Steven H. Cullinane's Harvard Weblog

 Wednesday, November 12, 2003  9:58 AM

The Silver Table

“And suddenly all was changed.  I saw a great assembly of gigantic forms all motionless, all in deepest silence, standing forever about a little silver table and looking upon it.  And on the table there were little figures like chessmen who went to and fro doing this and that.  And I knew that each chessman was the idolum or puppet representative of some one of the great presences that stood by.  And the acts and motions of each chessman were a moving portrait, a mimicry or pantomine, which delineated the inmost nature of his giant master.  And these chessmen are men and women as they appear to themselves and to one another in this world.  And the silver table is Time.  And those who stand and watch are the immortal souls of those same men and women.  Then vertigo and terror seized me and, clutching at my Teacher, I said, ‘Is that the truth?….’ “

— C.S. Lewis, The Great Divorce, final chapter

Follow-up to the previous four entries:

St. Art Carney, whom we may imagine to be a passenger on the heavenly bus in The Great Divorce, died on Sunday, Nov. 9, 2003.

The entry for that date (Weyl’s birthday) asks for the order of the automorphism group of a 4×4 array.  For a generalization to an 8×8 array — i.e., a chessboard — see

Geometry of the I Ching.

Audrey Meadows, said to have been the youngest daughter of her family, was born in Wuchang, China. 

“Tui means to ‘give joy.’  Tui leads the common folk and with joy they forget their toil and even their fear of death. She is sometimes also called a sorceress because of her association with the gathering yin energy of approaching winter.  She is a symbol of the West and autumn, the place and time of death.”

— Paraphrase of Book III, Commentaries of Wilhelm/Baynes.

Tuesday, November 11, 2003  7:25 PM

Divine Comedy

Michael Joseph Gross:

“The Great Divorce is C.S. Lewis’s Divine Comedy: the narrator bears strong resemblance to Lewis (by way of Dante); his Virgil is the fantasy writer George MacDonald; and upon boarding a bus in a nondescript neighborhood, the narrator is taken to Heaven….”

 Tuesday, November 11, 2003  11:11 AM

11:11

“Why do we remember the past
but not the future?”

— Stephen Hawking,
A Brief History of Time,
Ch. 9, “The Arrow of Time”

For another look at
the arrow of time, see

Time Fold.

Imaginary Time: The Concept

“Imaginary time is a relatively simple concept that is rather difficult to visualize or conceptualize. In essence, it is another direction of time moving at right angles to ordinary time. In the image at right, the light gray lines represent ordinary time flowing from left to right – past to future. The dark gray lines depict imaginary time, moving at right angles to ordinary time.”

Is Time Quantized?

Yes.

Maybe.

We don’t really know.

Let us suppose, for the sake of argument, that time is in fact quantized and two-dimensional.  Then the following picture,

from Time Fold, of “four quartets” time, of use in the study of poetry and myth, might, in fact, be of use also in theoretical physics.

In this event, last Sunday’s entry, on the symmetry group of a generic 4×4 array, might also have some physical significance.

At any rate, the Hawking quotation above suggests the following remarks from T. S. Eliot’s own brief history of time, Four Quartets:

“It seems, as one becomes older,
That the past has another pattern,
    and ceases to be a mere sequence….

I sometimes wonder if that is
    what Krishna meant—
Among other things—or one way
    of putting the same thing:
That the future is a faded song,
    a Royal Rose or a lavender spray
Of wistful regret for those who are
    not yet here to regret,
Pressed between yellow leaves
    of a book that has never been opened.
And the way up is the way down,
    the way forward is the way back.”

Related reading:

The Wisdom of Old Age and

Poetry, Language, Thought.

Tuesday, November 11, 2003  11:00 AM

Eleven.

Sunday, November 9, 2003  5:00 PM

For Hermann Weyl’s Birthday:

A Structure-Endowed Entity

“A guiding principle in modern mathematics is this lesson: Whenever you have to do with a structure-endowed entity S, try to determine its group of automorphisms, the group of those element-wise transformations which leave all structural relations undisturbed. You can expect to gain a deep insight into the constitution of S in this way.”

— Hermann Weyl in Symmetry

Exercise:  Apply Weyl’s lesson to the following “structure-endowed entity.”

What is the order of the resulting group of automorphisms? (The answer will, of course, depend on which aspects of the array’s structure you choose to examine. It could be in the hundreds, or in the hundreds of thousands.)

Friday, November 7, 2003  7:00 PM

A Beautiful Fantasy:

The Secret life of
 John Nash

“Dr. Blind (pronounced ‘Blend’) was about ninety years old and had taught, for the past fifty years, a course called ‘Invariant Subspaces’ which was noted for its monotony and virtually absolute unintelligibility, as well as for the fact that the final exam, as long as anyone could remember, had consisted of the same single yes-or-no question. The question was three pages long but the answer was always ‘Yes’. That was all you needed to pass Invariant Subspaces.”

— The Secret History, by Donna Tartt

“…I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

Trieste-Zurich-Paris
1914-1921″

— Ulysses, by James Joyce

Thursday, October 23, 2003  3:00 AM

For the Dead of
St. Ursula’s Day

In the spirit of Southie…

“To admirers, Mrs. Hicks
spoke the truth
to liberal power
in simple declarative sentences.”

— Mark Feeney, Boston Globe

“The time had come for him
to set out on his journey westward.
Yes, the newspapers were right:
snow was general all over Ireland.”

— James Joyce, “The Dead”

Tuesday, October 21, 2003  2:07 AM

Saint Ursula’s Day

“What sane person could live in this world and not be crazy?”

— Saying attributed to 
   Saint Ursula K. Le Guin
   (10/21/1929 – )

 Saturday, October 11, 2003  1:00 AM

For Patricia Collinge

of Collinge-Pickman Casting, Boston, whose credits include casting for the film A Civil Action.

“Take us the foxes, the little foxes…”

KHYI just played Tish Hinojosa’s “Something in the Rain.”  Here, Ms. Collinge, is a rather strange website related to the themes of A Civil Action and to Hinojosa’s song:

Something in the Rain

Friday, October 10, 2003  4:44 PM

Storyline

To hear a story, or to read it straight through from start to finish, is to travel along a one-dimensional line.  A well-structured story has, however, more than one dimension.

Juxtaposing scenes shows that details that seem to be far apart in the telling (or the living) of a story may in fact be closely related.

Here is an example from the film “Contact,” in which a young girl’s drawing and a vision of paradise are no longer separated by the time it takes to tell (or live) the story:

(See my entry of Michaelmas 2002.)

For details of how time is “folded”
by artists and poets, see the following:

A Wrinkle in Time, by Madeleine L’Engle,

and Time Fold, by S. H. Cullinane.