Get Fine Arts materials digitized

The Fine Arts Library’s Digital Images and Slides Collection can provide copy photography by request for teaching and research. Materials including books, photographs, slides or transparencies can be digitized. Image subject matter should be related to the visual arts, archaeology, architecture, or material culture.

All materials digitized by request will also be made available online to the Harvard community.

 

MAKE A REQUEST

All Harvard ID holders can request these materials. Faculty and classroom teaching requests are given first priority. No fees associated with this service.

 

SUBMIT A REQUEST:

To make a request, please fill out the Imaging Order Request Form (directions for the form) and bring it with the materials to be digitized to the Lamont Library West Door.

  • Drop off is available Mondays and Wednesdays, from 9:00 a.m. to 12:30 p.m. and from 3:00 p.m. to 7:00 p.m.
  • At the Lamont Library West Door, please notify the guard that you are making a drop off for the Fine Arts Library digitization service.
  • Please follow instructions regarding safe distancing at Lamont.

 

PRODUCTION TIME:

Please allow at least 5 business days per 50 images.

Due to the pandemic, safety guidelines for handling library materials require quarantine periods between staff handoffs. As a result, turnaround time for orders will vary.

Questions?

Email Christopher Hyde: christopher_hyde@harvard.edu

Resource list on digital images of artworks by Black artists

The Fine Arts Library has put together a list of resources on digital images of artworks by Black artists that focus on Black history and issues of race.

We are committed to increasing our representation of works by Black artists and others who have been traditionally left out of the narrative of art history, and to making these resources more accessible and discoverable. Towards that goal, we encourage you to reach out to us with suggestions for artists you don’t find in our collections, improvements we can make to improve the findability of our images, or any other inquiries. Click the link below for a downloadable PDF.

Resource list on digital images of artworks by Black artists

Late Ottomania in the Fine Arts Library’s Binney Collection

Written by Gavin Moulton (Class of 2020)

Color engraving of Commander of the Janissaries

Aga of the Janissaries. Colored engraving by Jacques Charles Bar, 1789. The Edwin Binney 3rd Collection of Orientalist Prints, Fine Arts Library.

As a student assistant in the Fine Arts Library, I spent the Spring semester diving into the prints of the library’s recently acquired Edwin Binney 3rd Collection of Orientalist Prints. This collection is an unparalleled resource for the study of Western and Central European perceptions of the Ottoman Empire. It also offers an interesting look into the mind of American collector Edward Binney 3rd (Harvard PhD 1961). It appears that Binney had booksellers and antiquarians on the lookout for any material illustrating Turkish or Ottoman-related subjects.

 

That has left the collection with a mélange of drawings, engravings, lithographs, aquatints, and even illustrated sheet music, dating from the 15th century to the early 20th century, the work of artists active in Europe and the Middle East. The late Edwin Binney 3rd is better known for his collections of Ottoman and Mughal miniatures, now held by the Harvard Art Museums, the Los Angeles County Museum of Art, and the San Diego Museum of Art. But the substantial and surprising variety of  European prints and ephemera makes this lesser-known collection, donated by his family to the Fine Arts Library, a wonderfully relevant source that traces the visual development of Orientalism.

 

Compared to painting or literature, prints have been relatively understudied in relation to Orientalist discourse, yet their wide circulation certainly had a profound impact on everyday perceptions of the Ottoman world. The longue durée covered by the Binney collection also provides unique insight into the (often nefarious) practice of repurposing and relabeling prints decades or even centuries after their original creation. Not only does this make it difficult for student catalogers like me to correctly identify works, it has also been a challenge for scholars in the past. Many publications incorrectly identify figures in some recycled prints by the listed caption, without noting the original creator and subject of the image. Thus, these images need to be approached critically, as any label may be intentionally misleading.

 

Particular strengths of this collection include lithographed 19th c. sheet music, a variety of costume albums and prints, and travelogues illustrated by artists such as Nicolas de Nicolay (1517-1583), Melchior Lorck (1527-ca. 1590), and Claude DuBosc (1682–1745?). While the collection will be of most interest to those studying the development of Orientalist art, there is rich material for Ottomanists, scholars of French and German prints, and literary historians. The great variety of the material in the collection brings new awareness of how Ottoman identity was perceived, visually constructed and projected in cities such as Paris, Berlin, Venice, London, and Madrid.

View of the rooftop of Constantinople depicted in pen and ink

View over the rooftops of Constantinople. Pen and ink drawing by Melchior Lorck, between 1555 and 1559. Statens museum for kunst, Copenhagen.

Aside from historical insight, many of the prints are of high artistic value, especially those by the famed Danish artist Melchior Lorck. The talented and inventive printer Melchior Lorck was no fan of the Ottoman Empire, where he was sent as part of an embassy from the Holy Roman Emperor. The time Lorck spent in Constantinople (1555-1559) seems to have been mostly miserable, spent in intermittent detention by the Ottoman government, which must have contributed to his poor view of the state. Though at first glance, his prints may not seem overtly negative, they contain subversive imagery that paints the empire in a negative light. Take for example, his print of Constantinople’s rooftops. It appears to be an almost photographic impression of a view (maybe from the room where he was staying), with terracotta rooftiles and the lead covered dome of a nearby Islamic building. Closer inspection, however, shows a couple making love in a terraced overhang. Another print in this fashion is one showing the Süleymaniye Mosque complex. While ostensibly focused on the architecture, it features apocalyptic imagery, with the moon (representing Islam) being eclipsed by a mass of clouds, as the bright shining sun (of Christianity) bursts forth. The most comprehensive book on Lorck’s work, by Erik Fischer, often glosses over the political undertones of his prints that viewers will discover at first hand in the Binney collection.

View of mosque in Constantinople. Black and white print

The Süleymaniye Mosque, Constantinople. Print by Melchior Lorck, 1570. The Edwin Binney 3rd Collection of Orientalist Prints, Fine Arts Library.

It is fortunate that this resource is located in an art library, as that facilitates easy comparison with readily available reference tools and secondary materials. This is key, due to the complexity of the collection and the pitfalls of studying prints. The future digitization of this collection will make it a useful tool for all scholars and students of Ottoman history.

A Turkish woman in a traditional dress as a noblewoman with a head piece and clog shoes.

Turkish noblewoman dressed for the house or Seraglio. Colored print by Louis Daret, after a sketch by Nicolas de Nicolay, 1567. The Edwin Binney 3rd Collection of Orientalist Prints, Fine Arts Library.

Coloring Book from the Welch Collection

By popular demand, and to brighten your quarantines, the Stuart Cary Welch Islamic and South Asian Photograph Collection has come out with a coloring book! These images are all from this fantastic open-access collection, and we hope you’ll have fun with it.

Feel free to use the links in the coloring book to see the full-color versions, or just go with your imagination! We’d love to see your completed pictures! If you’d like to share, use the hashtags #ColoringWelch and #ColorOurCollections, or tag us at @HarvardFineArtsLibrary on Instagram,  @MENALibAHS on Twitter, #harvardfineartslib on Tumblr, and follow us if you haven’t already.

Click on the image below to download our 2020 coloring book.

 

Front cover of the coloring book

Coloring Book from the Welch Collection

 

 

 

Stuart Cary Welch Islamic & South Asian Photograph Collection – Part 5. Overview: Islamic Art in Private Collections

This post is the fifth in a series about the Stuart Cary Welch Islamic and South Asian Photograph Collection written by the project’s staff and student catalogers in the Digital Images and Slides Collections of the Fine Arts Library. Written by Alice West.

The importance of our open access Stuart Cary Welch Islamic and South Asian Digital Images Collection has been noted in this series of blog posts. Yet, since the research, digitization, and cataloging of the collection is an on-going effort, we have not developed any systematic general description of this resource. But as the number of digitized images has grown, we have begun to define broad categories of images that could help researchers and art lovers around the world better understand what the Welch Collection can offer to them. This multi-part series from the project’s staff cataloger Alice West aims to highlight key strengths of the Welch Collection as a whole. In her first post, West describes one of the important subsets of the collection: works in private collections.

In this digital era, it may seem that anything one needs to find is readily available online. Yet researchers in any field, and in the field of Islamic art in particular, know that this perception is deceiving. Relative to the overall number of important Islamic manuscripts and artifacts, the number of their images available online or, for that matter, in print, is surprisingly low. There are many reasons for this, including shortage of technical and financial resources available for digitization efforts, as well as the unwillingness of institutions and private collectors to share their treasures with the public due to economic, political, ownership, and other concerns.

The Welch Collection fills in some of the ‘digital gaps’ by offering images from multiple sources that may not be otherwise available to the public. What are these gaps? One of the largest in terms of accessibility is private collections. Initially assembled for personal enjoyment, many prominent private collections from the late 19th–mid-20th century were later sold, bequeathed, or transferred to permanent hold to public museums and libraries. These include the collections of Calouste Gulbenkian, Victor Goloubew, Nasli Heeramaneck, Edmund de Unger, Leo S. Figiel, Prince Sadruddin Aga Khan, and many others. The majority of these collections have been fully or partially digitized by the hosting institutions. At the same time, many of the collections stayed private and are closed to the public eye. Although our digitization effort is not completed, we can already say that the Welch Collection holds hundreds of images of paintings, calligraphy, and decorative art that are currently held in otherwise inaccessible private collections, including that of B. W. Robinson, Bedros Sevadjian, Stuart Cary Welch, and many anonymous owners.

Periodically, objects from these collections are offered at auctions such as Sotheby’s or Christie’s, and one may find their images online or in older auction catalogs. These are, however, expensive and not widely available. Even when an image is available on the auctioneer’s website, Welch’s collection, in most cases, offers a superior image or its details (close-ups).

 

Side-by-side photos of painting from a private collection, illustrating the superior quality of the images from the Welch collection. On left, a bearded man in a jeweled turban and earrings is shown in profile from the waist up, seated formally on a red divan and holding a white teacup. Image has a soft focus and yellow hues. Same photo on right (Welch collection) has dramatically higher resolution.

A Portrait of Raja Bhao Singh of Bundi. 18th century. Private collection. Detail. (Pic. 1a. Left: Photo: Sotheby’s. Pic. 1b. Right: Welch Collection)

 

An example of one such object is A Portrait of Raja Bhao Singh of Bundi, currently in a private collection. This portrait was sold in May 2006 by Sotheby’s, and its image is still available on the auctioneer’s website (1a. picture on the left). The Welch’s image, however, is obviously crisper and clearer in comparison, and its high resolution also allows for excellent close-ups (1b. picture on the right).

 

Side-by-side views of a miniature painting, illustrating detail visible only in the close up photos of the Welch collection. Full-view panel on left depicts a ruler sitting cross-legged on a platform surrounded by courtiers, with candles and wine set before him. Worshippers in the background gaze at the new moon from the flat rooftop of a tall building. The detail at right (Welch collection) reveals two young male courtiers in turbans and richly-embroidered clothing, praying with eyes closed and hands raised against a night sky.

Divan of Hafez, Celebration of ‘Id. c. 1527, private collection. Full view (Pic. 2a. Left ) and detail (Pic. 2b. Right). Photo: Welch Collection.

 

Another example is Celebration of ‘Id from a dispersed Divan of Hafez, which is a relatively well-known miniature held by the private Art and History Trust of the Soudavar family and seen in several publications, most notably on the cover of Abolala Soudavar’s large volume of Reassessing Early Safavid Art and History. The Welch collection, however, offers quite a different look at this miniature by providing an amazing level of detail in its forty five unique high-resolution images of the miniature’s different sections (2a – 2d).

 

Three gem-studded gold bottles with long elegant necks on an elaborately-decorated low hexagonal table.

Pic. 2c. Divan of Hafez, Celebration of ‘Id. c. 1527. Detail.  Photo: Welch Collection.

 

Woman in festive clothing with henna designs on her hands, peeking from behind a window curtain embroidered with gold dragons.

Pic. 2d. Divan of Hafez, Celebration of ‘Id. c. 1527, private collection. Detail. Photo: Welch Collection.

 

Of particular interest to researchers are the privately-held works that are not currently available to the public at all, as well as those that are only in limited professional publications as mere descriptions or, at best, as poor quality black-and-white photographs. The Welch Collection will be the only accessible repository where researchers can examine these objects in detail and in color. The beautiful Safavid album drawing below entitled Seated Girl, ca. 1600, is in a private collection in London (pic. 3). It is signed by Habib-allah of Mashhad, one of the artists in the court of Shah ‘Abbas the Great at Isfahan (Iran), and is an example of Habib-allah’s “faultless line,” and the elegant, flowing ease of the Safavid drawings [1].

 

Ink drawing of a young woman seated outdoors on the ground, beneath orange and purple clouds. Possibly holding a pear. A shawl over her head and shoulders is held in place by a red headband decorated with a black feather just above the forehead. The figure is drawn in contour lines with light touch, while heavier ink highlights the face, eyebrows, and long wavy sidelocks.

Pic. 3. Habib-allah of Mashhad,  Seated Girl. c. 1600, private collection. Photo: Welch Collection.

 

While our Welch Collection holds only one, full view, digital representation of Seated Girl, another picture from a private collection in Cambridge, MA, entitled Chinese Ladies in a French Chateau Garden, has twelve associated detailed images. Indeed, this painting abounds in different subjects scattered all over that warrant a closer look. Painted in the early 1800s in India, it is attributed, at least partially, to a Mewar artist Chokha and, according to Andrew Topsfield, represents “an anthology of borrowed European and Far Eastern themes, deriving from French fashion prints and mid-18th century Chinese export paintings …” [2]. A single low-resolution full view of this painting is featured in Topsfield’s paper (pic. 4a), but it is Welch’s collection that lets you explore it closer in twelve hi-resolution images of details (pic. 4b-d).

 

Two ladies in a French garden, standing near a black table with a blue-and-white porcelain vase. One figure holds a flower pot and another a round Chinese fan. A chateau is seen in the background.

Pic. 4a. Chokha (attr.), Chinese ladies in French chateau garden. Early 19th century, Mewar, Rajasthan (India). Private collection, Cambridge, MA. Photo: Artibus Asiae.

 

Tree with pink flowers against rolling blue hills. A small white dragon curls around a branch looking down on a temple.

Pic. 4b. Chokha (attr.), Chinese ladies in French chateau garden. Early 19th century, Mewar, Rajasthan (India). Private collection, Cambridge, MA. Detail. Photo: Welch Collection.

 

Europeans in 18th century fashion, walking among flower beds.

Pic. 4c. Chokha (attr.), Chinese ladies in French chateau garden. Early 19th century, Mewar, Rajasthan (India). Private collection, Cambridge, MA. Detail. Photo: Welch Collection.

 

A blue-and-white porcelain vase with curved handles and golden lid. The design on the vase depicts a European couple with dog.

Pic. 4d. Chokha (attr.), Chinese ladies in French chateau garden. Early 19th century. Mewar, Rajasthan (India). Private collection, Cambridge, MA. Detail. Photo: Welch Collection.

 

A popular image of Shah Jahan on the Peacock Throne exists in several versions, one of which is in a private collection. This particular painting with its beautiful margins featuring botanicals and birds is available through Wikimedia, but despite of its large size its details fall far behind the ones from of the Welch Collection (pic. 5b-d).

 

Two fowl birds, each in its own frame of dark twigs against gold background, looking at each other.

Pic. 5a. Shah Jahan on the Peacock Throne. 1634–1635, India, private collection. Detail. Photo: Wikimedia.

 

High quality image of same bird painting revealing white spotted chest feathers , yellow eyes, rough paper texture, and other details.

Pic. 5b. Shah Jahan on the Peacock Throne. 1634–1635, India, private collection. Detail. Photo: Welch Collection.

 

Finally, we would like to share with you a preparatory study titled Four Views of a Baby Elephant at Play from Stuart Cary Welch’s own private collection (pic. 6a-c). As a symbol of intellectual and mental strength in Hinduism and the Indian culture, elephants were a popular subject in Indian art. This baby elephant adorned with golden bells is painted with realism and grace characteristic of the Kotah drawing masters.

 

Four views of a cheerful gray baby elephant against a yellow background; three kneeling and one standing on hind legs, arranged in a circle. The elephant wears gold bells dangling off a thin white collar. Two small figures, possibly trainers, lunge in opposite directions in top right corner.

Pic. 6a. Four Views of a Baby Elephant at Play. c. 1720–1730, Rajasthan, Kota (India). Full view. Photo: Welch Collection.

 

Contour line drawing of lunging male figure with hands spread apart, wearing cloth around his waist. There’s a hint of light red on his undergarments and turban.

Pic. 6b. Four Views of a Baby Elephant at Play. c. 1720–30, Rajasthan, Kota (India). Detail. Photo: Welch Collection.

 

Profile of baby elephant with chin bristles, wrinkles in skin of extended trunk, and a pink tongue in a smiling mouth.

Pic. 6c. Four Views of a Baby Elephant at Play. c. 1720–30, Rajasthan, Kota (India). Detail. Photo: Welch Collection.

 

To browse rare images from private collections assembled by Stuart Cary Welch, go to images.harvard.edu and in Advanced Search set Image Repository to “private collection” and Keyword Anywhere to “Welch”.

In subsequent blog posts in this series, we will continue talking about the different categories of images that one can find in the collection. As we continue to catalog these exciting (and open access!) images, we hope that whenever you search our collection, you will find just what you were looking for!

 

[1] Robinson, B. W. Picture Book of Persian Paintings. Victoria and Albert Museum, London, 1965, p. 17.

[2] Topsfield, Andrew. “Court Painting at Udaipur: Art under the Patronage of the Maharanas of Mewar.” Artibus Asiae. Supplementum, Vol. 44, Court Painting at Udaipur: Art under the Patronage of the Maharanas of Mewar (2002), p. 230.

 

 

András Riedlmayer puts this war crime on the map

“… if you really want to make a librarian mad, burn down a library.”

András Riedlmayer, Bibliographer in Islamic Art and Architecture at Harvard’s Fine Arts Library, made this comment when asked why he undertook his project to collect, preserve and publicize evidence of the destruction of cultural heritage in the Balkan wars of the 1990s. The story about his work in the Balkans is profiled in the Harvard Gazette.

Riedlmayer testified at the UN war crimes tribunal (ICTY) in The Hague in the trials of 14 Serbian and Bosnian Serb officials, as an expert on cultural destruction in the Balkans. Among the defendants was former Serbian dictator Slobodan Milošević, accused of war crimes and genocide in Kosovo and Bosnia. Although Milošević died of a heart attack before the ICTY could deliver a verdict in his case, 11 of the others were convicted and sent to prison.

Read more about his ongoing efforts to preserve documentation on the cultural heritage of the Balkans and its fate in the Balkan wars of the 1990s, in the Harvard Gazette.

 

A young man squatting on the ground to pick up and look at torn and burned religious texts inside the village mosque, torched by Serbian soldiers in 1999. The man is photographed from the side, wearing a dark clothing. The ground is rabbled with pieces of concretes and debris. In the background, burned marks on the concrete wall is visible.

Carralevë, Kosovo. Agim Orllatë, a Kosovar Albanian university student who worked with Riedlmayer as an interpreter, looks at torn religious texts inside the village mosque, torched by Serbian soldiers in 1999. (Photo courtesy of András Riedlmayer)

 

Burned book of a Qur’an, opened to show its pages ripped from its binding and partially burned. The edges of book pages are burned.

Remains of a Qur’an, its pages ripped from its binding and partially burned, among the items collected by Riedlmayer in Oct. 1999 from the village mosque in Carralevë, Kosovo. (Photo: Naoe Suzuki)

 

Riedlmayer looking down on a selection of damaged book pages laid out on the table in the office. He is wearing gloves to handle fragile remains of the torn books.

Riedlmayer selecting damaged book pages to be sent for an exhibition on cultural heritage and war, held at the Imperial War Museum in London in 2019. (Photo: Naoe Suzuki)

 

A selection of the damaged pages of books and manuscripts laid on a table. There are two rows and four columns of stacked pages.

A selection of the damaged pages of books & manuscripts collected by Riedlmayer in Oct. 1999 from the village mosque in Carralevë, Kosovo. These damaged books were written in a number of languages: Arabic, Albanian, Ottoman Turkish, Bosnian, Serbian. (Photo: Naoe Suzuki)

 

A monthly church bulletin, written in Serbian, with partially burned marks. The cover of the bulletin includes a black and white image of religious painting. A couple of burned holes were made from the fire.

A partially burned monthly church bulletin from a Serbian Orthodox monastery chapel at Buzovik, Kosovo, targeted in a revenge attack by Kosovo Albanians after the end of the war. One of the items collected by Riedlmayer during his fieldwork in Kosovo in Oct. 1999. (Photo: Naoe Suzuki)

 

Close-up image of the cover of a damaged and desecrated book. The cover includes an ornate border, but the text is difficult to read due to the fire damage.

One of the damaged and desecrated books & manuscripts collected by Riedlmayer in Oct. 1999 from the village mosque in Carralevë, Kosovo. (Photo: Naoe Suzuki)

Stuart Cary Welch Islamic and South Asian Photograph Collection – Pt. 4

This post is the fourth in a series about the Stuart Cary Welch Islamic and South Asian Photograph Collection written by the project’s staff and student catalogers in the Digital Images and Slides Collections of the Fine Arts Library.
Written by Nicolas Roth

 

The Stuart Cary Welch Islamic and South Asian Photograph Collection is a great resource for research, and not just for art historians. A PhD candidate in the Department of South Asian Studies, I have had the privilege of working with the images in the collection as a student cataloger since the beginning of this year. Exploring Stuart Cary Welch’s often masterfully beautiful images of artwork and architecture from South Asia and the wider Islamic World is a joy in its own right. There are photographs of works not published elsewhere, and while these often present a frustrating challenge for us as catalogers, they are nonetheless a bit like buried treasure when one comes upon them. Yet even of comparatively well-known pieces the collection sometimes has better – clearer, brighter, higher-resolution – images than those available in printed publications or elsewhere online. Moreover, Welch frequently took detail shots of interesting features of a work; these are particularly valuable in the case of Indian and Iranian manuscript illuminations and album paintings, with their often small size but prodigious detail. However, the time spent with the collection has also turned out to be quite fruitful for my own research, and has resulted in ample visual material to weave into my dissertation.

 

Emperor Jahangir with Holy Men in a Garden

 

My project focuses on horticultural writing and garden culture in Mughal India – that is, the role of gardens and gardening in the intellectual and social life of early modern South Asia, and its reflection across a wide variety of literary genres. Images of gardens, horticultural practices, and plants in Mughal and Rajput paintings are an important complement to these texts, or even a set of texts in themselves. Take, for instance, the above painting of Mughal Emperor Jahangir in a garden by the court artist Abu’l Hasan, painted between 1615 and 1620. Not only does it reflect garden layout – a central watercourse, a pavilion set into the garden’s enclosing wall, rectangular, slightly sunken flowerbeds – but also an identifiable plant palette of Oriental plane trees and narcissi and irises in the flowerbeds. While all three of these plants frequently appear in Mughal painting as motifs inherited from Persian literature and Timurid pictorial tradition, their combined and realistic appearance here, in conjunction with the absence of any of the tropical plants frequently depicted in Mughal art, suggests that this is meant to be a garden in the temperate parts of the Mughal Empire in Kashmir or Afghanistan. The crowd of scholars and noblemen around Jahangir and the cauldron set up to prepare food point to the social use of gardens as a setting for various types of receptions, while the minutely detailed candles and torches indicate that this particular event is taking place at night.

 

Garden Scene from Album of Indian Paintings and Calligraphy

 

A similar level of detail can be discerned in this next scene above painted around the same time and now included in an album held at the Bodleian Library in Oxford. Here, however, the garden is only populated by three human figures: two gardeners, one with a spade and one with an animal skin filled with water, and a woman who has evidently been collecting flowers from the garden, as she is holding a bouquet in one hand and a leaf bowl of white blossoms in the other. The sunken beds in this garden are densely planted with trees, flowering shrubs, and some herbaceous flowers. In the background, a border of poppies is blooming brightly against a dense wall of trees. About a century later, an artist at the court of the Emperor Muhammad Shah produced a rendering of a garden that appears to synthesize all the features discussed in the elaborate garden set pieces of contemporary Indian literary works, such as these in a passage from a lengthy garden description in the Masnavī-i dilpazīr of Sa‘ādat Yār Khān ‘Rangīn’ (1757-1835), written in 1798:

Across from the central gate was a canal / Whose waves were no less than those of the Narmada River
All the way from the portico to there / Fountains were spouting forth from it

Cascades were falling from them / As if the rains of Sāvan and Bhādon were falling day and night
In front of them such showers came down / A cloud would be daunted coming before them
The trelliswork on both sides of the walkway / How can anyone describe it!
Having ordered sandalwood and ebony / And having had them split by craftsmen
Wooden pergolas were made / Like those in the squares of Kabul
Grapevines were made to grow all over them / So that no one be bothered by the sun
On both sides water was flowing / In this manner was this walk laid out

In the garden Muhammad Shah visits in the painting, watercourses adorned by impressive fountains run from the stately entrance gateway and an ornate, multi-storied pavilion set into the back wall of the garden to intersect at a square pool in its center. Borders of roses, poppies, marigolds, and other flowers line the paths along the watercourses, and wooden pergolas run along the walls of the garden on either side of the pavilion.

 

Muhammad Shah in a Garden

 

Muhammad Shah in a Garden, Detail 1

 

Muhammad Shah in a Garden, Detail 2

 

In Stuart Cary Welch’s detail shots, the grape vines trained over the trellises can be discerned particularly well, as can the exquisite detail of the flowering banana plants and campā trees in the row of trees at the very front of the painting. The latter is a type of magnolia, Magnolia champaca, with extremely fragrant yellow flowers which was much celebrated in Indian literary traditions, including in the Persian poetry produced in India by both Indian-born and Iranian émigré poets.

 

Fort Walls and Garden

 

Fort Walls and Garden_detail

 

The last work I chose to highlight, produced by Shaykh Taju at the Rajput court of Kota in Rajasthan in the mid-eighteenth century, is somewhat different from these Mughal works, and a bit of an oddity even for the Kota atelier. It consists of a schematic painting of a fort set at the edge of the lake. Only the walls and gates of the fort are sketched out, except for some lotuses blooming on the lake and a formal flower garden blazing with poppies and other herbaceous flowers within the fort walls. Hard to make out in full view images but very clear in one of Welch’s detail shots, a single banana plant rises amongst the flowers in one of the garden beds. This painting, though perhaps not quite as detailed and realistic as some of the previous examples, corresponds strikingly to a number of observations I make in my dissertation regarding a Sanskrit gardening manual. The Viśvavallabha of Cakrapāṇi Miśra, written around 1577 in the Kingdom of Mewar just to the west of Kota, stresses the planting of gardens inside forts, arguably in a reflection of local architectural realities. It is also unique among Sanskrit horticultural treatises in that it incorporates a number of temperate plants typical of Persianate gardens, many of them under their Persian names. Chief among these is the poppy, which predominates in the flower garden Shaykh Taju painted. The banana, meanwhile, is an Indian native and was a mainstay of Sanskrit gardening texts. As such, it became one of the first plants to be inserted in Persian gardening and farming manuals as they were recompiled and adapted for South Asia in the Mughal period. Shaykh Taju’s garden in its fort setting, then, exemplifies the convergence of textual and horticultural traditions my research traces in a single, poignant image, and serves as a perfect illustration to conclude one of my dissertation chapters.

Similar research possibilities await in the Stuart Cary Welch Islamic and South Asian Photograph Collection regarding myriad other topics. We strive to tag the image records thoroughly and strategically to make targeted searches as productive as possible. However, it is also worthwhile to just explore the collection. You never know what you might find.

Destruction of Memory: Film Screening

András Riedlmayer, UN war crimes tribunal expert witness and Bibliographer in in Islamic Art and Architecture at Harvard’s Fine Arts Library, will be talking to Tim Slade, the film director and producer of The Destruction of Memory after the film screening on February 20th.

This film chronicles the destruction of culture in Syria, Mali, the Balkans, Afghanistan, and elsewhere from World War II to the present day. It also relates the heroic efforts to save landmarks and libraries from the ravages of war. Through interviews and documentary footage, the film shows how individuals have used law and policy and sometimes risked their lives to save world heritage. The post-screening conversation will be moderated by Bonnie Docherty from Harvard Law School’s International Human Rights Clinic.


Destruction of Memory: Film Screening 

February 20, 5:00 p.m. – 7:00 p.m.

Where: Wasserstein Hall (Harvard Law School)

WCC 1010  (https://hls.harvard.edu/about/campus-map-and-directions/)

1585 Massachusetts Avenue, Cambridge, MA

Co-sponsored by the Armed Conflict & Civilian Protection Initiative and Islamic Legal Studies: Law and Social Change.  Dinner will be served.

Human Rights @ Harvard Law

András’ research interests include Ottoman history, Islamic art and culture in the Balkans, and the protection of cultural heritage under national and international law. He prepared many expert reports on the destruction of cultural heritage in Bosnia and Kosovo, and testified as an expert witness in nine trials at the ICTY and before the International Court of Justice (ICJ) in the genocide case Bosnia and Herzegovina v. Serbia and Montenegro.

Please join us for the film screening and the conversations after the film. Dinner will be served.

 

Announcement: Explore our Stuart Cary Welch Islamic & South Asian Photograph Collection!

You’re invited to share in a project with us here at the Harvard Fine Arts Library: a digital humanities game using images of Islamic and South Asian art, with the chance to win an art publication of your choice, worth up to $150 USD!

For more information about The Stuart Cary Welch Islamic and South Asian Photograph Collection, see the collection page on our website. The collection consists mostly of high-definition photographs of paintings and drawings, both famous and rare, but it also contains images of historical photographs, metalwork, and architecture.

The game is easy! Just register, then click through the images and add tags, separated by commas. Keywords are fine, but the most important details would be any deeper knowledge you can impart (language, style, rough time period/era, story/text identification, motifs, techniques, artist, repository, etc.)

At the end of each round, the participants will be entered into a drawing to win an art book of their choice valued up to $150 USD. NOTE: you do need to register for an account and play the game at least once in order to be entered into the prize drawing!! 

 

Register HERE (you’ll need to confirm your email)

…then access the game HERE!

 

The theme for this month is: 

The Natural World: Indian & Islamic Paintings and Drawings

 

 

A little taste of themes to come (new rounds will be announced on our Instagram page, @harvardfineartslibrary, so give us a follow!):

The Supernatural World (paintings and drawings)

The Real World (historical and architectural photographs)

Challenge round (Difficult! Metalwork, frontispieces, etc.)

 

Thanks so much, and we hope you enjoy exploring this exciting collection! If you don’t mind, we’d love your feedback after playing, which you can give via the short form here: https://goo.gl/forms/RLxkvvtmEc0d8A3c2. Have fun!

New Titles – May 2018

With the semester over, our new books display has taken over the spaces formerly occupied by course reserves. We also added a couple of new chairs, so that you can browse the new arrivals more comfortably. Come and have a look! New titles from May 2018 are listed alphabetically by author or editor below. Click on the HOLLIS number to view the corresponding bibliographic record.

  • Aamold, Svein, Elin Haugdal, and Ulla Angkjær Jørgensen, eds. Sámi art and aesthetics : contemporary perspectives. Aarhus : Aarhus University Press, [2017]. HOLLIS 015063139
  • Abramović, Marina, artist. Marina Abramović : drawings 1963-2017. Høvikodden : Henie Onstad Kunstsenter, [2018]. HOLLIS 015307223
  • Acconci, Alessandra and Daniela Porro, eds. Rinascite : opere d’arte salvate dal sisma di Amatrice e Accumoli. Milano : Electa, [2017]. HOLLIS 015237329
  • Afanasʹeva, Irina and Anastasii͡a Rudakova, eds. Moskva vremen Ekateriny II i Pavla I v kartinakh Zherara Delabarta = Москва времен Екатерины II и Павла I в картинах Жерара Делабарта. Sankt-Peterburg : Gosudarstvennyĭ Russkiĭ muzeĭ : Palace Editions, 2017. HOLLIS 015346208
  • Afanasʹeva, Irina, editor. Genrikh Semiradskiĭ i kolonii͡a russkikh khudozhnikov v Rime : k 175-letii͡u Genrikha Semiradskogo. Sankt-Peterburg : Palace Editions : Gosudarstvennyĭ Russkiĭ muzeĭ, 2017. HOLLIS 015347452
  • Agosti, Giovanni, Chiara Battezzati, and Jacopo Stoppa. San Maurizio al Monastero Maggiore. Milano : Officina libraria, [2017]. HOLLIS 015257828
  • Agus, Luigi, author. Le relazioni artistiche e culturali del Mediterraneo occidentale : i Raxis-Sardo, pittori, scultori e architetti del XVI secolo, tra Sardegna e Andalusia. Canterano (RM) : Aracne editrice, ottobre 2017. HOLLIS 015300049
  • Aichinger-Rosenberger, Peter, Andreas Zajic, et al. Schloss Pöggstall : adelige Residenz zwischen Region und Kaiserhof. Weitra : Verlag Bibliothek der Provinz, c2017. HOLLIS 015302303
  • Alamà, artist. Alamà : #clásicosdesollados. [Barcelona] : Fundació Vila Casas, [2017]. HOLLIS 015303193
  • Alba Vega, Carlos, Randolph Gilbert, and Gustavo Vega Cánovas, eds. Haití : historias y sueños, sociedad, arte y cultura = Haïti : histoires et rêves, société, art et culture. Ciudad de México : El Colegio de México, Centro Internacional de Investigaciones para el Desarrollo, 2017. HOLLIS 015300153
  • Albarrán Martín, Virginia, author. El desafío del blanco : Goya y Esteve, retratistas de la casa de Osuna : a propósito de la donación Alzaga. Madrid : Museo Nacional del Prado, 2017. HOLLIS 015314191
  • Albl, Sefan and Francesco Lofano, eds. I filosofi antichi nell’arte italiana del Seicento : stile, iconografia, contesti. Roma : Artemide, [2017]. HOLLIS 015303901
  • Alegria Suescun, Oskar. Oteiza al margen : notas manuscritas sobre cine y arte. Pamplona : Gobierno de Navarra, 2017. HOLLIS 015314198
  • Alekseeva, Olʹga, et al., eds. Iskusstvo v zhiznʹ, 1918-1925 = Искусство в жизнь, 1918-1925. SPb [Sankt-Peterburg] : Gosudarstvennyĭ russkiĭ muzeĭ : Palace Editions, 2017. HOLLIS 015346386
  • Aliseda, Francisco, ed. Revista Veneno (1983-2016). [León] : MUSAC, Museo de Arte Contamporáneo de Castilla y León, [2016]. HOLLIS 015303208
  • Allard, Sébastien, author. Corot : le peintre et ses modèles = the painter and his models. Vanves : Hazan ; Paris : Musée Marmottan Monet, [2018]. HOLLIS 015297043
  • Almqvist, Kurt and Susanna Hakelius Popova, eds. Female rulers : portraits of power. Stockholm, Sweden : Axel and Margaret Ax:son Johnson Foundation, [2017]. HOLLIS 015288981
  • Altwasser, Elmar, Birgit Kita, and Jörg Walter. Gotik am Mainzer Dom : die Kapellenbauten der Nordseite. Regensburg : Schnell & Steiner 2017. HOLLIS 015302274
  • Álvarez, Hersilia. Putas. [Argentina] : Wolkowicz Editores, mayo de 2017. HOLLIS 015305933
  • Amador Bech, Julio, author. El significado de la obra de arte : conceptos básicos para la interpretación de las artes visuales. Ciudad de México : Universidad Nacional Autónoma de México, 2017. HOLLIS 015300161
  • Ameel, Tina, Roel Kerkhofs, and Eva Moulaert. Musée Museum. Gent : Sint-Lucas Beeldende Kunst Gent, 2017. HOLLIS 015297032
  • Andō, Hiroshige, 1797-1858, artist. Hiroshige : visioni dal Giappone. Milano : Skira, [2018]. HOLLIS 015303181
  • Antonova, L.I., ed. Monumentalʹnai͡a zhivopisʹ Drevneĭ Rusi : kopii khudozhnikov XX veka = Монументальная живопись Древней Руси : копии художников ХХ века . Moskva : T͡Sentralʹnyĭ muzeĭ drevnerusskoĭ kulʹtury i iskusstva imeni Andrei͡a Rubleva, 2017. HOLLIS 015346284
  • Aravena, Claudia and Iván Pinto. Visiones laterales : cine y video experimental en Chile (1957-2017). Santiago de Chile : Ediciones Metales Pesados, 2018. HOLLIS 015300163
  • Archivio Carol Rama, Lévy Gorvy, and Galerie Isabella Bortolozzi. Carol Rama : spazio anche più che tempo = space even more than time. New York : Lévy Gorvy Gallery ; Berlin : Galerie Isabella Bortolozzi, [2017]. HOLLIS 015312830
  • Ariga, Yoshitaka, 1940-. Nihon kaigashi ronkō : kontan ryokushi shō = 日本絵画史論攷 : 紺丹緑紫抄 . Tōkyō : Chūō Kōron Bijutsu Shuppan, 2017. HOLLIS 015235803
  • Armano, Elio, artist. Architettura è utopia : stanze di Elio Armano : Stamperia d’arte Busato, Vicenza, 28 settembre – 26 novembre 2017. Padova : UP ; [Crocetta del Montello] : Antiga edizioni, [2017]. HOLLIS 015300079
  • Arnheim, Rudolf, Alex Barker, and Tom Healy. The lasting world : Simon Dinnerstein and the Fulbright Triptych. Brooklyn, New York : First Street Editions, 2017. HOLLIS 015301273
  • Arnoldi, Per, author, artist. Solo : umage erindringsglimt : naensomt illustreret. [Koebenhavn] : Gyldendal, [2017]. HOLLIS 015307240
  • Artemoff-Testa, Marie. Lidii͡a Nikanorova i Georgiĭ Artemov : zhizneopisanie = Лидия Никанорова и Георгий Артемов : жизнеописание . Moskva : SmartBook, 2013. HOLLIS 015246093
  • As-Vijvers, Anne Margreet W. and Anne S. Korteweg. Splendour of the Burgundian Netherlands : Southern Netherlandish illuminated manuscripts in Dutch collections. Zwolle : WBOOKS, [2018]. HOLLIS 015300922
  • Ataç, Mehmet-Ali, 1972- author. Art and immortality in the ancient Near East. Cambridge, UK ; New York, NY : Cambridge University Press, 2018. HOLLIS 015304585
  • Atanassova, Katerina, author. Morrice : the A.K. Prakash Collection in trust to the nation. Vancouver : Figure 1 Publishing Inc. ; Ottawa, ON : National Gallery of Canada, 2017. HOLLIS 015309023
  • Aterido, Ángel, ed. La nature morte espagnole. Bruxelles : Bozar Books, c2018. HOLLIS 015297016
  • Axelrod, Alan, ed. A timeless perfection : American figurative sculpture in the classical spirit : gifts from Dr. Michael L. Nieland to The Westmoreland Museum of American Art. Greensburg, PA : The Westmoreland Museum of American Art, [2017]. HOLLIS 015312821
  • Bakhuÿs, Diederik, Mylène Beaufils, Élise Dubreuil, et al. Le temps des collections : réunion des musées métropolitains, Rouen, Normandie : VIe édition 2017-2018. Cinisello Balsamo, Milano : Silvana editoriale, [2017]. HOLLIS 015300075
  • Bakst, Léon, 1866-1924, artist. Lev Samoĭlovich Bakst : grafika, zhivopisʹ, teatr = Лев Самойлович Бакст : графика, живопись, театр. Moskva : BuksMArt, 2018. HOLLIS 015346358
  • Baldassari, Francesca, Massimo Francucci, and Luca Castrichini. Luca Giordano : due tondi “su la calce” per i Del Rosso. [Foligno] : Daniele Trabalza, [2017]. HOLLIS 015286691
  • Barabanov, Evg. (Evgeniĭ), 1943-. Metageometrii͡a khudozhnika Shteĭnberga. Moskva : Moskovskiĭ muzeĭ sovremennogo iskusstva, 2017. HOLLIS 015346423
  • Barilleaux, René Paul and Hilary Schroeder. Chuck Ramirez : all this and heaven too. San Antonio, Texas : McNay Art Museum, [2017]. HOLLIS 015312829
  • Barios, Ignacio, 1930-2013, artist. Ignacio Barrios : una vida de agua y color. Toluca de Lerdo, Estado de México : Fondo Editorial Estado de México, 2015. HOLLIS 015300155
  • Barriola, Nicolás, ed. Montevideo afuera. [Montevideo] : BMR, [2017]. HOLLIS 015300158
  • Barry, Robert, 1936-. Robert Barry : all the things I know … 1962 to the present. New York, New York : Hunter College Art Galleries, [2015]. HOLLIS 015309029
  • Barta, Bernhard, 1974- compiler. Leontine Littrow : slikarica svjetla. Rijeka : Beč, 2017. HOLLIS 015322280
  • Bauermeister, Mary, 1934- artist. Mary Bauermeister : Zeichen, Worte, Universen. Dortmund : Verlag Kettler, [2017]. HOLLIS 015307208
  • Baumgarte, Ruth, 1923-2013. Ruth Baumgarte und das Wirtschaftswunder : Farbrausch am Kessel. Köln : Wienand ; Dortmund : Hoesch-Museum, c2018. HOLLIS 015307238
  • Baumstark, Kathrin, et al., eds. Karl Schmidt-Rottluff : expressiv, magisch, fremd. München : Hirmer, [2018]. HOLLIS 015307206
  • Baur, Andreas, ed. JAK : soul blindness : fall into indescribable scenes. Esslingen : Villa Merkel, Galerie der Stadt Esslingen ; Köln : Snoeck, c2018. HOLLIS 015307236
  • Becker, Astrid, Frances Blythe, Keith Hartley, Sean Rainbird, and Christian Weikop. Emil Nolde : colour is life. Edinburgh : National Galleries of Scotland [2018]. HOLLIS 015309022
  • Beckwith, Naomi and Valerie Cassel Oliver, eds. Howardena Pindell : what remains to be seen. Chicago, IL : Museum of Contemporary Art Chicago ; Munich ; New York, NY : DelMonico Books/Prestel, 2018. HOLLIS 015307204
  • Bedarida, Raffaele, 1979- author. Corrado Cagli : la pittura, l’esilio, l’America (1938-1947). Roma : Donzelli editore, [2018]. HOLLIS 015303176
  • Beil, Ralf, ed. Never ending stories : the loop in art, film, architecture, music, literature, and cultural history. Berlin : Hatje Cantz, [2017]. HOLLIS 015307237
  • Beitin, Andreas, ed. Kunst x Kuba : zeitgenössische Positionen seit 1989 = Arte x Cuba : perspectivas contemporáneas desde 1989 = Art x Cuba : contemporary perspectives since 1989. Aachen : Ludwig Forum für Internationale Kunst ; Köln : Wienand, c2018. HOLLIS 015307207
  • Belina, Mirna, ed. Living earth : field notes from the dark ecology project, 2014-2016. Amsterdam : Sonic Acts Press, 2016. HOLLIS 015300917
  • Bellesi, Sandro, ed. Accademia di belle arti di Firenze : pittura, 1784-1915. Firenze : Mandragora, [2017]. HOLLIS 015300078
  • Belli Pasqua, Roberta, Luigi Maria Caliò, and Anna Bruna Menghini, eds. La presenza italiana in Albania tra il 1924 e il 1943 : la ricerca archeologica, la conservazione, le scelte progettuali. Roma (Italia) : Edizioni Quasar, 2017. HOLLIS 015309002
  • Belli, Gabriella and Valerio Terraroli, eds. Realismo magico : l’incanto nella pittura italiana degli anni Venti e Trenta. Milano : Electa, [2017]. HOLLIS 015303171
  • Bentivoglio, Mirella, 1922-2017, author. L’assente. Lecce : Edizioni Milella, [2017]. HOLLIS 015300059
  • Berger, Gerhard, 1933-. Gerhard Berger : zwischen Welten = between worlds. Munich : Hirmer, c2018. HOLLIS 015307203
  • Besana, Renato, 1950- author. La grande T rossa : la Triennale di Milano, 1923-2015. Milano : La Triennale di Milano, [2015]. HOLLIS 015300060
  • Bessière, Bernard and Christiane Bessière. La peinture espagnole. Aix-en-Provence : Presses Universitaires de Provence, 2018. HOLLIS 015300937
  • Bettini, Sergio, author. Il Palazzo dei diamanti a Bologna : la committenza artistica di Nicolò Sanuti nell’età dei Bentivoglio. Parma, Italia : Diabasis, [2017]. HOLLIS 015300094
  • Biarnés, Juana, 1935- photographer. Joana Biarnés : disparant amb el cor. Barcelona : Blume : Photographic Social Vision, octubre de 2017. HOLLIS 015314192
  • Biasio, Giuseppe, 1928- artist. Biasio : una vita. [Falciano] : Maretti editore, [2017]. HOLLIS 015300080
  • Bigi Iotti, Alessandra, Marinella Paderni, Massimo Pulini, and Giulio Zavatta, eds. Profili del mondo : il racconto naturale e l’umano paesaggio. Rimini : NFC edizioni, [2016]. HOLLIS 015303170
  • Bimbi, Adriano and Valentina Felice, eds. Ai confini dell’abbandono. Firenze : Edizioni Polistampa, [2018]. HOLLIS 015303160
  • Bird, Robert, Christina Kiaer, Zachary Cahill, and Diane Miliotes, eds. Revolution every day : a calendar. Milano : Mousse Publishing ; Chicago : Smart Museum of Art, 2017. HOLLIS 015286694
  • Blanco, Juan Francisco, ed. Taurografías : tradición, identidad y toros. Salamanca : Instituto de las Identidades, 2017. HOLLIS 015314201
  • Blumenthal, Lyn and Kate Horsfield . Craig Owens : portrait of a young critic. New York, NY: Badlands Unlimited, [2018]. HOLLIS 015310607
  • Bock, Katinka, 1976-. Katinka Bock : intenso. Amsterdam : Roma Publications, c2018. HOLLIS 015297033
  • Bogemskai͡a, K. G. (Ksenii͡a Georgievna), author. Iskusstvo vne norm = Искусство вне норм . Moskva : BuksMArt, 2017. HOLLIS 015347182
  • Bonello, Giovanni, ed. Celebrating 200 years of Schranz. Valletta, Malta : FPM, Fondazzjoni Patrimonju Malti, 2017. HOLLIS 015309003
  • Bonjeković Stojković, Kristina, ed. Boris Bućan : Doručak u štampariji = Breakfast at the printer’s. Zagreb : Muzej suvremene umjetnosti, 2016. HOLLIS 015322285
  • Boschiero, Nicoletta, ed. La città utopica : Antonio Sant’Elia, Tullio Crali, Quirino De Giorgio, Angiolo Mazzoni, Adalberto Libera : dalla metropoli futurista all’EUR42. [Rovereto] : MaRT, [2016]. HOLLIS 015300064
  • Bossan, Enrico, ed. A look from the bridge : contemporary artists from Slovakia. [Crocetta del Montello] : Antiga edizioni, 2018. HOLLIS 015300087
  • Bossan, Enrico, ed. Tu nombre es un laberinto : contemporary artists from El Salvador. [Crocetta del Montello] : Antiga edizioni, 2018. HOLLIS 015300092
  • Bott, I. K. (Iraida Kurtovna). T͡Sarskoselʹskai͡a mebelʹ i ee koronovannye vladelʹt͡sy = Царскосельская мебель и ее коронованные владельцы . Sankt-Peterburg : Avrora, 2009. HOLLIS 015322631
  • Bramsen, Maren and Nikolaj Brandt, eds. Humsti Bumsti : Storm P. og malerierne. Nivaa : Nivaagaards Malerisamling, 2016. HOLLIS 015302306
  • Braun, Gerd. Vom Bît Hilani zum Palas der Wartburg : eine architekturgeschichtliche Studie zur Entwurfsmethodik und Typenbildung vom Altertum bis zum Hochmittelalter. Mainz : Nünnerich-Asmus Verlag & Media, c2018. HOLLIS 015307230
  • Bravo, Guillermo, 1931-2004, artist. Guillermo Bravo. ©2015. HOLLIS 015300152
  • Brugge, Noor van der. Freud’s cigars. Groningen : Philip Elchers, 2017. HOLLIS 015300919
  • Brüning, Peter, 1929-1970. Peter Brüning : das Potential des Informel. Dortmund : Verlag Kettler, c2017. HOLLIS 015302299
  • Brusasco, Paolo, author. Dentro la devastazione : l’ISIS contro l’arte di Siria e Iraq. Milano : La nave di Teseo, febbraio 2018. HOLLIS 015300061
  • Brusselmans, Jean, 1884-1953. Jean Brusselmans, 1884-1953. Veurne : Hannibal, c2018. HOLLIS 015297037
  • Bubenik, Andrea and Anne Thackray, eds. Perspectives on Wenceslaus Hollar. London : Harvey Miller Publishers, [2016]. HOLLIS 015300918
  • Buendía Herrera, Víctor Hugo, Karol Melisa Molina Sánchez, and Mario Córdova Tello. Cacaxtla : conservación de la arquitectura de fábrica. Ciudad de México : Instituto Nacional de Antropología e Historia, 2017. HOLLIS 015280415
  • Buhrs, Michael and Verena Hein, eds. Efrat Natan/Nahum Tevet. Berlin : Hatje Cantz, [2017]. HOLLIS 015302276
  • Bulj, Jasenka, 1954- artist. Jasenka Bulj : slikarstvo, fotografija, video = painting, photography, video. Zagreb : Naklada Ljevak, 2015. HOLLIS 015322277
  • Cabellut, Lita, 1961- artist. Lita Cabellut : retrospective. [Barcelona] : Fundació Vila Casas, [2017]. HOLLIS 015303196
  • Cadonici, Roberto, ed. Palazzo de’ Rossi : una storia pistoiese. Pistoia : Gli ori, [2017]. HOLLIS 015303185
  • CAIA (Organization) and Universidad Nacional de Tres de Febrero. Las redes del arte : intercambios, procesos y trayectos en la circulación de las imágenes : VII Congreso Internacional de Teoría e Historia de las Artes, XV Jornadas CAIA : 23 al 26 de octubre – Buenos Aires, Argentina : UNTREF: sedes Centro Cultural Borges y Caseros II. Buenos Aires : CAIA, 2013. HOLLIS 015305934
  • Calvo Capilla, Susana, ed. Las artes en Al-Andalus y Egipto : contextos e intercambios. Madrid : Ediciones de La Ergástula, 2017. HOLLIS 015303197
  • Cambon, Gérard. Atmosfer. Esch-sur-alzette : Schortgen Editions 2017. HOLLIS 015297017
  • Campeggi, Silvano, artist. Nano : tra divi e diavoli. Firenze : Edizioni Polistampa, [2017]. HOLLIS 015286681
  • Capella, Massimiliano, author. Iconic Frida : vita, passioni e fascino in uno stile unico oltre le mode. Milano : Centauria, marzo 2018. HOLLIS 015300062
  • Carini, Vittorio and Luciano Martinis. Les masques Bundu : un inventaire. Udine : Gaspari editore, [2017]. HOLLIS 015300063
  • Carl, Susanne and Bruno Weiß. Ich bin nicht auf dieser welt. [Vienna, Austria] : VfmK Verlag für Moderne Kunst GmbH, 2016. HOLLIS 015297166
  • Casares, Tomás. Tomás Casares : miradas, 2010-2013. Buenos Aires, República Argentina : T. Casares, Julio 2013. HOLLIS 015306555
  • Casartelli, Tiziano, author. Gio Ponti e Cantù : 1923 – 1973 : design e artigianato del mobile dalla Rinascente alla Selettiva. [Cantù] : Edizioni Canturium, [2017]. HOLLIS 015286683
  • Casprini Gentile, Laura, author. Guido Andlovitz : forme e decori per la ceramica : i disegni dall’archivio “ritrovato” della Società ceramica italiana di Laveno (1923-1961). Firenze : Edifir edizioni Firenze, [2017]. HOLLIS 015309007
  • Castiñeiras González, Manuel Antonio, ed. Entre la letra y el pincel : el artista medieval : leyenda, identidad y estatus. [El Ejido, Almería] : Círculo Rojo editorial, 2017. HOLLIS 015300098
  • Cazali, Rosina, author. Certezas vulnerables : crónicas de los debates artísticos desde Guatemala = Vulnerable certainties : chronicles of artistic debates from Guatemala. ©2017. HOLLIS 015300148
  • Centanni, Monica, author. Fantasmi dell’antico : la tradizione classica nel Rinascimento. Rimini : Guaraldi editore, [2017]. HOLLIS 015308992
  • Centini, Massimo, 1955- author. Artisti criminali, criminali artisti : i casi più eclatanti di follia omicida e talento creativo. [Rome] : Airone, [2018]. HOLLIS 015300088
  • Chan, Paul, 1973- author. Paul Chan : selected writings 2000-2014. Basel : Laurenz Foundation ; [New York City] : Badlands Unlimited, 2014. HOLLIS 015310603
  • Chang, Alexandra, ed. Circles and circuits : Chinese Caribbean art. Los Angeles, CA : Chinese American Museum : published with the assistance of the Getty Foundation, [2018]. HOLLIS 015309024
  • Changsha Shi wen wu kao gu yan jiu suo, ed. Xi Han Changsha wang ling chu tu qi qi ji lu = 西汉长沙王陵出土漆器辑录 . Changsha : Yuelu shu she, 2016. HOLLIS 015029773
  • Chiari, Giuseppe, 1926-2007, artist. Penta Chiari : cinque gallerie e Giuseppe Chiari. Pistoia : Gli Ori, [2018]. HOLLIS 015303177
  • Christiansen, Jette and Nancy A. Winter. Etruria. [Copenhagen] : NY Carlsberg Glyptotek, 2010-. HOLLIS 013154564
  • Ciancio Rossetto, Paola and Giuseppina Pisani Sartorio, eds. Theatrum Marcelli. [Rome] : Istituto nazionale di studi romani, 2017. HOLLIS 015303174
  • Cimorelli, Dario, Michele Gabbani, Marco Gusmeroli, and Pier Luigi Longarini, eds. Manifesti di latta = Italian tin signs : 1890-1950. Cinisello Balsamo, Milano : Silvana editoriale, [2017]. HOLLIS 015317357
  • Cirauqui, Manuel, ed. Henri Michaux : beste aldea = el otro lado. Bilbao : FMGB Guggenheim Bilbao Museoa, [2018]. HOLLIS 015303202
  • Clemente, José Luis. Proyecto 3 CMCV : Art i metamorfosi : Daniel Jordán, Hugo Martinez Tormo, Alejandra de la Torre. Valencia : Consorci de Museus de la Comunitat Valenciana, [2016]. HOLLIS 015300102
  • Cock, Charlotte de. A journey with Charlotte : the world of multidisciplinary artist Charlotte de Cock. Tielt : Lannoo, c2018. HOLLIS 015297040
  • Colen, Dan, artist. Dan Colen : sweet liberty. [London] : Other Criteria Books, [2017]. HOLLIS 015316431
  • Coley, Nathan, 1967- artist. Nathan Coley. Edinburgh : National Galleries of Scotland, 2017. HOLLIS 015301276
  • Collazos García, Raquel, ed. Miró : una colección. Madrid : Fundación MAPFRE, [2017]. HOLLIS 015303204
  • Comisarenco Mirkin, Dina, author. Eclipse de siete lunas : mujeres muralistas en México. Ciudad de México : Artes de México y del Mundo : Universidad Iberoamericana : Universidad Nacional Autónoma de México, Centro de Investigaciones y Estudios de Género : PROCESBAC, 2017. HOLLIS 015268758
  • Consiglio, Francesco, 1990- author. Iconografia mariana nei primi secoli del cristianesimo (III-IV) : gli affreschi della catacomba di Priscilla. Roma (Italia) : Arbor Sapientiae editore, [2017]. HOLLIS 015303178
  • Corbeira, Darío and Montserrat Rodríguez Garzo. Permanecer mudo o mentir : Darío Corbeira. Madrid : Brumaria, abril 2017. HOLLIS 015303199
  • Corbet, Patrick and Pierre Sesmat. Corpus de la statuaire médiévale et renaissance de Champagne méridionale. [Langres, Haute-Marne] : D. Guéniot, [2003]-<[2008]>. HOLLIS 013156952
  • Cornet, Heleen, Bert Denneman, and Han van Hagen. Weide & wildernis. Gouda : Arti Legi, c2017. HOLLIS 015297007
  • Costanzo, Cristina, 1982- author. Per la raccolta museale del Teatro Massimo di Palermo : decorazioni e opere d’arte. Palermo : Palermo University Press, [2017]. HOLLIS 015300081
  • Crépin-Leblond, Thierry, author. Le château d’Écouen : grand œuvre de la Renaissance. Paris : Éditions de l’Esplanade, [2018]. HOLLIS 015297044
  • Cresti, Carlo, Massimo Sottani, and Matteo Cosimo Cresti. La villa di Sammezzano : un’Alhambra toscana. Firenze : Angelo Pontecorboli editore, [2017]. HOLLIS 015300090
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  • Doolaard, Martijn, 1966- photographer. Further complications. Amsterdam ; Antwerpen : Voetnoot, 2018. HOLLIS 015300925
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  • Dziewior, Yilmaz, ed. Wir nennen es Ludwig : das Museum wird 40! = We call it Ludwig : the museum is turning 40!. Köln : Museum Ludwig ; Köln : Verlag der Buchhandlung Walter König, c2018. HOLLIS 015302285
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  • Faietti, Marzia, Corinna T. Gallori, and Tommaso Mozzati, eds. Spagna e Italia in dialogo nell’Europa del Cinquecento. Firenze – Italia : Giunti : Firenze musei, febbraio 2018. HOLLIS 015303914
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  • Fragalà, Giovanni and Stefania Pafumi, eds. Sguardi : da una collezione/su una collezione = Gazes : looking at/being looked at by a collection : a selection of photographs of ancient Greek and Roman sculptures of the Archaeological Civic Museum in Catania. Catania : Istituto per i beni archeologici e monumentali/URT Cosenza e Palermo, [2018]. HOLLIS 015300067
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  • Fuchs, Bernhard, 1971- photographer. Fathom. London : Koenig Books, 2018. HOLLIS 015307202
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  • Guangzhou Shi Tang yi wen hua chuan bo you xian gong si. Zhongguo gu jian quan ji = 中国古建全集 . Beijing : Zhongguo lin ye chu ban she, 2016. HOLLIS 015239234
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  • Gutiérrez Márquez, Ana María, 1951- author. Cecilia de Madrazo : luz y memoria de Mariano Fortuny. Madrid : Fundación María Cristina Masaveu Peterson : Museo Nacional del Prado, 2017. HOLLIS 015300097
  • Hall Art Foundation and Grey Art Gallery. Landscapes after Ruskin : redefining the sublime. Munich : Hirmer, c2018. HOLLIS 015302289
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  • Hattan, Yūtarō, 1972-. Egakareta Gionmatsuri : Yamaboko jungyō, nerimono kenkyū = 描かれた祇園祭 : 山鉾巡行・ねりもの研究 . Kyōto-shi : Shibunkaku Shuppan, 2018. HOLLIS 015256163
  • Hauswald, Cathrin. Alvin Langdon Coburn : Photographie zwischen Piktorialismus und Moderne. Bielefeld : Transcript, c2018. HOLLIS 015297156
  • Hayashi, On, 1955-. Nihon bijutsu ga wakaru hon : “joseisei” no bunka = 日本美術がワカル本 :「女性性」の文化 . Tōkyō : Keiō Gijuku Daigaku Mita Tetsugakkai, 2017. HOLLIS 015240823
  • He, Zhiguo, author. Han Jin fo xiang zong he yan jiu = 汉晋佛像综合研究 . Shanghai : Shanghai ren min chu ban she, 2018. HOLLIS 015239199
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  • Hetz, Siegfried, 1954-. Mit Macht und Pracht : Burgen, Schlösser und Klöster im fürsterzbischöflichen Salzburg. Salzburg : Verlag Anton Pustet, c2018. HOLLIS 015302291
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  • Hollstein, F. W. H. The new Hollstein : Dutch & Flemish etchings, engravings, and woodcuts, 1450-1700. Roosendall, Netherlands : Koninklijke van Poll in cooperation with the Rijksprentenkabinet, Rijksmuseum, 1993-. Additional volume: v. 32, Johannes Teyler and Dutch colour prints, pts. 3-4. HOLLIS 005554985
  • Hori, Fumiko, 1918- artist. Hakuju kinen, Hori Fumiko ten = 白寿記念, 堀文子展 . [Yokohama-shi] : Kanagawa Shinbunsha, 2017. HOLLIS 015257757
  • Hu, Yuejun and Chen Shuqun. Qian jiang bai jia = 淺絳百家 . Hangzhou : Zhongguo mei shu xue yuan chu ban she, 2008. HOLLIS 015071664
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  • Hummel, Carl Maria Nicolaus, 1821-1907. Carl Hummel : Werke aus dem Nachlass des Künstlers : Katalog zur Ausstellung bei Grisebach, Berlin und München 2017/18. Berlin : Deutscher Kunstverlag, [2017]. HOLLIS 015297146
  • Huxley, Geralyn and Greg Pierce, eds. Andy Warhol’s The Chelsea girls. New York : D.A.P./Distributed Art Publishers, Inc. ; Pittsburgh : The Andy Warhol Museum, 2018. HOLLIS 015312840
  • Ibáñez, Maite and Pilar Tébar. Proyecto 3 CMCV : Pecados capitales : Manu Blázquez, Vicente Aguado, Silvia Martí Marí. Valencia : Consorci de Museus de la Comunitat Valenciana, [2017]. HOLLIS 015300101
  • Ichihashi, Orie, 1978- photographer. Town. Tōkyō : PIE, 2017. HOLLIS 015246627
  • Idemitsu Bijutsukan. Iroe = 色絵 = “Iro-e” Japan cute! . Tōkyō : Idemitsu Bijutsukan, 2018. HOLLIS 015257747
  • Iizawa, Kōtarō, 1954- author. Kīwādo de yomu gendai Nihon shashin = キーワードで読む現代日本写真 = Keywords in contemporary Japanese photography. Tōkyō : Firumu Ātosha, 2017. HOLLIS 015246634
  • Ikeda, Ryōhei and Kuraya Mika. Kumagai Morikazu : shōgai to sakuhin = 熊谷守一 : 生涯と作品 . Tōkyō : Tōkyō Bijutsu, 2017. HOLLIS 015246631
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  • Ishiuchi, Miyako, 1947- photographer. Kime to shashin = 肌理と写真 = Grain and image. Tōkyō : Kyūryūdō, 2017. HOLLIS 015246630
  • Jaccard, Jean-Philippe and Ioulia Podoroga, eds. Kandinsky, Malévitch, Filonov et la philosophie : les systèmes de l’abstraction dans l’avant-garde russe. Nantes : Éditions nouvelles Cécile Defaut, [2018]. HOLLIS 015297047
  • Jakob, Michael, ed. Autour du Léman : histoire et esthétique d’un espace lacustre. Genève : MētisPresses, c2018. HOLLIS 015300934
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  • Navia, José Manuel, photographer. Navia. Madrid : La Fábrica 2017. HOLLIS 015300099
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  • Pingxiang Shi Lianhua Xian wen wu ban, Jiangxi Sheng wen wu kao gu yan jiu yuan. Jiangxi Lianhua Luohan Shan Xi Han Ancheng hou mu = 江西莲花罗汉山西汉安成侯墓 . Shanghai : Shanghai gu ji chu ban she, 2017. HOLLIS 015251526
  • Piotrovskiĭ, M.B., ed. Vizantii͡a skvozʹ veka = Византия сквозь века = Byzantium through the centuries. Sankt-Peterburg : Gosudarstvennyĭ Ėrmitazh, 2017. HOLLIS 015277361
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