied Boston clubs that no longer exist, and the collection contains many unique performances unavailable elsewhere. Some of the tapes contain accompanying material such as set lists, tickets, and flyers, and others include technical notes or anecdotes about the performance.

Ticket, Boys Say Go, August 1, 1984 at Jumpin’ Jack Flash

Flyer, The Primevals and The Classic Ruins, July 20, 1985 at The Boston Food Co-op

We’d like to celebrate the completion of this project by making the first digitized performances available in the Freedman finding aid. These are two performances by the all-female band Bound & Gagged, recorded at Baba O’Reilly’s in New London, CT on January 29, 1981 and the following night at Hurrah in New York City. The Hurrah show was also filmed by Merrill Aldighieri, but Freedman’s audio version contains two encores.


Hear the shows


Bound & Gagged formed in 1979 and released an eponymous EP in 1980 on the Boston-based Modern Method label (a small, unassuming note on the rear of the jacket suggests: “PLAY THIS RECORD LOUD”). Members featured in these performances are Martha Swetzoff on guitar, vocals & percussion, Wendy Stone on guitar, Trude Koby on bass & vocals, Marcia Maglione on keyboards, vocals & percussion, and Deni Ozan on drums. Special thanks to Martha Swetzoff for helping us to make these the first streaming performances available from the collection.

Flyer for a benefit show (Sept. 28, 1980) held for Bound & Gagged after their equipment was stolen following a gig at Cantone’s. Courtesy of Martha Swetzoff.

Freedman also recorded over 2000 hours of video during these years, which are a part of his collection held at the Harvard Film Archive. “Artie” still makes recordings and he was recently on hand at screenings of the documentary film “Boys from Nowhere,” which chronicles the Boston garage punk scene of this era. At the Cabot Theater in Beverly, MA in April, the film was followed with sets by the Nervous Eaters and Willie Alexander & The Boom-Boom Band, as well as a panel discussion featuring JJ Rassler of DMZ. Artie was again there to capture it for posterity.

Are you a member of a band Freedman recorded? Did you attend these shows? We want to hear from you! Get in touch with Peter Laurence.

-Peter Laurence, Lesley Bannatyne

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