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Archive for the 'DRM' Category

OECD Music Industry Report

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Find here a terrific report by the OECD on the digital music industry (pre-release.) The report includes, inter alia, references to Terry Fisher’s seminal book Promises to Keep as well as to the Berkman Center’s iTunes case study.

The report concludes that online music distribution will grow significantly over the next few years, will force the music industry to reconsider their business models, and will continue to pose regulatory challenges to governments. The study includes a detailed impact analysis of digital music distribution on artists, consumers, the record industry, and new intermediaries.

The OECD underlines the positive potential of digital distribution, both as a new business model and a cultural phenomenon. It’s report further concludes that Internet-based piracy may be reduced, if licensed file-sharing and new forms of superdistribution evolve.

The study, part of the OECD Project on Digital Broadband Content, is the outcome of work involving a wide range of stakeholders, including many governments. It’s among the first roadmaps exploring as to how public policy should be re-evaluated in this space.

The Berkman Center’s Digital Media Team was invited to comment on a draft version of this report. Today, we congratulate the study’s authors to a thorough multi-stakeholder analysis, written in a challenging environment.

Stay tuned.

Update: The OECD report is also featured in the latest edition of The Economist (subscription required.) See also WIRED News with reactions from IFPI.

DVD Copy Control: Class Action in France

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BNA’s Electronic Commerce & Law Report (subscription required) reports that French attorneys have filed a class action against six of France’s leading audio-visual sector firms, claiming that the use of copy control technology on DVDs violates consumers’ right to make private copies for personal use. The complaint is based on a French appellate court’s ruling mentioned here.

INDICARE Releases Supplement to DRM Report

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INDICARE has published an interesting supplement to its state-of-art report on digital rights management. Here’s the abstract:

The issue of DRMs and Consumer Concerns is beginning to draw attention. This is one conclusion of the first supplement of the INDICARE State-of-the-Art Report. After the INDICARE State-of-the-Art Report, published in December 2004, has provided a first overview of the social, technical, legal and economic discussion about Digital Rights Management (DRM) solutions, the INDICARE-team continued to monitor the developments in this sector. The present supplement reports on new developments since December 2004. It also responds to a number of comments INDICARE received on the first report from experts and interested parties. Central in the present publication is a selection of issues that reflect new developments or that, in the view of the INDICARE team, deserve more attention in future discussions.

New book on DRM

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Back in St. Gallen for two days, I found Christoph B. Graber’s et al. (eds.) book on Digital Rights Management: The End of Collecting Societies? on my desk. The impressive volume includes, inter alia, contributions by our own John Palfrey, Christoph Graber, Daniel Gervais, Adolf Dietz, Jacques de Werra, Dorothea Senn, and other IP experts. Together with Mike Girsberger, I contributed a short version of the Berkman EUCD paper to the discussion.
Thanks to the i-call team for their terrific work!

Sweden: Minister considers ban of CD copy control

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The Local reports that the Swedish minister of justice has urged record companies to remove copy-protection technologies from CDs – especially in order to enable private copying. According to the same source, the minister even considers a ban of copy controls on CDs. (via BNA’s Internet Law News)

French Appellate Court: Private Copying Exception Trumps DVD Copy Control

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I reported here and here that a Paris District Court ruled in UFC v.Films Alain Sadre et al that a copy protection system on a DVD does not conflict with provisions of the French Intellectual Property Code, which limit copyright owners’ rights regarding reproductions made strictly for the copier’s private use. UFC, a consumer rights association, claimed it received complaints from consumers about DVD copy protections that prevent purchasers from making copies for private use. The court confirmed that such technical protection measures comply with the EU-Copyright Directive (EUCD), though the EUCD is not yet transposed into French law.

Some days ago, however, a Paris Appellate Court reversed the ruling. I haven’t had a chance to analyze the decision, but it reportedly requires film producers Alain Sarde and Studio Canal to remove copy controls on their DVDs in order to enable the beneficiaries of the private copying exception as set forth by French law to exercise their rights.

Further, the Court criticized that the DVD producers did not provide sufficient consumer information as far as copy restriction is concerned. The label “CP” for “copy protected” was printed on the jacket, but in small characters and not sufficiently explicit.

See news report in French, and English translation.

It will be interesting to analyze the ruling in detail and to think about its compliance with EU law vis-�-vis Article 6 of the EUCD (see here.)

Update: The decision (in French) is published here.

Berkman Study Reviewed

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Margreet Groenenboom, project researcher at the Institute for Information Law, University of Amsterdam, has reviewed our September 2004 EUCD paper in the recent edition of the INDICARE Monitor. Margreet has done a great job, and I appreciate her comments on the paper. I have two quick thoughts:

1) Obviously, there’s much to say (and much more than we did in the paper) about the private copying exceptions vis-�-vis technological protection measures in general and against the backdrop of recent legislative as well as judicial developments in particular. The observation offered in the paper, in essence, was that “old” EU member states have not made broad use of the possibility to take measures ensuring that the private copying exception will survive technological protection measures. Reading this section, Groenenboom argues: “Against this opinion, one could argue that although there may not exist a right that consumers can enforce as consumer in court, this does not mean that the private copying exception ceases to exist.” I’m not sure what this dissent suggests. Does it mean that our observation was not correct, i.e., that we’re wrong by concluding that incumbent member states have not made broad use of the possibility to ensure that private copying exceptions “trump” TPM? Or does it suggest (and this is my reading) that “rights” may exist even if “rights” are not enforceable in courts? If the latter is the case, I agree to the extent that such exceptions (whether to be qualified as rights, privileges, or something else) continue to exist on the books. But: First, it is our argument that legislators have been rather reluctant to apply these exceptions to digital content protected by TPM. Second, and viewed from a broader angle, even if such exceptions may in theory apply to such content, it is a lengthy (and not fruitful, as I find) discussion of what the nature and value of exceptions are if they were not enforceable in courts. From a user’s perspective, the answer seems clear to me.

2) Margreet correctly points out that we haven’t provided a detailed explanation of the selection criteria for the countries we analyzed. The selection certainly didn’t follow a systematic set of criteria. Rather — as noted in the paper and mentioned in the review — we simply wanted to present a representative selection of interesting implementation models and approaches taken by EU member states. Viewed from that angle, each section in part III can be read, in methodological terms, as an exploratory case study (as a practical matter, we first reviewed all the available implementations and then discussed what we found interesting, i.e. where we identified divergence and/or convergence.)
I also agree with Margreet that it would be helpful to have “an overall schedule of which countries use a narrow approach, and which countries use a broad approach, or to make any profound aggregation at all.” In that sense, we’re very much looking forward to such a comprehensive analysis by our European colleagues. In my opinion, such a comprehensive study can only be conducted in a collaborative effort (ALAI-kind survey) – also (but not only) due to language barriers and lack of general/easy-to-access availability of most recent pieces of legislation in several EU member states.

Again, thanks to Margreet Groenenboom for a thoughtful review.

On a different score: Comments on new implementations are much appreciated. Please email me that we can update this site.

French Court Rules in Favor of Downloader

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A French Court of Appeals ruled in favor of a student — sued by the movie industry — who downloaded copyrighted movies from the Internet, burned them onto CD ROMs, and watched them with one or two friends. (The student admitted that one third of the content of his 488 CDs-collection was downloaded from the Internet.)
The Montpellier Court applied a provision of the French Intellectual Property Act, which, in essence, states that authors, once a work has been released, may not prohibit private and non-commercial performances carried out within the family circle, and cannot control the making of copies for strictly private use of the copier and not intended for collective use. [Thanks to C�dric Manara for the pointer and the translation via cyberlaw list.]

As far as I can tell, there was no circumvention of technological protection measures involved. In any event, a case to be included in a potential update of this report.

Slater on Cato’s P2P and DRM Report

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Read Derek Slater‘s initial comments on a recent Cato Report on P2P and DRM — good stuff, as always (thanks, Derek).

Economic Analysis of DRM

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I’ve missed this paper — but better late than never: December 2004 report by Olivier Bomsel and Anne-Gaelle Geffroy, Economic Analysis of Digital Rights Management systems (DRMs). (via Sacha). Update: this is the new link.

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